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The Executioner and Her Way of Life Anime

April 29th, 2022

We’ve been following the Executioner and Her Way of Life Light Novels here on Okazu. (Volume 1 | Volume 2 | Volume 3) They are not bad, with a few features that make them worth continuing to read, despite the grotesquery that is sprinkled liberally throughout. Among these are the world-building, especially the magic, and a few of the characters.

And now we have an anime for the series. How does The Executioner and Her Way of Life anime hold up to the LNs?  I think they improve upon them. But let’s start from the beginning.

Menou is an “executioner,” a priestess tasked with eliminating “Lost Ones,” people who enter her world from Japan. She is assigned to kill Lost One Akari, who appears to wield the Pure Concept of Time, and thus cannot be killed. Menou is bringing her to the capital for the leader of the Faust, her religious order. Menou is assisted by her junior, Momo, who is passionately and possessively in love with Menou.

So let’s dig into the anime – what is working and what isn’t?

The animation is very decent. More so that I felt the story deserved, frankly. The art in the LNS is well beyond weak and the world itself is described so poorly that I imagined it all a washed shade of sepia, as I read. The bright colors and thriving town was a pleasant surprise. The train design in the anime was a nice fantasy Deco that lifted the whole of the world quite considerably. I was imagining medieval construction in dull one-note tones, not fantasy steampunk. I’m glad to be wrong. The art in the LNs is really bad, Part 2:  Bodies are strangely proportioned flesh bags in clothes that are sacks with no structural integrity. Here the animators seem to have grokked the concept of bras, which do not exist in the LNS.

Menou herself is intriguing, rather than likable; her relationship to Akari has been hinted at in a half dozen ways, including the spoileriest possible way in the opening sequence. Momo, while still annoying in the anime is surprisingly more tolerable and when she ends up fighting the Knight Mage Princess Asuna, become wholly tolerable. I like Asuna, and frankly, think she’s good for Momo. I approve of Asuna x Momo shipping. ^_^

I miss the expositions about the magic, but the lack of lectures makes the whole thing feel more natural, less tacked on. And I do like that Priestesses connect with their magic through the scriptures.

The plot is zippy, as it has to be, with somewhat greater focus on the action scenes than the guro, which is, IMO, a win for watchers.

What isn’t working? Sadly, with the faster pacing and decent animation, the plot has become less able to hold up it’s side of the bargain. By Episode 4 if you can’t guess what is going on in the main plot, you’re not paying attention. And the cool subplot that revealed itself in Volume 4 of the LNs is shoved pretty far up our nose here. The end result is that I don’t *want* to take time to develop the initial plot. I’d kind of like it out of the way, so we can get on with things. I’m a little skeptical of jaded executioners who can’t see the giant obvious thing right in front of them.

Ratings:

Art – 8, with flashes of 9
Story – 6 A tad weak, but not bad
Characters – 7
Service – Yes, of course, because women’s bodies are a mystery
Yuri – Hrm, Momo’s obsession with Menou isn’t as interesting as the rest of the possibilities

Overall – 7

Is this worth watching? I think so. The guro is toned way the heck down (at least by Ep. 4, that may be subject to change, I have yet to watch Ep. 5), the plot zips along, the scenery is pleasant,.  If you don’t want to read the first volume (or two, not sure how far the anime will go) this is not a bad place to begin and decide if the LNs are for you. If you think you like it, then you can pick up after the anime and let the plot run ahead.

The Executioner and Her Way of Life is streaming on HIDIVE.



Comic Yuri Hime May 2022 (コミック百合姫2022年5月号)

April 28th, 2022

Comic Yuri Hime May 2022 (コミック百合姫2022年5月号) had a few great zOMG moments, so let’s dig right in!

“Sasayakuyouni Koi wo Utau” by Takeshima Eku relaxes into festival mode, with yukata, and fireworks and kisses.  This series is just so darn sweet, it hurts my teeth, but I’m hooked. ^_^

“Watashi no Oshi h Akuyaku Reijou.” is hard this (and next) month, as we face Lene’s banishment. The next chapter is gonna be really rough. At last, we meet Salas Lilium….and, okay, he’s pretty. We’re going to see a lot more of him as the story progresses. da-da-dummmmmm~~~

OMFG, Miman’s “Watashi no Yuri ha Oshigoto desu!” has done something I could never have expected. Holy shizzballs. The whole cafe is currently dancing to Youko’s tune and has no idea. I can’t see the climax here, but I’m on the edge of my seat for it. Poor Sumika. Poor Nene. Poor Kanako. I hope they gang up and defeat the evil that threatens to tear them apart.

Both of Usui Shio’s stories take leaps forward…

As “Kaketa Tsuki to Donuts” heads towards it’s climax, Hinako has the first real conversation with her mother that she’s probably ever had. It’s a key moment, and they both come through it just fine. It’s the “look Mom, I like someone and that someone is a woman…” talk, which isn’t quite coming out, but is darn close. Now all we need is Asahi to be honest with herself…and the two of them to share some realtalk.

In “Onna Tomodachi to Kekkonshitemita” Kurumi and Ruriko spend the day together deepening their bonds and you know what? It was really nice. I could use more of this…a lot more of this.

Ratings:

Overall – 8

As always there are stories I don’t read and stories I read that I haven’t mentioned, but all of the ones mentioned are doing some pretty interesting things and had a couple of yowza moments!

The June issue is already available and I am so looking forward to it. ^_^



Sex Ed 120%, Volume 3

April 27th, 2022

Sex Ed 120% has been a heck of a ride. Informative and highly whimsical, it’s provided a lot of solid information and fair amount of utterly useless information side by side, with a wacky sense of timing and humor that is not actually inappropriate for teenagers, but also would never happen in the real world. I’ve reviewed Volume 1 and Volume 2 previously on Okazu.

Clearly writer Kikiki Tataki knew this series was coming to an end here in Sex Ed 120%, Volume 3, because in this volume, two major school year milestones are squeezed in order to make room for the plot we all had hoped we’d get…Tsuji-sensei’s confession to Nakazawa-sensei.

I’m going to be honest, while it seemed pretty obvious that this relationship was being set up, I was still quite surprised when the narrative decided to center it. And while it was a bit on the nose, it gave the characters the chance to delve into bisexuality in a way that might have otherwise felt shoved into the school festival storyline.

Overall, I actually loved the festival story and the bulletin board of supportive messages. I had the feeling of “this is the world I want to be in” that I wish more manga would reach for. I’m tired of watching characters swim against the tide of sexism, homophobia, transphobia and the like, and am ready for stories that imagine a world in which students worldwide can talk openly about their lives. For that, Sex Education 120% is a pretty fun story that does some important things in an impossibly goofy way.

Ratings:

Art – 8
Story – 9
Characters – 10
Service –  1 A very teeny bit of Tsuji-sensei’s imagination running away with her, but in a mostly harmless way.
Queer – 10

Overall – 9

Sex Ed 120%, Volume 3, written by Kikiki Tataki, with art by Hotomura, is out from Yen Press, available on Amazon, RightStuf and Bookwalker (which is having a sitewide sale right now, just *after* I bought this. My timing is impeccable. ^_^;)



The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Volume 1

April 25th, 2022

Anisphia is a very unusual princess. Awakened to knowledge from a life in our world, she has a unique relationship to the magic of her current world. While she has magical potential, she cannot manifest it at all. Instead she turns her energy to making technological uses for magic. And now, she has an idea, but she needs someone to test it out for her. In The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Anisphia gets her wish.

Euphyllia is a young woman who has spent her entire life training to be Queen. Poised, educated and a genius with magic, she is the perfect vision of royalty…until her engagement is dissolved by her fiance in a rather abrupt and public manner. Shunned and unwelcome, Euphyllia has no idea what to do…when Anisphia comes sailing into the hall on her magic broom, sizes up the situation and carries Euphyllia off to be her assistant.

Last autumn I ran out and grabbed the first Japanese manga volume of Tensei Oujo to Tensai Reijou no Mahou Kakumei (転生王女と天才令嬢の魔法革命) to get a jump on the English language edition of the Light Novel. Sadly, I was left feeling uninspired by that first volume. It was…all right. But, having now read the Light Novel, I’m willing to reconsider.

Anisphia is a delight. Forthright, intelligent, positive, she fills the pages of the Light Novel in a way that the manga didn’t quite give her space for. Her interest in Euphyllia is charming and, while not innocent, per se, isn’t creepy at all. It’s very much as if she’s trying to not fall in love with Euphyllia too hard or too fast, specifically to give the other girl room to have time to deal with her own emotions.

Because the LN takes the story past Volume 1 of the manga, we get to leave behind the too-much-shouting that filled up the manga and made it hard for me to engage with the story. Instead we spend more time with Anisphia and learn about her history, her skills, her desires and her achievements,  that makes her a very appealing person. Euphyllia, having literally been carried off by her, is overwhelmed…understandably so. As a princess, Anisphia has proclivities in dress and demeanor more suited to a woman of our world. A woman-loving woman, in fact. Anisphia is so daring and brave that it’s really quite impossible to not like her, as Euphyllia finds out, as she is swept up in the princess’ plans.

And that, in a nutshell, is what makes this book fun to read. You want to know what the grand experiment is and how Euphyllia can help Anisphia and you cheer for them both as they launch themselves into a grand adventure. As I said, now I’m kind of interested in reading more of the manga to see what happens.

If there is one sour note, however, it has to be the art. Anisphia is described well – she’s strong (we know because she literally throws Euphyllia over her shoulder to carry her off) , favors dress that is adapted from what a knight wears, she does not like dresses, although she wears a short skirt over her pants. And yet, what we are given in the art is an infantile imp…in a magical girl costume. My teeth ground every time I had to look at this moe infantilization of what should and could have been a great girl prince. Grrrr.  Thankfully, as this is a Light Novel, we’re not forced to look at that too often, so I was free to imagine Anisphia with arms like Gideon Nav.  ^_^ To be petty, the scene in which Anisphia shows off her Mana Sword, I said to the art “Tell me you have never seen a sword without telling me you have never seen a sword.”

The originating scenario is not at all resolved and we end the book having no idea why Euphyllia was canceled, (although I have created a scenario to explain it and I wonder how close I am,) so we’ll have to wait for future volumes.

Ratings:

Art – 5 It’s okay, but wtf is it illustrating? Not this story
Story – 8 Threatens to be heavy, but veers hard away from doing so
Characters – 8 Anisphia carries more than just Euphyllia away. The whole story rests on her
Service – 2 Less than the manga
Yuri – 6 More than the manga. This sets up Euphyllia and Anisphia as a pair that could become a great couple

Overall – 7 with a lot of room to grow.

For a cute, low-tension book, with a couple you want to live happily ever after  – perhaps in another world, where women wear pants – this is a nice read with some decent visuals and a dash of grand adventure.

Fine work by the team at Yen Press!

Note: One day later, I am listening to The Lesbian Historical Motif Podcast on the idea of cross-dressing narrative as a “portal fantasy” and I thought, art aside, that this is exactly what we have here. Anisphia’s transgressive nature allows Euphylia access to another world. ^_^



Birdie Wing -Golf Girls’ Story-

April 24th, 2022

In the world of underground golf, one girl reigns supreme, Eve Aleon, known as the Rainbow Bullet, is alone at the top of Nafrece’s illicit golf betting world.

Eve is a girl with one skill – she can hit a golf ball so hard, so far, so powerfully, that she’s able to support herself and her makeshift family of orphans by making dangerous bets in underground golf games. When Eve meets Awashima Aoi, a Japanese pro, the sparks fly between them and Eve finds a way to compete against Aoi in a professional tournament.

Birdie Wing -Golf Girls’ Story- is a magnificent mix of action, sports and fantasy anime that immediately recalled the Bee Train series of the early 2000’s. When the setting turns out to be Nafrece, the exact same city that appears in Madlax, the second of Bee Train’s “girls with guns on the run” trilogy, I knew I was going to love this anime. As I said in 2004, “Nafrece might be France or England or Japan, but it’s not. This gives the story a lot of leeway to adding fictive elements, like a arms-dealing conspiracy driven by magic…” Nafrece in Birdie Wing is less European and much more late 80’s New York City, with the kind of income inequality we have come to expect from that setting. There is a scene in which Eve is sulking in a series of 1980’s “NYC New Wave album cover industrial,” settings – a moment of absolute perfection.

So the point of this anime is to deconstruct the game of golf, apply non-Euclidian physics to it, give it Saki-like animated magical unrealism, and attach it to a world populated by criminal underground golf bosses, adorable orphans, and golfers shopping for personas straight out of a Spirit Halloween catalog.

And, AND, because this series is written by Kuroda Yousuke, the same man who did indeed give us Madlax, there is a hot cigarette-smoking crime boss lady sponsor, a shady suit-wearing lady sponsor for Eve and an incredibly intense, practically telepathic, rivalry between Eve and Aoi.

Honestly, Birdie Wing may be the best anime I have ever watched in my entire life.

I joke all the time about how much I want a sports anime – the intense competition, the blood, sweat and tears of sports and Yuri, but Birdie Wing has made me realize that I also need a criminal underground organization running it all, and near-magical golf swings. Who knew?

This won’t be a Yuri anime the way we expect one in 2022 – sadly, sexy smoking crime boss lady has already opted out. But for that old 00’s flavor of pairing up the women and letting our imaginations run, this is guaranteed to be a good time. I’m frankly shocked that there isn’t Eve x Aoi fanart already. This is the Yuri I grew up with; subtextual, but somehow in your face.

If you looked at the plot and thought, well, meh, golf, let me assure you this is not golf. There’s almost nothing actually golf about it, except occasionally, by accident. ^_^

 

Ratings:

Art – Outstanding
Story – Absurdist brilliance
Characters – Perfection
Service –  Low-key
Yuri – Overtly subtextual

Overall – 9

If this even has the smallest smidge of actual Yuri -give me a predatory lesbian golfer, or a couple in the background – it goes straight to 10.

For a review written with prose that matches the anime itself, I hope you will Steve Jones’ review of Episodes 1-3 on ANN. It was almost as much a ride as the episodes themselves.

Oh, one last thing of note – every single bet Eve makes seems like it’s really shady and involves sexual favors from these underage players, but always turn out to be something completely silly, like betting a rare Gunpla. It’s a total fanwank, but ends up being funny.