Archive for the English Anime Category


Air Master Anime, Volume 2

May 21st, 2005

No, you didn’t miss a review of Air Master Volume 1. Anime Castle was out of that volume when I was there to pick it up. Since I already know the story, I just took it from Vol. 2, and there we are.

To start, I reviewed this series way back on November 17, 2003 (it’s still running and yes, I am still reading) and the anime on February 26, 2004. If you want to know what the story is about and why we care – read those reviews.

Now, here is my review of the Geneon release of Air Master on DVD:

Geneon Entertainment Customer Service
c/o The Right Stuf International
PO Box 71309
Des Moines, IA 50325

Dear Sir or Madam;

My name is Erica Friedman, the President of Yuricon. The over 1200 members of Yuricon greatly enjoy many Geneon anime series, so we take it rather seriously when we feel that the quality of a DVD is exceptionally low. I am therefore writing to address two issues on behalf of my organization.

(I have snipped a portion here that is not relevant)

But far worse is the DVD of Air Master. The subtitles are incredibly small and hard to read – and they appear to actually be a close-caption track, rather than subtitles. It is incredibly annoying to pay good money for such a shoddy product. I and many of the members of Yuricon are perfectly aware that Toei anime seems to tend towards sub-par quality, but we do believe that the translation – which *is* yours – is poor enough that, at times it seems as if we are watching a bootlegged translation from Hong Kong, rather than the legally licensed version for America. It seems utterly strange to us that your translator was not familiar with shumai, a common Japanese dumpling (translated as siu-may) or Lucha (translated as Roo-cha) Master being named after the luchadores, Mexican masked wrestlers. Neither of these are particularly obscure terms…

We at Yuricon look forward to the day when Geneon licenses Maria-sama ga Miteru for the American audience, and we very much hope that your company strives to improve the quality of your translation and subtitling by then. And we do expect to see a revision in future volumes of Air Master. The current subtitling is simply inexcusably bad.

(Another small, irrelevant snip)

On behalf of the members of the Yuricon community, we thank you for your time and consideration.

Sincerely,

Erica Friedman

***

You will notice that I left in the address for Geneon. Please feel free to write them and politely express your disapproval of this product. It’s the only way they will know what we think.





Yuri Anime: Noir, DVD Volume 1

May 16th, 2005

A blast from the past! But, you see, I never originally reviewed Noir. Isn’t that odd? I did talk about it a little in my initial overview of Bee Train series for my review of Madlax, but I have never talked about this series in detail. It gives me a good excuse to rewatch the series. ^_^

Let’s start with the bad.

There is so much repeated footage in the early episodes that it’s a wonder anyone gets past episode four. After watching the first volume again, I hated that damn watch and its musical theme all over again, something that time and distance had dulled.

The animation is surprisingly weak in places, especially in regards to the characters’ faces, which is all the more obvious when laid against really detailed and cool backgrounds.

Lastly, there is the small issue of entry and exit wounds…they do not exist. Guns make *holes*. People do not bleed by osmosis. We are watching an anime about assasins. We should REALLY have wounds. And while it’s a small issue, it just hits absurd proportions later on in the series, when Kirika and Mirielle are gunning down dozens at a time. Blood yes, but only behind bodies and with no wounds. Come ON, Bee Train, get some balls!

I will admit that they partially addressed the issue in Madlax.

That’s about it for the bad, now for the good.

Oh my god is the music orgasmic! I bought all three soundtracks to this anime, something never before heard of. With the exception of the watch’s theme, (and only because it’s just overused,) every track in this show rocks. Canta Per Me and Salva Nos are indescribably sexy as background music to the various “running around with guns and shooting people” scenes.

It’s about women who use guns. Like Gunsmith Cats, no matter how absurd the storyline, we’ll put up with it, because, well, it’s got sexy woman with gun and we like. ^_^

The various settings are fun. I think Bee Train do a really nice job of moving the story around the world – in this first volume we start in Japan, move to Paris and briefly slaughter some people in a tropical climate. I really like the mobility of the story. Especially as it will take them, eventually, to the woods of New Jersey.

The occult coolness. Could anything be cooler than two female assassins traveling around the world, killing with dispassionate skill? Yes! They could be investigating a Medieval occult conspiracy! Da Vinci Code step aside – Soldats has you beat flat.

Oh, and erm…gee they seem kinda Yuri don’t they? ^_^

Okay, in Volume 1, there is already a definite vibe between our two lovely leads. And there does seem to only be one bed doesn’t there? And gee, Mirielle seems a sensual, passionate sort, and she’s only a few years older than Kirika…

And anyway, geez, who *else* could they sleep with? It’s not like they’d be meeting lots of nice people to hang out with, or be able to buy sex, since it would be too risky. Bottom line is, it’s obvious, right off. And Bee Train tells us that if we want to see it there, it is, so I say it is. There, that’s settled. ^_^

Ratings:
Art – 7
Characters – 8
Story – 9
Yuri – 6

Overall – 8

Not for the cute, fluffy crowd, but a definite Yuri fan fave.





Yuri Anime: Ikkitousen DVD Volume 3

March 24th, 2005

Gods help me, I *really* enjoyed Ikkitousen Vol. 3. In fact, I enjoyed it so much, I’m seriously thinking about going home and rewatching it again. Today.

In a nutshell, this volume of the anime version of Wani Comics’ offensively fanservicey, trashy, faux-historical/martial arts epic, details the transformations of Housen Ryofu from psychotic lackey into honorable uber-warrior and Shimei Ryomou from psychotic loner into super-vassal. And despite myself, I really enjoyed the hell out of it.

Ryofu wakes up with the realization that she is dying, and decides to go out with a bang. She’s determined to take Toutaku out before she goes – a fine goal, in my opinion. She heads off to a mountain hot spring to train with *the* master and gain an undefeatable technique and the strength to go with it. Before she leaves, she explains to Chinkyuu why she has to do this, and Chinkyuu responds by explaining why she will stay with Ryofu until the very end. In a single volume, Ryofu goes from being a superficial baddie, to a surprisingly deep heroine.

In the meantime, Goei has brought Hakufu and Koukin (who remains the most annoying character in the series) to the same hot spring, in order to train. Well – they are there to train, she’s there to “take the water” as they say in Jane Austen. Hakufu almost immediately runs into Ryomou who has been drawn there for reasons that remain obscure and convenient.

At the hot spring Ryomou has an epiphany. Well, one epiphany and the beginning of a second. Firstly, she meets and is wowed by Goei, whose casual sensuality simply blows her away enough to remove the stick from her ass for a second.

Then, when she and Hakufu meet Ryofu on a mountain path, Ryomou realizes that her true fate is, was and always will be to serve Hakufu and protect her. In a single defiant gesture, she stands before Ryofu to protect Hakufu with her life. Ryofu laughs, says she doesn’t have the time and runs off.

In the meantime, Chinkyuu makes a bad decision which ends up getting her raped and tortured at the command of Toutaku’s lackey, Kaku Bunwa. Bunwa is one of those second-in-commands that you enjoy watching being taken down, because she thinks she’s so clever, but she ain’t. I’m sure you know the type. When Bunwa tells Ryofu about Chinkyuu, Ryofu goes off to save her lover/vassal in a stunningly impressive display of coolness and ki. Ryofu notches up several ranks of wow as she blows the life out of Bunwa’s enforcers without hardly moving. Waaaahhhhh….coooollll…. I just love a woman who can blow a man’s heart out of his chest.

Ryomou, having determined to serve Hakufu to the death, runs off to see “her” again. Not Hakufu…Goei. Bing Bing! We got a winner here! Ryomou discovers Goei falling to her knees in the street, as she has just met the Fighter that, historically, killed Hakufu. Goei begs Ryomou to protect her daughter and, Ryomou, in her second epiphany, swears to make sure that Goei is never sad. From vassal of the daughter, to serving the mother in one smooth move. Yay Ryomou!

Some other stuff happens – we learn why Toutaku always has bandages on his body, but you know…who cares? And we’re supposed to care about the dragon that is awakening within Hakufu, too. But we don’t, do we? Because *we’re* watching the Yuri-fest going on in the background. ^_^ In any case, Koukin will do all our worrying for us, so we’re free to watch the cool chicks.

The Yuri goggles are getting dusty on the shelf while we watch this volume, I can tell you. The Yuri is so blatant, starting with Ryofu’s waking up naked next to Chinkyuu right down to Ryomou vowing to keep Goei from ever being sad.

Yes, there’s fanservice, but I simply tune it out now. And for once, there’s actual nipples instead of that wretched convention of clothes that have exploded but conveniently hang down *just* to cover the nipples and groin, which I find absolutely tedious. In some ways, the fanservice was *less* stupid because it was more overt. At least it was more honest and less coy.

One final rave about this particular volume – the pencil board did not actually suck! Can you believe it? On the one side is Ukitsu (the Fighter who is supposed to destroy Hakufu) looking seductive and sweet as opposed to kick-ass, which I always find to be a disservice. But! On the other side is *my* favorite character, Goei. Yes, Hakufu’s mother. ^_^ What can I say? I adore her. Anyway, there she is mostly dressed, while her kimono falls sexily around her. She looks just as sensual and aware as she does in the actual show – no frontal lobotomy here. So this pencil board wins. I may actually use it, instead of locking it away with the ROD The TV boards in the “please don’t think I like these” collection.

I’ll be honest, Ikkitousen is not a *good* anime. But given this series’ general suckiness, this DVD is a good volume. (And, for the record, the anime is significantly superior to the manga, which you’ll notice I have not reviewed. Be patient.)

The Yuri rating for Ikkitousen, Vol. 3 is an easy 9. All the other ratings remain as before.





Yuri Anime: Stellvia of the Universe, DVD Vol. 3 (English)

March 15th, 2005

Volume 3 of Stellvia of the Universe marks the end of the first arc – and was suprisingly more interesting than I remembered the first time around.

One of my complaints has always been that Shima, our heroine, follows that weird “idiot savant” pattern so common in female-lead shounen anime. You know, she’s a failure at a thing the first time she tries it, but after a “Gamabare!” or two from whomever is her emotional prop, she masters it immediately.

Well, upon rewatch, I find that I was mistaken. In fact, Shima spends an enormous amount of time in Vol. 3 practicing her skills, which result in her improving. Perfectly sensible, and how on earth did I miss that the first time around? Not only that, but the lesson is pounded home when Rinna points out that the only reason she herself is so good is that she had no friends, so practiced pretty much all day every day since she was a child.

Leila-sensei even comments that Shima’s seemingly irrational emotional ups and downs make sense – after all, she’s very young, and it stands to reason that she’ll vaccillate between being hyper-energetic and completely self-conscious and unsure of herself. Heck, I do that now, and I’m hardly young any more… lol

So, okay, okay, I was wrong! Sheesh…

So, where does that leave me? Rewatching this series has forced to me turn my dislike on Kouta, Shima’s soon-to-be love interest. I will never like him, on principle. ^_^ But I will grudgingly admit that, at the end of this volume, he becomes an interesting red herring/plot complication.

On the yuri side, we get only a little of the dynamic between Yayoi and Ayaka in this series, as we’re all focused on the resolution of the Second Wave. 20/20 hindsight leads me to believe that Yayoi was attempting to find some closure before Ayaka leaves on the mission, but chickens out at the last second. (Which makes for a nice place to write a fanfic, I think.) I have completely moved over to the Arisa is in love with Shima camp, but even Arisa can see that it’s hopeless, so it stays at low-level crushiness, for which I think Arisa deserves snaps.

Again, the absolute *best* thing about this series is that all the characters act their ages, and the dialogue *sounds* their ages, too. I really feel like these characters are exactly what they appear – something I rarely get from an anime. (Can anyone say Haruka and Michiru? I mean, really – they were suppose to be *16* when we first meet them. LOL)

I won’t whine about the bare packaging and scant episode count again…you’ve heard it before. I’m just getting into the DVD when it’s over. But other than that, I honestly think I’m enjoying this series *more* this time around than I did the first time.

Once again, if you like space opera, good characterization, a catchy, yet unsingable opening theme and a lovely Yuri relationship, Stellvia is still a good watch.





Bubblegum Crisis Tokyo 2040 Anime

February 16th, 2005

So, about 15 years after a generation of bottom-feeding otaku who wear t-shirts a size or three too small grew up on fantasizing about big-hair Priss and her sexy Pat Benatar-like tunes, a whole new iteration of the Knights Saber was thrown at us…and thank god for that!I just had to do this, and make you all face the horribleness of the old-school hair. ^_^ I defy anyone who says the OVA’s music was better, too. But more on that later.

In this TV series version, Bubblegum Crisis: Tokyo 2040, all of the Knights Sabers have significantly less 80’s hair and some of them have even have real jobs. Sylia still lounges around alot in slinky clothes, but Nene is no longer 12 and Linna has shed her idiotic non-job as an aerobics instructor. Priss is still a bad-ass angsty loner rock star, but this time she sings actual rock! Whee!

(The album of Akira Sudou as Priss for this anime was the very first anime music I ever bought and I don’t regret it, even now. I think Akira Sudou rocks. ROCKS. Every damn song on the album kicks butt. For the music alone, this anime beats the old OVA flat.)

In the beginning of the TV series, there’s a definite Linna x Priss vibe, but it really can’t go anywhere. Leon, who has been significantly de-Chelsea-ed for the 2040 series, and Priss, end up together. I’d like to be pissed off, but it actually makes more sense than Priss and Linna…I mean really. Linna does grow a pair from watching Priss, so there’s something to be said for grown-up akogare/admiration/desire.

I could, if I cared, see this Sylia with Priss more than the old one – there’s something blatantly sensual about new Sylia, but of course, she’s completely cracked and I wouldn’t wish her on an enemy.

Which leaves us with Nene and Sylia’s “cute” little brother, Mackey. He’s so “cute” as he accidentally sees the girls in various states of undress 182,298 times. Ha. Ha. Adorable.

There were a couple of things (other than the hair and music) that are significantly better than the original OVA. There were more men who were not bad guys or boomers, for one thing. And pretty much every character was openly dysfunctional, which fits the dystopian setting and tone of the story. The exception to this is Linna, who basically serves as the protagonist, so we can see it all through her eyes, from a relatively “normal” perspective. It makes everything in the Knights Sabers’ cyberpunk world look that much darker and skewed…something that really worked for me.

Downsides to 2040? The utterly dreadful non-ending. I wanted to slap the writers for creating yet another self-fulfilling prophecy which did nothing and went nowhere. And the bad guy, who had had 15 years to get a clue, was worse than ever. I just don’t see the appeal in world domination. I mean, think of the paperwork!

Despite the lower yuri level and the lame-ass ending, 2040 was good – if only for the hair and music. Probably only for the hair and music. It’s an interesting study in what 15 years does to audience expectations, anway.

While you’re digging out the old OVAs…get a hold of this series, too, and listen to some decent music for a change. ^_^