Castlevania on Netflix

October 31st, 2021

Happy Halloween! For tricks this year, I found myself watching Castlevania, streaming on Netflix, because we all know how much I love vampire stories. ^_^

The descendants of vampire hunters, the descendants of vampires, humans (almost all of whom deserved an ugly death) and magic users all become involved in two grand plans that will essentially destroy humanity. It…wasn’t bad.

Castlevania has decent enough animation, lots of blood, sex, some creative magical nonsensery and enough cursing to satisfy even this Jersey Girl. In fact, I have added Carmilla’s frustrated and exhausted “What the FUCK is going on?” to my store of mottos. ^_^

Okazu readers are smart enough to know that I am not reviewing this animation because I think vampires are a nifty Halloween tie-in. Clearly there must be some reason I felt it’s appropriate for Okazu? Indeed there is.

In the later half of the story, as our attention turns from Dracula’s decrepit legacy toward Carmilla’s scheme for a new age of vampire supremacy, we are introduced to Carmilla’s vampire sisters, Lenore, Striga and Morana. When we meet them, Striga and Morana are and have been, a couple. Striga is also highly amusing, voiced with brutal sarcasm by Ivana Miličević, which balances beautifully with Yasmine Al Massri’s highly ironic, and only slightly idealistic, Morana.  The two of them are delightful and their fate is a high point of the what is objectively a very, messy, if slightly dewily romantic plot. (I mean romantic in both senses here. The plot tends toward romanticism and Romanticism, if you take my meaning.)

The voice cast was quite good, with the exception of the heavy mumbling by Richard Armitage as Trevor Belmont, and James Callis as Alucard. I kept shouting “What? Speak up!” at the TV, despite the fact that I watch everything with captions now. It’s not that I’m losing my hearing, I just read faster than people talk and I have no patience. ^_^ Nonetheless, mumbling is not a personality.

I particular loved Alejandra Reynoso’s voice work for magic using Speaker Sypha.  She was a delight. Jaime Murray’s Carmilla was also brilliant – angry, imperious, violent. Kind of my perfect woman, except for her being a vampire, which I would find just so tiresome. And last, but not least, everything about Lenore, from her cute blushy cheeks to Jessica Brown Findlay’s masterful voice work, was fantastic.

For the rest of the story, expect lots of body parts, blood, and copious amounts of heavy cursing written in a way that kind of almost sounds like I wouldn’t mind being around these people, except for the stench and the threat of death and undeath. Other than that, they seem kind of fun.

Ratings:

Animation – As good as 8, as bad as 5
Story – It was three or four messes worth of mess, but does it matter? 7
Characters – 9 The main reason I kept watching, honestly
Service – 10 I did mention, the blood and violence and sex, yes?
Yuri – 9  It’s only one little piece of the story, but a nice one

Overall – 8

Alucard was all out of luck
Human lives were all in the muck
Magic and mayhem
Meant monsters and brain stems
And all anyone really wanted was a good…roast duck.

And maybe a beer. And a shower. And fewer undead monsters trying to kill them.



Yuri Network News – (ç™ŸćˆăƒăƒƒăƒˆăƒŻăƒŒă‚Żăƒ‹ăƒ„ăƒŒă‚č) – October 30, 2021

October 30th, 2021

Yuri Video

In case you missed it, we have a new video up on Yuri Studio – this time a paean to Shakaijin Yuri!

 

Yuri Manga

If You Could See Love, by Teren Mikami and Yuuki Nanaji, is now out digitally from Yen Press. It’s available on Amazon and Comixology, as you can see if you click this affiliate link. Mei has always had the ability to see who is in love with whom, but upon entering a girl’s school, she finds two arrows pointing at her. Hijinks undoubtedly ensue. ^_

Kuzushiro’s Uyanotsuki,Volume 1(é›šć€œăźæœˆ) is a story of two girls, a musician and a deaf girl, who change each other’s lives. You can check out sample chapters on Comic Days.

Chisako has a story, now running on Takeshobo’s Storia Dash, Minna Watashi no Hara no Naka (みんăȘ私ぼはらぼăȘか), about a woman who likes to eat! I’m really happy with this food + Yuri trend.^_^

Via Comic Natalie, the November issue of Square Enix’s Big GanGan is starting a new Yuri series, “Shimekiri mae ni wa Yuri ga Hakadoru (ă€†ćˆ‡ć‰ă«ăŻç™ŸćˆăŒæ—ă‚‹) by Haganai creator Hirasaka Yomi. That follows a woman who, after coming out to her parents ends up falling for her difficult cousin. It is described as a story about “people who find it difficult to live normally.”

 

Become an Okazu Patron today and help us to support Yuri creators! $5/mo makes a huge impact.

Yuri Games & VNs

Via YNN Correspondent Aurakin, Steam is runnng a Halloween Sale through Nov. 1, and many of their Yuri titles are currently heavily discounted. Linghua and Hanako are offering Yuri bundles that end up being a few bucks a title.

From YNN Correspondent Michaelangelo H. and also on Steam, Winterwolves has released a new Yuri dating sim, Summer In Trigue. This is a dating sim set on a Caribbean island, presumably for multiple bikini scenes. ^_^ But it looks kinda cute and has no fetuses in frilly dresses. If someone wants to review this, let me know!

Via Yuri Navi, Stromatosoft is releasing a Yuri board game in November called Yuri Ranbo, a “high-speed battle Yuri Harem formation card game that aims to become one girl and acquire more girls.” For 3 players, each round takes ten minutes and it can be played by ages 9 and up. I am completely speechless at the idea and am sorely tempted to get it, despite my general disinterest in games. ^_^

After the completion of a short intro manga in Comic Yuri Hime magazine the “adventure game” Kochira, Haha naru Hoshi yori has been released. This post-apocalyptic story follow the last 6 people in Ikebukuro after a virus has decimated the planet. These six women discover new life and sometimes eat it, all while enjoying being alive. It’s a hopeful look at survival in a post-pandemic world.

 

Yuri Doujinshi

Lilyka is running a Haloweeen [sic] Sale through Tuesday. Use the Code HAL21 for 22% off Yuri tricks and treats. Some exclusions apply, they say.

 

Other News

Yurimother reports on a Yuri novelist, Saturnalia Blackrose, who has found her work plagiarized and up for sale on Amazon.  Amazon does not make it possible anymore for people other than the author to ask for the content to be removed, but please be aware that the listing is not legit. Check out Yurimother’s report for more details.

 

Thanks to our Okazu Patrons who make the YNN weekly report possible! Support us on Patreon to help us give Guest Reviewers a raise and to help us support Yuri creators!

Become a YNN Correspondent: Contact Us with any Yuri-related news you want to share and be part of the Yuri Network. ^_^



I’m in Love With the Villainess, Volume 1…again!

October 29th, 2021

It’s not unheard of that we sometimes review the same book more than once here on Okazu. Books that were published by one company, then again by another are the most common culprits – like Azumanga Daioh by ADV Manga and again by Yen Press or Aria by ADV, then again by Tokyopop. We’ve definitely had more than one reviewer taking a look at the same material such as various perspectives on the Citrus anime. Today marks  – as far as I can remember – the very first time I am reviewing the same book that I have previously reviewed. And let me tell you, I’m really happy to be doing it!

In March, I took a look at the first volume of the manga for I’m in Love With The Villainess, which I had previously read in Japanese, but not reviewed because of delayed shipping.  This was followed by a review of Volume 2 in Japanese.

In the end, there were some problems with the first volume in English that I felt were impossible to ignore. I wrote a polite, detailed email to Seven Seas. I, like you, love this series, and wanted – needed – it to be perfect.  Imagine my surprise and delight to hear back from them recently, with an offer of a new edition!

So, today, for the first time ever on Okazu, I am reviewing the exact same book for the second time. Today I am looking at I’m in Love With the Villainess, Volume 1, written by inori, art by Aonishimo, character design by hanagata.

The story follows a Japanese office worker, Oohashi Rei, as she finds herself transported to the world of her favorite otome game, Revolution. Freed(?) from her previous life as a wage slave and given the chance to be the game’s protagonist, Rae Taylor as she is now known, pursues her favorite character – the game’s villain, Claire François.

The beginning of the story is goofy, as Rae plays the fool to Claire’s stereotypical high school rich girl villainess. But, as the story goes along, Rae’s behavior seems to have a different meaning and Claire begins to wonder what makes this odd and annoying commoner tick. We are also introduced to the rest of the players from the first novel of the series.

My sincere concerns about the word choices have been wholly alleviated. Claire remains high-handed and imperious, but now lacks any signs of vulgarity or uncouthness. She is the high-born noble daughter that Rae, and we, fell for. ^_^  I thank everyone on the Seven Seas team for going back over this translation and smoothing the rough patches out of the book. My especial thanks to translator Joshua Hardy, and editors Dawn Davis and Peter Adrian Behravesh, Also, some recognition to Courtney Williams who was given time to letter and retouch, which gives the story a smoother feel than just jotting in translated sound effects. (I know how hard that is and why it’s not possible for the artiest of s/fx, but I always appreciate the effort.) And once again, Nicky Lim’s cover design is lovely, with the embossed title.

As an added bonus, I genuinely think the illustrations by Aonoshimo-sensei actually enhance the story. This volume is of course, early days on this collaboration, but I know from later chapters, the art is good and will become fantastic.

This is the edition we wanted. Now I can recommend the manga as highly as I do the light novels. ^_^

Ratings:

Art – 8
Characters – 9
Story – 8 It will improve over time. ^_^
Service – 5 Nudity and bathing
Yuri – 9

Overall – 8

Volume 2 is heading our way in English in winter 2022 and I look forward to it with as much enthusiasm as I do Volume 3 in Japanese. Thank you Seven Seas for this review copy, and for taking our concerns and desires so seriously. It is very much appreciated.



Comic Yuri Hime November 2021 (ă‚łăƒŸăƒƒă‚Żç™Ÿćˆć§«2021ćčŽ11æœˆć·)

October 28th, 2021

Well wow. Comic Yuri Hime November 2021 (ă‚łăƒŸăƒƒă‚Żç™Ÿćˆć§«2021ćčŽ11æœˆć·) was a great read, for a couple of reasons.

The cover story has found a way to resolve itself, so humans don’t die off. I wasn’t worried, but…kinda wondered if the story would take any time to work at it. Nope! Just, “humans are fine, thanks.” That said, look at this gorgeous cover by Kesshin. Really nice. Next volume will go back to a white background and provide a happy ending.

The last few years have given us interesting and aesthetically pleasing stories. I’m pretty much sold on the cover novel model.

inori, hanagata and Aonoshimo’s “Watashi no Oshi ha Akuyaku Reijou” arrives on the doorstep of the crossdressing cafe. You my have seen spoilers for this online. The next volume is waiting for me to get it. I am a-quiver with anticipation. ^_^ This story is genuinely made even better with the manga art. What a pleasure it is!

“Watashi no Yuri ha Oshigoto desu!” went somewhere I did not expect and I found myself on the edge of my seat. What will happen with the reappearance of a former employee who threw the cafe into turmoil once before?

“Kimi to Tsuzuru Utakata” comes to a surprising climax in which Kaori creates an opportunity for Shizuku to say what she needs to say in order to forgive herself. A new crisis has arrived – one that has been foreshadowed for chapters, so I wasn’t nearly as surprised as Shizuku.

Kiiyan’s “Kimi to Shiranai Natsu ni Naru” started very gonzo last chapter, but this time took a turn in a bizarre direction. Two women running away from life find themselves on an even more unexpected journey.

Usui Shio’s “Kaketa Tsuki to Donuts” is coming up quickly towards its end, and this chapter was worth the price of admission. Fuuka and Hinako have a talk, again, about Asahi. Hinako is still convinced that a physical relationship is not something she can understand. Asahi likewise does not really know what she’s feeling. I hope, honest, that Hinako is allowed to remain asexual, as she is potentially presented here. She and Asahi have a lot to work through, and I’m here for all of it.

In Shio-sensei’s “Onna Tomodachi to Kekkonshitmita,” for once Kurumi spoils Ruriko a little. I’m glad, too, because Ruriko deserves to feel appreciated.

“Makoto to Momoka” by Agu felt like an old-school doujinshi. A bartender is using the bar’s name, Makoto and all her customers think it’s a cool name for her. But her name is not Makoto. The bar owner has appropriated her name, which has caused a bit of identity crisis.

“Mukeikaku Yuukuu Saihate Tour” was a nice scenic one-shot. I kind of like the travel spots in this magazine, as I’m not going anywhere these days, but is this Yuri? Is “Futari Escape”? I don’t really know.

Inui Ayu’s “Kyou mo Hitotsu Yane no Shita” is once again a paean to how much Kon-san understands Inui-sensei. This series is getting it’s first collected volume next month, yay!

Which brings me to the final excellent thing in this volume. Inui-sensei is the featured artist in the Hime Cafe section and for the first time since I’ve been reading this magazine, a contributing artist discusses issues like coming out,  being a lesbian and living with a girlfriend. I don’t think we’ve had an out artist in the magazine proper before and I am absolutely thrilled that Inui-sensei is the one to break that barrier.  I was so happy, in fact, I made *sure* I filled out the survey in the back to let them know how happy I was.

Note: Reader CW comments that Takemiya Jin has previously discussed coming out in an early issue of Hime Cafe and I thought I recalled that, as well, but I was unable to confirm it from my archives.

A great penultimate issue for the year. One more to go and then everything is in the wind again.

Ratings:

Overall  8

The December issue is already out in Japan, and I hope will be in my hands this week. ^_^



The Aquatope on White Sand, 1st Cour, Guest Review by Megan

October 27th, 2021

Welcome to our record-breaking 7th guest review in 2 months! This is made possible entirely through the support of our Okazu Patrons and the energy and talent of our guest reviewers! I’m absolutely delighted to bring you so many guest reviews and hope that, if you enjoy these, you’ll become an Ozazu Patron and help us continue to pay our writers industry standard rates for their efforts!

Today we’re bringing back Megan with a thoughtful and lovely look at one of this years prettiest anime, The Aquatope on White Sand, streaming now on Crunchyroll. (I asked to cover the second cour myself, so we’ll be back early next year season to talk about the rest of it. ^_^) In the mean time, please welcome Megan back! The mic is yours, Megan.

The Summer 2021 anime season saw the debut of not one, but two Yuri anime from fan favourite studios. Season 2 of Dragon Maid drew most of the attention, but the original 2-cour series from PA Works studio, The Aquatope on White Sand, also quickly drew a Yuri audience.  

Aquatope begins with a young woman, Fuuka, leaving her idol job in Tokyo after she gave an opportunity up for another member of the group. Her dream is over, but on a whim she takes a flight to Okinawa where she meets Kukuru, the acting director of Gama Gama aquarium. With only weeks to go before the planned closure of the aquarium, Fuuka decides to support Kukuru with her dream of keeping Gama Gama open. 

The entire cast is likeable, but the bulk of development goes to our leads, Fuuka and Kukuru. Fuuka is kind, almost to a fault; both with her idol and aquarium jobs, she prioritises others’ dreams above her own. Her arc sees her grow in confidence and learn to pursue her own dream again. Kukuru was the bigger surprise of the two leads. From the promo material and first episode I didn’t expect her to be quite as serious and focused on her work as the aquarium’s director as she turned out to be. The dynamic between the girls also works out differently than you might expect at first: in the early episodes Kukuru is the one giving emotional support to Fuuka as she faces up to her mother in episode 5, but in the second half of this first cour Fuuka emerges as the more mature of the pair. 

While the show’s first half doesn’t definitively commit to a friendship or romance reading for Fuuka and Kukuru’s relationship (the show’s awkward attempt in episode 9 to advance a “big sister” interpretation for Fuuka is one of the writings’ rare missteps), either way there is a lot to offer here for Yuri viewers. Aquatope depicts the pair’s emotional intimacy beautifully, with both their emotional and physical closeness growing as they support each other with running the aquarium and overcoming their own issues. Wherever the second half of the show takes them, here’s hoping they have a future together. 

The other main character of Aquatope could be said to be the aquarium itself. When the first episode aired and included a magical realist scene of Fuuka getting swept up in an underwater vision, I was sceptical since the show seemed otherwise well-grounded, but the magical element ended up working in the show’s favour. The pairing of an aquarium with these ineffable magical visions makes thematic sense; even now, so much of the sea is still a mystery to us. In several episodes we also meet characters who have visions at the aquarium that help them move on from turning points in their lives. Along with the stories of the supporting cast, this helps build a connection to Gama Gama as a place that feels worth saving. 

The aquarium feels like a believable location thanks to the fantastic animation effort from PA Works. Where Aquatope might lack in impressive “sakuga” sequences, it makes up for with a consistent high quality both in the character and background art throughout these first 12 episodes. The fish are mostly rendered in CGI, but it looks acceptable, and closeups and the penguins are animated in 2D. Particular praise should be given to the background art team, Gama Gama and surroundings were so well-rendered they came off as real places. 

Spoiler warning: Please skip past the section starred off below, if you prefer to remain spoiler-free.

 

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For a “iyashikei” (healing) anime, Aquatope often struck a serious, even melancholic note from the early episodes. The closing episodes of this first cour paid off these hints, and secured my recommendation of the show for mature anime viewers who find it increasingly hard to relate to the teen-centered themes of most anime. The first cour of Aquatope is about the experience that, perhaps as much as any other, defines becoming an adult: giving up your dream. 

It testifies to the show’s strong writing, no matter how much we as the viewer might wish for a different outcome, the closure of Gama Gama feels like a logical conclusion to everything that came before. We’d seen how unsuccessful Kukuru’s initiatives to draw visitors to the aquarium had been, and episode 10 introduces a new, much larger and more centrally located aquarium opening up that renders Gama Gama aquarium irrelevant. In truth, the writing had been on the wall since the start, and Kukuru locking herself up in the aquarium as a typhoon beats down her attempts to fortify the building is an effective visual for both Kukuru and perhaps the viewer’s denial of the reality of the imminent closure. 

The finality of episode 12 is surprising for a two-cour show. Many people I know watching week-by-week thought it actually was the final episode and were surprised to find out it was only the halfway point. For viewers who usually like their anime on the shorter side, the first cour presents a satisfying and complete story on its own, without the meandering some other two-cour anime can fall prey to, with almost every episode developing the leads and their relationship, or the aquarium setting itself in important ways. This pacing helps Aquatope to feel, in my experience, more consistently engaging than some other similar anime, including PA Works’ prior series about working women such as Sakura Quest

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Aquatope presents a moving and mature story of pursuing and giving up dreams, and of the leads’ growing emotional intimacy. The show is shaping up to be a new favourite for slice of life and Yuri viewers, and I can highly recommend giving this overlooked anime a try. 

 

Ratings: 

 

Story – 9, a well-written and smartly paced story of giving up your dream, and what comes next Characters – 8, everyone is likeable and the leads get some good development 

Art – 9, a consistently beautiful effort by PA Works 

Yuri – 6, nothing explicitly romantic but the leads’ emotional intimacy is lovely 

Service – 1, a beach episode with the girls in swimwear, otherwise, no 

Overall – 9 

 

PS It took me a while to figure out what the word “Aquatope” means. I was reading vol 3 of (excellent and very queer-inclusive fantasy LN series) Reign of the Seven Spellblades, which used the word “Biotope”, a word similar to “habitat”. So “Aquatope”, I presume, means “aquatic habitat”. 

Thanks as always for reading my review! I’m looking forward to hearing your thoughts in the comments ^_^ 

Erica here: Thank you so much, Megan! Your thoughts echo my own completely. It’s a beautiful anime with some strong values and lessons that are both gentle and inexorable. I’m looking forward to covering the second cour. It’s a bit selfish of me, but I wanna write about this lovely anime, too! ^_^