Girls Love of the Dead, Kioku no Kakera, Volume 2 (ガールズラブ・オブ・ザ・デッド〈記憶のかけら〉)

March 26th, 2021

In Girls Love of the Dead, Shi ga Futari wo Waka..tanai? we met Mitsuki, a young woman mourning the death of the girl she loves. In her attempt to leave her own life behind, she stumbles across a school for zombies, at which she finds her dearly departed Rin.

About 2 weeks after I reviewed Volume 1 of this phone novel, Manga Planet announced the license of several of the Yomuco/Parsola “super light” Yuri novels. I was – and am – delighted that they are giving releases to works like Between Two Guns, Lovely! along with Shodensha titles like It’s Personnel!, by leading some of the luminaries in Yuri right now. (In fact, subscribing to Manga Planet is next on my list. I just am so behind on reading that I haven’t had time. I’ll add it to our microgoals on Okazu.) When Manga Planet announced a new license – I can’t remember which one, I jokingly tweeted at them that they should license Girls Love of the Dead.

And so they have.

Yes, you will be able to read this delightfully screwy zombie Yuri love story in April! Ahh! So of course I wanted to get a jump on the story and catch up on the volumes I’ve bought on Global Bookwalker.

Which brings us to Girls Love of the Dead, Kioku no Kakera, Volume 2 (ガールズラブ・オブ・ザ・デッド〈記憶のかけら〉). Mitsuki has committed herself to attending school on her summer break. Zombie school, that is. Every night, she makes herself up as a zombie. She joins Rin’s class and proceeds to try to get Rin to remember her. Rin, who has no memory of her life, doesn’t remember Mitsuki. Mitsuki figures that, as Rin is dead, she’s got all the time in the world to achieve her goal.

Their homeroom teacher throws some cold water on this, when she explains that zombies only have a limited unlife span. After a while, Rin will not just not remember her life, she’ll move on entirely! Now Mitsuki has a deadline, oh no! We’re also presented with a bit of a mystery….how did Rin die? It seems unlikely in the extreme that she died the way they said she died, at the very least.

This series is a slightly goofy, but there are so many fun touches I can’t really single one out. Hoshii Nanao’s story movies quickly – it’s designed to be read on a cellphone, after all – and the illustrations by Morishima Akiko are charming and colorful, not at all what one might expect from a zombie story. I find it all loopy and fun (just finished Volume 3 last night, in fact!) and will happily look forward to it in English next month.

Ratings:

Art – 9
Story – 7 Still goofy, but getting intriguing
Characters – 8 Some intriguing stuff is on the horizon for this, too
Service – 2 A little bathing suit service
Yuri – 7 Mitsuki’s love is true. ^_^

Overall – 8

 



Yume no Hashibashi, Volume 1 (夢の端々 上)

March 25th, 2021

Yume no Hashibashi, Volume 1 (夢の端々 上) is a story told by leaps backwards in time, of a relationship between two women that would never have been allowed to thrive.

The book begins in 2018, as Kiyoko, who is 80 years old, lives with her daughter and granddaughter. She is visited by an old friend, Mitsu. They talk about what might have been and part, promising to meet again. Some short time thereafter, Kiyoko learns that Mitsu has been killed in an accident.

From there on, we look backwards at their lives; specifically, at the points where they might have been able to make something happen, but couldn’t, and at one passionate night spent together. Kiyoko – who sees no other path possible for herself – marries. Mitsu who decides on a career, deals with all the obstacles for a woman who decides to have a career rather than a family.  This volume ends in 1961, but that is not where the story begins. 

This is the first of a two volume set that will end where the relationship began, with two young women who could not be together. It’s historical, and sad, and interestingly, rather than beautifully drawn, with deep emotion covered by banal words. Volume 2 will plumb the depths of their relationship and the choice that sets the events of volume 1 in motion.

It’s not a happy story, as you might imagine, but one I think is worth reading, particularly if you are younger and never experienced the almost-complete inability to maintain a same-sex relationship that existed in the 20th century for most women. We celebrate those people who manged it, but for many – probably most – it was not a tenable solution. Women were not allowed to have credit cards without a male signatory during my lifetime. Even if they worked. This reality might seem unbelievable, and that is exactly why this story ought to be read.

Ratings:

Art – 8
Story – This is tough to score. It’s told well, but is painful to watch. 7?
Characters – 7 Kiyoko is mopey, but we understand why
Service – Not really
Yuri – 7

Overall – 7

While we in 2021 look forward to a new world in which all of this is alien and inconceivable, it’s important, I think, that we remember what those who oppose our existence would like to return to. This world may be imperfect, but it would have been kinder to Kiyoko and Mitsu than the one they had.



Otherside Picnic, Volume 4

March 24th, 2021

At the end of Volume 3 our protagonists, Sorawo and Toriko have managed to free themselves from the clutches of an Otherside cult centered around the figure of Toriko’s mentor, Uruma Satsuki. In doing so, they uncover the cult headquarters, a remote building complex called The Farm.

Otherside Picnic, Volume 4 begins with Toriko and Sorawo accompanied by members of the DS and military contractors to clear the Farm of cult-built gates to the Otherside. This gives us a lot of space to encounter weird and threatening situations, and the general aura of not-rightness that contact with the Otherside brings. Sorawo asks DS to gift them the Farm, so they can manage it – and not incidentally, have a salary for doing so. She and Toriko provisionally get control of the Farm, and they hatch a plan.

But first, there some stuff going on that they have no idea what to do with, so they are avoiding what is happening to them…and what is happening between them. First and most pressing, it has been more and more obvious to me and to Sorawo, that the Otherside is targeting her, personally. Originally, she thought it was because of Satsuki, but she’s gone and it hasn’t gotten better. More phenomena are directed at Sorawo, specifically, and it’s clearly linked to her past. Every moment we get more of Sorawo’s backstory, everything about her makes more and more sense. And holy shit.

The second matter is no less pressing. As Sorawo and Toriko relax at a hot spring resort, they get very close to addressing what is building between then, but an Otherside phenomena occurs – a scene which is in my opinion, one of the very best in the books to date. Great use of everyday creepyness to create the Otherside’s signature threatening aura.

At last it is time to put their plan into action – Toriko and Sorawao plan an overnight trip on the Otherside. The preparations were actually quite interesting; soothingly banal, which was was a perfect setup for the final scene of this book in which all of the many issues mentioned here collide in an eerie grand finale. With the sole exception of Japanese writers’ newest grotesque body fetish – which I can live without ever encountering ever again – this ending was as least as least as strong as the Kotoribako and, like that ending, will undoubtedly send us into a whole new direction with the story. Miyazawa’s narrative arcs are tight here. shirakaba’s art in this book is way less goofy and much more moody…I like it. Translator Sean McCann and editor Krys Loh do a fantastic job of communicating unreal, not-things in a way that are the right kind of inexplicable. 

Ratings:

Story – 9
Character – 9
Service – 7 – Onsen bathing and /spoilers./
Yuri – 7

Overall – 9

Now this story is really ready to begin. Otherside Picnic is a beguiling tale of personal trauma intertwined with paranormal horror.

Otherside Picnic is available on Kindle, Global Bookwalker and wherever J-Novel Club books are sold. ^_^



How Do We Relationship?, Volume 1

March 22nd, 2021

Miwa, like many young women, has come to college and hopes to fall in love. Also like many young women, she’s a bit unsure how to go about that. When she meets Saeko, the two of them start hanging out. They enjoy each other’s company. Miwa is introduced to Saeko’s circle – a group of folks working on becoming a band.  Saeko and Miwa are hanging out so much, that Saeko finally suggests that they just…date. And so they do.

But it’s not all smooth sailing. They don’t quite seem to be matching up; neither their physical needs, nor their communication styles are in sync. They both have some baggage too, before they can make this work.  In How Do We Relationship, Volume 1, Miwa and Saeko take their first steps along a path for which they cannot see the destination.

Tamifull’s art has a great feel of being grounded in reality – and even more appealingly, so does the writing. Both Miwa and Saeko are someone we might know,  folks we might have hung out with at school…or have been ourselves. ^_^ I remember those days in college when my relationships with other people were tenuous enough that I didn’t know who to rely on.

This story, while it is a romance, it is really a story about communication. Will Saeko and Miwa be able to work things out and communicate? I don’t want to jump the gun, but with five volumes already in Japanese and a 6th on the way, we can at the very least guess that they might. ^_^

Ratings:

Art – 8
Story – 6
Characters – 7
Yuri – 9 / LGBTQ – 5
Service – 4

Overall – 8

If you like stories of people figuring out stuff beyond just “do I like her?” and how to navigate within a more complex society than high school, How Do We Relationship, might just be the narrative you’re looking for. I will want you, however, it will be a bumpy ride. ^_^



AND THEN: A Girl-Meets-Girl Short Film

March 21st, 2021

In the middle of spring 2020, Jenn Ravenna Tran launched a Kickstarter for a short film And Then, which she described as “A Girl-Meets-Girl Short Film Set in Tokyo.” As a backer on Kickstarter I received a cut of the film, which is slated for an Autumn 2021 public release. Now that I have finally had a chance to watch it, I wanted to tell you all about it!

And Then begins with Mana, played by Erika Ishii, who receives something in the mail that reminds her of her time in Tokyo. We then flashback to that time, as she wanders the town, sketching and experiencing life there. Mana runs into Haru, played by Rina Hoshino. The story follows them as they criss-cross in and out of each other’s lives. As the braid grows tighter, they are brought together.

The Kickstarter had stretch goals to send the crew back to Tokyo to film more footage, but the pandemic brought that to a halt and instead the money was used to support the crew who had lost work because of COVID-19.  Ravenna managed with the footage that had been previously  filmed…and we get enough of a sense of place that these establishing shots feels only slightly abbreviated. These shots are filled with the kind of colorful nightlife street scenes one expects from a story about “Tokyo.” I found myself nodding and grinning as Mana walks the streets, wanders into a shrine, or a cafe. Shibuya Scramble, Tokyo Tower at night, Kamniarimon, it’s all the warm, welcome, typical visual shorthand of “Tokyo.” 

The relationship between Mana and Haru works beautifully, even with such little dialogue and a short time to develop.  Hoshino and Ishii do a great job with few words. The only weakness comes at the end, as they part with a finality that simply makes no sense for the 21st century.

I’ve written about this before. When I reviewed Dear Brother in 2015, I referenced a movie called Stella Dallas in which being divorced was a reason why a mother could never see her child again. In 2018, I talked about this kind of disconnect with the end of After Hours. We have communications devices that allow us global, near-instant access, it’s hard to imagine a reason for such an abrupt separation without, say, exchanging LINE info. That said, since this movie is excellent, I will allow this. We will sketch in a subtextual reason that makes their parting more immediate and permanent and we will accept that it exists.

I have rated this story as Yuri rather than as a queer movie because the relationship is not explicitly about queer identity (although they do dance together at reknowned lesbian bar GOLDFINGER in one scene.) More importantly, the “girl-meets-girl” of the title puts this safely into our genre standard. ^_^

As a short movie, it has a pretty substantial feel and it absolutely makes me want to know what happens after the credits roll. That’s the finest compliment I can give a narrative – I want more. ^_^

Ratings:

Cinematography  – 7
Characters – 8
Story – 8
Service – 0
Yuri – 10

Overall – 8

I’ll of course keep my eyes open for a public release – and I hope, when you are able, you’ll take a moment and enjoy And Then.