Archive for the English Manga Category


Yuri Manga: Kedamono Damono

May 17th, 2007

Through luck or agency, I happen to have a plate full of manga and books that deal with gender identity – or, more accurately, use gender identity and gender roles as a springboard for their plots. I thought it might be interesting to review all of these in a row in no particular order whatsoever. I’m not sure if there’s a point to any of this, but it might be a good way to foster conversation on the relative merit of each – or not. Let’s see. :-)

So, we’re going to start off with Kedamono Damono, a silly shoujo manga with little or no merit. ^_^

Konatsu is the manager of her school’s boy’s basketball team and in love with one of the upperclassmen on the team. When she tracks down troublemaker Haruki to drag him to basketball camp, she learns that Haruki’s reluctance was due to his secret – at night he becomes a girl, and is overcome with “perverse” desires. Pretty quickly, female Haruki devlops a relationship with Konatsu, who is happy enough to be doing such “perverse” things with her. In his male form Haruki is awkward and pathetic – he and Natsuo are always on one side or the other of a misunderstanding, but it’s fairly apparent that he loves her and vice versa. For her part, she wants him to say he loves her in his day form, since she’s already gotten that from his night form. He wants to do something super special and just keeps effing up for many and various complications which masquerade as the plot.

If one takes one’s brain away, this story is cute. There’s no doubt that Konatsu is happy with Haruki’s female form – she says as much, that she enjoys her relationship with Haruki as a girl, a lot. She just wants both sides of Haruki, which wouldn’t be asking too much if there was any sense to this story at all. ^_^

Haruki’s painful awkwardness sort of ruins what could be a sweet manga, because as a boy he’s a total spaz. He keeps finding himself in dumb situations because of his inability to communicate, something I term the “Jondalar syndrome, after the lead male of a Jean Auel book in which the *entire* plot was predicated upon the fact that Ayla and Jondalar simply never spoke to one another. And thus it is here. We know that Konatsu and Haruki are, indeed, spending nights together. In all that time apparently they cannot simply have a conversation. It mars what is otherwise a fairly enjoyable manga. Of course, should they actually *discuss* their feelings, the manga would have to end and all of shoujo manga would be reduced to “I like you” “I like you too, let’s go out.” “Okay.” And we simply cannot have that, can we?

The gender issue is handled as a gag. Haruki clearly perceives it as a curse and a secret to hide. This is not Hazumu of Kashimashi, where, as Serge puts it, the aliens fixed what nature broke. Haruki does not want to be, nor is he reconciled to being, a woman. I found it got tired pretty shortly after Konatsu made it clear that she didn’t care in the least. His continued mortification exhausted me. That he tried to hide his family from Konatsu because they too switch gender at night, was just stupid. Obviously, she was okay with it, doofus. Use your words and explain things. She’ll understand.

If I were smarter, I’d insert a clever comment here about how Haruki’s gender switching could represent his unconscious desire to connect with women which he does by becoming one. Or that, more probably, it represents his still immature sexual desire which, since it is not given as outlet as a male, is given leave to be expressed as a female – since we all know that sex between women isn’t “real” sex. But I’m not feeling that smart today. I encourage you all to theorize in the comments section. Why do *you* think Haruki turns into a girl? (Saying something obvious like, “It’s a plot complication to drive a mediocre shoujo romance manga” is forbidden. I will not accept a paucity of imagination in this. Be creative. Be more creative than the mangaka. “That shouldn’t be too hard,” says the wife.)

In any case, Haruki as a girl is significantly less dorky than Haruki as a boy (she is even drawn less dorky, with an emphasis on graceful and sexy curves, where boy Haruki is awkward angles and jerky motions) and gets more kisses too. There is a lesson in that, I have no doubt. ^_^ One of my justifications for calling this a Yuri manga is that what physical relationship we see is largely between the two girls. Another is that calling it a “sexual minority/gender identity manga” is clunky and calling it a transgender manga isn’t accurate – certainly no more than the Yuri label.

Whether this manga remains readable will have a lot to do with how the mangaka portrays Haruki dealing with his gender switching. If he just learns to deal, that would be nice. Konatsu and Haruki like each other, that’s not really in question. But will Haruki have to resolve the gender issue, or can he simply be who he is and still get the girl? My guess is that the next complication (since Konatsu already has another guy after her) will be that girl Haruki is pursued by a guy, with ensuing complications. I’m willing to wait it all out, if I could just be sure that the end wouldn’t suck. ^_^;

For a transgender story, I’d score it pretty low. Not something I’d give to someone who was trying to find themselves in our irritatingly rigid two-gender system. But Haruki makes a pretty good bisexual character, so maybe there is a silver lining in this particular cloud.

Ratings:

Art – 7
Characters – 5, with flashes of 7
Story – 6
Yuri – a bent sort of 7
Service – 5

Overall – 7

As withAkane from Ranma 1/2, I find myself hoping that Konatsu will be left alone to enjoy the best of both worlds. ^_^





Yuri Manga: Read or Dream, Volume 4 (English)

May 15th, 2007

Once again, I have the pleasure of thanking Ted for his sponsorship of today’s review! Yay Ted!

What is there to say about Read or Dream, Volume 4 that hasn’t been said already? I mean that literally, since I reviewed the story in some detail two years ago. ^_^

Here are links to the first and second parts of the Japanese edition review. (There are many spoilers, since I was reviewing the Japanese-language edition for people who I expected did not know the language.)

As with all the other English-language volumes of Read or Dream, Volume 4 is translated well enough that you get the humor, the irony, the adventure and the latent sexual tension. There’s nothing to complain about (except the lack of honorifics.) If anything, this volume reads the most smoothly of all of them. It’s reproduced exactly the same as the others, with no color pages, and the story that originally ran on the cover under the dust jacket translated in pages at the end of the book.

So, really, there’s nothing to be said about Volume 4 that hasn’t already been said…except this. When mail comes and Anita receives a copy of Hisami’s book, Maggie also receives a letter…from overseas. And blushes mightily, when Michelle assumes it’s a love letter. Since it is clearly from Faye, from way back in Volume 1, we can smile and think, why yes, yes it is.

Ratings:

Art – 7
Story – 8
Character – 8
Yuri – 7

Overall – 8

The big downside is *still* no Nenene. I want a new series with grumpy, grown-up Nenene and her biggest fan, Yomiko, traveling post ROD The TV. Waaah. (OK, OK, I admit it…I wrote it already in a fanfic.





Murder Princess Manga and Anime

May 7th, 2007

After the end of a long day trekking around Tokyo, and a visit to the Meiji shrine on what was perhaps the busiest day of the year, I, my wife and our intrepid friend Bruce decided to brave the crowds in Harajuku, for a spot of used manga shopping at Book-Off. It nearly killed us, but the wife did manage to snag me a copy of the Murder Princess manga. It’s the story of a bounty hunter that switches bodies with a Princess, and takes over the role. Very fun, very me.

Now it’s out as a monthly anime OVA release and there’s an English edition of the manga. (Many thanks to Ted for a copy of the translated version!) Although it really isn’t in any way Yuri, fandumb has already begun the contortions needed to justify the “relationship” they see between the two female leads. And since I have a rant that will fit nicely into that space, I thought I’d take a moment to review the series. ^_^

Okay, so to start, bounty hunter Farith is an “outside dog” as we call them around my house. She lives on her own terms, accompanied by Shinigami Dominikov and Troll Pete as her teammates. It’s instantly apparent that she’s got the chops to live this life successfully – she’s a strong, competent woman.

Princess Alita Forland is escaping a coup d’etat when she quite literally runs headlong into Farith. They plummet over a cliff only to wake to find that they have switched bodies. Luckily for everyone, mad sword skillz transfer with your personality. Alita, now in Faris’ body asks Faris to return to her kingdom to save it. Manga and anime differ slightly on how this is accomplished, but in both cases Farith, now in Alita’s body, defeats the usurper and restores peace to the kingdom with points for style and extra credit for enjoying the killing part a lot. (Something I also liked about Xena. I enjoy watching a woman who enjoys her work. ^_^) Princess Alita takes on the name and role of her deceased lady-in-waiting, Milano, to allow Farith to rule in her place. Thus the “Murder Princess’ is born.

Anime and manga differ strongly in the followup, as Alita is crowned and a festival parade is held. I was marginally irritated by the anime’s take on it, wherein the newly crowned Queen goes beserker and almost kills a little girl. I far preferred the manga version, where Alita Mark 2 is cool and competent from beginning to end. Nevertheless, in both versions Alita 2.0 is a force to be reckoned with.

The story itself is constructed with a very old-school feeling, which is oddly refreshing. It has many Slayers-esque elements, although it is not primarily a comedy. Murder Princess is an action series with comedy elements. I liked it immediately upon reading the first volume, and I like the anime even more with the addition of Paku Romi as Alita 2.0’s voice. Perfect fit in every way. And not just ’cause she makes me swoon. (Although, the wife comments, that *does* help.)

The translation of the manga is fine. It’s not stunning, it’s not terrible. There’s a tendency to be hip and timely which I think is a *bad* choice, because is a few months or years those “jokes” will only seem dorky and painful. But nothing that makes me see red or anything. Reproduction-wise, the manga is also okay. The paper is oddly heavy…and sharp, which means that as well as being a fun manga, there’s several ways you can use it as a weapon. An added bonus for this series, I think. ^_^

And now we reach the crux of the matter – the Yuri. In the anime, particularly, screencaps are floating around showing a picture from the end credits of “Milano” (Alita 1.0) and “Princess Alita” (formerly Faris) smiling, embracing and looking like they were caught in a moment of sharing a joke; screencaps of Milano weeping as she embraces the dress of her deceased lady in waiting whose name and identity she has now taken, and; a screencap of Milano embracing the Princess to stop her from beserking. These and some other moments, such as Milano admiring her own body being wielded so skillfully against her enemies, are used as “proof” of the Yuri.

Here’s my objection 1: Milano is admiring the way her body moves. Not admiring it for its sexiness, but for the way it now can function. She tells us all of this, I’m not making it up.

Objection 2: It’s their own bodies. Speaking for myself, if the wife and I switched bodies, it would take some massive time for me to start to find my own body attractive. It would flip me out the door, frankly. Now, hell, maybe Farith and/or Alita thought they were the sexiest things on the planet and sure, they’d love to sleep with themselves I’m sure there’s plenty of narcissists out there who think that. I don’t see it. Not in these two…certainly not yet.

Objection 3, plus bonus rant: What, I ask you, is wrong with you people who see two women embracing and think “Yuri!” Have you people never heard of friendship, caring, sisterly and motherly affection???? Women hug all the time without it meaning they are in love. You know – friends, family, etc. I have no qualms at all about saying that Alita, now Milano, loved the original Milano. That’s absolutely apparent. In love with her? No. She loved Milano as she would a sister, a dear friend, a boon companion. Surely that should be sufficient a depth of feeling. How sad that that isn’t enough for some people. Milano embracing Alita? Not a sign of Yuri. It is a sign of a woman who is in love – with her people and her country. That was the whole point of the episode, folks. That Milano loves her country so much, she would do *anything* for it – even give up the throne to a bounty hunter, because she could keep her country safe.

In conclusion – Milano x Alita – fandumb might see it. I don’t. I *would* like to see the two of them be really good friends and come to care about each other…you know, like people do.

Ratings:

Art: Anime/Manga – 7
Story: Manga – 8 Anime – 7
Characters: Anime/Manga – 8 (I particularly like Dominikov)
Yuri: Anime/Manga – 1
Service: Anime/Manga – 4 (some nudity, crotch shots)

Overall – 8

Action, adventure, comedy, nice old-school feel. I think my biggest complaint is going to be that the series will end too soon.





Ninin ga Shinobuden Manga, Volume 2 (English)

April 22nd, 2007

Ninin ga Shinobuden Volume 2 wins, hands down, as the manga with the most use of the words “boobs” and “boobies” that I have ever read. And given the number of shounen manga I read, that’s pretty much a feat.

There’s very little ninja-ing going on in Ninja Academy in this volume (something the author comments on in one of the author’s notes, in fact.) And the wackiness has sort of solidified into “Onsokomaru and the ninjas try to be pervs, but fail at everything.”

At one point, after Onsokomaru’s language was a little rough, I checked the age rating on this manga. It’s rated at 13+. I thought about that for a bit and decided that, yeah, that was about right, since the guys all exhibit 15-year old behavior. (It’s a standard of mine that all written works, magazines, manga, books, etc, are designed for people two to three years younger than the protagonists of the work or the stated audience. No seventeen year old, for instance, would be caught dead reading Seventeen magazine. But you’ll see plenty of 14-15 year olds with copies.)

So, bad points – the misbehaving wackiness gets a little tiring after a while – something that Kaede notes first, and Miyabi soon after. Mostly because I’d like to see more of Shinobu and Kaede, and less running around screaming.

Good points – the best point had to be when all the ninjas voted Kaede as the best ninja in the group. ^_^ Also, there’s notably less actual service with the girls than in the anime, for all the underwear flying through the air.

There’s a teeny weeny bit of Yuri in the love potion chapter where, despite not having taken the love potion, Shinobu “falls in love” with Kaede and a few moments with the dream monster where Shinobu is unable to say the right thing to support Kaede, because she likes the monster’s taste in maid costumes. All other moments are similar one-panel gags. Yup, Shinobu’s got a crush. Nope, nothing comes of it.

Ratings:

Art – 7 pretty good, actually, for what it is
Story – 5 there’s only one story, with different set-ups
Characters – 5
Yuri – 3
Service – 3 yes, there is some service, but there’s more lambasting the fanboy than there is catering to him.

Overall – 6 and I am being generous

Also, for no reason at all except that it just occurred to me – do manga artists take classes on writing incredibly dull author’s notes? ‘Cause, wow…I really needed to know about the stray cats wandering around the creator’s new home…





Yuri Manga; Strawberry Marshmallow, Volume 3

April 15th, 2007

I’m on the road today (in the middle of a huge, dangerous Nor’easter, of course. Say an Ave for me, will you?) So today we have a guest review, once again, from fellow Cult of Miu member, Sean Gaffney (who is also working on an Ichigo Mashimaro fanfic for me. Feel free to harass him into finishing it.)

We’ve hit the third volume of Ichigo Mashimaro, and this is the volume where things really change… no, wait, it’s not. Things continue on exactly as before. But that’s OK, cause this is Ichigo Mashimaro, and you aren’t watching for growth or change, you’re watching for freaky Miu and sarcastic Nobue. Which this has in abundance.

I will admit I wasn’t as fond of the first story as the others, as generally when Miu is Miu I don’t like it to have as much consequence as it does here. After that, though, this is probably one of the strongest volumes to date. Even the interstitial art, with the girls involved in various sports, looks great.

Miu’s relationship with Nobue gets a deeper look in one story where we see Nobue pushing her teasing too far and genuinely upsetting Miu. It’s probably the Yuri-est this series gets, without, of course, being Yuri at all. Oh, and it’s got an awesome punchline.

The other thing that impressed me about this volume was how it showed the friendship between Chika and Miu. Chika rarely gets a long look in the book, being the one who is there to make the others look stranger, but her interaction with Miu here, and her acceptance of Miu’s strange ideas to a degree, show how the two care about each other.

I mean, sometimes you do have to wonder why the others don’t just tell Miu to get lost. She’s certainly not friendly with Matsuri (still a drip in this volume) or Ana (who has almost become a complete non-entity, and barely registers on the page for me anymore). And Nobue tends to suffer her more than actually like her.

The answer is Chika. Chika likes Miu, and Miu likes Chika. And it shows in this volume, from the hysterical chapter when they try to avoid being loud as Nobue sleeps, to the festival where Miu’s Ultraman makes Chika break up, to Miu’s video diary, where Chika actually participates a bit in Miu’s freakiness.

To be honest, nothing much really happens in this volume, much like the other volumes. But I grow more and more enamored of these three characters every time I read more. (Sorry, Matsuri, Ana, you’re dull.) They’re just fun to read, and fun to imagine in other situations.

Art: 7. I especially liked the sporting event interstitials.
Story: 6. By story I mean catalyst more than actual plot.
Characters: 8. Love that Nobue/Miu/Chika dynamic.
Yuri: 5. Bumping it up a bit for Miu’s magic yuri pregnancy, and for the ending to the Cinderella story.
Service: 5. Naked Ana is not something I needed to see, thanks.

Overall: 7.

Definitely recommended.

E here: Gotta say, I agree completely with all of the above, but would add in Miu’s ninja skills as a plus, as well. Thanks so much Sean! I’ve been on a 3-hour train ride for 6 hours, so thank you, thank you…