Archive for the English Manga Category


Yuri Manga: The Last Uniform, Volume 1 (English)

August 13th, 2007

My sincere thanks to the folks at Seven Seas for providing me a copy of The Last Uniform for today’s review. Your generosity is sincerely and greatly appreciated!

As you may know, if you have been reading my reviews of the Yuri Hime magazines for the past few months, I do not like Hakamada Mera’s art. And the recent entries by Hakamada in those magazines have outright repulsed me. Nonetheless, I am going to say that The Last Uniform is, in every other way other than the art, an enjoyable manga. (My original review of Saigo no Seifuku says pretty much the same thing – if the art was better and the characters looked their age, I most likely would love this manga. But they don’t. So I don’t.)

The manga takes place at the ubiquitous girl’s school in one of the dorms, where the rule is that everyone must share a room. There can be no single-person rooms. So, when a new student transfers in, she is placed with roommates Ai and Fuuko. Ai is exceptionally upset about this – more than she can even deal with. By the time she realizes why, so has her new roommate, who goes out of her way to stay out of their way and even encourages Ai.

In addition to Ai and Fuuko, an older pair of students, Tsumugi and Beniko, are also involved in a gavotte around their feelings for one another. Their relationship is complicated by an upperclassman who openly courts Beniko, but to no avail.

These two relationships are the main focus of the manga, with some side stories and a key flashback.

The plot, such as it is, revolves around normal school life, with the trials and tribulations twisted only slightly to reflect the student’s feelings for one another. There are some kisses, but no outright confessions in this volume. By the end of Volume 1 the couples are neither together, nor are they apart. It’s a story of beginning more than endings though, so the reader can remain hopeful that things might progress.

As with all of the Seven Seas books I’ve reviewed so far, the translation and adaptation are nearly seamless, which makes for a pleasant and smooth read. If only the art wasn’t so darn unappealing…oh well. (And remember that this is *my* opinion. You might not be bothered by it as much as I am. I am bothered by it a great deal. I don’t like the oversize, misshapen heads and the little-girl bodies.)

Of all of the so-far released books in 7S’s Yuri imprint, remembering that Kashimashi is NOT part of their Strawberry line, Last Uniform is pretty much the only one with actual Yuri. The others have “Yuri-service,” where the two female protagonists are shown in a variety of posed positions in still art or screencaps as if they are potentially lovers, but there’s no actual emotional connection. Like the Newtype effect, many people cannot discern the difference between two women in love with one another or two women who are merely posed to look as if they desire one another. (Thinking about it, this explains the popularity of lesbian porn for men – the viewers can’t differentiate/don’t care about the fact that they are just two women being paid to have sex on one another. But I digress.)

In any case, the strength of this book is the characters’ feelings for one another, which reads pretty convincingly and not at all unpleasantly.

Ratings:

Art – 3
Story – 5 (nothing new or earth-shaking, but nothing taxing or horrible)
Characters – 8
Yuri – 8
Service – 1 (but only on the basis that someone, somewhere will always get off on something, as the author clearly does on school uniforms.)

Overall – 6

As the only manga with actual Yuri in the Strawberry imprint, I think it does a fair job. I’ll never sing paeans of praise to this series, but you could do worse….





Yuri Manga: Kashimashi ~ Girl Meets Girl, Volume 3 (English)

August 8th, 2007

I have two gentlemen to thank for today’s review. First and foremost, Daniel P. who sponsored today’s review by hitting up my Wish List. Thank you very much Daniel! And secondly, Mike H. who just yesterday wrote me a wheedling email wanting to know when I would review this manga already. Mike – I’m reviewing it, ‘kay? Stop whining. ^_^

The plot of Kashimashi Girl Meets Girl, Volume 3 is no different from my review of the Japanese edition in 2006. For a basic outline (with the usual mild spoilers) of the plot in Volume 3, please go ahead and read that review. This time I’m going to focus on the adaptation to English.

First of all, I continue to be both impressed and pleased by the translation and adaptation of this manga. Not only is Seven Seas attempting to capture the feel and sense of the original, but leaving honorifics and cultural relics untranslated, but in this issue I noticed a sincere effort to capture the *voice* of each character. This simply puts this adaptation orders above every other translated manga company out there, except for ALC. Because we also work hard to keep the character’s voices intact through our translations and adaptations.

If you know anything about me as a writer or editor, have ever attended a writing workshop with me, or even just read my Fanfic Writer’s Workshop, you’ll know that lack of “voice” in writing, much less translation, is my bete noir. I cannot stand it when all the characters in a book, manga, anime, whatever, sound the same. Rarely do they, in the original, but American translators, by virtue of being one person translating several chapters/volumes, often smooth out the voices to the point that all the differences in speech disappear. Maintaining them in any translation is difficult. And kudos to 7S for obviously working at it.

But.

(You just *knew* there had to be a “but,” right?)

Unless Tomari has all of a sudden become an old Jewish guy, I’m just not convinced that “putz” is the right word as a translation for “baka.” *I* don’t even use putz – and I’m an old Jewish woman. My Dad…*he* uses putz. “Idiot” “Moron” “Stupid” – all are perfectly good insults that don’t make Tomari sound like my father. ^_^

One other thing I wanted to point out on the good side: I noticed immediately that all the characters, save Sora-sensei (who is alien and a freak above that) now call Hazumu “she” or “her.” Well done. Thank you.

The Stupid Plot Complication Disorder (SPCD) this volume is far more exhausting than Yasuna’s merely not being able to see men, and I can swear to you that the conflicts, such as they are, will drag out for most of the next two volumes. But I’ll also council you to stick with the story, because IMHO, the end isn’t at all bad. Check back here for an upcoming review of the final volume, which came out this summer in Japan.

Ratings:

Art – 8
Characters – 7
Story – 7
Yuri – 9
Service – 4

Overall – 8

Asuta and his fantasies…total snooze. What a paucity of imagination that boy has.





Yuri Manga: High School Girls, Volume 8 (English)

June 30th, 2007

Once again, it is my great pleasure to welcome Guest reviewer Sean Gaffney!

Dr Master has just put out Volume 8 of High School Girls, and it’s pretty much more of the same wackiness. If, like me, you read this to look at Towa Oshima’s wonderful facial expressions, you won’t be disappointed. Eriko, in particular, gets to express disgust, dismay, and embarrassment in a variety of amusingly drawn ways.

This volume continues the class trip to Okinawa, and Chapter 1 involves Eriko and Kouda attempting to bond with the Takarazuka pair, Nao and Sayaka, and failing miserably. Kouda is just too much of a giant freak all the time, and every time that Eriko tries to be friendly, Kouda interrupts with a new horror.

This continues throughout the book, and eventually they do get to know a little more about the pair. In fact, Nao and Sayaka have the only thing remotely approaching plot development here, as we discover that Sayaka has a secret that she’s hiding from her classmates. Once again, Towa’s expansion of the cast works well, as we get to know people beyond just the main six.

The manga has about the final third devoted to three short stories. The first has Momoko once again trying to give the girls beauty tips, with the usual results. In the second, Ayano discovers that her sister is dating Kouda’s brother, much to her horror. And in the last (and best), Eriko and her brother try to find various ways to beat the heat, and Eriko remains completely oblivious to the fact that her brother’s hit puberty by now so she shouldn’t be bathing with him anymore.

The main reason to get this, of course, is for the comedy. There is Yuri, yes, but it’s Yuri played for laughs. Nao and Sayaka sleep in the same bed, and Nao even scrubs Sayaka’s body with her hands in the bath (her skin is very sensitive, you see). Nao and Sayaka keep saying ‘please don’t misunderstand’, just to keep it vague enough for Japanese editors, but as Yuma notes, ‘It’s pretty clear what they’ve got going on there.’

We also get Kouda once again getting Eriko in compromising positions, and Yuma and Ayano acting far too close for comfort. Provided you don’t demand, you know, actual follow through in your Yuri, there’s plenty here for you.

There’s also tons of comedy, ranging from the usual embarrassment of periods and tampons to metatextual humor that breaks the fourth wall. At one point the gang are on an island trying to hunt wild animals, and Eriko tries to draw it for them. She can’t draw, so it’s basically a kid’s scribble. Lo and behold, they immediately catch a creature that looks, literally, exactly like the scribble. As Eriko notes, “This is turning into a different kind of manga…”

As for how Dr. Master did things… well, it’s still sort of schizophrenic. On the plus side, the cover is well done, the color pages are fantastic, and the reproduction is miles ahead of the earlier volumes. As for the adaptation…geh. When they don’t have to try to do Japanese culture, it’s a sturdy, well-written adaptation. When they do, either they translate it straight and don’t bother to note the joke, or they change it to an English variant that tends to jar horribly (Diff’rent Strokes references? In 2007? COME ON.) On the bright side, there’s fewer Japanese culture refs as the manga goes on, so things do improve.

Ratings:

Art: 8. Towa’s expressions get better and better, and even her SD-shorthand poses are funny.
Story: 5. There’s really no plot here at all, with the exception of finding out
Sayaka has a mysterious secret.
Characters: 7. Himeji and Ogawa are almost totally absent this volume-again – but the rest are fun and entertaining.
Yuri: 6. It’s quite a high rating for something where it’s all tease, but the tease is *so* blatant I moved it up a notch.
Service: 6. Again, I suspect any perverts who try to read this will be put off by the constant mentions of tampons, periods, and various other ‘female problems’. That said, this is fanservice-y as heck.

Overall: 7.

This is a fairly light and fluffy volume, but again, you aren’t reading this manga for the deep meaning or tragic backstory. If you like Japanese high school girls being weird, strange, and bizarre, and don’t mind a healthy dollop of service, then you’ll enjoy this.

Thanks so much Sean – my copy’s on its way and I’m looking forward to it even more. ^_^

And while I’m thinking about it – if you, dear reader, have ever wanted to try your hand at reviewing a Yuri Anime or Manga, especially one I won’t/can’t/haven’t covered, feel free to contact me and we can talk. There’s only so much time in the day and I appreciate a break once in a while. Consider your email your audition – it has to be well-written, grammatically correct, good spelling and it helps if you’re funny, too. lol

Here’s an idea. I have no intention of covering Hitohira, because I think that it’s stoopid. Send me a review of Hitohira and the best one gets posted. ^_^ Use the format I use in my reviews, with ratings at the bottom. I look forward to seeing what comes in! ^_^





Yuri Manga: Iono-sama Fanatics (English)

May 25th, 2007

Today’s review was brought to you by Infinity Studios, the publisher of the English-language adaptation of Iono-sama Fanatics.

I reviewed this book originally on November 11, 2005. For a discussion of the plot and characters, please read my original review. For today’s review I am going to focus solely on the adaptation to English.

Unusually for me, I’d like to start with some of the good things. I am exceptionally pleased with the general level of reproduction (although my review copy was a PDF and not an actual book, so I can’t tell you how it will look on paper.) Color pages have been retained, which pleases me no end. The notes for the story are mostly very decent. I particularly liked the glosses on the notes about the characters and the roles from Mito Koumon upon which they they were loosely based. That worked for me and I felt that the translators were doing a decent job of keeping us readers included in the in-jokes within the book.

On the other hand…other than the “-sama” for “Iono-sama” they left out honorifics (and we all know how I feel about that.) If you could leave in one honorific, I am at a loss as to why you wouldn’t just leave in the others? The names of the characters are transliterated, which works fine for me (except that Aruje will inevitably be pronounced ah-rooj instead of ar-gee, but oh well…) and I admited a certain amount of uncertainty about some of the names myself when I reviewed it originally. But…Frechet (name transliteration taken from the 2007 Fujieda Miyabi Calendar I got at Comike, so the author’s own choice) is transliterated to “Fletch.” That’s just…I dunno…yucky. Frechet-san just seems tons cooler than Ms. Fletch, doesn’t it?

2015 Update: I was wrong here, but so was Infinity, IMHO. Flèche is her name, and while “Fletch” is the English translation…we don’t usually translate names. Argent was not “Silver.” And we’re past that Victorian “Princess Jade Perfume” bullshittery.

In general, the translation is decent, but the one or two times it isn’t, it’s horribly, disturbingly jarring. The first time it is not the translator’s fault.

There is a scene, late in the book, when Frechet (yes, I am going to continue to use the author’s version of the name) and Arata are making googly eyes at one another – obviously enough that everyone else can see it. Iono-sama jarringly asks if they are on the “L Word” together. I took a look back at the original Japanese and honestly, that particular passage would have been a bear to translate without being, well, crude. The points I take away for mentioning a current (and copyrighted…what’s the chances that they got permission?) TV show I give back because the actual sentence…ugh.

The second horribly egregious translation will not go unnoticed, however. Inexplicably, in the author’s note comic in the back of the book, where the word “moe” was used, it was left untranslated, but the word “Yuri” was translated – as “girl on girl.” Thank you, Infinity, for rendering the genre I live and love into a porn term. I wrote them and let them know that it offended.

It’s always nice to *politely* let companies know that the word “Yuri” can remain untranslated as well as “moe” can or, if they insist on translating it, to please use something less connotative of a porn movie, perhaps something like “lesbian stories” or “girls in love”.

Begin digression/

And while we’re on the topic, let ADV Films know that it annoys you when THEY did that very same thing in Best Student Council, Volume 1. You can reach them here: http://www.advfilms.com/FILMScontact.asp

I encourage you all to explain – politely, please – that Yuri fandom is well established enough that there’s no need to be so crude.

I have already contacted both companies, of course, and asked folks on the Yuricon Mailing List to do so as well. ADV sent me an apology for having offended and said that they’d send my message along to the translators.

In both cases I have no doubt that they did not *mean* to offend, but seriously – Yuri fans are the main audience for Iono-sama. It was, as Fujieda says in his comic, originally created as a Yuri story. (Not surprising, as he does quite a lot of Yuri – click his name in the category sidebar to see some of the others. A fact that, apparently, most other reviewers somehow missed.) I just feel that the companies would never have translated “Yaoi” as “gayboy sex” or “gay porn” and realistically, “girl on girl” is a porn term, not a reasonable way to describe Yuri.

\End digression.

One last bad thing about the translated Iono-sama is that there was a rather large typo on one of the character bios. Not a book killer, but I was kind of surprised it got past the editors, since it was really obvious. And yes, I emailed them about that, as well.

So. What do I think of the English adaptation of Iono-sama? I think it’s a nice attempt, but it falls flat in some key places. I would still recommend the book to Yuri fans, because the characters and story shine through the roughness of the adaptation on their sheer force of wonderfulness. ^_^

Ratings:

Art – 8
Story – 8
Characters – 9
Yuri – 10
Sevirce – 2 (it is, indeed, moe))
English Adaptation – 6 (without the Yuri issue, it would have definitely been higher.)

Overall – 9

Dear English manga companies – Yuri fans really don’t like being condescended to. Please treat us with respect. This may mean that you have to police the FanBoyness of your own staff. “Yuri” means lesbian images and narratives – not just girl on girl action (which if it were a porn anime, would be completely understandable!) We’re not prudes, we’re just certain that Yuri is more than hot lesbo sex. Thanks, Erica

For a Yuri manga that treats Yuri fans with respect, try one of our 100% Yuri manga from ALC Publishing! All honorifics intact and no insults to your intelligence! Yuri Monogatari 4, 5 and 6 – on sale now!





Yuri Manga: Kashimashi ~Girl Meets Girl, Volume 2 (English)

May 18th, 2007

I would like to start this review with a sad face in the direction of Seven Seas, since they told me that I’d be receiving review copies of their Yuri, but have so far not. Boo on you, S7.

Kashimashi ~ Girl Meets Girl, Volume 2, is, as was the first volume, an excellent adaptation into English. It is *such* a relief to be able to just have the honorifics as is, instead of watching the contortions of language necessary to make translations work, or to have to ignore the implied relationships because they have been removed. I’m not sure if it’s more like having an itch scratched or the absence of a pain one was barely aware of. In any case, It’s nice. :-)

Volume 2 focuses mostly on the creation and solidification of the three-way romance between Hazumu, childhood friend Tomari and first love Yasuna. We also learn that Hazumu not only lacks critical decision-making skills, but is tortured with the inability to make even the simplest choices. And, in between, we watch Hazumu’s best friend, Asuta, nosebleed over any number of situations with his formerly male, now a cute female, best friend. There’s also an odd chapter that explains Ayuki’s apparent passivity in human relationships, something that will come back later as the story develops.

I just went back and re-read my review of the Japanese edition of Kashimashi Volume 2 and I had to laugh at my last line, “I’ll tag along until it gets unbearable or Hazumu turns back into a guy, whichever comes first.” (But I can’t tell you why, just yet. The series has ended in Japan, although the final volume is not yet out. I’ll review the end when that becomes available.)

There are a few things I do want to comment on. One, the translation and adaptation remain excellent. I know how HARD it is to make translated manga make sense sometimes, and depending on the publisher, the title, the team, sometimes the translation is sensible…and sometimes not. This story actually makes sense in English – not something that is easy to do. Tomari’s tsundere (for non-otaku-speak people, call it “passive aggressive”) personality is especially handled well. It’s not just her being tsundere for the sake thereof…her reasons for her behavior are presented and explained in a way that actually makes sense.

Secondly, as a “transgender” story it’s probably not too bad. As Hazumu says, it’s not like she’s not confused or concerned from time to time, but everyone is treating her the same as always. Maybe that’s idealistic, but – isn’t that the ideal? We’re told, repeatedly, that Hazumu was very girly, he was like a girl, and in this volume, that he wanted to be a bride when he was a child. It’s not a huge leap to say that he was a girl in a boy’s body – again, dredging up Serge’s line at the ACen Yuri Panel, that the aliens fixed what nature had broken. So, in a sense, it is a representation of the ideal situation. That the person gains their true gender and everyone still loves them (in this case, more people love her now.)

As a story of lesbian love, it’s also idealistic. Neither Tomari nor Yasuna are concerned at *all* that they have feelings for another girl. The issue is not “I’m in love with a girl” but “I’m in love with Hazumu” which as it should be in a perfect non-assholish world. And really, the issue is “I won’t lose to her” more than anything else.

Lastly, I really enjoyed Ayuki imploring Hazumu, in her heart at least, to slow down and take her time and just enjoy the three-way dynamic. When, in the end chapter, god appears to concur, it somehow made me happy. I still think that the three of them make the least implausible threesome I’ve ever seen (something that the next volume will explore to a small degree.)

While we the audience might perceive this story to be about gender, by the end of Volume 2, it is no longer. Hazumu’s gender is female. Period. But we still talk about it, don’t we?

So, here’s today’s question for comment: If Hazumu turns back into a boy, would it affect your enjoyment of the series? Do you perceive this series as a Yuri series, a Transgender series or none of the above? Inquiring minds want to know!

Ratings:

Art – 8
Character – 8
Story – 7
Yuri – 8
Service – 5

Overall – 8

The more time I spend with these characters, the less I find anything to dislike.