Yuri Manga: Comic Yuri Hime Wildrose, Volume 1 (百合姫 Wildrose)

December 13th, 2007

Comic Yuri Hime: Wildrose, Volume 1 (百合姫 Wildrose) is an anthology from Ichijinsha, the folks who put out Yuri Hime magazine. Many of the artists are already contributors to YH, and some are known for outside series.

The stories in the collection are variations on the “two schoolgirls in love” theme, much like the ES ~ Eternal Sisters and Yuri Tengoku anthologies. Most of them involve sex, very few of them involve plot or characterization.

The entirety of the collection can be summed up by describing one story, drawn by Morishima Akiko, in which the two protagonists, having kissed, wonder out loud “What’s next?” And as they progress to “what’s next” we get a sort of shortened version of every lesbian’s internal coming out – without the lesbian identity, of course.

Which leads me to today’s digression. Recently, on the Yuricon Mailing List, we had a discussion about how few Yuri characters are “out and proud.” The majority of posters said that it was enough for a character to be “obvious” to be considered “out,” with me disagreeing, as usual. lol I feel that in order to be considered out, one has to actually be able to say, “I am a lesbian.” Otherwise, you’re just “obvious.” Not the same thing at all to me.

This all made me realize something I hadn’t ever put into words before, so here we go – “Yuri” is, almost by definition, a character with lesbian interest who is *not* lesbian-identified.

Even my beloved Queens of Yuri, Haruka and Michiru, never came out. They were obvious, but never once did they say “we’re a couple” or “we’re lesbian.” Yes, the creator later said that. And yes, they were characters in a shoujo manga in 1994. But the point is – they are not “out” in the context of the canon. In fact, when confronted directly in the anime, Haruka denies that they are a couple (I have a theory about that, but I’ll skip it for now) and in the manga asked in return if it really mattered whether she was a man or a woman? This was probably as close as Takeuchi could get to coming out at the time, but it was still ambiguous enough for many people to deny their “obvious” relationship.

If a character self-defines as a lesbian, then she’s out. But the LARGE majority of Yuri characters are not out – they are “just, in love” with this-person-who-happens-to-be-female. Much like the large proportion of BL characters who are amazingly not gay, although they only have sex and relationships with other men.

When pressed, obviously “lesbian” characters in manga will often say, “I like women” or “I don’t want to be labled” rather than say “I am a lesbian.”

I imagine that some of this can be chalked up to the Japanese preference for obfuscation and some to the fact that ambiguity sells better. And to add to this, the fact that long-term couples in real life don’t walk around saying “Hi, we’re lesbians,” so in actual *lesbian* manga (and real life,) you still don’t have overt “outness.” Rica and Miho going to Gay Pride, are rare indeed. There’s far more like Nene and Jun, who have sex, fall in love, and generally are a couple, without *ever* acknowledging that that is what they are. You know – “More than friends, less than lovers.” (A phrase that I later commented allows a person to have her cake and eat it too. Pun intended.)

So most of the stories in Wildrose are in this space – girls in love, having relationships – and sex – with other girls, but they’re not lesbians. Just, you know, in love.

Here is what I thought was the best story of the collection. It begins with Yumi and Sachiko clones. The Yumi clone, Mari, tells us – and all her classmates – that she and the Sachiko clone, Michika, are in love. And we see them sitting next to each other in class where Michika passes Mari an eraser, their eyes briefly meeting not particularly meaningfully. Then Mari tells us that they go out for a bite after school together, so we see them sitting next to one another at a snack counter – but apart as if there is no connection. In fact, it becomes apparent that the relationship is one-sided and our cheerful little Yumi clone is a stalker. Her friends freak out and try to stop her, but she gets away from them as she follows the subject of her desire. Her friends go one way, but we see behind the wall where the two girls are now together, embracing passionately. Mari and Michika make love, and Michika apologizes for not being more forthcoming recently. Of course she is forgiven. The next day at school, the classmates all demand to hear that they have a relationship directly from Michika’s mouth. “From my mouth” she says, and leans over to kiss Mari. The classmates all apologize for their doubt and we’re left smiling, because it was a stupid, but fun, almost-Marimite parody story. With no lesbians.

Ratings (variable, so everything is averaged):

Art – 6
Stories – 6
Characters – 6
Yuri – 9
Service – 7 (lots of undressing)

Overall – 6

If what you like best is young women finding love and sex with one another Wildrose is perfect. If you’re looking for something with more awareness of lesbian identity, go re-read Rica tte Kanji?! :-)

 



Okazu News: We’re the Top!

December 12th, 2007

I’ve been getting a lot of email these days on how impossibly cool Okazu is. I can’t say this displeases me. LOL

This week we got two pieces of particularly ego-gratifying email.

Okazu is being included in an upcoming book, Top 500 Blogs by online dating blogger Vicky Zhou. The book is slated for release in Q4 2008; Okazu will be included in the “Animation & Media” section.

And this morning I learned that Okazu is coming in in the Top 3 blogs at Inside Manga. According to the website, Okazu is one of the hottest blogs on manga. Okay, I accept graciously. :-)

So thanks to Vicki, Inside Manga, Cole Porter and to all of you for making Okazu the top! I look forward to writing more reviews and hearing more from all of you. :-)



Kurau Phantom Memory Anime, Volume 1 (English)

December 11th, 2007

I first reviewed Kurau Phantom Memory (originally titled Phantom Memory Kurau) just over three years ago – it seems like ancient history now. I remembered two things about Kurau from my original viewing – I LOVED it right up until the very end and I HATED the very end. So once again, I was forced to manage my expectations in order to be able to view the much-delayed release of Volume 1, without too much bias. BTW, Volume 1 was supplied by the lovely Ted. Thanks Ted, for making it possible to write today’s review!

Immediately, as I watched the series, I began to like Kurau all over again. She’s my kind of gal – competent, powerful, fun, and a little butchy. As we watch current, adult Kurau in her job as an “agent” for an independent “agency” – i.e., she takes on bodyguard, protection, stealth and rescue missions – the story of young Kurau and how she obtained her powers runs parallel to the current plot.

Young Kurau was a typical child who accidentally got caught in the backlash of experiments run by her father on what appeared to be a new energy source. The energy turned out to be a sentient race, the Rynax. When a Rynax inhabits Kurau’s body, her father does everything he can to continue treating this alien as his daughter. In return, the Rynasapien grows to love him as her father.

But Rynasapiens live in pairs and function poorly by themselves. “Kurau” lives every day as half of a whole, loving her father, living as a gifted human girl, but not complete. When the experiments upon Kurau push her past her limit of tolerance, and her powers cause her father to lose an arm, her father distances Kurau not only from himself, but from the organization that has made her a guinea pig.

We meet Kurau ten years later, her Rynax powers fully formed and utilized and her life as an agent well-established. But those very powers which make her a brilliant agent have made her visable to the organization and she is being tracked.

And every day of her life, Kurau is alone.

One day, her pair appears, and for the first time in this Kurau’s life, she knows completeness. Her pair takes the name Christmas and they live happily masquerading as sisters. For a short time. Because the organization, the GPO, is on their tails. When Kurau realizes that she is being watched – and more importantly that Christmas, whose powers have not yet developed, is in danger, she leaves her life behind and they take off on the run.

Special Investigator Ayaka is assigned to their case and it’s immediately apparent that she is incredibly dedicated and willing to do whatever it takes to get a job done. Even if someone has to get hurt.

Right away all over again I was drawn into, not only the chase, but the whole future world, with it’s partially terra-formed cyborg-like moon. I wanted to know more about how we got there, about the science and economies and daily life of this Earth. And the people on it.

Kurau is likeable, but I realize now that I like her more for her Rynax power than her personality. (Competence is sexy, yes.) Christmas is also likeable and not at all whiny or irritating. As a pair they seem perfect for one another – one can easily see them living forever being happy about dinner together or a day in the park. The drama imposed upon them by external forces seems particularly cruel, since they are just so darn happy to be together.

Which brings me to the “Yuri.” The Rynax relationship is presented as extremely multi-faceted, almost to the point of being indecipherable in our human experience. In human society, the only relationship we have where another person completes you is love. So it’s understandable that many people see Kurau and Christmas as lovers. Kurau herself explains Christmas as her little sister, because they look so similar and again, in human experience we have a limited number of relationships in which that kind of closesess is considered appropriate. That Kurau would care about, be affectionate to, and want to protect Christmas is all acceptable if she is viewed as a sibling. The multi-faceted nature of the Rynax pair relationship is left ambiguous in Volume 1, although it will be explored in later volumes. For now, we are seeded with the idea of Kurau and Christmas as sisters. That Kurau chooses this human relationship colors my interpretation of them as a couple. Although later Rynax pairs might appear more as lovers, I choose to see Kurau and Christmas more as sisters – twins of a sort. I do not see them as lovers. There are plenty of people who do. I’m sure it’s left ambiguous on purpose. But I do weigh in on the side that says Kurau looks damn hot in a tux. ^_^

In terms of adaptation, ADV does a fine job. Nothing made me grit my teeth. I should try watching the dub, but I’m not going to. The only extra is a copy of the original cover art for the Japanese DVD, which is notable. The American DVD cover art is totally different from the original cover art – I think it’s a major improvement over the original. The original art is dark, fuzzy and hard to understand. The new art is brightly colored, dynamic and full of energy. I approve. I wish they included mini-posters or pencil boards or even a sticker with it.

As an anime, Yuri or not, I still think Kurau Phantom Memory comes out of the shoot at a fast pace, with engaging characters, a fascinating background and a great story. I watched this volume nodding like a drinky-bird, remembering all the many, many things I enjoyed about it the first time.

Ratings:

Story – 8
Character – 9
Art – 8
Music – 8
Yuri – 5
Service – 1

Overall – 8

Kurau Phantom Memory is a rare breed in anime – a strong, character-driven science fiction story with no mecha. A good watch.



Events: Tales from the Floor of the NYAF

December 10th, 2007

Life on the floor of the Exhibitor’s Hall/Dealer’s Room is not like life anywhere else at a con. There’s a unique ebb and flow, not only of the attendees, but of the other exhibitors, staff, guests, and one’s own biorhythms. When you’re an exhibitor at an event, it feels like you’ve been there forever. Five minutes after you finish, it’s like it never happened. It’s all very surreal. ^_^ There’s a permanent impermanence of a show. Boxes explode into displays and sales items – shiny, colorful – then everything, including walls and floors, all get rolled up and packed away leaving nothing but some scraps to show that anything was ever there.

Imagine a desert. No water, food, life anywhere. Imagine one day, you drive into this desert and suddenly, a town is springing up. Buildings, businesses, schools – everything goes together almost instantly. And then people arrive. They attend classes at the school, buy food and drink from the restaurants suddenly in existence, clothes, toys, entertainment from the businesses, and then, two days later, it’s gone. Like “Burning Man” inside a big, black, glass box. With less fireworks. The desert returns, and only cellophane tumbleweeds cross your path.

I’ve been to and worked at renfaires, pagan encampments, anime cons, scifi cons, trade shows, and festivals all over the world and every time I am mesmerized by the magic of these temporary towns. It truly is magic. I love walking around as people set up and breakdown. The floor of an event is where a lot of deals are made and relationships are built. Of everything that happens at a con, it’s this part that I enjoy most. Meeting people, reconnecting with folks, developing ideas with peers.

The New York Anime Festival was not very big, especially as compared with New York Comic Con, but if you took all the non-manga/anime stuff out of NYCC, NYAF is basically what you have. I heard a rumored attendance of 8K and that seems in line with what I saw. (Although published reports later said 15K, which I can only believe if you counted every attendee day, dealers, guests, panelists, staff and Javits Center staff for all three days.) Reed definitely improved some key things since Comic Con – security was friendly, professionals were treated much better (at Comic Con, we were treated like criminals trying to sneak in) and in general, there was a much less overtly hostile atmosphere. Instead, the staff was pleasant and accommodating. Two things I would like to mention that needed some improvement. One, grouping like vendor with like is fine at, say, a Publisher’s Expo, but for folks who sell chotckes like key chains, it’s not so good. It doesn’t affect the artists or publishers so much (I don’t compete with Del Ray or Tokyopop, really) but for the figurine, manga, DVD and goods dealers, it’s a rotten setup. Most anime cons break those kinds of vendors up. Here they were all in one long row. Secondly, when the Exhibitor’s Hall closed, attendees were not swept out efficiently. They lingered for a long time, getting in the way of breaking down, and clustering on the floor where dollies and handcarts needed to get through. The event staff needs to get them out of the way faster and better. But those were really the only things I felt needed to be addressed. In every other way it was a vast improvement.

My good friends at Drama Queen were kind enough to let me have a piece of their table at which I sold some of our books. It was a better crowd than I thought it would be – and I have to give kudos to the DQ fans. They were not the squealing LFGs one expects. A few folks cross-bought Yaoi and Yuri and some who came for one at least looked at the other. A few folks simply said, “well, I’m more interested in whichever, but thanks.” It was all very pleasant and refreshing – a far cry from the days of “Ewww, Yuri.” Those days were up to about a year ago, so wow. DQ definitely drew a cut-above audience. And owner Tran and staffer Isabel are *fabulous.* If you’re interested in Yaoi, do give them a look. Their books are very well done and fun. I even read a few sitting there. I’ve reviewed their book Audition here, as well. It was pretty damn good.

It’s always lovely to see the regulars who visit when ALC has a table, and it was also nice to reconnect with a few folks I met recently at Yurisai. Kudos to them for being a cut-above, as well. When one young man walked up and shook my hand, said hello, said that Yurisai was his first con and that he loved it, and was now sharing this new love with a friend who had never been to a con, I thought, “This is the win.”  Yuri and Yaoi fans are definitely both maturing – we *can* all be human, if we just try. ^_^

Professionally, it’s always a blast to check up on folks you see at every con, chat with them about new projects and ideas, see where the industry is heading. Korean works are gearing up for being HUGE, I can tell you that. Next big thing? Yeah, I think so.

A lot of great folks stopped by the DQ booth. Some of the folks I owe thanks and hugs to are: May Young, freelance designer extraordinaire, who was a champ all weekend, translator Mari Morimoto (who was NYAF’s chief translator and they kept her hopping,) blogger Casey Brienza (aka Kethylia), Tran and Isabel from DQ, Tara, (wishing you the best of luck!) and blogger Brigid Alverson of mangablog. I also had a moment with Milton Griepp of ICv2, Protoculture Addict’s Claude Pelltier and PW’s Calvin Reid, just in case you think I didn’t talk to any men all weekend. LOL

On the industry side of the board it was my genuine pleasure to catch up with John and Masumi O’Donnell from CPM/Be Beautiful. They were all smiles and high energy and rarin’ to go, which thrilled me no end. The troubles they faced last year are yesterday’s news and they are looking forward to a bright future. We wish them the best of luck.

The folks at Media Blasters remain wonderful. I’m sitting here drinking chai brought over to our table by Johnathan and thinking of him happily. They’ve got a lot of irons in the fire, as always. And I also had a chance to talk to some folks from Tokyopop, which I always enjoy. The editor of the upcoming Kannazuki no Miko release and I had a nice chat about that. I was able to explain Kaishaku and their interest in a short list of fetishes. lol We also talked about Okazaki Mari and her never-really Yuri art, and Sakurazawa Erica, and josei in general. Now that I have an in, we’ll see what rumors news I’ll get first. ;-)

And of course, there were a bunch of cons and dealers that I get lots of love from and give the same to. :-) Looks like Anime Boston will be going onto the Yuricon schedule this year and I got to chat with a bunch of the AnimeNEXT folks as always. Love them. A special shout out of Yuri lovin’ to Bill from Anime Castle and Su from Sci-Fi Continuum. Buy stuff from them, because they are two of the coolest folks ever. And Amber and James from Ultimate Anime, too. ^_^  (The goal here is to butter them up until they send me to the Maiden’s Garden event next year to shop for Yuri doujinshi for them. lol)

It was a tremendous surprise and pleasure to meet Grace Hume, one of the contributing artists to Yuri Monogatari 5. I had no idea she was going to be there, and it was a complete thrill to add her to the list of Yuri Monogatari artists that I have met in person. Grace is the creator of “Emmeline’s Cruise,” one of the two stories in the collection that dealt with an older lesbian character. She even got to sign an autograph. :-D (D’oh! *I* forgot to get her autograph…what a nitwit I am….) Now we’re both stoked about her contributing to the next volume. ^_^

I don’t tend to go to industry panels, favoring the face to face method of “what’s the cool news?” of info gathering. :-) So here’s just a couple of quicky things you’re not getting from ANN yet because it’s all on the QT and so I will be secretive and vague – it’s more fun that way, anyway. ^_^

1) There’s a distant rumour that someone is looking into licensing a title of interest to Yuri fans. I won’t give anything away but, ahem, we may get those Jun and Nene dolls after all….

2) Keep your ears open for a new, very exciting event that will be coming up for 2009. I can’t tell you anything specific, but I can tell you that there has NEVER been anything like it in anime/manga events. (This is me smiling and nodding knowingly.) There’s a lot of enthusiam about it in the industry. You’ll be seeing info about it soon…? ^_^

3) And this so prelim it’s a thought exercise rather than rumor, but who knows how the world will spin, right? How would you all feel about a Mist manga collection in English? Who knows – it could happen. :-)

Well, that’s it from the floor of NYAF. Next event, Comiket, where I will support the Japanese economy by throwing money at it. ^_^



Yuri Anime: Miyuki-chan in Wonderland

December 7th, 2007

Today’s review was brought to you by Katie, who lent me this DVD as a case for something else she was giving me.

It’s been 7 years since I watched Fushigi no Kuni no Miyuki-chan and Kagami no Kuni no Miyuki-chan, released collectively in the US as Miyuki-chan in Wonderland. I still remember when and where I first saw it, and the look of triumph in the person’s eyes who was showing it to me as if they had discovered a great well-spring of Yuri. My reaction was more along the lines of “gosh, what annoying music.” I remember it well. ^_^

Miyuki-chan in Wonderland is a two-part reimaging of Lewis Carroll’s Alice stories by all-female studio CLAMP, starring the happless Miyuki-chan, a schoolgirl far less capable and quite a bit older than Alice. To be fair, Miyuki-chan is not just facing strange creatures loosely based on Cambridge professors of Carroll’s acquaintance, she’s facing sexual harrassment by the all-female anthropomorphic cast of apparent nymphomaniacs that inhabit this Wonderland and Looking Glass world.

The “Yuri” is the above sexual harrassment. Miyuki is more interested in getting home that in the attractive, well-built, adult semi-humans who want to play with her, so the humor is of the “kyaaaahhhh!” variety. Sure, the Mad Hatter *seems* to be gay, but it’s sort of a moot point, really. And it’s a one-trick pony. Practically every meeting involves a sexually suggestive component, flavored with some panty shots. I got tired of it quickly. Many people find it to be brilliant. Your mileage may vary.

The voice cast deserves a mention – it’s fairly all-star, especially the first vignette, the one in Wonderland. There’s some pretty level up names there for what is mostly a soft porn drabble of an anime. :-)

While CLAMP is extremely famous for stunning art, Miyuki-chan the anime, did not do much to expand their reputation. The artbook is significantly less ragged. And it doesn’t have that annoying soundtrack. If you like CLAMP for the art, stick with the book. If you like the idea of all of Caroll’s creatures animated as buxom scantily-clad women sexually harassing a girl, with famous voices, you’ll love the anime. ^_^

Ratings:

Art – 5
Story – 5
Characters – 5
Music – 2
Yuri – 5
Service – 8

Overall – 5

Lewis Carroll’s works are the third most-quoted body of literary work in the world, following the Bible and Shakespeare. CLAMP’s contribution to the canon is memorable, without actually being good.