Welcome to Guest Review Wednesday on Okazu! This makes a third guest review in a row and we have at least two more on the way! If you enjoy our guest reviews, I hope you will support the Okazu Patreon. Thanks to our Patrons, who make reviews like Luce’s review of Volume 1 of this series and Christian’s review of Volume 2 possible! Welcome back, Christian LeBlanc for today’s review. ^_^

So, let me admit something to you: Ningiyau’s second volume of School Zone Girls from Seven Seas has proven to be a very hard book for me to review, as I would often find myself re-reading the stories instead of trawling its pages for beats to describe and funny lines to quote. Flipping back and forth through its short, episodic chapters is like a ludic loop of dopamine hits.

With its ensemble cast of misfit high school girls and their cool-as-hell uniforms of black dress shirts and white ties, this manga feels a bit like if Azumanga Daioh went through an emo phase (at least stylistically), abandoned the 4-koma style, and leaned more towards slacker than absurdist humor. Chapters are three to eight pages long on average, and this brevity perfectly suits the lighter tones of this book full of lovable, surly idiots.

Tall, breezy, beautiful Yokoe Rei (as seen on the cover) is still disastrously crushing on her best friend since middle school, the short, perpetually-perturbed Sugiura Kei (last volume’s cover star). Their friend and classmate Negoro Yatsude is the connective tissue between most of the cast, since she’s also friends and classmates with Matsuri Fuji, and club senpai to Hinase Tsubaki, both of whom we’ll get to. Yatsude’s withering reactions of concern and/or annoyance over everyone and their bull$#!t make her the perfect foil for her friends’ eccentricities, bouts of despair, etc.

Hinase Tsubaki is a bit of a wallflower (a friend of a friend describes her as “a gloomy li’l reject loner girl”), although bright and cheerful Kaname Yamashiro keeps taking the initiative of being friends with her. Tsubaki’s twin, Hiragi, is a surly loner, and also has a bright, cheerful classmate (Utsugi Ren) she’s getting closer with. To be honest with you, it wasn’t until I got towards the end of this book that I realized these were four different people, instead of two (Volume 2, due to reasons, was my first time reading School Zone Girls). We do see some flashbacks in this volume, so I expect we’ll soon learn why Hiragi hates her twin Hinase so much (which may or may not be related to Hinase’s let’s-hope-the-author-just-drops-it sister complex, ugh).

Matsuri Fuji is new to the cast, and is first depicted playing a crane game with increasing fury; the prize (which she thinks looks stupid anyway) has twisted itself in her mind into some form of character growth, like a next stage of enlightenment she needs to attain. You’d be right to assume from this that she takes herself way too seriously; she speaks with a heightened dialect that only makes her look more awkward to the arcade employees, and tortures herself with inner dialogue spirals about honor, respect, doing good deeds for selfish reasons, etc.

Once arcade employee Kishiya admits to feeling embarrassed over something, she becomes an inadvertent mentor to Fuji, helping her realize that even adults can be imperfect – and that’s ok. It’s almost like the relationship between Miyako and Sayaka at the coffee shop in Bloom Into You, except, well, Miyako would never laugh her ass off if Sayaka freaked out and gave herself a nosebleed. (Or keep replaying the moment in her mind, laughing a little harder each time.) Incidentally, I hate to admit how much Fuji reminds me of myself at that age, and I have to wonder why I’m being called out in this manner.

Most of the time, our cast is just $#!tting around: hanging out at school, riding each other over who can’t wink with their eyes, watching TV during homework dates, falling down 3 flights of stairs into a bloody mess before admitting they need someone to walk them home because the ad for a scary movie messed them up, etc. Stakes are fairly low all around, in spite of how hard Rei freaks out whenever she interprets Kei’s gruffness as affection, or Fuji’s obsession with winning that stupid stuffed toy at the arcade.

As I said earlier, School Zone Girls eschews the 4-koma style, so the comedy has more room to breathe naturally. Chapters are exactly as long (or short) as they need to be, contributing to the natural rhythms and quick pacing. I think this makes the poignant 18-page It Was a Joke stand out that much more, increasing its dramatic impact. This tale sees present-day Rei narrating some flashback scenes from middle school that shed light on why her crush on Kei hasn’t gone any further than it has. I’ll admit, the slapstick and spit-takes up to this point had my guard down, so I wasn’t expecting to see such an affecting portrayal of why two girls would still be stuck in a “will they or won’t they?!” stasis required by the plot. And, I know I can be a bit of a soft touch for scenes like this, but I dare you to flip back to the first page of this chapter again after you’ve read it and not feel something for poor Rei.

This section actually struck me as realistic (as opposed to contrived for the plot), but I got hung up on whether or not that was for me to judge. I asked Erica for her opinion, and she reminded me that authenticity is individual, but to go with my gut; my gut simply told me not to speak for others on what is or isn’t authentic to them. And then I wondered if I wasn’t overthinking a book where someone got punched in the tit last issue. Such is the genius of School Zone Girls!

Ratings:

Art – 9 A good comedy needs expressive, inventive body language and exaggerated expressions, and this one has it. Clean lines, screen tones that expertly give depth to the page and guide the eye, and engaging character designs all contribute to this rating. Ningiyau is particularly skilled at rendering affectations of disdain.

Story – 7 There’s a lot of fun nothing happening, except when Ningiyau decides to hit us in the feels with some of those bittersweet drama times. And that’s fun too.

Characters – 7 The twins still confuse me, but there’s hints that we’re about to see their history soon. Rei is best girl and I want everything to work out for her.

Service – 2 One panel stands out as a little cheeky, but otherwise there’s a welcome lack of gaze.

Yuri – 6 The audience is meant to root for Rei and Kei to get together. I can see some relationships forming among other cast members, and others staying platonic, but everyone else is just friends at this point.

Overall – 9 There’s a fair bit of substance here, in spite of its plain title and covers. The humor is dumb but in a smart way, and it feels like there are hints of relationships and future story arcs sprinkled throughout.

Special commendations should be given to the translation/adaptation team of Avery Hutley and Jamal Joseph Jr. for translating a comedy that reads briskly, naturally, and lands all the jokes and interactions, along with slang that sounds fresh, natural and unforced. Aidan Clarke’s lettering helps convey all the different beats as well – font types and sizes change when they need to, and sound effects do a great job matching the varying ways the original kana are written.

Erica here: Thank you so much, Christian! You and Luce have convinced me to read this comic! As we mentioned last time, Volume 3 is on the way in November, as well.