Cheerful Amnesia, Volume 3

August 9th, 2024

A woman with long brown hair smiles with a wide, gaping expression. Behind her another woman with short brown hair, looks serious. Both women appear at an angle on the cover.Memory loss is no fun, I can attest to that. When I was younger, I had a mind like a steel trap, now I frequently struggle to remember things that happened moments ago. As I read Cheerful Amnesia, Volume 3, I also struggled with the relationship between Mari and Arisa.

Despite neither of them (or their doctors or the author) creating any plan for Arisa to regain her memories, Arisa and Mari are bullishly moving forward, just sort of pretending that being together is enough. They both think about sex with the other, but neither has the emotional wherewithal to have a real conversation, so they end up missing each other’s meaning. Over and over. It is hard to take them seriously as a couple.

 Arisa and Mari genuinely are interested in one another. Arisa even goes so far to ask Mari to marry her. But Arisa’s memories are not only coming back, she’s losing her memory of nights they spend together now. And no matter how many womp-womp noises you make as you draw that, it’s going to read as a concerning thing, not all that funny.

There is a problem with this sort of “awkward comedy.” It gets really tired after we’ve all heard the joke. And something has to give here, and the thing that gives is the cause of Arisa’s amnesia in the first place. Turns out that it’s because “too many good things happened…!”

I know it’s meant as comedy. I know. I just… . I laughed at loud at She Can’t Say No To The Lonely Girl! I swear I’m not an anti-comedy curmudgeon – I am a profoundly pro-comedy curmudgeon. But this just feels like a thin joke dragged out too long and I have a creeping feeling I know the punchline of this series is going to be Mari losing her memory and we do this all over again….

If you’re used to Oku Tamamushi’s art, Arisa’s gaping mouth won’t come as a surprise  – to me it reads like she’s always inappropriately loud. Mari’s pained reactions in some cases are understandable. This story isn’t complicated, so translator Jenny McKeon has some work to do to make us care about Mari and Arisa. As usual, she is successful. The panels are, likewise very empty, so I’m a bit sad that letter Chiho Chritie was not given time or money to do full retouch.

Next volume  it looks like these two are going to go through a whirlwind journey of getting Arisa to stop collapsing, coming out to their parents and getting married. Can the final volume  take up the slack in the rest of the series? We’ll find out next month, when Volume 4 hits shelves in September, from Yen Press.

Ratings:

Art – 7 Noticeably better again
Story – 7 It’s try, but do what, I’m not sure
Characters – 7 They are adults who need to grow up already
Service – “Sexy” things. Sigh.
Yuri – 9

Overall – 7

Many thanks to Yen Press for the review copy. I’m really hoping Volume 4 makes this story a triumph.



Galette, No. 26 (ガレット)

August 8th, 2024

A doll-like girl with long, pale hair and multi-colored eyes stares out at us from a collage-like background of predominantly black and white.Energized by this week’s Kickstarter for an English-language version of creator-owned, crowdfunded quarterly Yuri manga magazine, Galette, (which has now surpassed it’s 3rd stretch goal with more than 3 weeks left to go!) I wanted to get back on my soapbox and start shouting again. ^_^ Issue No. 31 just came out, so I’m more than a year behind. Galette, No. 26 (ガレット) came out in May of 2023, right as I was struck with Long Covid. It’s been a lot of year between me and when this volume came out, but I’ll try to make time to catch up. ^_^

Morinaga Milk’s Watashi no Kawaii Neko-chan takes a turn for the serious – something is very wrong with Rena. Yun is at her wit’s end, as her lover suddenly is sleeping constantly. If this were not fiction, I’d recommend getting tested for mononucleosis. But there is no chance that this will be handled with any gravitas in this story. ^_^

This issue has a full slate of school life stories, including more than one about a girl who is not confident about herself, her ability to communicate, or of, course, her looks, and is quickly seduced by a charming, confident classmate. This also includes at least one adult story…actually, two, one by Inui Ayu that I hope will resolves with coworker gaining her wings, even if the relationship doesn’t work out.

A love triangle makes a refreshing change, and so does Tamamushi Okau’s story about a woman who wakes up and finds a naked girl in her bed. It’s uncomfortable humor, but the characters carry it off.

Hakamada Mera’s “Aikata System” continues, as the kouhai contemplate the graduation of their admirable, yet toxic sempai.

This issue features the 140-character stories solicited from fans a short story and an interview with Yuri manga artist Oku Tamamushi to round it out.

Ratings:

Overall – 8

Popular Yuri manga artists making manga for themselves! What’s not to like?

Issue. No. 27 came out in January 2024,  so that’s next up for me!



She Makes My Heart Flutter

August 7th, 2024

Promotional poster for the South Korean live-action yuri series She Makes My Heart Flutter, showing Jung One (left) holding a clipboard and her niece Kang Seol (right), looking surprised.

By Frank Hecker, Staff Writer

I like to highlight yuri series from different countries (why should Thailand get all the attention?) and from new directors and studios. In that spirit, today’s pick is She Makes My Heart Flutter, a short web series (just over an hour in total running time) from South Korea’s SOO NOT SUE Studio. It’s not exactly new, having been released almost two years ago, but I wasn’t around these parts to review it then; please allow me to rectify that omission.

She Makes My Heart Flutter wastes no time in kicking off its plot, as “optimistic” 20-year-old Seol Kang (or Gang Seol—the subtitles have inconsistent romanization as well as name order) awakens to her girlfriend breaking up with her via text message. Meanwhile her aunt, “considerate” 33-year-old One Jung, posts a “help wanted” poster for Dickinson’s Room, her café and bar, which is frequented by Seol’s friends. (The series also doesn’t waste time introducing its characters: they each get an introductory graphic with name, age, and personal traits.) As she joins her friends for drinks, Seol is surprised to learn that her aunt is the cafe’s owner, and schemes her way into getting a part-time job.

This sets up the first of the show’s two plot threads: unlike Seol, who is proudly out, One is both closeted and very reserved, and wants herself and her café to have as low a profile as possible—the café has no exterior signage and its social media account is private. As Seol brashly points out to her, this strategy is not conducive to running a successful business, and Dickinson’s Room is often empty of patrons. Well, not completely empty: Re Lee, the woman who designed the café’s interior, now comes in every evening at 8 pm sharp to have a drink and talk with One. Seol’s friends think Re is straight, but it’s impossible to miss the sparks flying between the two. The two parallel subplots briskly play themselves out, with conflict between generations on the one hand and mature reticence on the other, but all is well in the end.

She Makes My Heart Flutter is a romantic comedy that separates the two aspects: Seol and her friends provide the comedy (along with Bin Yu, the café’s manager) and One and Re supply the romance. This works quite well from both a story and character perspective. Ji-Hyun Byun as Seol Kang is the very model of an extroverted young lesbian who’s come out at a time when that’s increasingly a normal thing to do, while So-Mi Park as One Jung gives a subtle and touching performance as a mature thirty-something who still fears the disapproval of her parents and society at large.

The director of She Makes My Heart Flutter, the pseudonymous Soo Not Sue, has released two other web series on YouTube, the 15-minute short Chalna: Enough Time to Fall in Love and the 3-episode series Out of Breath. In an interview, she’s expressed her desire to make more shows reflecting the reality of lesbian life in what is still a relatively conservative and hostile South Korean society. I hope she gets that chance.

Story — 8
Characters — 8
Production — 7 (director Soo makes maximum use of limited resources and locations)
Service — 2
LGBTQ — 10 (the series reflects the lesbian scene in Seoul’s Hongdae neighborhood)
Overall — 8

She Makes My Heart Flutter is a can’t miss combination of young adult lesbian comedy and mature adult lesbian romance, both wrapped up in an easy-to-watch one-hour package. If you missed it back then, consider checking it out now.

Erica here: This year there was finally some good news for same-sex couples in Korea, as a high court ruled that discrimination by national insurance is illegal, but Korea is generally far behind on rights for queer folks.



I Can’t Say No to the Lonely Girl, Volume 2

August 5th, 2024

A girl with long, dark hair, wearing a white blouse and sweater vest leans over a girl with color length pale hair, who grasps the first girl's hand as she lays it on the second girls' cheek.Sakurai Ayaka is an excellent student who sucks at tests. A teacher offers her a recommendation to the college Ayaka aims for with a pretty manipulative twist – get a missing student back into the classroom and she’ll get that recommendation. Ayaka agrees, with some legitimate concerns and finds herself again subject to someone else’s whims. Classmate Honda Sora will only come back if Ayaka succumbs to one request” a day…and that request might even be a kiss!

Volume 1 of this series was very cute and also quite problematic, at the same time.

As I Can’t Say No to the Lonely Girl, Volume 2 evolves, both Ayaka and Sora are trying to understand what they mean to each other. Having met in such an unconventional (and frankly unpleasant) way, neither Ayaka nor Sora really have any way to understand how they feel.

The school sports day festival isn’t helping…but a new transfer student is. Watanabe sees what is going on and jumps right in to make sure they have to talk about it…at least a little. This leads to a chuckle out loud moment when Sora wonders how the costume for three-legged race that she’s just been subbed into fits her so well.

In the meantime, it’s hard to not be rooting for Sora and Ayaka as they navigate other people’s expectations, their own reticence and the unknown.

Ratings:

Art – 8
Story – 7, but climbing
Characters – 8
Service – 0
Yuri – pushing upwards at 6

Overall – 8

If, at this point, you are wondering what the deal is with Sora, her level of disassociation seems really high for no reason, tune back in for Volume 3…there is definitely a reason.

Oh, and I’m sorry. I localized the author’s name as Kashikaze and that’s what Kodansha uses, but just to complicate things, the author localizes their name as Kashykaze in Comic Yuri Hime now. Woops.



I Want To Be A Wall, Volumes 1-3

August 4th, 2024

by Eleanor Walker, Staff Writer

I Want To Be A Wall explores the fake marriage between Gakurouta, a closeted gay man with an unrequited crush on his childhood friend, and Yuriko, an asexual woman who’s a big BL fangirl. Can this odd couple find something in this unconventional relationship?

Volume 1 opens up with Yuriko and Gakurouta entering their new life as newlyweds and figuring out living together as a married couple. In an attempt to understand his new wife’s hobby, Gakurota starts exploring Yuriko’s BL collection, much to her embarassment. Our odd couple though, are better at communication than a lot of other married couples, and state their boundaries in a healthy way to each other. We then hear the stories of their respective childhoods and the origins of Gakurouta’s crush on his childhood friend Sousuke.

Volume 2 tells us the story of how our odd couple first met. Both sides were pressured into finding partners by their respective families, (arranged marriages are still relatively common in Japan compared to the West). The two of them get to know each other, gradually find themselves more comfortable with and opening up to each other, then Gakurouta proposes the marriage of convenience to Yuriko. The rest of the volume is devoted to them getting to know each other a little more, figuring out how to live together and going on a pilgrimage together to visit a limited exhibition of one of Yuriko’s favourite manga. The two of them are clearly happy with each other, but since that happiness isn’t conventional, is it real to anyone else in the story?

Volume 3 takes us to Gakurouta’s grandmother’s house (she raised him), Yuriko meeting her for the first time and the elephant in the room, grandchildren, comes up once again. It’s this volume which really asks the big questions, and challenges the assumption that a conventional heterosexual marriage and kids are the instant and only key to happiness.  One bit I really didn’t like about the series is the surprise introduction of Sousuke’s girlfriend at the end of the previous volume. I felt she created unnecessary and over the top drama which didn’t fit with the tone of the series. Other conflicts which come up, like the risk of Grandmother finding out that the marriage is fake seem much more plausible and fit into the story better.

Overall, this series is a good reminder that just because a relationship isn’t conventional, doesn’t mean it’s not happy. Everyone’s definition of happiness is different, and maybe society would do well to remember that rather than persecute those who live their lives outwith the expected social norms.

“What’s the point in having a system where people who actually need a marriage can’t have one?” It’s also great to see more positive asexual representation out there. At just 3 volumes, it’s a worthwhile addition to your queer manga collection.

Ratings:

Art – 6. Some faces and perspectives are a bit off, but not enough to detract from enjoying the story.
Story – 8  It’s enjoyable to see them care for each other in their own way, and a nice reminder that “normal” isn’t always best.
Characters – 7  All lovely except Sousuke’s girlfriend who just felt overly fake and melodramatic.
Service – Non existent
LGBTQ+ – 10. Two people who don’t fit into conventional society supporting and caring for each other as best they can.

Overall – 8