Otherside Picnic, Volume 10

July 24th, 2026

In front of a door or gate of some kind, a woman with collar length dark hair is wrapped in a towel of sheet. A woman with long blonde hair has a towel on her head, as she looks up at the other woman. In front of them is is girl with very long, dark hair wearing a dark brown dress, holding a hose, as she stands in a puddle.Otherside Picnic, Volume 10 is, like Volume 9,  a volume primarily about communication. Like Volume 9 it feels more like a part of a whole than a whole in and of itself. 

Tsuji, DS Research’s resident “magician” (coughwitchcough), who continues to be written for me, personally, begins this novel with a theory. Not just any old theory but a brilliant if vaguely formed theory that the apparently random artifacts used by Satsuki Uruma against them are a kind of experiment. Or could be, although her motivation remains obscure. It is becoming clearer to me Satsuki was an amoral, manipulative reearcher who looked too closely into the palantir and was caught by it.  Tsuji identifies the mechanism for a new artifact and, with a simple grounding technique, brings everyone out of interstitial space. We have a counter, at last.

With this new knowledge, Sorawao and Toriko head into the Otherside once again. Even with their newfound identity and named relationship, Sorawo struggles with the idea of a relationship. And communicating about it. Worse, she now finds herself meeting and speaking with people outside their small circle, which compounds the problem for her. 

At this point, I would not at all be surprised if Sorawo was a child of the Otherside, but her continuing confusion about it, leads me to think it’s nothing as simple as that. Still it feels as if she and Toriko are a kind of “key” to the Otherside, opening up new pieces, taking it apart, bringing it back for analysis and re-entering once again. Archeologists of the Otherside, but with one foot (hand/eye) always there. It is, in that sense, a distorted mirror of normal university life. For most people they meet new folks, explore new interests, form relationships, move into another world as adults. Sorawo and Toriko are doing this…only the world they are moving inexorable towards is the Otherside. Kozakura’s new program which is generating ll permutations of ghost stories is fascinating and, based on our lived experience with AI, terrifying.

This was another short volume, and we’re clearly setting up for something big. Runa is free from her DS prison, Sorawo and Toriko are mapping the Otherside with near impunity (aside from the native(?) threats of the UBL). If you are a huge fan of the series, grab it right now, but for casual fans I actually suggest waiting until Volumes 9-whatever) are collected into an omnibus. This volume feels like something serialized that we now have to wait to find out what it all means. ^_^ 

I do love this series. It’s both so original and utterly, fascinatingly derivative of random urban legend and paranormal weirdness on the Internet, like a fanfic of elements from all over the place. I find this incredibly fun and shockingly personal as Sorawo litigates what it means to function in human society over and over at different levels as her life changes in complexity.  Together Toriko, Sorawao,  their charge Runa, and arguably Kozakura’s charge, Kasumi, all children of the Otherside are about to enter a new phase. The Fourth Kinds have taken their power back. 

I can’t wait to read what will happen.

Ratings: 

Art – 8 Shirakaba’s art is best when it leans into the shadows. 
Story – 7, we’re clearly setting up for something
Characters – 9
Service – I don’t think so? Am I just missing it? 
Yuri – 9

Overall – 9

These short tastes are delectable, but I’m dying for a bigger chunk.

 



Japanese Girls at the Harbor (港の日本娘)

July 21st, 2026

Minato no Nihon Musume, Japanese Girls at the Harbor is a 1933 silent black and white movie. Directed by  Shimizu Hiroshi, it is based on a novel by the same name, written by Kitabayashi Toma that same year. 

Sunako (Michiko Oikawa) and Dora (Yukiko Inoue) are bosom friends in the port city of Yokohama. They swear to never part and always be close to one another as they walk home from school. Both Sunako and Dora are mixed -race girls who attend a Catholic school. Yokohama at this time was a true melting pot of people and cultures. You can still see a very little bit of that in modern Yokohama, with it’s huge Chinatown and “westerner’s houses” as well as European construction that is disappearing a bit, but still exists.

Dora and Sunako, almost the moment they make their vow are torn apart by “Henry,” a young man who has adopted western ways. He’s flashy, playing with both girls separately, but its Dora who receives his attention more and they ride off together, setting Sunako into a spiral. Sunako has no other friends and resents Henry, while still desiring him. She learns that Henry has a third girl – and older girl named Yoko. Yoko pities Sunako, because she’s still a child. In response Sunako shoots Yoko in the school’s chapel. Yeah, not much symbolism there.

Sunako runs away, becoming a prostitute. Years later, when Henry comes into the bar where she works he’s excited and happy to see her, and asks her to visit. Even as she does, Sunako thinks of the former madam’s word about how she’ll be unwelcome forever. The movie then becomes a psychological drama as Dora and Henry, now married with a child, and Sunako can never truly reunite. Despite her own success as the madam of a bar, and as she works to build a real business with her money to claim the kind of respect she can never get as a madam, Sunako is both happy for and resentful of Henry and Dora, and the friendship that meant so much to her.

It is both easy and difficult to parse this as an early “queer” movie. Dora and Sunako’s love for one another is immediately, fatally, cast as an immature love, nothing more than girls’ friendships that it is so fragile it snaps over a man. (You may imagine me rolling my eyes.) But as the movie goes on, Sunako continues to be disgusted by Henry’s behavior, long after he’s a respectable married man, to focus on Dora. As with so many movies of the early twentieth century, Sunako sees herself as unclean, both for shooting Yoko and for becoming a prostitute. Even as Dora invites Sunako back into their lives, she is shook with the feeling that she can not, may not sully those lives. Dora misses the Sunako she knew and loved, but that girl is long gone. Sunako still longs for Dora, but that’s just not possible.

The biggest problem with the story is that Henry is, immediately and consistently, trash. He’s a two-bit criminal, which becomes apparent when Yoko enters the scene. She’s older than Dora and Sunako, knows what Henry does for money and expects to marry him. He’s useless in every scene he shows up in. 

What really stands out, even now, is the acting. Inoue’s Dora feels typical of portrayal of a teenager of the time, but Oikawa carries the movie as Sunako. She’s a fabulous actor, but sadly, her career was over early as she died at 26 from cancer after nearly 2 dozen movies and other works. Inoue went on to have a storied career, making her final acting appearance in 2004!

I would not claim this movie as a genius work of early queer cinema, but it is a very interesting look into the early 1930s in urban Japan, with it’s multi-cultural prosperity, something that was sacrificed a decade later for no good fucking reason. And it is actually an interesting movie, despite all the attempts to make it about two girls fighting over a guy. 
Ratings:
Cinematography – Pretty good, given some obvious limitations. Let’s say 8
Acting – 9
Story – 7
Yuri  – 5

Overall – 8

The whole movie is available with English subtitles on Youtube. It’s worth a watch.



Yuri Network News – (百合ネットワークニュース) – July 18th, 2026

July 18th, 2026

A blue silhouette of a girl with a white flower in her hair, embracing the earth. Blue block letters read YNN Yuri Network News. Art by Lissa P. For Okazu.

Hello and welcome to a special edition of Yuri Network News brought to you from the other side of the pond by Okazu staff member Eleanor.

Yuri Anime

Over on ANN, Kevin Cormack looks back at the Spring 2026 series Even A Replica Can Fall In Love.

Yuri Manga

Two girls standing in front of the open boot of a car. The one on the right is hugging the one on the left very forcefully

Described as “A special coming-of-age outdoor girls’ story, all connected by cars!!” Tabireco’s Baby Road Trippers (Baby Shachuu Hackers/ベイビー車中ハッカーズ) has been added to Shueisha’s online service Manga Plus, reports Rafael Antonio Pineda, also on ANN. The first 20 chapters are available immediately, the series is up to 4 volumes in Japan and ongoing.

Via Okazu Japan correspodent Sasori, artist Yon has posted on Twitter that their previously published one shot “今夜、エーテルで待ちあわせ” about two women who become closer after meeting in an online game is becoming a series. As of yet, there is no English translation but the first chapter is available for free in Japanese.

Yuri Live action

A Filipino sapphic film “Open Endings” is now available on Amazon Prime but you need a VPN. Thanks to staff member Marcus for the find.

Yuri Light Novel

Two girls in uniforms stand back to back. The one one the left has long hair and is making a fireball in her hands

Via staff member Marcus again, a new Yuri Light Novel called “Soul Magic” by an author writing under the pen name “Soul” is going to be released in August. Illustrations will be handled by Tikklil, who produced the Yuri webtoon Night Owls & Summer Skies, as well as Drifting Into Summer, a sports Yuri which is being released as a Viz Original. Soul Magic generated much discussion on the Okazu discord as it seems like it’s going to clock in at well over 600 pages, but it’s apparently meant to be more like 2 standard volumes in 1.

Yuri Games

Via tazimonfire on the Okazu Discord, AstralShift’s Hell Maiden is now available in early access on Steam. The developers describe it thusly “Traverse the depths of Hell and beat its toughest demons on your way to Heaven in this horde survival deck-building game inspired by Dante’s Divine Comedy.”

UmaMusume news

7th Event World Tour: The Stage is coming to Los Angeles’ Peacock Theater on October 22nd-23rd. Tickets go on sale at 10am PDT on July 23rd, as per Alex Mateo on ANN. Outwith Japan, the tour will also be visiting Seoul and London. (Eleanor here: I really hope I can go to the London one…) 

As always, YNN couldn’t exist without your support. If you have any news you want to share, please get in contact with us either via email, social media or the Okazu Discord.



Galette Special English Edition 05

July 15th, 2026

Among a forest of pastel colors and white and green words, a woman with pale pink hair embraces a woman with purple hair, who looks out at us.I write to you today from my local library, as my Internet has been non-functional since I returned home. So please be patient with me, as I will shortly have to be on the road again. My fantastic Okazu Staff will be stepping in for the next few days

Galette Special English Edition 05 is pleasant mix of the magazine’s past hits.

It begins, as it always does, with pen’s art on the paper sleeve and on the inner cover, which is framed by color illustrations by the creators on the beginning and end of the magazine.

Most of the serialized stories are multi-chapter, which is great. This gives us more body to the characters and plots than a single quarterly entry. This is especially true for Yorita Miyuki’s “That Woman In The Infirmary” and Kitta Izumi and Moto Momomo’s “Liberty.”

Also much richer an experience for the multi chapter format is “Sky Blue Melancholic” by  Ringo Hamano. I like this series a lot. There’s a lot of layers in this apparently simple school life story. And some amusingly intentional bad art this time around. ^_^

Milk Morinaga’s story is a reprieve of an older one-shot work, “Vanilla,” while Mera Hakamada’s “Fluffy, fuzzy, dreamy” has hit a climactic moment, as has NekoHariko’s 22’s “I Want You To Show It Only To Me.” While Haru Yatosaki’s “Girl’s Arcadia” gets a side story.

For Kickstarter rewards I got the special issue, fabulous art postcards and an acrylic standee. I very much liked the real-life fee of “Practical Miyabe-san” by Miho, about two women who work in a bookstore.

The quality of the work in this English edition is great, and ZorritoIV’s translations are solid. It’s once again such a pleasure to get a copy of this special book. ^_^

Galette Official on X announced that their English language books are being carried by Crow’s Nest Comics in Seattle, so if you have an a local indie store, give them a call and see if you can get them to carry Galette WORKS’ works!

Ratings:

Overall – 8

If you missed this or the previous Kickstarters, Issue 06 Kickstarter should start up this summer and will very probably have back issues as add-ons. So keep your eyes on our socials and we’ll let you know when it goes live!



There’s No Freaking Way I’ll Be Your Lover! Unless…, Light Novel Volumes 5 & 6

July 13th, 2026

by Eleanor Walker, Okazu Staff Writer

The harem is assembled, Renako is officially dating both Mai and Ajisai, and Satsuki has also thrown her hat into the ring under the guise of “well if you’re already dating 2 people, why not add a third?” and Kaho is just sort of… there?
So begins Season 2 of the novel series “There’s No Freaking Way I’ll Be Your Lover! Unless…” the previous 4 volumes of which I’ve also reviewed here on Okazu. Like so many stories which continue after the main couple (or throuple in this case) gets together, these two volumes definitely suffer from the “what now?” problem. As cute as it is to read about happy people in love, stories without any conflict don’t tend to be very interesting.

2 girls, one with long blonde hair, the other with not quite as long light brown hair in school uniforms of white blouse and grey plaid, hugging each other and a small plushie of another girl.Volume 5 introduces a brand new rivalry with a group of 5 girls from Class B, who as far as I can remember have never even been mentioned in the previous 4 volumes. They stylise themselves as the 5-ddesses as opposed to our main characters the Quintet in Class A (for those who don’t speak Japanese, 5 is “go” so it should be read “go-ddesses”. I kept reading it as five-ddesses even after it was explained, but puns are hard to translate so…) Their leader is Takada Himiko and for reasons unbeknownst to the reader at this point, she’s declared a rivalry with the Quintet and challenges them in the upcoming inter class athletics competition. Most of the rest of this volume is dedicated to the training and competition, and I honestly found it so boring I don’t really have much to say about it.

It should hopefully be obvious at this point that I found volume 5 rather a slog to get through. It’s much thicker than any of the previous 4, and even the author in the afterword says it probably should have been split into two smaller volumes. I would agree, either that or cut a lot of it out, which they say was also an option but they couldn’t get rid of any of it. I personally disagree, and am of the opinion that there was a lot which could have been cut out. The whole book read to me like the author wasn’t expecting the series to continue past volume 4, and now suddenly had to come up with a new external complication to try and advance the plot and relationships. If we’d been introduced to this other group or at least Himiko right from the beginning, them challenging the Quintet wouldn’t now seem so sudden and out of place, especially as we later learn that Himiko was a model when she was a child and had lost out to Mai. It just seems odd that we are now several months into the school year and they’ve just appeared out of nowhere.

2 pink haired girls, one in the foreground one in the background, making a V with her fingers against her forehead, the one in the back looks put out.Volume 6 however was more enjoyable because unlike the 5-ddesses, we have encountered Renako’s younger sister Haruna since the beginning of the story. She’s always been the opposite of Renako; sporty, extroverted, popular and fashionable. She’s the one who helps Renako change her image for starting high school, and often seems more mature, despite being the younger sister. In volume 5 she does agree to help Renako practise basketball for the inter class competition, but in volume 6 she takes a larger role. She, much like Renako did in the past, decides to stop going to school one day and it’s up to Renako and the Quintet to try and figure out what’s going on between Haruna and her friends Minato and Seira. Because she’s actually been a part of the story right from the beginning, this arc is actually interesting enough that I do want to know why the sudden change in her behaviour and how this will force Renako to grow as an older sister and support her for a change. Another mystery character called Lucie randomly appears too, and it’s not until the very end of the volume that we are told she’s claiming to be Mai’s fiancee, which just feels like it was added in as a cliffhanger to end the volume on, rather than actually being an important part of the story. This volume is the first part of the Haruna story, which will conclude in volume 7, and Season 2 itself will conclude at the end of volume 8 according to the afterword of volume 7. Volume 9 doesn’t currently exist in Japan, there are 2 side story volumes which will be released in English later this year and summer next year according to Seven Seas’ website.

Overall, if you’re really desperate to see what happens beyond the anime, give this a go but I’m of the opinion you could comfortably skip volume 5 especially and not really miss much. I hope if this arc does get animated they cut out a lot of the padding, as there’s definitely some potential under the bloat. Either that or the editor does a better job for the next volumes.

Ratings:

Art – 6
Story – 4
Characters – 4
Service – 8 The obligatory colour page bath illustration at the beginning of both volumes is a tradition at this point.
Yuri – 7

Overall – 5