Once again, I am extremely pleased to welcome Megan back for a Guest Review here on Okazu. This summer has been magnificently busy and I’m thrilled to welcome Megan back to have her thoughts on this anime!
The rise of isekai has been unstoppable over the past decade or so, and it’s no surprise we’ve seen isekai media branch out into different genres and demographics: from mature ‘slow-life’ stories, to BL and Otome. As regular readers of Okazu will know, as part of this trend we’ve been seeing some excellent Yuri isekai. Mato Sato’s light novel series, The Executioner and Her Way of Life, marks the milestone of the first Yuri isekai to receive an anime adaptation.
Executioner begins with our titular character, Menou, being assigned the task of taking out a reincarnated Japanese girl, Akari. In this world, all ‘otherworlders’ are marked for death, thanks to the destructive powers they will develop if left unattended. Akari’s power presents a unique problem though: She has the ability to wind back time, meaning the usual tricks of the trade can’t finish her off. With an unassuming Akari in tow, Menou sets off on a journey to find a method capable of carrying out the execution – that is, if her growing feelings for the other girl don’t get in the way first.
The plot is an interesting mix of some elements that feel familiar to many isekai anime, and others that subvert isekai expectations. There’s a medieval setting, there’s a magic system, and there’s Japanese people reincarnated into this world along with powerful skills. Even the detail of Japanese influence on this world’s culture, from architecture to language, has parallels in popular isekai like Re:Zero. The twist to the isekai formula here is that the Japanese transfers’ powers soon turn destructive: indeed, this anime’s world is something of a post-apocalyptic one, picking up the remnants of a once advanced civilisation destroyed a millennia previously by the four otherworlder “Human Errors”. Finding out the truth behind these Errors (just the names are evocative: the Sword of Salt; the Mechanical Society) turns into a major reason to keep watching.
An isekai needs to nail more than the background lore in the transition to anime though, and Executioner offers a mostly engaging mix of fun scenes with the characters, action, and the occasional flash of horror. On the last point, this anime adaptation irons out some of the tonal inconsistencies the novel’s earlier volumes struggled with. The anime’s generally lighter tone, with the dark and horrific scenes presented as more of a contrast (at least until the B-movie turn of the final arc), also help make this series more accessible to a wider audience, which I think is, in this case, a beneficial move.
As for the Yuri in this Yuri isekai, our main couple is Menou and Akari. From the start, their relationship has a couple of hooks. First, the girls are a classic case of “opposites attract”: Menou, closed-off and traumatised beyond her years, and Akari, bubbly but more than a little airheaded. Second, the entire structure of the narrative is a constant reminder of the tragic fate – of executioner and victim – we want the girls to somehow escape. Before long, a certain reveal suggests there may be more to Akari and her past than we think. There’s a good amount of screentime devoted to building up the girls’ bond, and while by the end of the anime Menou has barely taken a first step towards figuring out what Akari means to her, overall it’s easy to get invested in the girls over the course of the show.
This anime may be a case of the side couple stealing the show from the main, since we also have Momo and Ashuna. Momo starts the show as Menou’s junior and sidekick, and honestly my initial impressions of her and her creepy clingyness with Menou were not good. That being said, the story soon makes the fantastic decision to split Momo from Menou and instead pair her with the violence-loving AWOL princess Ashuna. Every scene of their love-hate relationship is a blast to watch, and if anything I was left wanting to see even more of them (or with Akari and Momo pairing up like happens later in the novel).
Another relationship that defines Executioner, though in this case for all the wrong reasons, is that between orphan Menou and her mentor in the execution profession, Flare. Personally, there’s something about the story of Flare taking this little girl and putting her on a path to becoming the same sort of monster she is that I find strikes a frighteningly real note. The anime’s OP also smartly suggests that Flare may be the truest villain of Menou’s story. The mysteries set up around Flare do reflect a weakness any 1-cour light novel adaptation like this almost inevitably struggles with: there’s a lot of intriguing questions, but only hints at answers by the time episode 12 ends. Still, this isn’t something I can hold against the show too much, especially since both the source novel and manga adaptation are available in English for anyone wanting to continue the story.
Before Executioner’s anime aired, my expectations were tempered by the fact JC Staff were handling the animation. Seasoned anime viewers may know them from a string of disappointing adaptations, from One Punch Man’s season 2 to the recent and underwhelming Rose King. All this makes me happy to report that JC Staff did a solid job this time round, despite the typical decline in quality in the last few episodes . The characters are expressive, the magic is flashy, and the action scenes are suitably fluid. One point I have to particularly praise the anime staff for is significantly reducing the fanservice compared to the novel’s frequently questionable art. There’s still the occasional bath scene, but at least the framing usually avoids leering over the girls’ bodies more than the source text strictly requires.
Executioner might not win over viewers put off altogether by isekai, but with its combo of likable Yuri romance and some smart twists on the usual tropes, it has potential to appeal to fans tired of the usual formula. It represents a confident step in a new direction for both the Yuri and isekai genres – one with room for improvement, but a step in the right direction all the same.
Ratings:
Story – 7, does just enough to stand out from the usual isekai anime
Characters – 8, it’s a lot of fun watching the characters’ personalities bounce off each other
Art – 7, nothing exceptional but attractive with good action
Yuri – 6, plenty of potential
Service – 4, pleasantly turned down from the novel art
Overall – a high 7
PS – in case you’re wondering about the anime’s seemingly unrelated alternate English title “Virgin Road”, I’d guess it’s an awkward case of Japanese to English translation from one possible abbreviation of the the series’ Japanese title 処刑少女の生きる道. Thankfully the official English novel and manga releases, as well as HiDive’s stream of the anime, have restored a better translation.
Thank you for reading another of my reviews! I’m currently on break from my Twitter, but I might be returning soon-ish. In the meantime as always I’m looking forward to reading your thoughts.
Erica here: Thank you so much Megan! To sum up my own thoughts, I think this anime was far better than the source LNs deserve, which was…unexpected.
The official Japanese title is 『処刑少女の生きる道』(しょけいしょうじょのバージンロード), Shoukei Shoujo no Virgin Road, so not a misreading. Ikiru michi is just supposed to be read “virgin road.” FWIW, “virgin road” is what Japanese versions of western-style weddings call the wedding aisle, so perhaps it’s meant as a comment on the “purity” of these pure priestesses. Or, maybe, it’s one more messy thing shoved in by a writer who care very little about keeping the story tidy. ^_^
Thank you again for your thoughts and we’ll look forward to your next review!
