Oshi ga Budokan Ittekuretara Shinu, Volume 10, (推しが武道館いってくれたら死ぬ)

May 8th, 2025

A girl with long reddish hair in two ponytails, wearing a a pink dirndl-style dress with petticoats and long black boots. She runs away from us, but looks back over her shoulder at us, sadly.Volume 9 left me weak with relief as Eripyo and Maina actually had a conversation. But as we look at the cover of Oshi ga Budokan Ittekuretara Shinu, Volume 10, (推しが武道館いってくれたら死ぬ), we can see that this volume will be different. All previous volumes portrayed Cham Jam or another idol group. This volume only has Reo. And we know why… Reo is retiring.

This whole volume focuses on the ripples in the water when the well-liked and talented lead of a small-time idol group retires. Reo is not the only one whose life will change. Of course the entire group now will be different with only 6 members – they no longer have a center position! Every member of Cham Jam has to reconcile their personal and professional feelings about Reo and decide if the group is strong enough to continue.

And then there are the fans. Kumasa has been very vocal about how his fandom for Reo changed his life for the better. If she retires, what will he have to look forward to? The volume gets very deep into this because for all three of our resident fans, the group is secondary to the passion they have for their favorite, specifically.

And then…Reo retires. I was kind of surprised, honestly. Right up to the very end, I was just sure something would bring her back. Once again, good opportunities were missed by the management company. Who better to add to the management team than the former lead? But, no. And then they miss the opportunity of centering Maki and Sorane as a lead *pair.* Gosh this management team is a bunch of dipshits. It would have enraged Aya for lulz, as an added benefit. But no one asks me. ^_^; When the management announces who will join the front row all hell breaks loose, not. It’s an insane choice for the business, but it’s brilliant for the story.

I just picked up Volume 11 (spoilers on the cover!) in Japanese and kinda want to see what’s going to happen and also want to bash something heavy into my head because reading this manga is my equivalent of a hair shirt. ^_^;

Ratings:

Art – 8
Story – 9
Character – 9, except Motoi who is still awful. Thank heavens for his sister Rena, who, even in abstensia, is twice the man he is.
Service – 0
Yuri – Idol/fan lives are complicated.

Overall – 9

If My Favorite Pop Idol Made It to the Budokan, I Would Die, Volumes 1-10 are available in English now from Tokyopop and Volume 11 is on the way this month, if you too want to marvel at the ineptitude of Cham Jam’s management in this dark comedy about provincial idols groups.



Renai Bakudan

May 7th, 2025

Title card for Renai Bakudan, with a pink neon outline title over a bomb shape, and 6 different characters looking at us. Guest Review by Patricia Baxter.

After spending two long years in prison for protecting her best friend, Juri Kido is at a loss of what to do next. Juri’s older sister, and only remaining family, has made it very clear that she wants nothing to do with her, and her worldly possessions only amount to the clothes on her back and a paltry assortment of personal items. There is only one thing that Juri is sure of, and that’s her best friend Chihiro “Ten” Tenma, the same friend she saved two years ago. Ten has a home in the Japanese coastal town of Akiyama, and has offered Juri a place to stay until she is able to get back up on her feet again. Juri is deeply grateful for her friend’s kindness, but is also understandably worried about her future prospects, as having a criminal record will no doubt make job hunting all the more difficult. But what Juri doesn’t know is that Akiyama is no ordinary town; this is the place where she will meet her soulmate. And in the midst of all of this is the love hotel that will turn Juri’s life around: Hotel Bakudan.

Renai Bakudan is the newest yuri visual novel developed by Noodletub Games, whose previous titles all focus on romantic relationships between sapphic women. It is also a sequel to Love Bakudan, which also takes place in Akiyama, but thankfully knowledge of the previous title is not necessary to play and understand Renai Bakudan. The game is a semi-kinetic visual novel in the sense that there is no way for the player to fail whichever route they choose to play, but there are four segments that are sprinkled throughout each route that allow for some player interactivity: two Hotel Bakudan work shifts and two “Explore Time” interludes. The two hotel shifts have Juri selecting a hotel room for the various quirky clients, and their even quirkier kinks, to best suit their needs, while Explore Time has her explore Akiyama and see how the rest of the cast is spending their free time away from the central narrative. If the player correctly navigates these four sections they will gain four original erotic stories that they can read in the “Extras” menu, and finding all four in the route will unlock a special erotic novel that focuses on different side characters, along with some extra scenes. That being said, you can intentionally fail or skip these sections if you have already gotten a novel or just want to progress, and the game will not punish you. Each romance route takes somewhere between three to four hours to read depending on your reading speed. The types of sexual activities the player can experience are clearly labeled on the game’s Steam and itch store pages, including highlighting which route engages in BDSM, Mirai Mishima’s route, so they can make an informed choice based on interest and comfort level.

Renai Bakudan is a game that was clearly made with a lot of love and passion by the developers, which is evident in the game’s visual presentation. One example of this is how the game displays each of its romance routes in the form of “Beanflix”, a Netflix-inspired “film” lineup where the player chooses their route based on a film poster and description, visual flourishes based on “film genre”, and an opening title sequence. Other notable instances include whenever Ten goes on a livestream a Twitch-inspired chat is visible in the upper corner, Juri’s character arc being bookend by imagery of the cityscape overlaid by VHS scan lines, and one really impressive use of the user interface to showcase a character’s name in one of the routes. While the character designs did not grab my attention as much as other visual novels, I did appreciate that the cast was clearly composed of adult women with visible signs of age on their bodies. Three of Juri’s love interests are women in their thirties or older, which is a nice change of pace for the dating sim genre where women are typically relegated to their teens, twenties, or immortal beings that conveniently look visibly youthful.

Another area the game excels at is the amount of effort given to its large ensemble of characters. The cast, including the non-romanceable secondary characters, are each written with care and feel like genuine friends to Juri in each story route. While I wouldn’t go as far as to say they feel like “real people”, as the character writing leans into tropes those familiar with Japanese media can identify, they certainly remind me of the chaotic shenanigans that friends can get into, and they clearly always have each other’s best interests at heart. There are a couple of really standout characters in the game, especially Hazuki Mishima, who were written with such an impressive amount of depth they felt like they could be the protagonist of their own game. Some of the game’s routes, specifically Ten and Natsuki’s, feel like a perfect blend of romance and character development, where the couple, and their developing relationship, feel perfectly in tandem with the story beats. After completing them I genuinely felt like Juri had undergone a fulfilling character arc and that her love interests were able to showcase their ambitions and skills.

However, despite Renai Bakudan’s many strengths there are a few noticeable stumbling blocks into making it one an exemplary visual novel, particularly in terms of accessibility. At various points in the game I encountered negative visual stimuli that cannot be toggled off, which made it difficult for me to look at the screen. Natsuki’s route has an incidental scene at a karaoke where a disco ball is shown glittering, and while it only lasted a few seconds, it was still so intense for me that I had to put a hand in front of my face while it occurred. Dao’s route also has two back-to-back instances of intense screenshake during the climactic scene at the docks, which was dizzying and unpleasant. Having the ability to toggle off flashing lights and reduce screenshake would have been really beneficial for me, and I highly recommend that Noodletub Games keep these elements in mind when they develop their next game.

Another unsatisfying part of the game is that while there are some character routes that feel like satisfying conclusions to Juri’s character arc, some of them give the impression that Juri is just an incidental character in the story. This is unfortunate, since Juri’s character introduction really makes you want to root for her to turn her life around, so seeing her pushed to the sidelines while her love interest is the only one with meaningful character development is rather disappointing. Additionally, the romance route with Mirai Mishima left a bad taste in my mouth, not because of her professional as a yakuza or her BDSM sex scenes, but because multiple routes, including her own, showcase how constantly abusive she’s been to her younger sister, Hazuki Mishima. While Hazuki is far from a perfect person, like Juri she is shown to be a woman who wants to change her life for the better, and while she is able to do so in some routes, it usually involves leaving behind the little support network she was able to make for herself in Akiyama.

Like many romance games, your enjoyment of certain character routes is highly dependent on your personal interests in your prospective partner, and if you are interested in specific kinks. It will also depend on your willingness to take the game’s hard and fast developments, both in terms of the narrative and the interpersonal relationship between Juri and her partner, in stride. The erotic novels that the character can collect are a mixed bag, with the stories focused on original characters being typically flat and trope-y, while the novels focused on Renai Bakudan’s ensemble can feature some of the best written erotica in the game. There is also a side novel, Tokugawa Blues, that can be unlocked after the player completes their first route, which features a more in-depth look into the backstories of many of the yakuza affiliated characters in the game. While it is extremely impressive to see so much work to turn a work that was originally written as prose into a visual novel engine, complete with visuals and audio, if you are not interested in learning more about the characters, and do not enjoy descriptions of intense violence, I would suggest skipping it. Also, I found it odd that in a game that is entirely composed of sapphic women in both the ensemble cast and erotic novels, that there wasn’t at least one confirmed transgender woman in the game. Including trans women in a narrative that is entirely focused on showcasing the diverse range of stories that queer women can inhabit would have been an extremely welcome addition, and help make Akiyama feel more like the sexually liberated paradise that Juri lovingly extols.

Overall, Renai Bakudan is an extremely ambitious yuri visual novel that, while enjoyable, feels as though it is missing something that could have made it really exemplary. Noodletub Games clearly has the skill to pull off well crafted erotic visual novels, and write some extremely likeable characters, but I feel they could be better executed if their resources were spread across fewer character routes and significantly less extra reading material. If you’re looking for an erotic game, exclusively focused on sapphic characters with a lot of different character dynamics, you most likely won’t be disappointed, but if you’re looking for a title with deeper character development, you will probably find this to be lacking.

Renai Bakudan is available for purchase on Steam and itch.io for $19.99 USD, which equates to $25.99 in CAD.

Ratings:

Art: 9 (visual presentation), 7 (character designs)
Story: 6 – 8 (Varies based on route)
Characters: 5 – 9 (Some characters, like Hazuki Mishima, are extremely well written, while others are rather flat)
Service: Yes (This is an adult only visual novel with explicit sex by default. Mirai Mishima’s route has BDSM sex scenes, Dao Amarin’s route is for those with a mommy kink, one secondary character wears a maid outfit all the time, among many other discussions and depictions of sex)
Yuri: Yes (the entire cast is sapphic women)

Overall: 7

Erica here: Thank you to Noodletub Games, for the review copy of Renai Bakudan. ^_^



Galette, No. 31 (ガレット)

May 5th, 2025

On a background of pale blue, with light streaming from above, two women walk by. One with bluish hair walks away without a glance, the woman behind her, with light brown hair, in a black sleeveless blouse, glances back to look at us. Art by pen. We’ve made it to Galette, No. 31 (ガレット)!

Although I thought I was supporting Galette on Pixiv Fanbox, for some reason during the multiple kerfuffles with non-Japanese credit cards, I did not receive issues No. 31 and 32 by PDF. Luckily, Galette is also available on Bookwalker JP, so my current collection is now a higgeldy-piggely mismosh of this magazine in print, PDF and on Bookwalker. Luckily, all I want is to be able to read it and don’t really care what format I have! ^_^ I am a lousy collector and always forget to obsess about complete sets.

This issue does something very important. I was kind of waiting for this to happen, because the story as it existed was wearing on me. Honestly, in Morinaga Milk’s “Watashi no Kawaii Neko-chan,” Yuna has to change. She may well just have circadian rhythms that don’t work with Reina’s and that may be possible to work around, but not if she refuses to even admit there is a problem. In the final pages, after another chapter of watching Reina struggle alone, Yuna *finally* takes a step to figure out if there is a real problem. PHEW. I was really losing interesting in this story, as it just churned over and over the same unresolved issue every chapter.

Nakata Nui’s “Otome no Shinden” is, thus far, a creepy lesbian doll story in which the doll seems the most normal character.

Yukino-sensei is forced to deal with her complicated emotions about Tsukino-sensei in Yorita Miyuki’s “Hokenshitsu no Ano Onna”. Is it time that Yukino-sensei forgets the bias she’s carried all these years?

Once again, I adore the chapter of “Watashi ha Kimi no Kami da yo” by aneido, in which this apparently silly story of a grifter trying to scam a religious cult’s accountant, begins to take on more complexity. Our grifter is falling for her mark, and her partner can see it. Also, the mousy little mark is definitely not naive, and turns out to be quite gay. Will this be the end for our grifter or the beginning of something new?

A fun little one-shot from Hakamada Mera follows a cast of maids at a maid cafe, who end up picking character names from the Romance of the Three Kingdoms, adding a maid cafe to the many reinterpretaions of the great heroes of ancient China. Do I love this? Of course I do. ^_^

The second half of this issue makes space for “repeats” of “Himitsu no Recipe” by Morinaga Milk and early chapters of  “Kanojo no Kuchizuke Kansensuru Libido” which Yorita Miyuki has recently published in English in two successful kickstarters. This followed by news of Yorita-sensei’s new kickstarter, which will bring the Kanojo no Kuchizuke Kansensuru Libido Short Movie (彼女のくちづけ感染するリビドー ショートムービー), reviewed here on Okazu in February, out with English subtitles. I’m looking forward to that, as I enjoyed the 3-part movie and would love for it to get a wider audience.

This is followed by the second part of an ongoing prose story in which a young woman meets an older one. Then 140-character tales, a report of the 4-creator exhibition, “Shoujo to Shoujo Yuri Sakka Yon-nin Ten” (link goes to the official account on X).  And of course the discussion pages., an add for Galette, No. 32, which I just finished up. Finally, we get an illustrated 140 character tale by Azuki Kuranbo, a very cute little story about two adults, one of whom likes melon cream sodas, illustrated by mina.

Overall – 9

A very chunky volume, even with the re-plays of earlier stories. No. 32 is next and, yes, to confirm that one says in the back that “Liberty” continues in No. 33, which I have here in print, once again, so I am doubly motivated to get caught up. ^_^

I am still amazed that I am able to enjoy both a major publisher-run monthly Yuri manga magazine and a creator-owned, crowd-funded quarterly Yuri manga magazine that will in a matter of days be launching a Kickstarter for a third English-issue, after two successful EN issue Kickstarters. That’s just amazing. ^_^

 



Homunculus Tears: Alchemy For the Brokenhearted

May 4th, 2025

Stories from the perspective of “other” are not uncommon – and especially so in the context of queer literature. Indeed, much of what we have read from inori.-sensei is from the perspective of “other.” In I’m In Love With The Villainess, Rae Taylor, isekaied into her favorite otome game, was not only not of that world, and a gay woman in love with an apparently straight woman, and a 21st century mind in a feudal society, as the story played out, we learned how she was in fact even more “other” than that. The sequel series and inori.-sense’s subsequent novel, The Girl Who Wants to Be a Hero and the Girl Who Ought to Be a Hero (EN release in June, reviewed here on Okazu in JP,) include the ultimate in-world “other,” introduced to us in the form of young women who are, in whole or part, demon.

In Homunculus Tears: Alchemy For the Brokenhearted, we are asked to contemplate the idea – what if there is only “other?”

In our world, including among the readership of Okazu and folks that hang out with me on a regular basis, I count few, if any, people whose lives are unconditionally privileged. I am happily surrounded by creative folks, queer folks, and women of many classes other than elite. We are all – inexplicably, as we are the majority – considered “other” in a society in which the presumed standard is, weirdly, a small minority. In Homunculus Tears, inori.-sensei presents us a world in which any possible not “other” person is invisible, some unseen (possibly non-existent) elite. Instead, we follow people whose lives are treated as “other” to the extent that an entire military exists for the purpose of being eventually eliminated.

We meet Maha, a woman brought into the world to fight, to die, by a soldier mother who values her who only for that fighting skill. The same mother creates another young woman, an alchelmical homunculus, Ruri, to be an even better fighter. They are trained by yet another outcast, a woman who can read minds, which allows her to, yet again, be a strong fighter. None of these people belong in the context of the society in which they live. The members of the society we do see are the poor, the orphans – the outcasts of a society at war. At no point in the story are we privy to the existence of anyone who is not “other.”

The story makes a point of this, too, so it’s not that we are to infer any of this. Maha is not alone as she ponders why she exists at all, why she was given life and why she continues to struggle. Ruri likewise, when faced with the voices of the “other” around her, struggles with the value of life. Why was I brought into this world? Why do I continue to live? are questions that many of us ask during the hardest times.

The answer here is that we are loved, even if it’s not what or how or by whom we expect. A community might be part of a world at war, but it is community, nonetheless. Throughout Homuncuus Tears, we are told this over and over. And may I remind you that, although the not-othered insist “other” is a problem, they are the weird minority, not you, not us. As “other” as we feel sometimes, we are the majority. If we can band together, the demons don’t stand a chance.

The use of the word “anti-natalism” in the author’s note has been commented on in discussions of this book online. Use of “-ism” usually indicates a belief system. In the context of anti-natalism, it would be a belief that procreation itself is unjustifiable. In this specific scenario, it is not a group or society, community or sect with this belief, not a generalized belief system that procreation is bad, but two individuals who question why they, personally, were brought into the world. However – and this is actually quite relevant to our world right now – the only children we meet in this story are war orphans. The question of “why would anyone want children, or desire them to live in our current society” is valid one. It is a valid one in 2025 on the planet earth, as well. Perhaps more people ought to ask that “why.”

The illustrations by Aonoshimo-sensei miss the chance to illustrate any of the excellent battle scenes, favoring pin-up poses and service. I am always disappointed when, rather than seeing Ney and Maha going head to head in a complicated battle of will and magic, I get to enjoy underwear. Again. This is light-novel tropiness that I would not mind losing. I did not feel that either a bath or beach scene added anything of value. I am ambivalent about the Yuri, as well. Both Maha and Ruri are brought into the world by the same woman, and Yuricest is never appealing to me. The loli jokes fall flat for me as well. Maha and Ruri as a couple is simply unconvincing.

What definitely did work for me was the alchemy. I’m fond of magical systems that are consistent within themselves. This alchemy and it’s trappings of tomes, vials, and attacks worked incredibly well. To that point, the character of Metako, (‘meta’-ko, which works really well across three languages) was the most interesting character to me. Her story, the way she worked and her functional relationship with Maha, were high points of the narrative. How Maha uses alchemy is presented as a kind of standard behavior, but in reality it was very cleverly handled throughout. Also solid is Kevin Ishizaka’s translation, which keeps the narrative running smoothly and provides excellent alchemical magic attacks.

Overall, this was a fast-paced light novel that delved into some tough questions about existence, but missed a few opportunities to be great.

Ratings:

Art – The art is excellent, it’s just of the wrong things
Story – 7
Characters – 8
Service – 4 It will never add anything to a story for me
Yuri –  As above, so below.

Overall – 7.5

As a self-published light novel, this book was poised for success. I hope this allows inori.-sensei some room to work her own way. And I look forward to her next original work.



Yuri Network News – (百合ネットワークニュース) – May 2, 2025

May 3rd, 2025

In blue silhouette, two women face each other. One wears a fedora and male-styled attire, one is in a dress and heels. Their body language is obscure - they may be dancing, or laughing or fighting. Art by Mari Kurisato for Okazu

Yuri Manga

New on the Yuricon Store, we have Naekawa Sai’s creepy fun school yokai Yuri story, Watashi o Tabetai, Hito de Nashi, Volume 10 (私を喰べたい、ひとでなし).

Also on the Store, we have Spoil Me Plzzz, Hinamori-san!, Volume 2. Volume 1 was reviewed last autumn here on Okazu by Luce.

And we have the final volume of  Salvia no Bouquet, Part 2 (サルビアのブーケ(下)) Up on the Store. I enjoyed this really unfocused story of an orphan finding her place in the world with the help of the magician she interned for.

ANN’s Anita Tai has the news that The Vexations of a Shut-In Vampire Princess Manga Ends, with the last volume of the manga shipping this summer.

Via Yuri Navi, All the chapters of Kimi no Tame no Curtain Call (君のためのカーテンコール), written by Emoda Kiki, illustrated by Satou Shiho, are available to read for free in Japanese on Ichijin Plus.

Via Reddit, Mono’ creator Afro: The Yuri element of Kiriyama is purely for Comedic purpose. Yay?

 

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Yuri Anime

Joanna Cayanan on ANN has the news, and visuals. for the upcoming anime for See You Tomorrow at the Food Court

 Via kiki’s X account, not only is Roll Over and Die series getting an anime, but also the light novels are going digital only May 5th through final 8th volume.

ANN’s Richard Eisenbeis’s review of The Rose of Versailles film on Netflix works in this new and melodic form.

 

Live Action

Via Comic Natalie, Ayaka-chan Loves Hiroko-sempai 2nd Act will look at Sal Jiang’s character as they start dating. Undoubtedly hijink will ensue. ^_^

 

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Yuri Music

On Crunchyroll News, Komatsu-san has the scoop that Girls Band Cry anime has released a new music video, “Belle papillon”

Also from Komatsu-san, we have  the news that singer-songwriter miwa has shared a Momentary Lily anime ending music video. It has to be better than the anime ED itself.  I half think my recent eye troubles are from watching that mess. ^_^;

So, after being annoyed beyond redemption by the end of Aria, the only thing I still enjoy about the series is the music. Luckily for me and everyone else, Aria’s music will be getting a 3-Disc 20th Anniversary Album ARIA The BEST 2005-2025. Read the press release on ANN (because I could not be bothered to post it here. ^_^)

 

Other News

Reminder to register for the free, online and VERY FUN Queer and Feminist Perspectives on Japanese Popular Cultures Symposium Second Edition event, happening May 19 to 22. I had an absolute blast last year.

Coop Bicknell on ANN has a look at Manga in The Crosshairs: The State of Manga Bans in 2025.

Sailor Moon Opening Plays as Baseball Star Shohei Ohtani’s Walk-Up Song says Ken Iikura-Gross. ^_^ Love it!

 

 

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