In Volume 1, we meet Mari a girl at a school for witches who apparently has no magic. Assigned to help her in her studies is top student Alice who has a great deal of magic, and who has been warned to never fall in love. As I say in my review, ” Mari and Alice discover that they can transcend not only their personal limitations, but the strictures placed upon witches. Mari becomes a key and a lock, which Alice unlocks. In doing so, she finds herself changed.”

In A Witch’s Love At The End of The World, Volume 2, Kujira’s tale of magic and loss and love takes a shocking turn, as Mari and Alice find themselves wandering Mari’s old neighborhood…only to discover that all traces of her family have been disappeared completely. The situation is not at all cleared up when Madam Dolly finds them and sends them back to the school. Alice is feeling feeling she has been explicitly warned to stay away from and Mari, who doesn’t really care about being a witch at all, just wants to know what the heck is going on.

This book reminds me a great deal of a story from my childhood that I loved. The multiple perspectives of same events and characters trying to understand those perspectives. It’s not at all the same story, but it has a similar feel. As a result, I find myself probably more engaged with Mari’s quest to find the truth and make a path for her and Alice through this than maybe I might otherwise might have. In any case, I still enjoy the art – which has become much more filled in now that Mari and Alice are in the “real” world –  and the characters. I hope the story will hold up to through the end.

Yen’s edition is nicely put together, featuring the translation of Eleanor Summers and lettering stylings by Sara Linsley (who, relevantly, just had a great little Twitter thread about lettering over art.)

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – The jump comes from an unlikely quarter, but…yes
Service – Still not really

Overall – 8

Volume 3 will be out in May, and I’m hoping for the ending I want, not the ending it’ll probably get. ^_^

Thanks so much to Yen Press for the review copy and for bringing out this interesting story.

Here we are at the end of Akashi’s workplace-romance that became a completely different story. In Still Sick, Volume 3, as I said in my review of the Japanese edition, there is a lot of story to tell and, overall, this volume is up to the task.

Maekawa is still locked in a struggle with herself about drawing manga. But being locked in a struggle is what Akane does best, as she’s simultaneously locked in two other struggles. Also vying for her attention is her increasingly serious feelings for Shimizu Makoto ,and her refusal/inability to deal with her depression…a depression that has some deep roots.

Makoto, in the meantime, has decided to be everything she can be for Akane. She’s supportive of the other woman’s choices, and forces her to confront some of those roots. And, while Makoto forces Akane to grow on in her personal life, her editor pushes her to do the same professionally. When the dam breaks for her, Akane, she is finally able to get past her blocks. Makoto takes a leap into the unknown too. Ultimately they walk together into a much less foreseeable future than either of them could have predicted.

As a story, this was also a stronger one than we could have predicted. There was a lot of room for Akane’s passive-aggressive nature to just continue to be played for “laughs,” but I believe that would have done a disservice to characters and readers. Instead, Akashi ties the series up pretty tightly and allows us to close the book knowing neither we nor Akane and Makoto were jerked around by lazy writing. As I said with the JP edition, to get everything tidy, the art suffers on some places, but I will always take a well-told tale with slightly sketchy art over detailed art, with an underdeveloped story.

Ratings:

Art – 6
Characters – 9
Story – 9
Yuri – 9, LGBTQ – 7
Service – 3 some noodling around, underwear, bed

Overall – 9

Tokyopop did a decent job on the technicals with a solid translation by Katie Kimura, editing by Lena Atanassova and some very nice letting and retouch by Vibraant Publishing Studio. I took a closer look at the cover design and, honestly, without the title and author in black across front of the the cover, Sol DeLeo & Soodam Lee’s cover design is honestly more open and easy to read than the original. Nice work, folks!

Tokyopop has not announced any other Yuri Yuri manga, but they are still bringing out manga-inspired comics, so keep an out for more from them. ^_^

Hanako is a young woman who has traveled from Japan to meet her favorite author. Volume 1 follows Hanako as she meets the beautiful, yet tragic Lady Alice and enters into her service. We watch their relationship deepen and their secrets come to light in Volume 2. Here we are, then, in the final volume and its hard to imagine that there is a light at the end of the tunnel. And yet.

One of the burdens of writing historical fiction is, quite obviously, history. As Dr. Pepperco writes a story explicitly set in a time and place where the society would, could and did place women in mental institutions for the crime of independent thinking or non-conforming behavior, it takes commitment to write a better end. Volume 3 of Goodbye, My Rose Garden has that commitment. Therefore, as we watch over them benevolently, we see Alice and Hanako meet women of like mind, find solace in each other and create both the tunnel and the light for one another.

I’ve been talking a lot recently about media that imagines a better way forward. I also feel there is room for stories that supplies us a better way to look backward. Not every story needs an unhappy ending….but more to the point, not every real story had an unhappy ending. Some 130 years previous to the setting of this book, and some 300 miles to the northwest in Wales, about 6 hours by car now, Sarah Ponsonby and Eleanor Butler lived together and built a joyful life for themselves. (I find all arguments that they didn’t have a sexual relationship because they didn’t leave proof to be absolutely idiotic. Who does that? They called each other wife, let’s not be dumbasses.) Let us look to the Ladies of Llangollen then, for Alice and Hanako’s new life, in which they choose to live somewhere quietly together, supporting themselves as writers and raising a lovely rose garden.

Ratings:

Art – 7
Story – 8
Characters – 8
Service – 3
Yuri – 8

Overall – 8

I appreciated some of the visual touches in this book, but once again, far more important were the literary references. Victor Franks may not have been real, but the other writers whose works are mentioned, are. While it’s not in Hastings, I recommend to you The Feminist Bookshop in Brighton, another UK beach town with a long, queer history, where you can find classics like Kate Chopin’s writing and newer works, maybe a biography of Ann Lister, as well as a really terrific comics section, with a fair bit of lesbian representation…and even a Yuri manga or two! So, when this pandemic is over, maybe you and your girl can just play at being Hanako and and Alice for a day in a nice little queer-friendly bookstore in a English beachside town. ^_^

My sincere thanks to Seven Seas for the review copy! It’s always a pleasure to see how the Seven Seas team handles work like this, which has the interesting challenge of both time period and English ideas being translated from Japanese back into English. Nice work by translator Amber Tamosaitis, adapter Cae Hawksmoor and letterer Kaitlyn Wiley and the whole Seven Seas crew!

In Volume 1, we met Hayama Asuka and Terano Saki, two teachers at an all-girls high school who find themselves falling in love with each other, pretty much in the public eye. Luckily for them, their students, peers and administration all think they are absolutely adorable.

In Our Teachers are Dating!, Volume 2, Saki and Asuka continue to be ridiculously adorably in love. Bandou-sensei, the Yuri otaku, thinks HayaTera is the best ‘ship ever, even as she’s annoyed to death by them. ^_^ And they are, honestly so absurdly adorable that it’s very hard to take their drama seriously. Between a minor misunderstanding and visible hickies after an enthusiastic birthday evening, they just keep getting cuter and cuter. This is not a bug, it’s a feature.

It’s really critical to me to have manga like this where we see an ideal situation – where a world without homophobia and sexism is modeled for us, so we can imagine that one can exist. Queer literature is full of failure to make utopias works, and failure of current society to give space to the joys of life. Come at me, but I think it is equally as important to have stories that center joy, even if it means ignoring reality. Saki and Asuka are in love – their first love. And we are able to enjoy their feelings, think of our own, and enjoy a world full of sparkling sunshine and blue sky days and moonlight nights, full of those feelings. It is perfectly okay to want that.

For those of you who might counter, “But what about society, Erica? Aren’t you always banging on about queer characters having someone to talk to?” My reply to you is yes. Bandou, while not gay herself, is a good friend and gives good advice, but also…wait. This series may be a bit idealized, and because of that, you can be sure there will be someone to talk to. ^_^

In any case, this series is darling and handled in the most charming manner by translator Jennifer Ward, adaptor Rebecca Scoble, editor Jenn Grunigen. Erika Terriquez does a nice balanced lettering and retouch job and kudos to Nicky Lim for another creative cover design that doesn’t just mimic the Japanese, but still feels right. T

Ratings:

Art – 9
Characters – 10
Story – 9
Service – 5 There is nudity and sex, but it is sweet rather than salacious
Yuri – 10

Overall – 10

Finally, you all know what I mean when I say “Okay-saurus!”

Thanks very much to Seven Seas for the review copy. It’s always appreciated. Great job as always.

Full of Yuri joy, Our Teachers Are Dating is a celebration of love. You’ll be able to enjoy Volume 3 next month when it hits shelves at the end of March 2021.

Hanako has traveled from far-away Japan to England, ostensibly in search of her favorite author. In Volume 1, Hanako is employed as a maid by Lady Alice, a beautiful, but always somehow sad, young daughter of a noble house.

In volume 2 of Goodbye, My Rose Garden, both Alice and Hanako are coming up against their feelings for one another, which are definitely not friendship, or appropriate to mistress and maid. And, possibly destructive of those feelings, both of the women are keeping secrets.  When Alice’s secret turns out to be related to Hanako’s, what could sunder them permanently, might also bring them closer.

When I reviewed the first Japanese volume of this series in spring 2019, I said, “I expected the volume to be a penny dreadful, with Victorian creepiness, but it’s actually a sad little story that I expect to see turned around in a pleasantly predictable ending.”

The “look at all the details I’ve researched!” feel of Volume 1 has settled down into a story that indicates plainly (if you understand the signs) that it is actually very much about gay life and literature here in Volume 2. References to Oscar Wilde are pretty blatant, but the references to Kate Chopin, author of The Awakening and Sarah Orne Jewett, author of The Country of the Pointed Firs, make it clear that this story is not just another costume drama, but intends on making a strong statement about feminism and queer existence in a time when the term feminism had only entered British speech a decade earlier and “gay rights” was long off.

Dr. Pepperco’s art has settled in and there’s more detail in expression over “stuff,” with a lingering sense of lecture on class relations.

Despite some potential for darkness, this volume ends up in a stronger place than it began, and we’re left waiting for the third volume expectantly hopeful.

Ratings:

Art – 7
Story – 7
Characters – 8
Service – 3
Yuri – 6

Overall – 7

Volume 3 is already available, so grab that climax today!

Thank you very much to Seven Seas for the review copy.