Archive for the Staff Writer Category


Sheep Princess in Wolf’s Clothing, Volume 1 Guest Review by Luce

November 15th, 2023

A wolf-woman in a butler's suit leans over a sheep-woman in a colorful dress, with flowers floating around them.In the Land of Sheep with ‘Wolfa’ – people with wolf ears and tails, and ‘Sheepa’, those with sheep ears, Aki Rukijo, a Wolfa butler, is the private tutor to Momo Shiudafaris, a Sheepa princess. Princess Momo is known as the ‘frigid’ princess, and rarely leaves her rooms. After an incident with a wild wolf on a full moon which Aki saves her from, Momo has Aki appointed her private tutor, although that’s not really her true aim. On a night of a full moon, when wolves find their instincts harder to ignore, Momo sneaks into Aki’s bedroom and declares that she loves her, and she’ll ‘gobble her up’!

Despite what sounds like a racy beginning for Sheep Princess in Wolf’s Clothing, Volume 1, by Mito, nothing much actually happens in that scene beyond kissing and them getting naked. And it doesn’t happen again in this volume, although Momo is definitely thinking about it. Bluebell, Momo’s Sheepa maid, is fully on board with the princess’s courting of Aki. Aki is more reserved about the whole thing, mostly since she is a commoner, and Momo is, well, a princess. Thus, Momo continuing to try and court her. It’s all rather cute, really.

Momo, being a princess and possibly having some previous bad experience, is somewhat limited in her experience of the outside world – the two of them go on a castle date, which is cute, but Momo wants more. Egged on by Bluebell and aided by Sakaki and Kiku, fellow Wolfa friends of Aki’s, the two of them disguise themselves and go into town, which is suitably adorable, and actually shows them getting on as people, bonding over the play they went to see, and over books.

I wondered if there might be some class difference between the Wolfa and Sheepa, but if there is, it isn’t touched upon much in this first volume. The royal family is Sheepa, although we only see two here, third princess Momo and her mother, the queen, but other than that, no mentions are made. I think there might be other animal hybrids, but they aren’t mentioned by name. It feels very much more of an aesthetic choice than a story-driven one, which is honestly fine. A work doesn’t always need to have something to say in particular, and the mangaka likely just wanted to draw cute girls with wolf and sheep ears; not to mention the role-reversal of the more confident sheep courting a flustered wolf. I can understand that.

Ratings:

Story: 6 – more about cuteness than plot
Art: 8 – lots of blushing, but the art is nice throughout, the colour pages are very pretty
Yuri: 10 – definite courting between the main couple, possible background yuri couples
Service: 3 – Momo in her underwear, and Aki in butler wear. It suits her.
Animal ear rating: 10 – they even flap when the characters get excited

Overall: 9

If you like animal hybrids and a cute story, or always kind of wanted the princess to get with their maid/another woman close to them, this seems like a pretty good bet. Volume 2 is headed our way next spring –  I’ll certainly continue reading. Final aside, Aki reminds me a little of Zakuro of Tokyo Mew Mew, albeit only by looks, and Momo is a bit like a more assertive Elianna from Bibliophile Princess.

Thank you very much to Seven Seas for the review copy! The translation was by Jan Cash, with lettering by Rina Mapa – I didn’t notice any issues with either, which usually means a job well done!





Kiss the Scars of the Girls, Volume 1 Guest Review by Christian LeBlanc

October 25th, 2023

Two girls in dark old-fashioned Japanese school uniforms, look at us. One, with long, dark hair embraces a younger student with light brown hair. This image is an Amazon affiliate link.Vampires crossed with Class S!
And set in the future, no less.
With a setup so fun
You would think volume 1
Should be more fun than paint drying, not less.

For a story that’s set “in the far, distant future,” Aya Haruhana’s Kiss the Scars of the Girls  from Yen Press languishes in Yuri tropes of old. Emille Florence is our bright, cheerful, young and blonde protagonist, who falls for her assigned cool and distant big sister Eve Winter (whose first name rhymes with “Leave,” the very first thing she says to Emille upon meeting her). Maybe it’s the tea parties with cookies and cake, maybe it’s the secret rose garden (“vampires love the scent of roses”) or maybe it’s the school uniforms that the cast of Maria Watches Over Us would think were too old-fashioned, but I’m just not feeling this ‘future’ vibe. (Or this ‘vampire’ vibe, but we’ll get to that.)

Set at an all-girls’ school where students are assigned a “big sister” on their 14th birthday, Emille spends a great deal of time trying to win over Eve, who, as luck would have it, appears to have hidden, secret reasons for not wanting to get close to anyone. Emille’s friend Yucca Lotus seems to have an unspoken crush on Emille, while Violetta Emme (whose name I keep reading as Violent Femmes) also likes Emille, but not as much as she likes bullying her classmates and obligatory big sister.

Since this is a manga where everyone at the school is a vampire, you’d be forgiven for thinking that this was going to be a book that portrays vampiric content without vampiric identity. Unseen vampire hunters do factor into things, however, attacking the students with swords and shotguns whenever they visit the local town to hypnotize the local ladies enough to feed on them. Vampires are persecuted for their appetites (with no gore, but much blood), but never in a fun, ultra-violent way (which is a missed opportunity in my opinion).

 The vampires in Scars work a little differently than the vampires you’re probably used to, in fact: when a vampire turns 14, they start requiring human blood to live, losing interest in the food they used to love eating. The implication here is that vampires are living (as opposed to undead) creatures, seemingly born this way. These vampires also have no trouble with sunlight, fall easily to any type of weapon, and lack the immortality (and mystique, if we’re being honest) of your stereotypical bloodsucker.

 Overall, Kiss the Scars of the Girls feels like a missed opportunity. The vampire angle doesn’t do anything to make this Class S story stand apart from other Class S stories, except to give a narrative excuse to have the occasional student die violently. If you’re Ride or Die for Class S stories, then by all means give this book a try, but if you like your Yuri vampires to be comedic, or violent, or even inappropriate, you’ll probably feel like you have no stake in this.

Ratings:

Characters – 4 (Shiki Amakuni, we barely knew ye)
Story – 4 (does very little with either Class S or Vampires)
Service – 1 (scale this a little higher if you’re into shoulders)
Yuri – 5

Overall – 6

Erica here: Thank you Christian for this look at what I found to be a surprising license.

I am reminded by Amazon that I have to tell you that the book is linked to an affiliate link, in case you may have forgotten.





If My Favorite Pop Idol Made It to the Budokan I Would Die, Volume 2 Guest Review by Christian LeBlanc

October 11th, 2023

Seven-member pop idol group makes their signature gestures at us, wearing cute outfits of white blouses and blue accents and skirts.Like finding a big ol’ slice of salmon in the special parfait you ordered at the maid cafe*, volume 2 of If My Favorite Pop Idol Made It to the Budokan I Would Die is an ugly volume of a very sweet and poignant series. 

Admittedly, I know very little of idol culture outside of what Erica’s written about it in her reviews of the Japanese volumes of this series. Maybe Auri Hirao is satirizing and/or critiquing some of the darker parts of idolatry, which would mean the negative impression I get is not a bug, but a feature. Regardless, I can only react to what’s on the page, with the background that I bring to it. 

So, what is my background? Well, as an awkward fan, I feel like I have a lot in common with Eripiyo, “the number one stan for Maina, a sidelined member of the underground idol group Cham Jam.” The desire to show support, coupled with a clumsy, almost debilitating awkwardness around those I admire, makes me feel comradery when I see fellow trash like Eripiyo, Kumasa and Motoi being too fan to function around their faves.

On the other hand, I have trouble understanding why fans and performers, especially on this small, local-group scale, can’t just be friends if they want to be. I think that’s why I liked the chapter where Eripiyo and Kumasa run into Aya moonlighting at a maid cafe: it just feels like how things *should* be, imho. An idol and a few fans just casually shooting the breeze and messing around, unbeholden to the forced interactions imposed on them by management. They’re all just people, free to interact with each other. As if they were humans.

I especially can’t relate to the idea that idols aren’t allowed to have a personal life outside of fan interactions. When a member of Cham Jam is rumored – not spotted, but rumored – to have been seen with a man, her popularity within the group drops, she loses fans, and even some of her fellow idols are disappointed in her. 

And I’m not even going to get started on how Maina is able to ignore Eripiyo’s signs of suffering to ask her why she isn’t buying many CDs. I don’t think it’s just because Eripiyo says things like “I eat salmon while thinking of you, Maina!”

This all being said, there’s still a lot to recommend this volume. Eripiyo manages to clearly communicate to Maina why she likes her, a feat rarely seen in volume 2 of anything I’ve read. Cham Jam holds a track and field event for some reason, with references to brutal violence happening when they tried this the year before. We spend some time with Yumeri and Maki, who are always a delight to see together. Eripiyo is shown eating a guardrail, and – I said this before, but it bears repeating – is able to tell the girl she likes that she eats salmon while thinking of her. I realize that most Yuri manga would close up shop at that point, but luckily for us, the third book comes out in print…today!

Ratings:

Art – 7
Characters – 6
Story – 5 Rather disjointed volume, in spite of the thread of a popularity contest tying things together.
Service – 1
Yuri – 6

Overall – 7

*Yes, this happens, and yes, Eripiyo is absolutely here for it.





Assorted Entanglements Volume 2, Guest Review by Matt Marcus

September 20th, 2023

A school girl wearing a sweat jacket with uniquely braided hair, straddles another girl in a blazer uniform, with pony tails, looking mischievously up at her.Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing the manga series How Do We Relationship.

In Assorted Entanglements volume 1, OL dirtbag Iori drunkenly hooks up with a delinquent with a heart of gold, Minami, and the two begin dating thereafter. Also in the mix is Iori’s yandere siscon younger sister Shiori and Minami’s old juvvie friend Shizuku, both of whom are problematic in their own ways which means they make prime secondary ’ship material, I guess.

Before I dive into Assorted Entanglements, volume 2, I do want to go on a Brief Rant about the series generally. I feel that the series has a very conflicting, and dare I say irresponsible, approach to the topic of violence. This is a series where two of the main characters have suffered through traumatic childhood abuse, who both end up in pairings with partners who physically abuse them–but this time, it’s for comedy! I can understand what Mikanuji is going for, which is the role reversal of these two Bad Girls™ who end up dominated by two “normie” ones, but the tonal whiplash leaves an awful taste in my mouth. When Minami’s coworkers see her bruised face and say “you should leave your partner”, I go yeah, actually. What’s worse is that the most common cause of Iori’s violence are times when Minami is expressing how little she values herself, which is a result of the abuse she suffered from her parents. The whole conceit becomes very difficult to stomach the second you put any thought into it.

What’s probably best about this volume is that a good chunk of it is not dedicated to Minami and Iori. A new couple is introduced: the mangaka Heke-sensei and her editor, Shinohara. Professionally, they’re in constant friction, but they get along swimmingly when they play online games together while hiding behind their gaming handles. It’s a tad contrived, sure, but it’s a nice panacea to the grimey undertones that haunt our previously established couplings (also props for making this scenario not a coincidence). The way Mikanuji ties their story into the broader picture is one of the most hilariously paper-thin excuses, which is that Iori and Shinohara are old college friends. Of course, neither admit to each other that their love lives involve other women. So it goes.

What we do see of Minami and Iori is still the mixed bag of good sexual chemistry, some warm tenderness, and the occasional smack across the jaw. We get a glimpse into what led to Minami landing in the detention center and hoo boy, is it a doozy (thankfully it is only described, not shown). Meanwhile, Shiori and Shizuku’s relationship continues to develop. They are both so terrible, they deserve each other.

Mikanuji’s art is attractive to look at but it does suffer from the worst case of Same Face Syndrome that I have ever seen. The delinquent characters have an aesthetic that I dig–lots of piercings and tattoos, funky hairstyles–but I find it really difficult to tell apart any of Minami’s or Shinohara’s coworkers. Another odd habit of the art is how Mikanuji often completely skips bouts of action between panels which often leads to a disjointed flow when reading. The most egregious example is when Shiori breaks into Shizuku’s apartment by smashing a window: in one panel, we see Shizuku’s face with a small crash sound effect hiding in the corner, and in the next panel Shiori is standing in the room holding a rock with glass on the floor. Mikanuji is not incapable of drawing action–see Shizuku’s punch in volume 1–but they have a habit of not drawing it when the action is meant to drive a joke, such as the countless times Iori has punched Minami in the face between panels (no I will not let this go, it happens a lot).

The thing that keeps bringing me back to this series is that when a joke lands, it lands well. The way Minami texts with Shizuku? The weird phone charm that Shiori is interested in? The argument between Iori and Minami on who should top? All good gags. I would credit translator Eleanor Ruth Summers with keeping the dialogue snappy. When the characters are bouncing off of each other with things other than their fists, it’s a pretty good time.

Art – 7 I like it, but the craft of it could use some improvement
Story – 7 Better than volume 1 but the violence issue still persists
Characters – 7 Every character has their moments of likability. Yes, even Shizuku
Service – 4 Iori and Minami still go at it from time to time
Yuri – 8 / LGBTQ – 6 This is the first time I’ve seen “pillow princess” used in a manga, so that’s neat

Overall – 7 I’m still willing to play a round or two

Don’t involve your children in your crimes, but if you must, at least make it a fun crime





Birdie Wing: Golf Girls’ Story on Nintendo Switch, Guest Review by Eleanor W.

September 13th, 2023

Hello again. I’m back for another game review. You can find me lurking around the Internet @st_owly as usual. Today I’m looking at:

Birdie Wing: Golf Girls’ Story. The Nintendo Switch Game

I LOVE Birdie Wing, it’s everything I ever wanted out of a sports anime, so I was very excited to discover this was being localised, but…

When you first load the game, there’s a quick tutorial to show you the controls, then on you go to “story mode,” which loosely follows the storyline of the anime and sets up matches against various characters. And when I say “loosely” I mean it. There’s no meat to it, barely any of the anime story is actually there, it’s more like random characters appear, there’s a bit of dialogue and challenge Eve to a match. When you finally beat the last stage it just kind of stops and puts you back to the main menu so quickly you don’t realise what’s happened, and there’s no resolution to the story or anything. My main thought was “that’s it??”

There’s also a free play mode which is just the Nafrece U15 course and Anri’s putting shop. 

The graphics are fine; nothing special, but not terrible either. One big omission is that there’s no voice acting, even just yelling the names of the attacks when you/your opponent used them would be better than silence. The multi hole stages are also incredibly frustrating, as you can’t save after each hole, so if you fail the stage you have to go right back to the beginning. I lost count of how many times I failed the final 6 hole stage, but I do think the game learns when you’re bad at it and matches your opponent to your level. It’s very bizarre seeing Eve and co get double bogeys.  (I HATE PUTTING). 

The best way I can really describe this game is half finished and wasted potential. It seems like there’s so much more that could be done with it, but for whatever reason it was rushed out in this incredibly incomplete state. 

Let the record show that I did *once* get an eagle. I’ve never yet managed it again. 

The music is also just generic elevator music, the developers definitely missed a trick by not even having “Venus Line” as the menu music. The translation is also patchy at best, with lots of spelling errors and awkwardly constructed sentences. A Chinese translation is also available in the settings menu but I can’t comment on that.  

Example of the type of spelling/grammar mistake the dialogue is littered with. 

 

Ratings:

Art/music – 5/10. Thoroughly inoffensive and forgettable

Yuri/service – 0/10. Both non-existent. 

Story – 0/10. What story?

Characters – 1/10. Who are these people and why do they keep challenging me to play golf with them?

Gameplay – 3/10. A couple of little tweaks would make it so much less frustrating. I eventually developed a strategy which involved as little putting as possible and eventually finished the game, but it took *many* hours. 

Overall 3/10. It’s just a golf sim which happens to be loosely inspired by Birdie Wing. Don’t bother with it, even if you like golf sims, because it’s not even that great at that. And for the love of all that is holy please get a native speaker to proofread the translated dialogue before you release something.