Archive for the English Manga Category


Run Away With Me Girl, Volume 1

January 25th, 2023

With the blue sky as a background, we look up at two young women in what can be understood as wedding dresses.. One with flowers in her light brown hair touches the lips and cheek of the other, with dark hair and glasses. "Run Away With Me Girl," and "Battan" are in black, handwriting font letters, The number 1 in black is surrounded by a circle of words that reads "Run Away With Me Girl," in a smaller type.by Matt Rolf, Guest Reviewer

Welcome to another exciting Guest Review on Wednesday on Okazu!  Today we welcome a new reviewer, Matt Rolf with a look at an intense new series. Let’s give him a warm Okazu welcome and don’t forget to leave a kind word on the comments for him! Matt, the floor is yours….

Creating art that deals with abusive relationships in queer contexts is challenging. The cultural canon contains a long list of works where queers get what they deserve for being gay.  Likewise, queer relationships often exist in spaces between gay and straight, without clear distinctions or categories that allow the participants an easy way to figure things out. Run Away With Me Girl, Volume 1, by Battan, begins by tackling both these fraught topics, and the results are rocky. Content Warning: Domestic Violence.

Midori and Makimura formed a close romantic relationship in high school. They split up at graduation because Midori thought they had outgrown their girlish relationship. Ten years on, Maki is single and still wants to be with Midori, while Midori is engaged to a man. When the two women meet by chance before Midori’s wedding, they rekindle their friendship. The first volume of Run Away With Me Girl contains the first six of sixteen episodes in Maki and Midori’s story.

Both of Midori’s relationships, the one with her fiancé Tonoike, and the one with Maki, are not what one would call healthy. Midori herself has an outlook of self-doubt, and struggles to reconcile her identity and desires with society’s expectations. Some panels explore Tonoike and Maki’s individual backgrounds and experiences, but Midori’s struggle is at the core of the story. The themes of the book become increasingly dark as the novel goes on, culminating in an indefensible act.

The character artwork is detailed and attractive, appropriately contrasted with mostly sparse backgrounds. The economy of the artwork is not intrusive, and several panels are fully rendered in a beautiful way. Battan has done very well with the most important parts of the visuals, and the result is pleasing to look at.

This book is definitely yuri, but the relationships depicted are difficult and may not be enjoyable for the reader to return to later. Maki is clear-eyed in her love for Midori, and that’s where the clarity ends. Fan service is light: there are a few panels of kissing and holding hands, with some panels of Midori naked. The drawings of Midori are more about vulnerability than titillation.

The focus of the book is on the fairly realistic portrayal of an imperfect set of adults navigating unhealthy relationships that may or may not be worth the effort. Readers who can relate to these experiences may find it difficult to finish the book. The story is well told and gives the reader food for thought after they put down the book. I suspect these characters have a lot more to go through before they find their resolution.

Final Verdict: A book you keep on your shelf because it’s good, but don’t read much because it’s hard. This series is published by Kodansha Comics, with translation by Kevin Steinbach and lettering by Jennifer Skarupa,  

Ratings

Art – 7
Story 8 – +3 for undertaking a challenging narrative, +2 for mostly succeeding, -2 for there’s a reason the narrative is challenging.
Characters – 5 Given the meat of the story, the characters are a little underdeveloped.
Service – 3
Yuri – 8

Overall – 8

Erica here: Thanks Matt, I appreciate you taking a look at this series for us!

 
 




Whisper Me A Love Song, Volume 6

January 23rd, 2023

On a white cover, two girls in grey Japanese school uniforms. The taller of the two with wild, long black hair, embraces the shorter, with light brown hair from behind. In black and orange lettering, Whisper Me A Love Song, a white number 6 in a guitar pick shaped lozenge, Eku Takeshima in orange letters. Reddish orange cosmos bloom in the background.In most high school manga, summer is a time for our protagonists to go to the beach or pool, and make beautiful memories. For Himari, this summer will be the busiest of her life. Somehow she has become the manager of Lorelei, the greatest rivals Yori-sempai’s band, SS Girls, has.

Luckily, Himari is not as much in a pickle as that sounds, since the members of Lorelei are not only treating her well, but teaching her useful skills. Himari is able to offer some promotional suggestions, as well. Honestly…she’s thriving.

Himari finally asks Shiho what the deal with her leaving SS Girls is, and she is invited on an outing as a response. What could the big secret be? It’s not so much a secret, as a teenage unused to processing complicated feelings of /spoilers/.

There’s only one problem. Himari’s time with Yori-sempai has been slashed to pieces and she’s worried that too much distance between Yori and she might hurt their relationship. Yori is putting a brave and generous face on, but it’s killing her with jealousy. Yori admits that, and they affirm their feelings for one another. Yori’s plans for a first kiss don’t pan out, but at a summer festival, they finally get the time to just talk and be together and have the romantic kiss they deserve on a giant two-page spread. Yay for beautiful summer memories!

When they are caught in a sudden summer deluge, they end up at Yori’s house. As the volume ends, Yori contemplates what it will mean to having her girlfriend overnight. I admit, watch Yori stress about being attracted to Himari is a kinda cute. I think I get why Aki teases her all the time. ^_^

I know I keep saying this, but I really do love this manga. It’s sweet and genuine and has feels without manipulation or creeping. I love Takeshima-sensei’s art, and the “timing” of her page layouts. The characters are universally likable (even Shiho, sometimes.) I cannot wait for this anime and just really hope the animation team does it right. _^ Certainly, I can say with enthusiasm, that Kodansha handles this manga beautifully. Kebin Steinbach gives all the characters their own voice…you can really hear Himari and Yori and Shiho….beautiful lettering from Jennifer Skarupa, Tiff Joshua TJ Ferrentini’s editing gives it that final polish and once again Matthew Akuginow’s cover is just a lovely thing, with a great contrast between the smooth gloss and textured finish. All around, a fantastic edition.

Ratings:

Art – 9
Story – 8
Characters – 9
Service – 0
Yuri – 8

Overall – 9

Volume 7 will bring the great reveal of Shiho’s dark secret, out in English this June from Kodansha!





Yuri is My Job, Volume 10

January 9th, 2023

Pictured: 5 girls in an old-fashioned dark green Japanese school uniform pose in front of a large sunny window. In the front row, are three girls, one sitting to the side with pinkish hair and a bow tied in a "rabbit ear style on top of her head, a blonde in the middle, and leaning on her, a dark-haired girl, with her hair pulled up primly. In the back row are two older-looking girls. One with long-brown hair, and one with blonde hair and glasses. A white fancy bracket encloses the words in white: Yuri is My Job! In the top left corner in black, there is a 10 and the author's name: mimanI’m currently in the middle of reading Volume 11 of Watashi no Yuri ha Oshigoto Desu! so what a great time to take my pent-up feelings out on Yuri Is My Job, Volume 10! ^_^ /Insert scream here/

This series, which began with a parody of ‘S’ tropes as seen through the lens of a popular light novel series, and has always always been a rom-com, unless it wasn’t, suddenly…isn’t. Not really. For one thing, it’s gotten rather queer, almost despite itself (I jest. Miman is a capable author and knows what they are doing…) and the insertion of Yoko into the story has made it feel rather grown-up and darker than it had previously been. Have a bit of pity for Kodansha, a company that licensed a goofy comedy and now has a pretty heavy story on their hands.

There’s an important little thing that happens in this arc. Originally, Sumika gave her version of what happened in the cafe to Kanako and Hime. Now we’ve encountered Yoko, and Nene has given us her version. There’s one more version to go. Wait for it. It’s important.

We now officially have an unwinnable situation. Nene is fucking done with everyone and who can blame her? Sumika is in denial, Kanako is delusional, Yoko is toxic relationships on the hoof and Hime and Mizuki are pretty much relegated to supporting cast. I wasn’t sold on Hime previously, but here she steps up and is a genuinely good friend to Kanako. Too bad it’s too late. Kanako is not okay. I wish I could feel bad for her.

The climax of this arc hasn’t yet happened and I really have no idea what will happen, but I know what I want to see. I want Sumika and Nene to team up and take Yoko down. Will I get that? Tune back in and we’ll see!

Ratings:

Art – 10
Story – 10
Characters – 10 Nene is now my favorite character. Sumika, you’re killin’ me.
Service – 5 Large breasts
Yuri – 9 Looking for love in all the wrong places.

Overall – 9

I summed this volume up in my review of the Japanese volume 10 as “Yikes.” But what amazingly scripted and drawn “yikes” it is.

I must mention Diana Taylor for a great translation job here – everyone has their own voice. You can practically hear Yoko ooze. Jennifer Skarupa does a fine job matching the S/fx to the Japanese’ everyone on the Kodansha team is giving us an excellent reading experience! Cannot wait to see what they do with the two-page color spread that just ran in Comic Yuri Hime. (It was a lot of Yoko’s breasts.)

Volume 11 is out now in Japanese (and on my list of things I will review shortly!), but you’ll have to wait until June to see Yuri Is My Job!, Volume 11 in English.





Hello, Melancholic!, Volume 3

January 3rd, 2023

Beginnings are easy. You have an idea. There’s this character and stuff happens and it affects them and they react. Why are they there, what happens, how it affects them, can all be built up over time. But beginnings, they’re easy. The hard part is what happens after you’ve explained why they are there, and why that thing that happened affected them that way. Then, you have to buckle down and show what happened after that.

In Volume 1, we met Minato, an introverted and unusually tall first-year in high school whose love of music had been ruined, when she was traumatized by bandmates in her previous school. She is recruited by Hibiki, a second-year, to join an impromptu band club. It was a beginning that hit me hard. Re-learning to enjoy music, struggling to fit in, typical school stuff. We’ve all been some part of “there.”

In Volume 2, Minato and the rest of the band gel, and they give an amazing live performance. Minato takes her first steps out of her shell and in a moment of having had too much fun, admits she likes Hibiki.

Now we are at Volume 3 of Hello, Melancholic! by Ohsawa Yayoi and all the beginning stuff has been laid out. What can possibly happen? Well..a lot.

Hibiki will be graduating. Minato’s basically in denial about that. She concerned that Hibiki (and the rest of the band) will reject her. And in the middle of this, Hibiki, ignoring everything that is laying between them, pushes Minato to take the chance of a lifetime. It doesn’t go well when they try and talk it out the first time. Minato is concerned that every joy she has is too fragile to survive the moment.

I loved this series when I reviewed it in Japanese and my fondness for it carries over into the final volume of the English language edition. Girls finding love in band…well, I’ve been there, so yeah. ^_^ Ohsawa Yayoi’s art continues to improve, her characters’ expressions of shock and pain and joy are just fantastic.

The translation by Margaret Ngo and adaptation by MaryKate Jasper was terrific. You could *hear* their voices as Hibiki and Minato have it all out. Extra props to Seven Seas for bumping up almost all the lettering to full retouch. It looks fantastic. I know it’s harder and takes longer, but thank you Mo Harrison for the effort.  Once again a top effort from the team at Seven Seas and an outstanding reading experience. Now can we get 2DK, GPen Meshamashitokei, I wonder?

Beginnings are easy, but picking the first manga I review of the year is hard.  Hello, Melancholic! wraps up something that feels like it began a long time ago, and now we’re all ready to move on into what’s ahead. ^_^

Ratings:

Art – 9
Story – 9 More conflict in this volume is a good thing, as Minato becomes less passive
Characters – 9
Service – 1
Yuri – 9

Overall – 9

 

I’d give this adorable 3-volume series to anyone who wanted a feel-good schoolgirl Yuri story.





Yuri Espoir, Volume 3

December 14th, 2022

Back in the mists of Internet history, fanfic was one of the key drivers to fandom.  Not just my fandom, but many folks would read a fanfic and find themselves enamored of the ideas, the situations and the characters in that fanfic…sometimes more than the fiction that the fan-created derivative fiction was based upon. I’m not immune to this. I have very clear and specific ideas about how the glamour that protects the Senshi in Sailor Moon works, for instance, even though it is never explicated in the series, which one must constantly remind one’s self was created for 11 year olds. ^_^

So a story about creating stories seems, on the face of it, right up my alley. If the Yuri stories created within the story continued to be the point, I’d be on board. Unfortunately Yuri Espoir, Volume 3 falls into a trap  which often ended up weighing down otherwise decent fanfic – it is taking itself very seriously. It is truly unfortunate, because stripped of what has become a rather dire actual plot, I really enjoy the idea that Kokoro and Amami walk around fictionalizing complete strangers into comfy Yuri tropes. It hurts no one, and is only marginally weird. ^_^ (Real people shipping can be very weird, but let’s face it, it’s not uncommon. Much of the BTS Army exists for that purpose.)

Now, in V3, we get the real depth of despair Kokoro feels, the real backstory about the art teacher and the fact that both of their lives revolves around a faceless guy with the personality of a bucket of warm water. It’s…not fun. In fact, this volume gets quite dark in places. I have to ask myself “why?” To what end is this darkness? Will it go anywhere? I can’t tell.

In the spaces between Amami and Yuki’s unrequited love for people who have been portrayed as idiots, there are some cute ideas. But like every fanfic in which a potentially queer character was drowning in the darkness their author had nowhere else to express, there’s a distinct lack of espoir in this volume.

Ratings:

Art – 7
Stories – 8 for the fanfic, 5 for the main plot
Characters – 8
Service – 4 – there’s some, expressed in ways that are “this is a bad thing” but they are there.
Yuri – 9

Overall – 7

Had I been the editor, I think I would wrap this up next volume, unless it can shed this habit of trying to be a Very.Important.Story. 

Thanks to Tokyopop for the review copy and thanks to their team for their hard work!