In my review of Disk 2 for this series, I forgot to mention that apparently the Inners got tired of the color coding their clothes thing. I can see that getting pretty boring after a little while. Meanwhile,in Sailor Moon SuperS, Part 2, Disk 3, Nehelennia is finally getting serious and threatening Zirconia and the Amazoness Quartet while she threatens the White Moon. And the Inners get serious about doing something about the bad guys, instead of faffing about with the Lemures. Mamoru begins the inevitable process of becoming a burden to everyone.

The Inners and the Amazoness Quartet face off and we get to listed to “Sailor Team Theme” (Minna, Henshin yo Makeup!”) in the background, which makes that scene a little worth it. Sailor Moon is more concerned with the nature of her enemies and Chibi Moon with the nature of her ally than the problem at hand.  Helios arrives and explains what the Dead Moon are, and we all on board the necessity of saving Helios. And what a surprise, Chibi-Usa has the Golden Mirror!

While I was waiting for the conclusion of this arc, I thought about ways the Sailor Moon franchise could weather the gap between the 30th anniversary and the 40th. Of course, there will be a 35th anniversary something but 35 isn’t as powerful magic as anniversaries with 0s. What I came up with were a series of novels, each focusing on a pair of the Senshi. If they didn’t want to bother with wholly original content, they could just insert each within an existing season. Mercury-Mars in a story within Season 1, Jupiter-Venus in Season 2, Uranus-Neptune in Season 3, Chibi-Usa-Pluto-Saturn in Season 4 and Usagi-Mamoru in Season 5. Put one out every other year. I’d buy ’em. Heck, I’d write ’em.

In the meantime we have learned that Nehelennia was basically a creepy stalker without the ability to distinguish between “I want it” and “It is mine.” Of actual interest is the Amazoness Quartet’s decision to defect. Especially in light of the fact they unwittingly awoke Nehalennia.  Interestingly, while Beryl was sort of vaguely sympathetic (albeit a creepy stalker) and Ail and An were sort of vaguely sympathetic and Professor Tomoe was vaguely sympathetic….Nehelennia is an asshole. But she does give us an important – and relevant – tidbit, “Devouring other people’s dreams is the way to immortality.” Given what we know of history, she’s probably not wrong.

Mamoru gets a powerup and I’m reminded that I feel that the story treats both he and Chibi-Usa a little unfairly. Usagi has her guardians, but both Mamoru and Chibi-Usa encounter their guardians as enemies and only learn the truth when it’s too late. Would it have killed them to let the Generals and the Asteroid Senshi be part of the narrative? Something else again for our 21st century rewrite in which old family gets to stick around, the way they do in the Nanoha series (when the story is allowed to progress, and not just recycled..)

Kaiju Chibi-Usa brainwashing the children of the city, having them to chant “moon crisis power” is not the choice I might have made for a story that ostensibly is about people’s “beautiful dreams.” A giant looming Chibi-Usa is certainly not any dream I ever had.

The final battle is mostly a waiting game, while everyone talks.

Overall, this is still my least favorite season, but that gave me time to really appreciate the fine job Viz did on it.

Ratings:

Art – 7
Story – 2 It gets even more unfocused at the end
Characters – 6
Service – There is some creepy shit in there, even aside from lolicon bondage and panty shots
Yuri – 0

Overall – 5

I have watched this season once again. I expect the next time I watch it it will be the 50th anniversary hologram release. Nothing less will entice me to watch this ever again, beyond the Super S Special episode with Haruka and Michiru.

In Sailor Moon SuperS, Part 2, Disk 2, we finish up the Inner Senshi’s power up episodes with a shared episode between Makoto and Minako. It’s a fine lover’s quarrel, with some bold fashion choices by Minako, who favors “space idol, Jetson style” and Jun-Jun, who goes in hard for “Pat Benatar Music video couture.” (And if you miss either one or both these references, even after Googling, then just ignore them. They aren’t worth the effort to explain. Just acknowledge the cultural or age gap and move on.)

We then turn our eyes to Chibi-Usa with our full attention.

Have I ever told you how much Araki Kae’s voice grates on me? Well, let me tell you. We were introduced to her as Chibi-Usa, and of course she is meant to be grating, as Usagi is meant to be shrill. This was back in the days when there were Video rental stores and one of our local stores had an extraordinarily decent anime section.* So we were renting nearly everything they had.** One of the anime was Fushigi Yugi, which they had in full, in both dub and some sub. The first volume we watched in dub, but Ruby Marlowe’s voice made us irritated, so we switched to the sub…only to find that Miaka was played by Araki Kae. Clearly Miaka was a whiny grating character and there was nowhere to turn. So, though it’s not her fault, Araki Kae’s voice rubs me raw.

Midway through this disk, I decided this would be an excellent time to listen to the dub. Since I didn’t care what was going to happen, plotwise, I could just put it on and see how it went. I don’t usually choose dubs when I watch home video, not at this point for any reason other than I’m a seiyuu otaku. I’ve got no problem watching them, I sometimes put on Cartoon Network or something and let the dub of a cartoon I don’t care about it run. In fact, I’ve only ever see episodes of Naruto in dub. Dubs are perfectly fine.

This dub was honestly excellent. It took me a while to get the hang of everyone’s voices, but by the last episode of the disk I was able to just appreciate their work. Amusingly I had left subtitles on, so I could see where dialogue was changed. In general the changes worked well and in one or two moments, I actually preferred the English script over the somewhat dated and – if we are to be honest –  sexist, dialogue.

And then, Stephanie Sheh blew me away. There was a scene, possibly all of the Inners and Mamoru, sitting around talking about Chibi-Usa maybe being in love and Sheh said something and I literally stopped what I was doing and stared at the TV. She wasn’t dubbing a cartoon…she was Usagi. At no point did I feel like I was watching a dub…I was just watching Usagi. That was amazing.

I’m actually looking forward to watching some of Stars in dub now. So kudos to the VAs, because that was some damn fine work.

Ratings:

Art – 7 It seems to have settled down again
Story – 3 I just don’t care about Chibi-Usa or Helios
Characters – 5
Service – Makoto and Minako 4ever
Yuri – 0

Overall – 5

*Those were halcyon days as the *two* video rental places in town actually competed to have better anime sections. Then the places outside my town joined in and soon, we could rent a massive amount of anime from the 5 closest rental stores.

**Except – and I remember this clearly – we could never bring ourselves to rent Ping-Pong Club, which looked abysmal, even compared with all the outright anime porn we watched. I mean, when the story looks shitty as compared with Demon City Shinjuku, it is not good.

Sailor Moon SuperS, Part 2, Disk 1 functionally ends my interest in this entire season, with an episode that is supposed to be about Hawk’s Eye seducing Makoto, but ends up being about Ami seducing Makoto and Makoto seducing Hawk’s Eye, which I am fairly certain was the actual intent of the episode. Bad lessons about waiting for someone aside, I have always loved the image of Makoto and Ami dancing.

(When this series is all over, I will draw up the *actual* relationship chart. The Stars pamphlet was not just wrong about Haruka and Michiru. ^_^)

The rest of the disk is given over to the literal humanizing of the Amazon Trio, who learn that they are anthropomorphized animals, but decide that they do have a dream after all…to become human. I find this completely unbelievable. What animal wants to be human? We can’t swim, or fly or run, we can’t smell, we’re feeble compared to animals. But whatever, they get their dream as they are removed from the story, leaving us to wonder can hawks, fish and tigers be genderqueer? This is not, probably, the actual intent of the episode.

We are then introduced to the second set of bad guys whose story is not appropriately told and who desperately need a 21st century rewrite. Not for their sexuality, but for their history which will be dumped over our head at the end of the arc, like Gatorade at the conclusion of a sportsing thing. The Amazoness Quartet are important! Why do they get such a shitty arc?!? Chibi-Usa is the point of this whole forsaken season, you’d think that these being her Senshi might get a fucking mention. But that is definitely not the actual intent of this season, more’s the pity.

Back to this disk. Ami’s power-up episode was so much-better drawn than anything else on the disc, someone really put time and money into her. Rei’s episode was over-colored, like they had fixed it post-broadcast. But in every way Viz had control of, the disk was as good as SuperS can be.

Ratings:

Art – 6 Weirdly inconsistent
Story – 2
Characters – 4
Service – Ami and Makoto dancing is my kind of service
LGBTQ – 4 for Ami and Makoto, 0 for the rest of the season

Overall – 5 This low score is no fault of Viz or the VAs or anyone, I just really dislike this season from here forwards.

I was sort of half-assedly live-tweeting me watching this on Twitter and people were actually following it for some reason. So I’ll probably keep doing that. But the part I want to tell you about was my dream.

I had a dream that I was going to some amusement park where there was going to be a Sailor Moon Store with everything that had ever been sold. When we got there, it was actually some guy’s collection, so we couldn’t buy any of it. BUT – and this is the important part – there was a set of white matte bisque china plates with each Senshi shown in silhouette, half of their face on the plate rendered in their color. No lines, just the color cutout of half their face on the plate. I can see them vividly and thought they were the most beautiful things. I want someone to make them so I can own them. Anyway, that was the dream.

I sat through probably a dozen “Rashiku Ikkimashou” playthroughs of the end credits Saturday and I still don’t hate it. I have no idea why.