The Rose of Versailles, Volume 3

May 21st, 2021

As I sat down to write today’s review, it dawned on me that I had never covered Volume 3 of The Rose of Versailles. So today, we will nod towards it, as we stride past headed for the last volume to deal with the Revolution and it’s aftermath.

In Volume 3 of The Rose of Versailles, Oscar’s choices come piling down upon her head. In a complete reversal of everything she had been asked to do with her life, her father barters her hand in marriage to her rival since she was young, Captain de Girodelle. Unsurprisingly, this puts Oscar into a very uncomfortable place. Of course she does not want to be married off without her consent, and also she believed that acting as a son, her father would not just treat her as collateral. To find that she had accomplished so much, only to have it be treated as irrelevant is, obviously, enraging. To young feminists of the 1970s this would reflect the exact situation they were – and, let’s be real, still are –  facing in the workplace.

Oscar has a new uniform made for herself, and at last attends the balls of Paris, to seduce women and show herself supremely uninterested in Girodelle or marriage. Meanwhile, Andre’s eyesight is deteriorating and Oscar begins to think of him more as a man, rather than a servant. Andre tries to force himself on her, but they withdraw from one another. Pushed to her limits, Oscar dedicates her life to war, and leaves to visit the Queen one last time.

The story, then, becomes a kind of slow avalanche of horrible decisions made in the worst way for the worst reasons. The Dauphin dies and Marie holes up in the Petit Trianon, refusing to deal with the people of France at all. The commons try to meet and are locked out of the building, the army starts to split at the seams and Oscar sides with the common people. She learns the truth about her Gardes members, how family and friends are being killed or starved and she becomes enraged, demanding answers of people who don’t care. Alain and the Gardes help Andre cover his failing sight, but they all know that death is waiting, Andre ends the book wishing that Oscar and he might be lovers, even knowing that his wish cannot come true.

There are a lot of tears. We’re given more space here to sympathize with Marie Antoinette than we have before, but it’s still hard to see her as  a victim of anything except her own selfishness. Oscar will stress for many pages about her gender and sex. Had she been a man, Rosalie would have ended the conversation, but she is not and she is neither transgender nor a lesbian. She’s embraced her fate to live a man’s life as a woman, but in the end her father never respected that, even though it was his wish that she do so.

Ratings:

Art –  Sublime and Oscar in bell-bottoms.
Story –  Grim, but magnificent
Character – Everyone has a moment when it is impossible to like them.
Yuri – One almost feels bad for any woman Oscar pretends to seduces to show up Girodelle
Service – Shirtless Andre, attempted rape, Oscar in new uniform

Overall  – Hard to read, but absolutely compelling

If I were going to sum up this volume with one emotion, I’d say “anger.” It’s not a righteous anger, not yet, but the signs are all there.  In a sense it’s good that the end is on the way in the next volume. After the last few years of anger and inequality and the same kinds of violence and deadly economics as we see in this story, reading this volume feels too much like reading the news sometimes. Something has to break, and we all hope like hell that it’s not us.

Kudos to UDON for another glorious volume of this epic story. It was my very sincere pleasure to be part of that team.

Volume 4 and Volume 5 are now available for you to read and experience!



Dekisokonai Hime-tachi, Volume 4 (できそこないの姫君たち)

May 20th, 2021

Fujishiro Nanaki, having been ostracized by her group of fashionable and popular girls, has found acceptance with the “nerd” group, Kurokawa’s friends Izumi and Iroha. Together they are on the school trip. As we established last volume, we might have expected Kurokawa and Fujishiro to have had the tension between them explored, but as they aren’t in the same room. We instead are, like Fujishiro, side-lined by a sudden confession in Dekisokonai Hime-tachi, Volume 4.

In discussing this series with the lovely folks on the Okazu Discord, I gained a lot of good perspective. And, to be very honest, I needed it, because I am having a very hard time caring about the characters of this school-life drama by Ajiichi. So when the consensus was that this series felt like an “antagonistic GIRL FRIENDS,” as farfetched put it, I felt validated. Also, I know this is petty, but I am now done with the color coded naming scheme. In any case, I really appreciated having had the conversation! If you want to talk out your deep feelings about a Yuri manga, drop by our Discord and have at it! Okazu Patrons have a room of their own, where you can make suggestions and ask questions of me ^_^

On the positive side – every volume has had one really excellent conversation that has kept me coming back to this series. Kurokawa explaining how their lives were too different to reconcile, Fujishiro confronting the teacher, then standing up to her “friends.”  In this volume a confession leads to a brief conversation about LGBTQ people, and ultimately to acceptance. If Nanaki is a little confused or awkward, we can give her the benefit of the doubt, as Izumi does, for trying.

Kurokawa’s relegated to the position of supporting role in this volume, for which the volume suffered. Fujishiro is a fine character, but if there is any energy at all, it is the two of them playing off one another.

Ratings:

Art – 8
Story – 7
Characters – 7
Service – 6
LGBTQ – 6

Overall – 7

You’ll be getting this volume of Failed Princesses, Volume 4, in August, and Volume 5 of Dekisokonai Hime-tachi (できそこないの姫君たち) is already on Japanese bookstore shelves. I know already that the next volume simply adds another plot complication to the mix, which sure, keeps the series going, but I kinda want at least one important thing to resolve, or at least, be addressed,  before we move on.



Tsukiatte Agetemo Iikana, Volume 6 (付き合ってあげてもいいかな)

May 19th, 2021

You know how you feel after you’ve had a fever, when the fever breaks and you’re soaked in sweat? You don’t feel “good,” per se, but you feel better, somehow. Tsukiatte Agetemo Iikana, Volume 6  (付き合ってあげてもいいかな) by Tamifull, feels exactly like that, particularly after Volume 5.

Many things have happened to Miwa and Saeko since they met in Volume 1. Some good, some bad, some weird, but overall the story has not been about them as a couple but been about their growth as people by means of their relationship. This sounds complicated, but this story is complicated – and I like it best when it doesn’t shy from those complications.

Here in Volume 6, neither Miwa nor Saeko are the people they were. In my opinion as both a reader and a writer, this is the absolute best thing I’ve seen. It’s less like a manga, and way more like a story someone you know might tell you, in dribs and drabs over many conversations.

By now, Tamifull’s art is confident and the characters are finding themselves, as well. I don’t know – can’t, and wouldn’t want to guess – what is in store for these characters…which is exactly what will bring me back for future volumes. As a romance story, there’s only so much I can look forward to. As a “coming of age” story that isn’t about puberty, but about becoming fully formed adult individuals, people with experiences and desires and drives to do things that exceed school and romance, I’m all in.

Ratings:

Art – 8
Story – 8 Thing are changing.
Characters – 8 Rooting for them more, now
Yuri – 7
Service – 5

Overall – 8

I love that the cover design shifted for Volume 5. It suggests a shift in the story, a shift I welcome.  Also check out the difference in the cover art between Volume 1 and now. What a fantastic leveling up.

Volume 3 of How Do We Relationship? will be hitting shelves in a few weeks and I for one cannot *wait* for you all to read it. I want to real talk about this series and don’t want to spoil anything. ^_^

 



Superwomen in Love, Honey Trap & Rapid Rabbit, Volume 1

May 17th, 2021

When the evil Antinoids attack and human life is at risk, the hero Rapid Rabbit will appear to save the day! Buy what happens to humanity when Rapid Rabbit is almost defeated? This question is answered in the opening pages of Superwomen in Love, Honey Trap & Rapid Rabbit, Volume 1 by sometime, out now from Seven Seas.

What happens is, of course, that the evil Honey Trap, manager of the Antinoid Army, falls head over heels in love with Honjou Hayate, a part-time costume hero show actress and full-time real-life superhero! This grown-up version of a sentai show is both fun and a little creepy at the same time. In my review of the Japanese edition, Hero-san to Moto Onna Kanbu-san, Volume 1 (ヒーローさんと元女幹部さん) I wrote, “Sometimes, like Honey, we all just need a attractive, athletic, female hero to sweep our evil plans away.” But I also know from Volume 2 and Volume 3, the story will get a little darker and also a little Yuri-er. ^_^;  I’m going to trust sometime to give our heroes the redemption arcs they deserve and the power-ups we crave.

The art in this manga are very action series-like, with loads of power ups, explanations of  armor and weapons and interpersonal bantering in the middle of battle. There’s also some cute art when it comes to Honey and Hayate’s personal relationship and while we get slightly suggestive comments and fantasies, there’s very little actual service beyond the costuming. As a result of the art being so action-y, I want to call attention to Mercedes McGarry’s lettering which in some places was superlative. I know exactly how complicated it is to replace art s/fx and I always appreciate when a letterer has the skill and is given the time to do so. While the dialogue is not literary, I also want to nod at Amanda Haley’s translation which has to make sense of nonsensical gadgets.  As always, my thanks to everyone on the Seven Seas team for an authentic reading experience.

Ratings:

Art – 8
Story – 7
Characters – 7
Service – 4 Bikinis
Yuri – 4

Overall – 7

A villain falls in love with a hero and they team up to fight the bad guys, but will love save the day? Find out in Volume 2, which is  heading our way in late summer!



Yuri Bungei Shousetsu Contest Selection 2019 (百合文芸小説 コンテスト セレクション)

May 16th, 2021

This story begins somewhere in the middle of itself. I was online one day and saw an announcement for the 2nd Yuri Literary Short Story Contest on Pixiv, co-sponsored by Comic Yuri Hime. I bookmarked the contest site to read the stories and went on my merry way. In the middle of doing something else I suddenly thought, “WAIT! The 2nd Contest?” How did I miss that there was a first contest?!? I guess the first one wasn’t as big as the Second and Third versions were. You can see the larger list of sponsors on the contest sites.

In 2019, you may remember that I took a group of folks to Tokyo on the 100th Anniversary of Yuri Tour. At the end of that, I took a day to go back to a few places I hadn’t spent enough money time at. One of those places was the Shosen Book Tower in Akihabara. It has one of the  one of the best Yuribu, which contains manga and mooks and artbooks…and that year it had the subject of today’s review, the winners of the contest. It has taken me this long to read it, but the Yuri Bungei Shousetsu Contest Selection 2019 (百合文芸小説 コンテスト セレクション) is genuinely some of the most original work I have ever read in a short story collection. Sadly, this volume does not seem to be available online, but you can read the winners on the Pixiv site.

To be clear, I don’t like every story in this collection, but the stories I read are honestly so original that I’m excited to be talking about  this volume. I’ve written before about my contentious relationship with short story collections, so you might understand my delight at reading a book that is filled with things I have not read before! 

As I’m reading through the stories, I’m making notes on what the stories I enjoyed are about, or I absolutely would forget. The first story has a girl overhearing another girl’s confession to the girl she likes and a heartfelt conversation between them after that. A body swap story that wasn’t creepy, two women who meet at a flea market, a bunch of girls trying to make an aphrodisiac, two young women who meet on the train (trust me, it isn’t totally unoriginal), two girls who attempt to find students who have gone missing.

My so-far favorite is a wonderful story about the time in 1999 when the demons opened up portals to come to our world and sparked a “spot game” for humans to find those portals…and the tourist trade between the worlds. Our protagonist ends up having an overnight adventure in a mall with an elf girl she sees in the mall food court. Everything about this story was just fantastic, from the voice of the narrator, to the matter-of-fact world building. “Shopping Mall no Eruko to Watashi” by Pickles Ginger (ショッピングモールのえる子と私。 – ピクルズジンジャー), can still be read on Pixiv, and I recommend it for the sheer pleasure of reading a great short story. ^_^

Now that I have read most of this book, I’m genuinely looking forward to reading the next collection, Yuri Bungei Shousetsu Contest Selection 2 (百合文芸小説コンテストセレクション2) which is available on the Booth.pm store for Pixiv (or, possibly if it is on the shelves at Shosen, when I finally get back to Japan!)

Ratings:

Overall – 8

I’m so pleased at the originality of these writers and hope to see more of them in the future.