It’s the tail end of the 2019 Samhain season, so, in order for you to understand Dead Beats, I want to tell you a story. ^_^

When I was 8 or so, I had a baby sitter. She was an adult woman who had a kid of her own who was about my age (but who went to a different school. We had 5 elementary schools in the area I grew up, we all went to the same one middle school, then were split back up into two high schools.) Melissa – I have no idea why I remember her name, was a goth-y kid at 11. She seemed very old to me, but she liked comic books so I’d hang with her when she was home and read her comics, which were all horror. I didn’t like horror comics – they weren’t scary, so much as kind of gross and all ironic. You know what I mean, right? The person who always stole lunch from the kids was tortured by being force-fed, that kind of morality play. Terrible people getting their comeuppance. They were so tiresome and full of allegory , l which I didn’t like even back in elementary school. When Tales of the Crypt got on HBO, I was like, “Hard pass – I already read that and thought it blecch.”

So me and horror have a rocky relationship. I hate “Boo!” type scare tactics, and morality plays and guro. What’s left you may wonder. And in response, I will sigh and reply “All the well-written, funny, intelligent, creepy horror of the universe, duh~~!”

Dead Beats horror comic anthology is funny, intelligent, creepy short horror comics that completely lack the morality that made horror comics so tiresome. It’s still has some irony, but that’s to be expected.*

The premise is a visit to a cursed music shop, where the proprietor points out random items, implies horrible fates and leads us to rooms where unspoken-of unspeakable horrors occur. We then get a short horror comic – something rather funny, occasionally touching and frequently gruesome – centered around something musical-ish; an instrument, the music itself, whatever.

It was terrific. A lot of fun to read. From the ridiculous “The Cursed Saxophone of Skasferatu” to “Apolcalypse Demo, which married a bit of the end of the world to a final jam.  There’s a lot of musical demonic invocation, which I always seem to like for some reason…

Overall, I haven’t had this much fun watching people die in a long time.  ^_^

There’s no way to comment on art or storytelling as a whole, most stories credit three to four people on a contribution, so you’re looking a variety of writing and art and letter and coloring, all so different, you can’t really compare. But if I had to pick one story as a favorite, it’d be the ghost story written by Vita Ayala, art and coloring by Raymond Salvador and lettering by Micah Myers, “Let’s Stay Together.” When you read it, you will understand why instantly. ^_^

Dead Beats is also pleasantly – which is to say,  very – diverse. It looks like the actual world I inhabit, with straight and queers folks and people of differing body types and colors and ability and yes, levels of demonic possession. This collection has a number of queer stories, from the self-affirming to the openly murderous.

No fooling,  this variety made the book a lot easier to read for me. I don’t encounter Japanese schoolgirls nearly as often as, oh, just about anything else, which is not – for obvious reasons – reflected in my comics reading.  It’s nice to see comic pages that look like the life I live, full of all sorts of people. People who are either killing or being killed, true, but I’m not going to lie and tell you that real life doesn’t have plenty of that, too.

Creators are likewise a magnificent palette of colors and identities. There are so many top-notch creators here, you should get this book just for the who’s who in the credits. ^_^ Which, it turns, out, you can’t just now, because the book has sold out. Hopefully they’ll get this back in stock sooner, rather than later, and you can get your fill of people being possessed, mangled, devoured, rendered and cursed!

Ratings:

Overall – 9

This was perfect Sahmain season reading.

*Use ironic endings the way you would a monkey’s paw. Sparingly and expect things to go badly.

Kiss Number 8 by Colleen AF Venable and Ellen T. Crenshaw is the last of the books I brought home from TCAF, in this case thanks to Johanna Draper Carlson of Comics Worth Reading. Johanna and I agree on almost nothing, but I love conversing with her is terrific and I  almost always learn something I did not know when I do. ^_^

I know I talk about TCAF a lot, but one of the things about that I particularly like about it is the proximity to so many reviewers who recommend excellent books to me that I might not otherwise know about. And this year, as the Ladies in a Hotel Room occupied the corner table at the lobby bar, we had a great number of amazingly talented, passionate and interesting people join us. So I actually met Colleen and Ellen before having had a chance to read this book.

Kiss Number 8 follows Mads, a high school girl from a family in a community that is strongly, even strictly, Christian. Church and age-appropriate dances and the like fill her life. Her friend’s brother is into her though she’s not into him, although she tries to be, for a while. And in the meantime, she’s dealing with a pile of normalish growing up things, and a family secret that she’s just kinda pissed about. She’ not pissed that they have a family secret, or, when she learns what it is, but she is seriously pissed at her Dad, who is her best friend, being a dick about it.

Speaking of best friends, Mads has some friend issues of her own. Her one best friend is in love with her, which was kinda obvious to me, but not to Mads and Mads is in love with a different friend, which is obvious to everyone, except Mads.  Mads is trying to be the good (straight) girl her community and family want her to be. So when she has kiss number 8, drama ensues, but not for the reason you might expect.The story isn’t a “coming out” narrative, although that does happen. When Mads and we finally learn her family secret, it’s not at all what we -or she – think it is.

Everything about Mads’ life as it is presented, is alien to me.  But the mass amounts of drama around friendship and dating…that was all as I remember it. So it was both entirely realistic and also oddly foreign, the way going over to dinner at a friend’s house was when you were 12 and finding that all the things you had on the table and thought were normal are nowhere to be seen on your friend’s table and if you ask for Worcestershire sauce they just stared uncomrehendingly…it was like that.

Although the art isn’t photorealistic, it conveys a very realistic feel to the story, with a single-camera perspective. It’s an easy read, even though it can be emotionally heavy.  The story, the characters, the art all combine to tell a poignant tale of learning about life, about one’s self and the people around one.

Ratings:

Art – 8
Story – 8
Characters – 6 I only really liked Laura
Service – Not really
LGBTQ – 9

Overall – 8

Like Laura Dean Keeps Breaking Up With Me, this is a solid YA book that would make a great pride gift for your family member who needs help understanding themselves or others, or the local library. ^_^