From the moment it began, Revue Starlight (which is streaming on HIDIVE) reminded me of something.
Centered on a group of young women at a Takarazuka-like performing arts school, in which they vie to be cast in one of three successive performances of a muscial called “Starlight,” they find themselves called upon to literally fight for the Top Star position in battles set in the surreal landscapes of their own desires and fears.
And wow, did it remind me of something.
Duels, surreal landscapes, hrm. Uniforms created by impossible machinery…
Now what did that remind me of…?
Oh, yes, I got it! It reminded me, almost immediately, of…Melody of Oblivion.
Yes, of course, it also reminded me of Revolutionary Girl Utena, but there was something specific about the tone that pinged Melody of Oblivion in my head in a very immediate way, which shared some staff and a lot of theatrical elements with Utena. As it turns out, Revue Starlight shares some staff with Melody, so I’m probably not that far off.
In any case, there was a similar sense of grimness that pervaded the plot of Revue Starlight so, despite the apparent desire to excel, the play the young women are working on is depressing as fuck. We watch them shine, in order to star in a play in which they must fail. And yet, despite that, Revue Starlight was a pretty good anime with a lot of emotion and a soupçon of WTF, in between shiny fight scenes and earworm music, capped off by utterly likable characters.
Yuri here lies primarily in intensely emotional relationships between various pairs of the girls. Futaba and her charge, imperious Kauruko, Mahiru’s overt crush on Karen, the late breaking, but immensely satisfying relationship between Nana and Junna and the even more satisfying rivalry of Maya and Claudine. If the story had been about Maya and Claudine, I would have loved it even more. Maya gets very close to making the series about them a few times and even goes so far as to refer to her rival as “my Claudine.” ^_^
By now, if you’ve seen this anime, you’re wondering if I’m going to mention the giraffe in the room. If the role had been an adult man, everything he said would be bizarre and creepy. So it’s a giraffe instead, and comes off as inexplicable and surreal instead of a creeptastic old dude in a series about young women in a school that has no men. So, giraffe.
Of course music plays an important role. The duels are soundtracked by image songs for the character whose arc it is, sung by the voice actress. These are themed to fit both character and the tension that rules the duel. I’ve got the opening theme stuck firmly in my head, but what I ended up liking best was the repetition of the end theme, by the pairs whose story was highlighted in that particular episode. Again, I like Maya and Claudine’s iteration best, but they were all good. And damned earmwormy. I fear I’ll be singing this stuff for days unless I do something to stop it.
Did I enjoy Revue Starlight? Yeah, I think I did. It was shiniy and singy and fighty and asked for very little commitment from me as a viewer. I mean, I never cared about the main plot tension between the leads, which is not all that surprising, I often find my self preferring supporting characters. But it was definitely worth a watch.
Ratings:
Service – Knees, not thighs. Is that an improvement, when it’s so clearly meant to be a stand-in?
Couple Ranking:
1. Maya and Claudine
2. Banana and Junna
3. Futaba with someone who appreciates her, not Kaoruko
.
.
.
.
.
282726. Mahiru and Karen
282727. Karen and Hikari