Yuri Network News – (百合ネットワークニュース) – May 6, 2023

May 6th, 2023

A blue silhouette of a girl with a white flower in her hair, embracing the earth. Blue block letters read YNN Yuri Network News. Art by Lissa P. For Okazu. Yuri Manga

Still catching up on the Yuricon Store, but here’s a start. Definitely don’t miss the concluding volumes of two of my favorite Yuri manga! Catch These Hands, Volume 4 brings this charming dysfunctional adult series to an end.

For folks looking for sensitive and caring aro/ace representation, I hope you all picked up Doughnuts Under A Crescent Moon, Volume 4, because that series really nailed the ending.

And for once I am pre-emptively declaring a birthday celebration for myself. The Moon On A Rainy Night, Volume 1 comes out in English from Kodansha on my birthday and I want you all to read it and write in the comments of my review of it what you think! I’m reading Volume 4 now in Japanese and it’s just so good.

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Arai Sumiko’s Kininatteru Hito Ga Otoko Janakatta (気になってる人が男じゃなかった) hit shelves last month in Japan. This manga got it’s start on Twitter and became very popular quickly. It’s about a woman who mistakes another woman for a guy and falls for “him.”

Via YuriMother, we have news that Run Away With Me Girl, Volume 3 has hit shelves this month.

And for those of you interested in There’s No Freaking Way I’ll be Your Lover! Unless…, Volume 1, the collaboration between Teren Mikami and Eku Takeshima, Sean Gaffney has reviewed it and noted the possibly problematic bits for you.

In case you missed this, ANN’s Margaux Pangilinan took a look at Advice and More From the TATESC Award Winning Author of LILIES, one of the first Bookwalker vertical-scroll comics.

 
Sailor Moon News

I’m sure everyone has had a chance to watch this, but if you haven’t, be frustrated by the gorgeous Sailor Moon Cosmos trailer, which means that Toei made the exact same mistakes this time that they did the first time around – cheaping out and rushing the first two seasons, with not-great directors, then having a decent director and a teeny more money for Season 3, then spending a ton of money on Seasons 4 and 5. Maddening, isn’t it?  ^_^;

 

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Yuri Anime

Still cleaning out my inbox, so let’s make sure we all watch the Whisper Me A Love Song anime trailer, and look forward to its January 2024 debut. Rafael Antonio Pineda has the details over at ANN.

 

Yuri Live-Action

ANN’s Alex Mateo has the live-action Young Ladies Don’t Play Fighting Games series’ trailer for us to enjoy! Volume 1 and Volume 2 of the manga has been reviewed on Okazu by Luce.

 

Other News

ANN’s Answerman, Kim Morrissy, takes on the question Why is Yuri Anime So Popular Now?” Thanks Kim for giving me a chance to be part of that answer!

 
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Comic Yuri Hime, April 2023 (コミック百合姫2023年4月号)

May 3rd, 2023

Two girls in blue JP school uniform dance in a school gym, surrounded by other pairs of girls.I know I’m running way behind on Comic Yuri Hime magazine. I have been unable to go to the Japanese bookstore since March, and reading Japanese was too much effort for me until recently. So, I’ll do my best to get the May and June issues asap and get caught up.

In the meantime, let’s look at what is now ancient history in manga years, the April issue of Comic Yuri Hime. ^_^

To begin with, our cover story seems to have hit a major turning point, as our two protagonists dance together in a gymnasium. I love how Mebachi’s story has slowly moved from almost-monochrome, to adding a little color with every passing month.

“Watashi no Oshi ha Akuyaku Reijou” written by inori and drawn by Aonishimo, heads into the Euclid arc. There are a number of things that the manga can do that the LN could not, so I’m finding this iteration very interesting.

In “Sasayakouyouni Koi wo Utau,” by Takeshima Eku, Shiho takes time before the battle of the bands to tell Aki how she feels. Finally. Phew. Now can we have the battle of the bands? ^_^

Usui Shio’s “Onna Tomodachi to Kekkon Shitemita” turns a page, as Rio packs up and goes home. All of them have been changed for the better, but Kurumi and Ruriko have their place to themselves once again…then the phone rings.

Deep breath, because “Watashi no Yuri ha Oshigoto Desu!” has consequences to deal with. Youko may be gone at last, but her actions have fundamentally screwed with Kanako and Sumika. I do want to spoil this chapter a bit because one of the two things I wanted to see in this arc was Sumika punch Youko (the other thing would have been Nene punching Youko.) Well, we get a beautiful punch here as an opener. It was very gratifying.

Keyyang’s “Kimi to Shiranai Natsu ni Naru,” has taken a realistic and somewhat depressing turn. Can Haru and Hi-chan turn this around and find their ideal life? I’ll have to wait to find out!

And last for me, “Oodoriba Skirt ni Naru,” by Utatane Yuu, also shifts a bit as Michiru gets ill from an oncoming typhoon and Kiki takes care of her. When she wakes up, Michiru finally comes to the conclusion that she’s falling for Kiki-sempai. I still love this manga and hope it just keeps dancing along.

Ratings:

Overall – 8

As always there are other stories I read and some I did not. Each issue is a good balance between things that keep my attention and things that are for people who are not me. Honestly, I’m just really glad to be reading manga again. ^_^

 



Otherside Picnic Manga, Volume 4, Guest Review by Sandy F

May 3rd, 2023

Two women face us: One with medium brown hair and heterochromia hold a rifle, the other with long blonde hair holds a semi-transparent left hand out towards us.It’s Guest Review Wednesday and today we welcome back Sandy Ferguson with his enthusiastic continuing look at the Otherside Picnic manga series. Share your kind words in the comments and let’s snuggle in for some Yuri weirdnesses. ^_^

The manga edition of Otherside Picnic, Volume 4 consists mainly of the conclusion of the Time, Space, Man story with an introduction to The Kisaragi Station Marines Rescue Operation Story. There is also a bonus short story where we listen to Kozakura as she deals with being involved in the dumpster fire that is Sorawo and Toriko trying to figure out what is going on between them.

For the most part the action centres around the misadventures of Sorawo and Kozakura as they search for Toriko in the Otherside.  Though on the surface it may seem like a buddy comedy, we are shown Kozakura’s anger of being dragged into this situation.

There is lot to explore in this volume.  We are given quite a bit of background information about Sorawo and Toriko.  We are given some background about Satsuki and her involvement with Toriko and Kozakura.  And there are the complexities of the various relationships between all of people.

And then to complicate matters more, there are the musings on the Otherside itself and the functions of the various entities that exist within the Otherside and in between.  We are invited to explore the possibility that the Otherside is trying to establish a mode of contact with our world, if so, what does that look like?

And we are reminded of how the Otherside can pull people into its reality, illustrated when Sorawo finally reaches Toriko, as scene that gives me the chills when I reflect on it.

One of the reasons I enjoy Otherside Picnic so much is its exploration of trauma and its consequences.  In this volume we are introduced to the traumas that shaped the lives of both Sorawo and Toriko, the traumas that as Sorawo says have put holes in both her and Toriko.  And how these traumas shape the nature of the relationship that Sorawo and Toriko have with one another, with Sorawo struggling to make sense of what is happening to her through allowing Toriko to become part of her life.

Sorawo’s own tale of trauma is particularly harrowing.  In a series that explores the otherworldly horrors of the Otherside vividly, here we also encounter the horrors of our own world as Sorawo shares with Kozakura the events of her life, describing an account of the terrible abuse she endured.  Yet Sorawo does so in such a way that it sounds like she is describing a trip to the shops, “not really much of a story” much to Kozakura’s shock.

The artwork as always does a wonderful job of evoking the wonders and terrors of the Otherside, with a gorgeous front cover and some good colour images inside. One thing about the manga’s art I appreciated is how it sticks to the tone of the novels as opposed to the anime.  One scene comes to mind where in the manga Toriko is depicted in regular expedition gear as opposed to the anime where she is depicted in a Halloween version of a bride of Christ outfit.

All in all, a great read, sometimes a bit exhausting with the odd moment of whiplash as we go from one intense subject to something quite different, which I think helps to give us a sense of the disorientating nature of the Otherside!

Ratings:

Story: 9
Character: 9
Service: 3
Yuri: 6, we are getting there!

Overall: 9

Erica here: I agree that the manga art really “gets” the LNs. I’ve begun thinking of the anime as the Woody Allen Casino Royale, as compared with the manga’s Daniel Craig version. ^_^; Thanks so much for the review!

Volume 5 will be hitting shelves in June.



The Executioner and Her Way of Life, Volume 6: A Casket of Salt

May 1st, 2023

Girl in a blue and yellow reaches out towards us, through water.We just had the pleasure of reviewing The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 4, a Light Novel that did every thing right. So it only seems fair that we look at how similar elements can be put together in a way that doesn’t work all that well. And it comes down to one thing. So, today we’re looking at The Executioner and Her Way of Life, Vol. 6: A Casket of Salt.

When we left the cast at the end of Volume 5, Menou was about to have a showdown with her mentor, Flare. But before that happens, we have a lot of random things that occur. Plot points that have been set up wiffle and fade, as new characters wander in and make themselves important, and all the characters we currently have and know, just do things that may or may not have meaning.

When the climatic battle does occur, it ends up as it had to and we feel…not much. Then we meet The Lord of this world…and if I felt anything, it was a vague sense of annoyance for introducing another plot complication without resolving any of the existing plot complications first. And that is the main problem with this series. It’s a dogpile of miseries, with no end in sight. Well, not entirely true – we know the series will end, but is any of this worth it?  I’m still on the fence. I’m still reading, but still on the fence.

What has kept me reading this series has been the unique form of magics created and used by the various groups in the world, but as all of them are corrupt and evil, it becomes a much of a muchness. There are no good people here, and probably no good ends.

There is also, undoubtedly, Yuri. Menou and Akari are bound in two planes of existence, Momo is obsessively in love with Menou. There’s still room for something to happen with Momo and Ashuna, as well, which I have to assume will happen when whatever is going to occur between Akari and Menou occurs. 

Ratings:

Art – 6 It has improved this volume
Story – 5
Characters – 7
Service – Less than usual
Yuri – Akari loves Menou, Momo loves Menou…

Overall – 6

In the meantime, I find myself tired of Human Errors and wishing that a few of the floating plot points would be resolved before author Mato Sato added more. This story desperately needs a rest in between intensities.



The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 4

April 30th, 2023

I’ve talked about the problems with “happily-ever-after” many times on Okazu. And I’ve frequently mentioned that I love media that looks beyond it – “after-happily-ever-after.” And I’ve addressed the fact that looking past the princesses riding off together on the flying horse or whatever leads to a complicated series of questions and answers, most of which are about human society and politics and not at all romantic, so it’s mostly always handwaved away for “and they lived happily-ever-after.”

So, while the climax of Volume 3 (and/or the anime) left us with hope that Euphyllia and Anisphia would be able to achieve something together, it was a bit thin on details.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 4 not only digs deep into the practical matters of “happily-ever-after” and after that, it addresses all the actual political issues that lead to the bigger social problems and the smaller issues that made Princess Anis’ life a misery. Piero Karasu took time to address the rather large and complex issue of just how can magicology help people…but also took time to figure out how magicology could bring the Ministry of the Arcane together with Anis and Euphie. This is a major plot point and was handled thoughtfully. A pile of new characters (and therefore new future plot complication) were introduced, as well.

But best of all, this series really got into the weeds of addressing Anis’ and Euphie’s relationship. I heard that some folks were unhappy with them being formally made sisters. In Japan in 2023, where same-sex relationships have no national legal status, adoption is still a common method to give people a legal bond. So that was not unexpected. What happened in Volume 4 as Euphie is crowned – that was unexpected. And very welcome. So if you were among the disappointed, I recommend reading this volume. ^_^

In fact, so much happens in this volume, it’s easy to not see any of it actually *happening* as the modus operandi for most of it is people having much-needed conversations…like people do. What an actual pleasure. ^_^

Ratings:

Art – 7 Kisaragi’s art is better and more relevant this volume
Story – 10 Does everything it needed to
Characters – 9 Euphie finally steps up and we have two Queens to bring revolution to the world
Service – 6 Euphie’s “feeding” is not heavily veiled and we get an actual sex scene, mostly
Yuri – 10

Overall – 10

I can’t wait for Volume 5 which should be headed our way in August. ^_^