Yuri Anime: Project ICE OAV

November 18th, 2007

Let’s get this out of the way, shall we? ICE sucked. It was so “wtf” that it quite defied description. And the sad part was that I could see where they were going with it (except for a few key things like, say, the plot) but it was so shoddy from beginning to end that it was hysterical. I laughed until my stomach hurt.

Let’s see if I can even begin to explain what happened.

…

Nope.

In 1982 a woman with big hair and animated in a 1982 style gets hit by a truck.

In the future when all the men are dead, the women have apparently all become crazed lunatics (gosh, we really suck without men, huh?) and inexplicably dress like refugees from Rose of Versailles.

The ICE of the title is a commodity, a virus, a weapon and a giant translucent shell wrapped around a maid. Oh yeah, and a hope for the future!

Stuff happens and monsters appear and people run around and shoot each other and the monsters, and there’s a ball in the middle of everything, then the monster’s mother shows up and everyone dies.

There’s some Montague and Capulet politics in there, but seriously, no one cares.

Our protagonists are Hiromi, a eyepatch-wearing seasoned warrior with Big Ass GunTM, and Yuki an annoying girl from (of course) the opposing house, who has quite possibly the worst voice actress ever.

The writers of the OAV seemed to be laboring under the assumption that they are Gainax, so the entire, mostly inexplicable, end was lifted from Evangelion – and that was after the big space fight that was lifted from Star Wars.

There was pretty much nothing good about ICE. The premise was okay, but as I’ve said a few times recently, pretty much every premise has *some* potential. It’s how anything is executed that makes it good or bad.

In terms of execution, ICE bit. The animation was heavy-handed and pretentious, the characters were a joke, the plot was barely developed and complicated with meaningless scenes that were never given any real relevance, the voice acting was seriously bad and well…the best thing was that the giant piece of CGI at the end that attacked was helpfully labeled on the defenders’ screen “Mother Monster.”

Yuri. It’s a society of all women. So of course the most prominent lesbian is the evil psychotic one. Duh. Julia was amoral, hedonistic and animated by the “B” team.

Our protagonists developed a strong bond (although where, I’m kind of a loss to say – they were together for a few hours, tops.) And out of the blue, right before she died Murasaki confessed her feelings to Hitomi.

…

Ratings:

Art – 5, except for Julia, who was a 2
Characters – 4
Story – 4
Yuri – 5
Service – 2, but god help you if you found something titillating in this

Overall – 4

I keep getting people asking me what they missed and the only answer I can come up with was, “that it was a crappy anime, done by talentless people on a low budget.” You got a better answer, I’d love to hear it.



Out of the Office – Time for Utter Nonsense

November 17th, 2007

I’m about 16 hours away from boarding a plane to head out for a week on a white beach under the dangerously bright sun for the first time in 17 years. I am in no way promising to review a damn thing while I’m gone. In fact, I sincerely hope to not think about anime or manga at all while I read trashy lesbian pulp novels and drink fruity girl drinks poolside.

But I will have access to the intertubes, so who knows. I might post. I will certainly read – if not respond to – my email.

So this seems like a good time to solicit questions for the twice annual Utter Nonsense fest. This time please feel free to ask questions that actually require a bit of research, as well as those I can answer glibly with a elitist intellectual sneer. ~_-

When I get back, or when I feel like it…eventually, at any rate, I’ll collect the set and answer the ones I like. :-) (I found an old one that I never answered, so we’re already off to a good start.) Questions can be about anything, I don’t really care, but again try and make the “reference” questions ones I can answer with a little work, not a research paper’s worth. And please, don’t try and stump me. I’m not a quiz show. lol

I’ll be doing one more review tonight before I go. Then, please feel free to read back over the 860 posts that are already here and get enraged at my opinions all over again for the first time. :-)

See you when I get back!



Najica Blitz Tactics Manga, Volume 1

November 17th, 2007

I finally had a chance to open up the bag of manga I bought at Yurisai to sit down and read it, and lo and behold, I find I had bought Najica Blitz Tactics from Bill at Anime Castle. Why? I have no idea. And so today I sat down to read what is clearly a plotless piece of junk.

You know how some people have good gaydar? I actually do, but that’s not the point here. The point is that I also, inexplicably, have exceptionally good Yuridar. I can pick a book quite randomly off the shelf at Book-Off and find that, magically, there is some Yuri in it. And not just Yuri in which two women are near each other a lot and they seem to like one another, no I mean – Yuri as in a raging lesbian who sleeps her way through the book. Yet another magic lesbian power for Erica. Woot.

Let’s face it – no one in their right mind cares about Najica. It’s so junk that it makes other junk look good. (On the other hand, last night I watched the end of ICE, which was so bad that it made Najica look good, so everything’s relative.)

The plot is thin and silly – Najica and her non-human sidekick Lila are agents for CRI, a top-secret perfume company.

…

Should I continue?

Okay, then. Together they wear short skirts and fight against corporate espionage, random baddies doing who knows what and occasionally save a small European kingdom along the way.

In one of the chapters, Najica is sent to assasinate a competitor who is flooding the market with cheap off-brand copies of a high-end perfume her company makes. (Noooooo! the wife says) She tracks him to a casino, where’s she’s hit on by some young jerk. The competitor disappears, but Najica finds him trussed up, because he had the young jerk’s parents killed back in the day. Najica sympathizes, but won’t get paid if she doesn’t do the work, so she’s the one who shoots him. As it turns out (I know you’re waiting for it) the jerk is actually a woman. As Najica and Lila drive away, young, female, but no less jerky than before, jerk runs after Najica trying to get her name, her number, her body…bwa-wa-waaaah.

In other news, Najica and Lila have that typical fanboy-Yuri relationship which implies that they might have some feelings for one another if, say, Lila was human. But she isn’t, so any emotions you see are entirely you projecting. Najica is clearly fond of Lila. Any other emotions you see are entirely you projecting.

Ratings:

Art – 6
Story – 2
Characters – 4
Yuri – 3
Service – 8

Overall – 4

It’s crap. It’s not even so bad it’s good. But it’s still better than ICE.



Yuri Anime: Kashimashi Girl Meets Girl, Volume 3 (English)

November 15th, 2007

Today’s review was brought to you by the kindness of the good folks at Media Blasters, who also inform me that the street date for the second volume of Simoun is February 26, 2008. Something to look forward to in the depths of the winter blues. ^_^

I need to warn you all before you continue reading – today’s review is going to be chock full of GIGANTIC spoilers. I want to be able to talk about the anime without having to be clever or coy or anything else. If you have somehow managed to avoid all the spoilers for this anime and don’t want to know, read the next paragraph and then skip down to the ratings so you get my overall impression, without details. Otherwise, I’m gonna blab like an intoxicated sailor on leave. (No offense to sailors, it’s just a stereotype…for pity’s sake – you *know* what I mean!)

Kashimashi~ Girl Meets Girl, Volume 3 was a challenge. I had to remind myself over and over to not take it seriously in the least, and as that simple mantra sank in, I began to enjoy it more and more. I don’t for a second think it was *good,* but you know, it was very entertaining – and that’s pretty much why I watch anime. Entertainment that is entertaining – what is this world coming to?

Here’s the super fast recap of the plot, with links to my previous reviews:

Volume 1: An alien spaceship slams into a heartbroken and rather effeminate (but not gay…yet) boy who stands alone on a mountain. The aliens are mortified by the subsequent death of the boy, so they bring him back, but they can only do so by changing his gender. Since he was so girly, no one really seems to care much. And since she still likes girls – in fact still likes the girls he liked as a boy, she is now quite gay.

Volume 2: Both the girls, who had feelings for him as a boy now realize that they have even stronger feelings for her as a girl. Yasuna, the feminine stereotype, admits to having started liking Hazumu when he was a boy, but since she suffers from Yuri-itis and cannot see men, now that Hazumu is a girl she is free to love her wholely. Tomari, the tomboy stereotype, acknowledges that she has always loved Hazumu and despite the fact that he is now a girl, she’s prepared to love her anyway since Hazumu is still Hazumu. Maybe moreso now. We also learn that Hazumu suffers from the SPCD decideritis and cannot make a decision, to the point of it being pathological. Yasuna and Tomari agree to keep it like this between the three of them – them loving Hazumu and being friends with one another, so Hazumu can remain uncommitted and they can all relax for a little bit.

Volume 3 begins with that falling to pieces almost immediately. Shocking, I know. Instead of the group date Hazumu had planned, only she and Yasuna manage to go to the new aquarium. Tomari ends up shipping out to track-and-field camp with the team, where the other girls have a little fun teasing her gently about her relationship with Hazumu so she can be all tsundere, for thems as like that sort of thing.

Yasuna and Hazumu decide to bring Tomari’s souvenir to her directly. This takes them to the station near the training camp, where the first big crisis occurs. A conductor, trying to be nice to Yasuna terrifies her instead, so Hazumu runs over to hold her until she calms down. It is of course at that moment that Tomari sees them. And her world, which was pretty comfy ’til right about then, shatters – not because of Hazumu, but because she thinks can’t trust Yasuna anymore. I found this sort of interesting – Hazumu was essentially absolved of any culpability in this. As if she, not being able to make a decision, is also therefore completely susceptible to external manipulation. (Shoganai – it can’t be helped, being Hazumu’s basic response when anyone asks her about anything.) Which is actually quite true. Hazumu comes off here as naive, a little bit feckless and ragingly selfish, as Ayuki will point out later.

In retaliation, Tomari takes Hazumu out for a walk, takes her hair down (which Hazumu had previously said made her look more feminine and mature) and kisses her. Of course Yasuna sees this and now she feels betrayed – again, not by Hazumu, but by Tomari.

Their house of cards having quickly crumpled, things fall apart completely. Yasuna’s SPCD gets worse, so that she can no longer see anyone at all. Not even in pictures. She is alone in a world full of ghosts. Hazumu, Tomari and Yasuna, having been drawn together now are as far apart as they can be. Frustrated by Hazumu’s inability to *do* anything, even the aliens start to pack up and leave.

There is no doubt that this crisis was handled with significantly less subtlety here in the anime than in the manga. But, in keeping with my determination to not take the whole thing seriously, let’s call it a handwave and move on.

It’s at this point that Ayuki steps in. With a cold, hard dose of reality, she is the only one who blames *Hazumu* for all this. And thank goodness for that. She unerringly puts her finger on the problem with Hazumu’s nature – that in her selfishness in wanting to have her cake and eat it too, she remains passive and lets other people be hurt, rather than taking any responsibility at all.

Spurred by Ayuki’s scolding, Hazumu talks to Tomari about her decision, then finds Yasuna, who is about to leave town, and says that she wants to be together with Yasuna. Magically, her faith in humanity and Hazumu restored, Yasuna recovers.

Now, up until this watching, I have always said that this choice was the right choice for the wrong reason. I hereby completely contradict that and say it was the wrong choice for the wrong reason. Hazumu’s reason boils down to a form of extortion by Yasuna. “If I don’t go to Yasuna, she’ll be sick forever. She needs me.” And boy oh boy, plenty of women really DO use that line of reasoning to stay in dead-end relationships. “Who else will take care of him/her? S/he needs me.” (This is where I reminded myself, yet again – aliens, Erica. Talking spaceship. Church in the sky. Let it go.) Incidentally, if we are paying attention, we realize by now that it wasn’t Hazumu at all that Ayuki likes, but Tomari. I still think that originally, the mangaka was planning on it being a harem thing and decided to not go there by the time the series ended.

Which brings us to the end of Episode 12 in which Yasuna pops over to Hazumu one day with an enigmatic, “You know what?” which is then passed onto Tomari.

As I mentioned the first time I reviewed this series, I know I’m not the only person who hoped that it was a request for a threesome. I still think that they could have made it work. IF I was taking this seriously, which as you know, I am not. ^_^

Episode 13, the DVD extra episode, takes place several months after episode 12. They say 6 months, but that can’t be right. Training camps are usually during summer vacation, in August and Ep. 13 takes place at Christmas, which makes it four months later. Not that I’m taking this seriously, or anything.

We learn through flashback that what Yasuna had to say to Hazumu at the end of Ep. 12 was that she was breaking up with her. For all the right reasons. Yasuna has decided to walk on her own, as she puts it. The right decision – for the right reason. Hazumu, however, fails. Instead of walking away and learning to deal with this, she hares off and asks Tomari to be her girl. Tomari does the only sensible thing possible, she ignores Hazumu and walks away, because otherwise she’d have to slap her upside the head and say, “What the hell kind of idiot thing are you thinking?” Which also would have been in character, but also would have made Episode 13 impossible.

Unwilling to confront Hazumu about this insulting and untrustworthy request, Tomari simply freezes Hazumu out. It seems inexplicable behavior until Tomari coherently explains that how on earth was she supposed to trust Hazumu, when she was still waffling back and forth like this? Unsaid, but no less obvious – that Hazumu was willing to use Tomari as a rebound to dull the pain of a breakup. I don’t think Hazumu ever quite grasped that that was what she did. I know *I* wanted to smack her upside the head and say, “What the hell kind of idiot thing are you thinking?” but since I wasn’t taking this seriously, I didn’t. Well, maybe I muttered it a bit.

Then the stupidest thing in the world happened – the aliens came back and on Christmas Eve (which you know in Japan is for lovers, right?) they make a giant Cathedral appear in the sky where Hazumu and Tomari “get married.” This was well beyond idiotic, just like a boy being killed by a spaceship and being turned into a girl is. In other words, if we’re watching this and taking it seriously, we’re the idiot here, right? I realized at some point I was grinning like a dope. Why? I think because it was *entertaining* and I felt *entertained.* That and because I’m a big dope. :-)

People HATED Episode 13. Yasuna fans, for the obvious reasons – even though she came off as the best character in the series because of it. Tomari fans because…well, beats me, Tomari fans all seem sort of pointless angry all the time. And anyone with a lick of sense because it was *stupid.* Giant floating cathedral, sleigh ride across the sky, etc, etc. ^_^

But seriously – aliens, remember? This was NEVER supposed to be taken seriously. It was a silly plot, with a silly set-up and a silly love triangle with a silly ending.

The extras with the volume are some interviews with the seiyuu, in which they have nothing really to say, but I enjoy listening to them say it anyway. In the final interview with the three lead voice actresses, I found it very amusing that they all decided that it would have been better if Hazumu turned back into a boy, because as it ended, things might become difficult when they got older. They were all pretty concerned by this. Both Tomari’s seiyuu and I originally though that Hazumu would be returned to boy form and the story would just keep going as the love triangle. Surprise on us, huh? I can’t say I’m sad to be have been totally wrong about that.

Last thing of note – in this volume the translator has everyone in the series refers to Hazumu as “she” – except Tomari, who still is tranlated as using “he.” Since in Japanese they tended to use the genderless “aitsu,” I have to assume that was done on purpose.

Ratings:

Art – 7
Story – 6
Characters – 7
Yuri – 9
Service – 6 It had calmed down from the beginning, but suddenly towards the end, someone developed an obsession with Tomari’s ass.

Overall – 7

It was stupid. I liked it. That’s entertainment.



Cutey Honey a GoGo Manga, Perfect Volume (Japanese)

November 14th, 2007

I hereby nominate Go Nagai as a candidate for having his head put into one of those head tubs from Futurama. I don’t think we can afford to lose this kind of genius.

In April of this year I found and fell in love with Cutey Honey a Gogo. My biggest complaint was the volume ended abruptly, right in the middle of the story. And no Volume 2 ever appeared. It was criminal, when you consider how awesome CHaGG was. Then, one innocent day, Amazon Japan emailed me with one of its automated suggestions and lo and behold! It was for Cutey Honey a Gogo, Perfect Edition. Oh, how I rejoiced.

It is perfect (and totally not coincidental) timing for this volume’s release, as a new Cutey Honey Live-Action TV series is running even as we speak. Review will be forthcoming…of course.

Historically, Cutey Honey is rather important to us, the Yuri audience, and especially those of use who are female. Honey was the first, ever, magical heroine who succeeded all on her own, without a man in her life. It’s true that the Hayami family existed in the anime (Seiji, his kid brother and repulsive grandfather,) but they were there to primarily serve as victims, hindrances, perverts and other forms of comedic relief. Honey didn’t need them – in fact, she probably would have done a lot better if they had gotten out of her way. The fact that there has been some light to moderate lesbianism in pretty much every version (excepting Seed, which really isn’t about Honey at all) just keeps it on the list of series we should keep an eye on.

Cutey Honey a GoGo originally came out about the same time as the Live Action movie and Re Cutie Honey. And like those two, it was pretty great. Honey in these versions was much more like the original Honey; smart, fun-loving and mischievous. She’s also self-reliant and strong, with a clear emotional bond with Aki Natsuko.

In the original manga Na-chan was Honey’s classmate, another student at St. Chapel Jogakuen. In all three of the 2004 versions, Na-chan was a police detective. MAJOR powerup for Na-chan. I approve. She’s awesome as the tough-as-nails cop. Much better than as Honey’s beloved, but ineffectual, school friend.

So this perfect volume includes CHaGG Volume 1 and the never-before printed Volume 2. (For which artist Itoh Shimpei apologizes in the back, but I have no doubt that it is not his fault.)

Volume 2 picks up the story after Honey has been staying with Na-chan for some time. Na-chan is not falling for Honey, or anything, but as Seiji picks on her about it, Na-chan just says, “all the flowers are blooming.” When she had lived alone, she had tried to take care of all sorts of plants, but no matter what she did, they just died. As soon as Honey arrived, the flowers all blossomed. I (and Seiji) think that’s an apt metaphor for Chief Aki Natsuko’s life as well. ^_^

The plot picks up with more Panther Claw baddies doing the usual bad stuff and Honey doing the usual to stop them, with Na-chan bringing up the rear carrying the heavy artillery.

But they learn that bizarre things are occurring at – can you guess? – St. Chapel Jogakuen! So Na-chan signs up as a teacher and Honey as a student and they head off to this mysterious and strict private girl’s school.

They are met by the obviously sadistic Miharu-sensei, who was not a Panther Claw operative as I suspected, but another nod backwards to Honey’s history and the odious Histler. And here’s where the story gets wacky. ^_^

Honey’s roommate, Ayumu, is a nice kid. But Miharu-sensei, when she can’t catch Honey during her nightly transgressions, and frustrated with her inability to punish Na-chan who drives her nuts, targets Ayumu. Honey appears to be stalked by a dark, large and very gloomy upperclassman, who ultimately (I’m skipping a lot here) turns out to be in love with Ayumu. She blames Honey for Ayumu’s troubles, and attacks her, but when the Panther Claw attacks the school and lots of random, unnecessary and unpleasant deaths occur, she backs off and let’s Honey stop Spider Claw. The horrible deaths are yet again a nod back to the original work in which *everyone* died. Horribly.

At the end of this volume, Sister Jill-sama names four new top Claws – Black, Gold, Cobalt, and Scarlet and if you watched Re CH or the live action movie, you’ll be familiar with the names. At the end of the book, Na-chan vows to protect Honey (not the first time she has done this, and we all know where that leads) and Honey vows to fight to the bitter end to stop Sister Jill.

Bar none, this is my *favorite* version of Honey. I can only hope and pray and the manga gods are smiling favorably upon this lone fan and wait to see if we ever get more. It worked once, I’m not going to stop now. ^_^

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 5
Service – 7

Overall – 8

How much do you think it would cost me to pay Nagai and Itoh to continue this series for me? ^_^