Archive for the English Manga Category


Otherside Picnic Manga, Volume 9, Guest Review by Sandy F

May 8th, 2024

Two women sit on a bench outside a dilapidated building, eating. The blonde holds a rise ball in both hands one of which is transparent, the brunette with one blue eye and one brown eye holds a sandwich, as she speaks animatedly, smiling.Recently, to much excitement, the cover for the ninth novel of Otherside Picnic was revealed. What I noticed was how it was a neat reminder of the importance of food and drink in this series.

And food is certainly a theme in Otherside Picnic manga, Volume 9.

We have already witnessed the importance of food and drink as a way for Toriko and Sorawo as a way to recover from the trauma of the Otherside. In the conclusion to ‘The Little Birds in the Box’ Toriko and Sorawo are joined by Kozakura for a meal. A meal that leads to a conversation where Kozakura struggles to understand the hold that the Otherside has over Toriko and Sorawo despite their best efforts to explain it.

And then, with Yamanoke Presence, we have the main event! In volume 3 of the novel series, we finally had the picnic that the title promised us, and now we have it in the manga series.

It is a fun moment, with just a dash of weirdness. But in Yamanoke Presence we are reminded of what I find to be one of the compelling strengths of Otherside Picnic; its ability to shift from a cozy slice of life moment to encounters with horrors that will haunt your dreams with a dash of ‘what the heck is going on?’ conversations. For example, one of my favourite moments is watching an absolutely clueless Sorawo trying to understand Toriko’s family solution.

In this volume we also witness moments of Sorawo and Toriko’s vulnerability, particularly in the aftermath of The Little Birds in the Box. I was struck by the sight of Sorawo without her glasses, lying in a hospital bed hand in hand with Toriko. For me this moment was a reminder that Sorawo and Toriko are young women who may be strong enough to face the terrors of the Otherside, yet at the same time are struggling to connect with themselves and one another.

One of the many things I appreciate about Otherside Picnic is how Iori Miyazawa uses dialogue to make observations about larger issues. For example, Toriko’s response to Sorawo’s description of the Yamanoke critter possessing women and Toriko responds with a compelling question, “why do so many of these things go after women?” One aspect of the artwork I found very compelling is how successfully conveys Sorawo’s struggles with the Yamanoke as it possesses her. We definitely get the sense of the Otherside seeping into Sorawo’s consciousness.

Remembering that the entities of the Otherside take forms shaped by folklore and urban legends created by people, creating stories where women are all too often the victims.

We also have the first chapter of Sannuki and the Karate Kid, and A Daytime Guest which gives us Kozakura’s perspective on ‘Karate Kid’.

I confess that I enjoy watching Sorawo in full panic mode as she tries to figure out how Akari Seto found out about Kozakura’s place, and then more panic as she faces being dragged into someone else’s problem. The mention of Satsuki Uruma doesn’t help the situation, especially as her baleful presence has been noticed by Sorawo throughout the volume. Sorawo wonders what does Satsuki want, and how much of a threat is she to this unfamiliar sense, for Sorawo, of being happy? Through conversations and reflection we gain more insights into Sorawo and Toriko that reveal their unique path towards being in relationship with one another as they learn more about themselves.

Another great volume in this series.

Ratings:

Story – 9|
Artwork – 9
Character – 8|
Service – 6
Yuri – 8

The mutual nature of their relationship is growing as Sorawo muses on how much she enjoys sharing the Otherside with Toriko. But for a brief moment I do have to give a 0 rating with Sorawo’s complete befuddlement over Toriko’s parents!

Overall – 9





Whisper Me A Love Song, Volume 7 and Volume 8

May 7th, 2024

Shiho has what we used to call a “difficult” personality. She appears to make decisions that work against her best interests more often than not. Should you happen to point it out to her, you become the problem. In Whisper Me A Love Song,  Volume 7 and Volume 8, Himari finally helps Shiho to see that the problem is that Shiho has piled every one of her issues up to form a barrier between her and Aki…and, really, she likes Aki, it’s just that all that stuff has kept her from admitting it. With the high tension of the school festival filling the air, will Shiho break permanently with her former bandmate, or open a new chapter between them?

When we learn, finally, what Shiho’s issue is – it is a perfect moment. Yes, of course, his would affect her and yes, of course, someone as high-strung and “difficult” as she iswould retreat into herself, finding fault with everyone around her, rather than taking a look at herself. But Shiho also comes off as selfish and willful here. When the penny finally drops and she sees what she is doing, it is very satisfying. We (and Himari) are immediately hopeful that Shiho will figure out how to build a healthier relationship with Aki.

In the mean time, back in mostly-functional relationship land, Himari and Yori enjoy their first school festival together with all the little joys and moritifcations that brings.

And then the Battle of the Bands begin and Lauraley comes out swinging. Who will win is not nearly as important as what will happen after that, but our little angel, Himari has shepherded her sempai into a situation that is much more likely to be win-win. Good on her.

These volumes are perfect high school drama. Just a teeny little bit of real world drama, and a lot of adorable love-love, unencumbered by concerns of growing up in a hostile world, centering on good friends, and having fun playing music. It’s the perfect recipe for fulfilling high school years.

Thanks to the team at Kodansha for doing a top-notch job with the character voices, so that when we hear them speaking in the anime – streaming now on HIDIVE – they really sound exactly the way we imagined they would. ^_^

Ratings:

Art – 9
Story – 8
Characters – 9
Service – 0
Yuri – 8

Overall – 9

 





Kase-san and Yamada. Volume 3

April 29th, 2024

Two young women, a tall one one with short brown hair and a shorter one with collar length pale hair, dressed in white berets and red coats, surrounded by images of pastel christmas tree balls College life has become a little more normalized for both Kase-san and Yamada. Yamada’s got a job, and loves her classes. Kase-san is still struggling with her unregulated emotions about Yamada, and with her so focused on Yamada, she’s not really noticing what’s going on in her her own dorm room, where Kase-san’s roommate, Fukami, is going through some stuff on her own.

When the school festivals collide, Kase-san finds herself making bad choices – again – but this time it’s Yamada who stands up and talks Kase-san down. And it’s Yamada who asks Kase-san to move in together. It’s pretty clear that Kase-san’s imagination is still a problem, but Yamada…she’s grown. And in doing so, she’s going to help Kase-san do so as well.

It’s so interesting that we still have this manga, more than a decade after it began. As a result, we’re still watching Kase-san and Yamada mature in slower-than-real time. As a result, this manga retains the sweet, slow style we became familiar with originally and we’re just that much happier when these two find a moment of special joy.

Now we just need Kase-san to get over that issue with jealousy. She’s about to feel what it’s like on the other side of that equation.

Ratings:

Art – 8
Story – 7
Characters – 8, Yamada is a 9
Service – 0
Yuri – 8

Overall – 8

As always, the team at Seven Seas has done a bang-up join in bringing over a manga that I am still amazed continues! I kind of want to see them both graduate and move into the adult world together…and still keep growing together.





I Can’t Say No to the Lonely Girl, Volume 1

April 26th, 2024

A girl in a black blazer and gray school skirt with long dark hair look over with trepidation as a girl with collar-length pink-brown hair, cups her cheek and leans over her shoulder, the string of her tie in her teeth.

Ayaka is an excellent student, who has a hard time taking tests. In return for a recommendation from her teacher to any college she chooses, she finds herself responsible for bringing a truant classmate back to school. She doesn’t really know Honda, but how hard can that be? Well, when Honda demands a quid pro quo in the form of a “favor”- and the first favor turns out to be a kiss – it’s a bit complicated.

My memory of this series in Comic Yuri Hime was “This was a sweet series, I’m glad it was licensed.” But, I had completely forgotten that the premise is kinda trashy, kinda funny. That said, as we see even in this volume, the story moves away from that fairly quickly.

Almost immediately Ayaka can see that something is up with Honda and a few questions turn up a lonely family life. So Ayaka invites Honda into her circle of friends, on the supposition that if she is having fun at school, she’ll want to keep coming. This decision is what changes the tenor of the story from one of uncomfortable skinship to one of friendship.

Ratings:

Art – 8 This is conjecture, but Kashikaze’s art is so familiar, I think they must have been someone’s assistant.
Story – Errrrm…not a great start, let’s say 6
Characters – 7 with room to grow
Service – 5 It’s light as fanservice goes but non-consensual kissing is still salacious and not really cute, IMHO
Yuri – 5 De facto, but more emotional depth to come

Overall – 7

They original premise will pop up again from time to time, much like the teacher from the bushes, but Kashikaze’s story will – I promise you – develop into something worth reading.

Volume 2 is headed our way very soon, in English from Kodansha, with more stolen kisses, but also more of everything else.





Assorted Entanglements, Volume 3

April 10th, 2024

A woman in pink hair and headphones sits in front of a keyboard, in a gaming chair, while a woman with blue hair leans on the desk next to her.by Matt Marcus, Staff Writer

Previously in Assorted Entanglements Volume 2, sparks and virtual bullets flew as we met mangaka Heke-sensei and her editor Shinohara, who not-so-anonymously play an online First Person Shooter game together while harboring mutual crushes. Meanwhile, Shizuku and Shiori slowly float closer to each other, somehow.

For Assorted Entanglements Volume 3, Mikanuji-sensei must’ve thought “hmmm the last new couple was a little too wholesome. It’s time to spin the Wheel! Of! Problematic! ‘Ships!” A giant prize wheel rolls in and is vigorously spun. Plasticky ratcheting sounds burst out then slowly decelerate as the selection arrow slowly passes over OL x JK, then Sister x Sister (Adopted), and finally Sister x Sister (Not Adopted) before landing on: Teacher x Student. A sizzle reel plays for the winning couple. For some reason they are riding jet skis at a Sandals Resort.

That’s probably not how it happened (I’m sure there was an editor involved somewhere). However, it is less dire than you may be thinking. For now.

Our new pair of star-crossed acquaintances is the stoic gym teacher Kujou and one of her students, 3rd year Sugimoto. Every day after school, Kujou stands outside the door of a lesbian bar, too afraid to enter. Inevitably, she chickens out and instead frequents the maid café next door where Sugimoto works. Sugimoto, who is a bit of a misanthropic loner despite her good looks, decides seemingly on a whim that she is going to help Kujou on her quest to enter the bar and finally find herself a girlfriend.

It becomes clear pretty quickly that Sugimoto is on her way to catching feelings for Kujou; blessedly, her gym teacher doesn’t even register her as an option, despite noticing that her student is pushing the boundaries of a proper teacher/student relationship. (I hate that I find this refreshing.) Regardless, the comedic dynamic between these two works. Sugimoto’s acerbic tongue is a fun foil to Kujou’s sad puppy vibes. I’m just mildly concerned about where the story is going to take them.

Aside from these two, there are still three other “couples” to check in on. Not too much has changed between Minami and Iori, however the same can’t be said for their “jilted” hangers-on. In fact, Shizuku’s hard-assery has softened considerably towards Shiori, much to the latter’s chagrin. You can see the little dance they are doing, inching towards each other then repelling apart mostly because Shiori likes to throw Shizuku’s feelings back in her face to goad her into anger for a laugh. Despite that, progress is being made. For some reason, I’m rooting for them.

Meanwhile, Heke-sensei and Shinohara begin spending more and more time with each other, often pretending to be lovers for “material” to inspire Heke-sensei’s storyboarding. Each time Heke-sensei tries to close the gap, Shinohara’s bluntness and desire to hide her crush ends up unintentionally sending the wrong signals to her coworker/secret gaming buddy. They are the goofiest and most wholesome pairing in this series, so it’s always a nice reprieve when they show up.

I mentioned the art’s Same Face Syndrome in my review of Volume 2, but somehow the issue has now spread to entire characters. You can’t have your characters say a line like “you should be able to recognize your students” and then give multiple characters 99% the same face and haircut.

These are three different characters. Two of them are 12 years apart in age. No, I can’t tell them apart either.

Also, every now and then there’s some weird body proportions. There’s one panel in particular where Shinohara’s right arm appears to have grown 30% too big for her body.

The thing that continues to hold my interest is the humor (again, shoutout to Eleanor Ruth Summers for the excellent localization). Unfortunately, there are still moments of “yikes” that keep me from truly singing its praises. It’s like eating that PB&J sandwich you packed with you to the beach: no matter how careful you are, you will get a bite or two of sand that feels like it’ll crack your teeth. In one notable case, Minami is acting passive-aggressively and Iori has no idea why, and it turns out that she is grumpy because the night before, Iori, who was blackout drunk, did something out of pocket in bed. It’s supposed to be a reversal joke, but there’s enough “ick” to it that it is hard to handwave, let alone laugh at it. The series continues to be one that has enough rough spots to make it difficult to recommend.

But despite my complaints…I am still reading it. This is perhaps the funniest volume so far, and there’s plenty of joy to be had in cropping out panels as reaction images or meme fodder. You just have to be OK taking your Yuri with a grain of sand.

Art – 6 Seems like the art has regressed a touch, and the sameness of the character designs is not helping
Story – 7 A handful of questionable choices hurt it, but the humor stays sharp
Characters – 7 This really is a manga for people who like Women/Girls Who Suck
Service – 4 Iori and Minami’s sex life is still present, and it is a little uncomfy in a couple places
Yuri – 9 / LGBTQ – 9 You did hear me say lesbian bar, ya?

Overall – 7 I’d tell it to run a few extra laps

Volume 4 is currently available in English from Yen Press, with Volume 5 arriving in June. A twisted Yuri comedy with some punch.

Matt Marcus is a serial enthusiast whose range of appreciations include guitars, watches, and a particular genre of Japanese popular media named after a flower. Outside of writing for Okazu, he cohosts various projects on the Pitch Drop Podcast Network, where he frequently bloviates about video games, anime, and manga. He also hosts a blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.