Yuri Manga: Dekisokonai no Hime-tachi, Volume 2 (できそこないの姫君たち)

January 20th, 2020

Last spring I took a look at a pleasant “opposites attract” school life Yuri romance by Ajiichi. In Volume 1, we met otaku Kurokawa Kaede and fashionable Fujishiro Nanaki who find themselves becoming friendly despite not being friends. Nanaki and Kaede’s friendship grows; typical of these kinds of stories, the fashionable girl takes the unfashionable girl for a makeover. Nanaki immediately questions the wisdom of this as Kaede ,starts being the subject of everyone’s attention.

In volume 2 of Dekisokonai no Hime-tachi (できそこないの姫君たち)  Nanaki’s frustration and jealousy comes to the surface when a teacher makes some really obnoxious comments about Kaede’s appearance. Nanaki looses her cool and screams at the teacher and is suspended for a week for her efforts. Nananki hides at home, concerned that Kaede is having fun with her new friends. Until Kaede makes the point that Nanaki missed…school is no fun without her. In reality, her time alone at school had made her a target. But she’s grown and the crowd has less power over her.

If you liked the general set-up of GIRL FRIENDS, but wanted something more complicated than just two characters who are are opposites, you might enjoy this series. And, lucky you, because Seven Seas has licensed it! Failed Princesses, Volume 1 has an August 2020 release date.

Ratings:

Art – 8
Story – 7
Characters – 7
Service – 2 A teen little bit
Yuri – 6

Overall – 7

Nothing new here but, as my wife puts it, “Come for the school life, stay for the after school life.” ^_^;



Yuri Manga and “Problematic” Art

January 19th, 2020

I was all geared up today to write a review of Otherside Picnic, Volume 2, but there has been a lot of Twitter conversation that has dovetailed and I kind of want to put it all together in one place to point to later. I’m finishing up Comic Yuri Hime, February 2020 and I found myself torn between disgust and laughter at the the chapter of Ogino Jun’s “semelparous.” Both art and story are open to criticism, but the art is instantly deserving of mockery. There have been a number of conversations recently on Twitter about liking or being offended by art and I want to also add some very sincere – hopefully thought-provoking – thoughts about liking “problematic” art.

Let me start with liking “problematic” things. Lynzee Loveridge posted this tweet:


Yes, it is absolutely okay to like problematic things. But equally super important is recognizing that to other people that “problematic” thing might feel like an assault on their existence, so their *completely valid* reaction is strongly negative. For instance, when I write below about the ridiculous way in which women’s breasts were being depicted by a manga creator, I understand that there are people who enjoy that aesthetic. I do not feel attacked by absurdly drawn breasts, but I *understand* from many years experience, that the men who defend and demand that kind of art are exactly the kind of men who blame women for their own failures and who aggressively deny misogyny. As a result I do not believe that art deserves a place in Yuri Manga, a point I will get to.

So, let’s talk about tits. Tits do function a bit like water balloons, this is completely true. BUT WE HAVE UNDERWEAR. Women’s bras are specifically designed to offer support – which is to say, minimizing jiggling. Not to rob men of the pleasure of looking, but because breasts bouncing up and down hurt. Large breasts hurt more. They pull on back and chest muscles. Women with large chests need more support, more minimizing of movement. Active wear for women is specifically designed with this in mind. (In relevant news, the three women who invented the sports bra are being inducted into the Inventor’s Hall of Fame.)

I specifically looked for larger wetsuit sizes, so you could see how breasts are compressed more during activity, so they aren’t just banging around painfully. This is a 2X wetsuit.

In “semelparous” Ogino Jun draws women with exceedingly large breasts, that apparently have clothes sprayed on, without any underwear.


I can absolutely attest from personal experience with a large chest that this would be painful.

Immediately some people attempted to shame me for my mockery, as if art criticism doesn’t exist as a thing. ^_^ Of course what they were angry about was me not respecting their fetish. Sorry guys. I don’t. And I’ll tell you why in a second. But first, let’s review how breasts and clothes work:

This image is used with permission. The artist has specifically asked to remain uncredited.

So, when I was reading “semelparous,” Chapter 2 and saw these, I boggled (in a bad way.)

 

Now, here’s where I’m getting salty. Don’t bother complaining to me about it. You’re reading my blog. ^_^

The problematic part here is not that the artist likes large tits. It’s that he is uninterested in portraying tits correctly. Why is that problematic? That (and everything else about this story) indicates two clear and important points:

1) Women are basically tits and crotches with faces attached
2) Actual women’s bodies aren’t interesting to the creator.

Still, why is that problematic? you might reasonably ask me.

It is problematic because this comic runs in Comic Yuri Hime.

Comic Yuri Hime is a magazine with a majority female readership. This comic is insulting, to be honest, to women. It prioritizes their tits over everything and anything. Women, generally, are not made comfortable by that kind of fetishization.

Comic Yuri Hime is a magazine about Yuri, which ought, IMHO, to prioritize the interior lives of women and their experiences, showing them as fully formed individuals, rather than as tits with legs. Women shown existing for their own sake, not for men’s viewing pleasure. 

“semelparous” is presumably meant to attract men to the readership of Comic Yuri Hime. I would be deeply offended at the presumption that only the hyper-sexualization of women’s bodies will attract me to enjoy a comic, if I were a man.

As a woman who actually enjoys women’s actual real-world bodies, I find this art deserving of no respect. I know no one on the editorial staff at Comic Yuri Hime cares what I think, or what any lesbian thinks, but I’m strongly put off by this (and a few other editorial choices, which are clearly pandering to not “to men” but to extreme fetishists among men…an audience I never think is worth courting.) I understand that this art takes skill to draw, which is why it seems intentionally insulting to women. The editorial staff could have said, “Well, yeah, we want to attract guys, but the majority readership is women, so let’s back off a bit on these tits.” They didn’t, which indicates that they don’t care if current subscribers are put off. That is an intentional transaction. “So what if we lose female readers or make them feel uncomfortable?” And that is, frankly, insulting.

In a world where women are mobilizing globally to make men aware of systemic misogyny and the impact on their lives, this kind of decision is troubling. One might have hoped that in the light of #KuToo, the editorial staff of the only monthly Yuri magazine might have decided that this kind of intentionally demeaning art was not a good choice. That they didn’t…is exactly the problem #KuToo is meant to highlight.

Misogyny does not belong in Yuri. I reject it. I hope you will too. I will be following this post up with a polite, but firm, letter to Comic Yuri Hime expressing my opinion. Feel free to write them and let them know you are not okay with this. Remember to be polite.

My point is…it’s up to us to think about the “problematic.” When we like a thing because it’s problematic – are we, in actual fact, just ignoring that it indicates attitudes and behaviors that are harmful to someone *else*? Because then the problematic thing…is us. Are you processing your own trauma, or exploiting someone else’s?

So go ahead and like your problematic thing, but consider thinking about why its problematic and what it says about you as a person. And don’t get all offended when someone calls you out. Your “problematic” may be their actual real-world problem.



Yuri Network News – (百合ネットワークニュース) – January 18, 2020

January 18th, 2020

Starting the week off with a bunch of new items on the Yuricon Store!

Yuri Light Novel

Via ach on  Twitter, Inori’s Watashi no Oshi ha Akuyaku Reijou. (推し悪役令嬢。) is available in Japanese on US Kindle. The author is comfortable sharing the English fan translations on her Twitter, so I can feel free to share Jingle Translation’s link, this as well. I cannot vouch that they have permission for their other translations, so you’ll have to use your own moral compass for those.

Via Senior YNN Correspondent Sean G, a new volume of Iori Miyazawa’s scifi thriller Otherside Picnic has been released by J-Novel Club, so we’ve put Volume 1 and Volume 2 up on the store.

 

Yuri Manga

We’re still reading Hana ni Arashi ( はなにあらし) so Volume 3 is up on the store. ^_^

Éclair Blanche: A Girls’ Love Anthology That Resonates in Your Heart, the second of  the Éclair anthology series from Yen Press, has a March release date.

In Watashi no Yuri ha Oshigoto Desu! Volume 6 (私の百合はお仕事です!) by Miman, we turn full-on to dealing with what is going on with Mitsuki.

I’m really digging Usui Shio’s adult life drama Kaketa Tsuki to Donuts, Volume 1 (欠けた月とドーナッツ) from Comic Yuri Hime.

Akili’s Vampeerz, Volume 1 (ヴァンピアーズ ) is a vampire Yuri romance, falling somewhere between goofy and erotic.

Pocket Shonen Magazine online has Magnum Lily, (マグナムリリィ) a manga about a girl discovering boxing, if that is your boom. ^_^

 

Yuri Anime

Jennifer Sherman at ANN reports that Asteroid in Love (streaming on Crunchyroll) episodes are being paired weekly with a series of educational shorts, which is a nice bonus. ^_^

Oshi ga Budokan Ittekureta Shinu is up on Funimation.com raw for non-subscribers. I will have thoughts about it that I will share, after I do my usual post-series read meditation to get my blood pressure back under control.

 

The Yuri Network News report is made possible by Okazu Patrons. Your support funds reviews, interviews, news and helps pay writers. As little as $5/month can make a huge difference!

Other News

Time Out magazine has this hopeful article on Minato Ward in Tokyo passing a “freedom of expression” policy to protect LGBTQ people, and allow for school uniform of choice for students.

Cynthia Medina at Rutgers Today takes a look at Why Are Manga Outselling Superhero Comics?

The great Torsten Adair has a brilliant article over at the Comics Beat, that I hope you will read past the somewhat aggressive headline: We are not in a “golden age” of comics. He’s right – and he’s right about what age we are in. Totally worth the read. ^_^

 

Become a YNN Correspondent by reporting any Yuri-related news with your name and an email I can reply to – thanks to all of you – you make this a great Yuri Network! Special thanks to Okazu Patrons for being an essential part of the team!



LGBTQ Manga: Stop!! Hibarikun! Complete Edition, Volume 1 (ストップ!!ひばりくん! コンプリート・エディション)

January 17th, 2020

Some series are famous because they create a whole new chapter of fandom. Others spearhead a new style of art or story telling. But there are some series that are just ahead of their time and should not be forgotten. Eguchi Hisashi’s Stop!! Hibarikun! is among the latter. Serialized in the early 1980s Shonen Jump magazine, this manga is a classic.

In Stop!! Hibarikun! Complete Edition, Volume 1, before Sakamoto Kousaku’s mother dies, she asks her son to go live with an old friend of hers. He’s got children roughly the same age and will welcome Kousaku. When Kousaku arrives at the Oozora home, he finds mom’s old friend to be a yakuza boss with 4 children – among them, Hibari-kun. Assigned male at birth, Hibari knows that she is a girl.

The manga progresses as a comedy, much in the artistic style we’re used to in, for example, Ranma 1/2. Lots of face faults, grimaces, falling over, nosebleeds, etc. Dad is not at all happy that Hibari insists she is a girl, but other than his pointless raging about it, her sisters seem to have little to no concern. She passes at school, until a mean girl confronts her in the locker room, demanding to see her without her shirt. One of her sisters masquerades as Hibari, so she passes the inspection, and the rest of the girls in school go back to treating her as one of them, despite random plots by the resident mean girl. Thugs sent after Hibari go down, because she’s the child of a yakuza leader….she knows how to fight. When Kousaku joins the boxing club, so does Hibari.

Kousaku’s overreactions to Hibari are the main “comedy” and they can become tiresome. I mean that generally – that kind of goofy overreaction is just…tiresome. I was watching something and every reaction was just “EEEEHHHH~~~~?????” over and over at louder decibels until I had to stop. I ended up watching some morning live-action Japanese drama afterwards, just to relax. Hardly any shouting. Phew. When you remember that this would have run at the same time as hyper-masculine Fist of the North Star, and City Hunter, you can kind of understand that this would have been a breath of fresh air…even if it was intended as a parody of shounen romance manga.  There are moments you forget that this is meant to be a gag comic, though and those are worth it.

The best part of Stop!! Hibarikun! is Hibari herself. She is occasionally sad that her body is not in sync with her identity, but she knows who she is and doesn’t really care that other people struggle with it. She’s comfortable showing interest in Kousaku, and teasing him about it. She’s physically and emotionally strong enough to hold her own when she’s being bullied by one of the girls, or one of the guys. She’s an awesome female lead in a series full of mostly unworthy supporting characters.

Ratings:

Art – 8 Cute, and stylish when it comes to Hibari and the other girls, gooftastic for the guys
Story – 7 I mean, it’s a sitcom. So…gags
Characters – Hibari is a 9, her sisters are 8 and everyone else just sort of trickles down from there
Service – Yep. Nakedness is hi-larious
LGBTQ – 10 for Hibari, who knows who she is. It all trickles down from there

Overall – 8 When its good it’s very good, when it’s not it’s more meh than awful

I’m very pleased this classic manga has been collected into a complete edition and grabbed this copy when I saw it on the shelves in one of the bookstores in Japan (I think it was in an actual bookstore, rather than a manga store, in fact.) I’ll be very interested to get the rest and see what I think of the story. 

Here’s the OP of the anime for your viewing entertainment. That may lead you to look for some of the anime on Youtube. You may find it there if you look. (Please do not link to any of it here. Read the atmosphere. Thank you.)

 



Yuri Manga: Vampeerz, Volume 1 (ヴァンピアーズ)

January 16th, 2020

Ichika attends an old school
Where she’s befriended by a very cute ghoul
Her feeling and fears
Are tempered by tears
Is love with a vampire scary or cool?

What is there to say about Vampeerz, Volume One (ヴァンピアーズ)
That hasn’t already been said, already been done?
The atmosphere is dark and creepy
The love story isn’t deep-y
Blood-sucking as an aphrodisiac doesn’t stun.

Akili’s art is quite staid
until moments of service are laid
out for those who enjoy
which is never me, oh boy,
and my attention wanders, unpaid.

Ratings:

Art – 7 Overly not-evocative, in a highly evocative setting
Story – 7
Characters – 7
Yuri – 4
Service – 5

Overall – 7

Entry 2,847,436,372 in “How Erica knows she is not goth.”