Yuri Network News – (百合ネットワークニュース) – December 1, 2018

December 1st, 2018

Yuri Manga

YuriNavi markes the second Toile Web Anthology (WEB百合アンソロジー トワールvol.2). You can read the short stories online in Japanese for free!

Atashi no Sempai (アタシのセンパイ) by Shaoya Teruko looks like a lovely Yuri school drama. Check out sample pages on Comic Natalie.

Watashi no Yuri ha Oshigoto Desu! Volume 4 (私の百合はお仕事です! 4)and Shoujo2 (少女² 完全版), both by Miman, hit shelves in November.

According to manga artist Fly’s Twitter account, they are beginning a new Yuri manga in Ichijinsha’s Comic Rex magazine. Kyou, Koshiba Aoi ni Aetara. (今日、小柴葵に会えたら。) will begin in this month’s issue of the magazine, so something to look forward to! Yuri Navi has the magazine cover for you to use as ID.

LINE Webtoons has posted an animated trailer for Color-LES‘s Mage & Demon Queen comic. The trailer is kind of fun, if a little jerky, since it’s basically comic panels that have been animated. Take a look and then go read the comic!

 

Other News

You may recall the Love is Love comic, collaboration between IDW Publishing and DC Comics, which was created in 2016 to raise money for families of the Orlando Pulse nightclub shootings. Well, sales of the anthology have continued and so, this year the anthology donated $51,000 to The Trevor Project, a crisis intervention group for LGBTQ youth. The New York Times has an article on this that’s worth reading.

Crunchyroll News has the news that the pandering Yuri ecchi-comedy I Like Oppai Best in the World! (that I have never once mentioned because uggghhhhh) is getting a Drama CD. If breast-groping is something that falls under your definition of Yuri, enjoy! We won’t be reviewing it here. ^_^

If you’re looking for something different with which to celebrate the end of the year in Tokyo, take a look at the gaku-GAY-kai 2018 being held in Shinjuku. Festivities include a recitation of an original Yuri story by my friend, Yuri manga artist Mizuki Monica. ^_^ I’m so very excited and happy for her for so many reasons.

Hiiragi Hiyori put up an entry on their Youtube series (in Japanese) on the differences between “Yuri” and “Lesbian.” I don’t agree with his definitions, but it was interesting. His definition of “Lesbian” equials “sex.” Which is, for a lot of  reasons as far from mine (i.e., stories with lesbian identity”) as possible, but it’s not surprising that he’s not intersted in/noticing/or caring about lesbian identity, for obvious reasons. It does clearly outline the problem we have with defining Yuri, when lesbians who create/read/watch Yuri are looking for one thing and other chunks of the audience are looking for others. Heterogeniety ahoy!

 

Do you have questions about Yuri? Write in and ask and I’ll do my best to address them on the Okazu YNN Podcast!

Become a YNN Correspondent by reporting any Yuri-related news to anilesbocon01 at hotmail dot com with your name and an email I can reply to! Our YNN podcast is now available, in which I take a look at some key news items this week..

Thanks to all of you – you make this a great Yuri Network!



Become a Subscriber to Okazu and Join Us For Online Patron Holiday Party!

November 30th, 2018

Today is the final day to Support Okazu on Patreon and receive an invitation to our exclusive Patron Online Holiday Party! Bring your own cake, but the friendship and prizes are real! We’ll be talking about Yuri past and present and there will be a trivia contest in which you can prove your prowess in Yuri obscura and minutiae. ^_^

Here’s what you get for your money: 4-6 Yuri reviews a week, 1 weekly Yuri News Report, paid Guest Reviews, Event Reports, Interviews, Sneak Peeks at ongoing work, mention on the Okazu Hero Roll, a shitty badge, the undying appreciation of the Yuricon and Okazu community and myself. ^_^

Just $5/month cam make a huge difference to the work we’re doing! That’s even more fun than a Happy Meal for around the same price. Thanks in advance and we’ll see you at the party!



Yuri Manga: Kiss & White Lily for My Dearest Girl, Volume 7 (English), Guest Review by Christian LeBlanc

November 28th, 2018

Hello and welcome to Guest Review Wednesday on Okazu! Yay! Today we welcome Christian LeBlanc of 3Dcomics.weebly.com to our loving embrace. Or, was that deadly clutches…I can never remember. ^_^ In any case please give Christian your full attention…as we head out together on today’s review.

By Volume 7 of Kiss & White Lily for My Dearest Girl by Canno, (translation by Leighann Harvey, letters by Alexis Eckerman) we’ve firmly settled into the template for a K&WL book: several chapters will showcase the new characters shown on the cover, and the remainder will focus on a ‘legacy couple’ (more than likely Ayaka Shiramine and Yurine Kurosawa, as is the case in this volume).

Our newest cast members are piano-playing junior-high student Haine Aoi (who has recently joined the gardening club so she can get closer to Yurine), and her supportive aunt Aika Yukimura, a senior at Seiran. (scratchy noise of a record skipping) Yes, I did say aunt, so let’s address this elephant in the room right away before it knocks over something valuable.

Canno portrays many different types of relationships in her work. Countless micro-stories fill the “Kiss Theater” bonus pages at the end of each chapter. Her story in Éclair: A Girls’ Love Anthology That Resonates in Your Heart follows a 28-year-old rogue and the 16-year-old girl who pursues her, and she’s even explored monster girls in a MONSTAR doujinshi (along with circle mates Nega and Kawauchi).

Non-romantic friendships are also valid story fodder, as we’ve seen in Volume 4 with Kaoru, Kohagi and Momiji. Here, then, Canno continues exploring different relationships between women by focusing on an aunt and niece, close in age, who were brought up as siblings. Canno even makes it explicit in one scene that they will never be paired romantically, when one character momentarily considers the possibility and is put off by it. I think Canno felt this was necessary given the expectations of romance set up by the cover (and genre) (and by contemporary stories such as Citrus, coughcough), but it still feels a little strange that they consider it at all. The alternative, I guess, is to not show this scene, and leave the reader with a seed of doubt: “but . . . are we supposed to think of them as a couple?” Better to just nip that question in the bud.

This all being said, Haine and her aunt Aika end up being a delightful pair to read about.  Their affection for each other is sincere and touching, rendered even more so by Leighann Harvey’s thoughtful and expressive translation. They both suffer anxiety over the idea that siblings are supposed to drift apart to some degree in adulthood, but Aika receives advice from a returning character on this. There’s also some tension between the two early on concerning piano skills (something they once bonded over nearly drives them apart!) and Haine needing her space and independence (I know she’s just at that age, but oh boy does she act like a brat!), so in all, we still get our ‘romantic conflict’ for our cover stars to work through.

As for our returning players, we see some major growth in effortless-genius Yurine and her relationship with hard-working honors-student Ayaka. We’ve already seen hints throughout the series that Yurine’s advantages over her classmates have caused her some alienation. This comes to a head when Haine triggers a depressive episode in Yurine by telling her she has an empty life for failing to find a passion for anything. Ayaka gamely tries to help her recover, still grateful for Yurine’s help back in Volume 5 when Ayaka was at her lowest.

Contrasted with this, however, is Ayaka’s negative reaction when Yurine later suggests throwing the exams to let Ayaka take back first place. Ayaka has always been comically tsundere before, but there’s nothing funny about her reaction this time – her words are cold and mean, with no underlying hint of “but I really like you!” at all. It feels especially shocking given how much Ayaka was earnestly trying to help Yurine in this book, and speaks volumes about her unresolved hang-ups concerning perfection.

This is also the first volume to end on a cliff-hanger, incidentally: as their relationship evolves, Yurine feels something different after one of her many kisses she’s forced on Ayaka, and it freaks her out – the next volume is about her sorting through what these new feelings mean, so stay tuned! Volume 8 is currently scheduled to be published by Yen Press on March 19, 2019.

Art – 7 Significant improvements: hair is given a lot more definition and shading, and there are more efforts to visually distinguish Yurine from Ayaka (their height difference feels more pronounced, for example). However, I have to knock two points off the English edition for being printed with significantly thicker blacks than the Japanese version, which destroys a great deal of subtlety in the tones and shading; scenes set in the dark particularly suffer from this. Additionally, Yen Press routinely trims off a fair bit of bleed art, and it was frustrating to see Ayaka’s and Yurine’s test results get cut off as well.
Story – 9 Again, Leighann Harvey has done a wonderful job translating this.
Characters – 9
Yuri – 5
Service – 3 My wife may or may not have uttered “Holy Bazongas!” when she happened to glance over my shoulder at the bath scene, and if you have a thing for Santa dresses, Canno’s got you covered with the introduction to the closing chapter.

Overall – 9

I really enjoyed this volume. There are many returning characters, giving the book a welcome ensemble feel for the first time, reinforced by four bonus chapters at the end. The two main stories connect quite seamlessly, and the Christmas backdrop leads to some very pretty scenery (the cover, with its snow-flecked poinsettia, pinecone and holly border sitting above a starry-looking field of snowflakes, is my favorite of the series for this reason). It’s also refreshing to see Yurine struggling for once – she’s come a long way from her one-dimensionally super-human portrayal in Volume 1.

Erica here: Thank you so much for your insight, Christian. If I wasn’t already reading this series, your enthusiasm and affection for it would surely convince me to pick it up! Thank you again for a wonderful review. ^_^



Yuri Manga: Chocolat Shakaijin Yuri Anthology ( ショコラ 社会人百合アンソロジー)

November 26th, 2018

While we’re on Yuri anthologies(!), it seems a great time to 1) mention that there’s a new Yuri + Kanojo anthlogy out and, without having actually read any of it except the first story, it’s already my favorite of the series, Yuri + Kanojo Tomodachi ha Kinou Made (百合+カノジョ-友達は昨日まで-) and, 2) talk about yet another Yuri anthology set in adult life, this one from Yuri Hime Comics, starring many of your favorite artists, Chocolat Shakaijin Yuri Anthology ( ショコラ 社会人百合アンソロジー).

This is a “who’s who”of Yuri manga right now, with contribitutions by Kodama Naoko, Ohsawa Yayoi (whose story, in which a newer employee falls for “2DK, GPen, Mezamashitokei”s Ryuuko (of course.) I quite enjoyed the color page story in the first couple of pages by Kishi Torajirou about a late-night office talk that goes raunchy pretty quickly.

Stories by Pikachi, Tokwotsumu, Takemiya Jin, Momono Moto and others explore any number of not-always office not-always romances.

In yet another sign or me getting old, I’m really starting to enjoy the not-really romances. ^_^ Those moments that don’t work out are more appealing Weird, huh? Most of the stories have a happy ending, but there’s a nice balance of art style and story-telling here. ‘

Ratings: 

Overall – 8

Like other anthologies, Chocolat is a great way to get a number of perspectives on a scenario.

 



Yuri Manga: Éclair rouge Anata no Hibiku Yuri Anthology (エクレア rouge あなたに響く百合アンソロジー)

November 25th, 2018

Éclair rouge Anata no Hibiku Yuri Anthology (エクレア rouge あなたに響く百合アンソロジー) is the fourth Yuri anthology of the Éclair, series, the first of which, Éclair: A Girls’ Love Anthology That Resonates in Your Heart has been translated into English by Yen Press.

Back in the day, when I was first collecting Yuri manga, anthologies just like this one – often based around a specific series – were a mainstay of “Yuri” in manga stores. Since there were no Yuri magazines, or series that were overtly and explicitly Yuri genre material, artists who drew Yuri doujinshi would gather their work together and publish them in anthology form. Some of the very first original work I purchased by the first generation of top Yuri artists were included in anthologies like these. Now we’re into a second and third generation of Yuri artists and many of the newer contributors have never worked in a world that didn’t have Yuri as it’s own genre, with magazines of its own. How amazing is that?

What hasn’t changed is the utility of Yuri anthologies as a proving ground for younger Yuri artists, with anchor stories by more established ones (often the same ones who were contributors in those long-ago anthologies! Because that was only like ten or fifteen years ago, not seventy or anything!)

Here in Éclair rouge we see contributions by many well-known names. Canno and Nakatani Nio, of course, and Itou Hachi and some old doujinshi names: Kitao Taki, U35, Amano Shuninta, Morsihima Akiko and Hirao Auri all have contributed stories. And we’re seeing some newer names from other anthologies and magazines, Kabocha, Hiroichi, Musshu, Yuikawa Kazuno Fumio Fumi, etc.

It’s a bit like a walk around the Yuri section of a doujinshi show. Many of the stories take place at school or involves teens, but a few break out of this mold or shift themselves into a slightly different moldy trope. ^_^

My favorite story of this collection is more of a “what might have been” called “Hajimesmashite, Hisashiburi,” subtitled in English “Nice to Meet You, Long Time No See,” about two inseparable friends who were just on the cusp of being more, when they went separate ways. Reunited by chance, the one gets to see the amazing person her friend has become,  but they don’t get together. It wasn’t really bittersweet, just one of those moments where a timeline diverges and years later, you look back and see the alternate you that might have been.

I also quite liked “Legend to Shijin to Watashi” which was a complicated and delightful and goofy office romance story by Kitao Taki.

Morishima Akiko’s story, “Kanojo no Button no Hazusu Toki” is worth mentioning, as well, as it’s about two adults whose relationship hasn’t become sexual, because one of them is adamant that she never been seen naked. Rikako wonders if Miyu is trans, or has scars, but is content to let Miyu set the pace on their relationship. Rikako’s not concerned, but would like to make love with Miyu. but she won’t pressure her in any way. When they start talking living together, Miyu is sure that she’ll be rejected by Rikako for this reason, but Rikako proves that her love for Miyu is more than physical attraction. Miyu finally feels comfortable sharing herself completely with Rikako. I wanted to mention this story because when Rikako is wondering why Miyu is so hesitant, and she considers that her lover might be trans, her response to that thought is to convince Miyu that she is loved for herself. I thought that was a nice touch. Morishima-sensei had pointed this out to me when I commented last spring that Yuri had a lot of room to grow and making it more trans-inclusive was one of those areas.

Ratings: 

Overall – 8

All in all, probably the best of the Éclair anthologies so far, with some excellent art and good stories for your money.