Kininatteru Hito Ga Otoko Janakatta, Volume 3 (気にγͺγ£γ¦γ‚‹δΊΊγŒη”·γ˜γ‚ƒγͺγ‹γ£γŸ)

March 23rd, 2025

On a bright neon green background, drawn in black and white, guitar picks flying around as in a high wind, two girls look at us. One, in t-shirt and jeans, holds a guitar, the other in blouse and skirt, their hair and clothes flying wildly.

Up until this volume, there has been almost no conflict of any kind in Arai Sumiko’s school and music Yuri series. In Kininatteru Hito Ga Otoko Janakatta, Volume 3, (気にγͺγ£γ¦γ‚‹δΊΊγŒη”·γ˜γ‚ƒγͺγ‹γ£γŸ), we are now meant to take this story seriously enough that there are several situations that pass for conflict.

But first! A music festival. Aya, Mitsuki, Narita, Jo and Kanna all got to Fuji Rock, and have camping/festival fun and trauma. If you have ever done a massively large camping/event all of this will be so familiar to you that you, like I, smiled – and grimaced – with renewed memories. It rains. I remember that.

The music festival is the catalyst for everything else in this volume. Mitsuki, enamored of the acts on stage fantasizes about joining them. Aya is of course egging her on, as she too loves to see Mitsuki on stage. This precipitates several crises. I will avoid spoilers here, as this is the plot, but the crises are, simply, Mitsuki shedding her “school” persona for her truer self which then reverbs into a crisis for Aya who is 10000% Mitsuki’s fan and friend and also disproportionately jealous about Mitsuki in a way that causes her to create distance between then in order to preserve their “friend”ship over the “relation”ship they were building.  This all builds up to a very funny scene, in which Narita narrates “Narita Geographic.” I laughed out loud at that.

The other crisis is…the prom. Narita comes across the school principal crying at a movie that culminates in a romantic prom scene. In one of those moments where the series chooses to 86 reality for plot sake, Narita encourages the idea of prom at their school and the principal, says, “Great, you handle it.” Thus, a prom will happen. There will be yet another conflict, exacerbated by all the previous conflicts. If you are concerned at the outcome, I suggest you follow Arai-sensei on one of her several socials. The spoiler is worth it. I amend that to, the spoilers are always worth it. ^_^

I have mentioned several times that my wife and I do not like the same things much of the time. Even when we like a thing, it is often for different reasons. In the case of The Guy She Was Interested In Wasn’t A Guy At All, she reads Volume 1, then Volume 2, then starts again and is impatiently waiting for Volume 3. I, on the other hand, am impatiently waiting for Kininatteru Hito Ga Otoko Janakatta, Volume 4. YES, I know what happens. I want the whole book anyway.  We must both wait as Volume 2 in English and Volume 3 in Japanese are recent releases, but we can foot tap if we want. ^_^

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 3  Mitsuki being cool is still this series’ service
Yuri – 7

Overall – 9

As I pointed out upon returning from New York City, knowing that mid-town Kinokuniya is fully decked out in green advertising for this series is nice, but actually *seeing* how much expensive retail space this series is taking up, is something else. Like, a whole order up of “holy crow.” Kino, Kadokawa and Yen are advertising this series in a way I have never, ever, seen for a Yuri story. As the series in question is lovely and sweet and charming and fun, it feels extra wonderful. No “yay for Yuri, but ugh, what a shitty series.” We can offer this our full-throated, full-hearted support…and we can get merch! By buying a copy of this volume at Kino, I now have an adorable standee and a rubber bracelet “signed” by Mitsuki, as well as a wonderful volume of a delightful Yuri manga. ^_^



Yuri Network News – (η™Ύεˆγƒγƒƒγƒˆγƒ―γƒΌγ‚―γƒ‹γƒ₯γƒΌγ‚Ή) – March 22, 2025

March 22nd, 2025

In blue silhouette, two women face each other. One wears a fedora and male-styled attire, one is in a dress and heels. Their body language is obscure - they may be dancing, or laughing or fighting. Art by Mari Kurisato for OkazuYuri Events

Girls Love Fest is happening in mere hours in at the Tokyo Metropolitan Industrial and Trade Center Hamamatsucho Building,  Minato-ku, Tokyo. This is GLFes 43, so congrats to the GLFes organizing committee for that, Wow.

The Queer and Feminist Perspectives on Japanese Popular Cultures symposium is accepting submission for presentations! This was a wonderful experience, so definitely send in your proposals – don’t worry if you’re not “academic.” The audience was super welcoming and supportive.

Not an event, but I wanted to share a few pictures from my trip to NYC yesterday, where I was able to visit the Midtown Kinkonukiya. It is *so* Yuri! The Guy She Was Interested In Wasn’t A Guy At All / Kininatteru Hito Ga Otoko Janakatta was featured on every floor. I had literally finished Volume 3 in Japanese the night before, but picked up another copy so I could get the standee. Yes, I am that otaku. ^_^

I saw this shelf tag and said, “We won.” ^_^ It says in Japanese Yuri Manga, and in English Girl’s Love/ Yuri Manga. I can’t ask for better.

Additionally, they now have signed copies of my book at The Ripped Bodice in Brooklyn, NYC, so if you are in the area, pick one up! The folks there were absolutely lovely.

 

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Yuri Anime

Via Sr. YNN Correspondent Sean G, There’s No Freaking Way I’ll Be You Lover, Unless… anime has a trailer up on Youtube and I am angry about it. ^_^ This is the full animation that Whisper Me A Love Song should have gotten. growl

Christopher Farris reviews the Bubblegum Crisis Perfect Collection over at ANN.

ANN’s Egan Loo has the news about the Magical Girl Lyrical Nanoha EXCEEDS Gun Blaze Vengeance 25th anniversary series.

Once again, Rfael Antonio Pineda has something for us, this time news about the Lycoris Recoil short film.

I’m torn, but am probably going to end up watching Turkey! the new bowling anime about a team of girls. “They fight, they fall, but they rise again, chasing victory. This is the tale of a summer’s final chapter.” Adriana Hazra has details on ANN.

 

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Other News

 

Seven Seas has announced an audiobook for Adachi and Shimamura. That’s a lot of work for the narrator, how cool.

The live-action  adaptation of Takako Shimura’s manga Even Though We’re Adults has announced more cast, writes Rafael Antonio Pineda on ANN. Check out the trailer on Youtube.

 

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Sheep Princess in Wolf’s Clothing, Volume 5

March 21st, 2025

The cover of 'Sheep Princess in Wolf's Clothing' volume 5. Aki is holding Momo, they are both in wedding dresses. by Luce, Staff Writer

I’m Luce, lover of cute things and books with happy endings! Currently tackling my tsundoku problem, I’m trying to balance the book dragon and book worm parts of my soul. I love reading… I just love buying books too, and that takes far less time!

In the four previous volumes, we got to know Aki, a Wolfa butler, and Momo, a Sheepa princess. Through various trials, they’ve gotten together, but Momo had just realised that Aki never actually said that she loves her!

Sheep Princess in Wolf’s Clothing, Volume 5 puts us straight back into that revelation – should Momo ask her? But what if she says that she doesn’t love her? Meanwhile, Aki talks to Princess Kunya on this topic. After resolving their issues, the queen spots them kissing! How will she react – can they even continue their relationship, when Momo is still getting marriage proposals?

I really liked Princess Kunya pointing out that different species have different ways of expressing love and affection to each other, and what is incredibly intimate to one group may not mean as much to others. It’s quite clear to us that Aki is obsessed, but without saying the words, it leaves Momo concerned that Aki is just following orders. It’s a good message! You might think you’re saying something loud and clear, but is that message getting through?

I laughed quite a lot when it’s shown that gay runs in the family – I shouldn’t be surprised in this manga, which has one singular male character with lines, who only vaguely appears in the last two volumes. It was nice to see the comparison between the reality for most people in their situation, and the fantasy of Aki and Momo. Royals don’t always get what they want with relationships, and if they do, they tend to have to give up a lot to get it. We see that in real life – although on the other hand, particularly in history, they often do get what they want, even if the other party isn’t interested. In fiction, arranged marriage is either a) horror and to be avoided or b) the start to a romance. It was nice to see the third, probably most realistic option for most people in arranged marriages – rather than love, you hope to get on with them. It was a remarkably pragmatic take, considering the utter fantastical nature of the series in general.

Of course, it wouldn’t be a Yuri fantasy romance without a wedding! I will admit it felt like a fitting end to this nice little series, wrapping it up neatly and leaving us to imagine the rest of their future together, along with a brief glance at the other pairs established (and establishing) along the way. The mangaka states that they might post extra bits on Twitter (obligatory reminder to move over to Bluesky!), though I haven’t gone searching, and I wouldn’t be able to read them regardless.

Oh, and as I guessed, the service quotient went up.

Ratings:

Story: 6
Art: 8 (fluffy as always! The clothing is done really nicely, too)
Service: 7
Yuri: 9, it’s almost a yuritopia

Overall: 7

I’m a little sad this is ending, but it’s not a deep enough story to have gone on for much longer. Recommended for those looking for a fluffy Yuri that doesn’t ignore the fact that sex exists, but also doesn’t ignore reality completely. Tolerating animal ears is a must.



Wicked Spot, Volume 1 / γ‚¦γ‚£γ‚­γƒƒγƒ‰γ‚Ήγƒγƒƒγƒˆ

March 20th, 2025

On a vivid yellow background, a woman with wild pink hair in hot pink and black, sits cross-legged, manicured long nails visible on her hand, smiling broadly with fangs showing and an intense look in her green eyes as looks a us.Sal Jiang’s newest manga, Wicked Spot, Volume 1 (γ‚¦γ‚£γ‚­γƒƒγƒ‰γ‚Ήγƒγƒƒγƒˆ) is a classic case of a story beginning in one place and ending way far away from there in many different ways. I love it. ^_^

This begins with a bunch of witch hunters up in the mountains, in a dark, terrifying cave, streaming about their hunt for the unknown. When the unknown pops up to say hi, they pass out from fear, leaving witch Sadako, who has grown up up hidden away from humanity, alone with a cell phone. Fascinated by humans as Sada is, she finally leaves her people and walks into town, using her powers to grab clothes, food, drink, and followers online. Now, she is an influencer.

Hana, a woman with unusual strength and trauma about being called a “witch” as a form of rejection, is 100% a fan of Sadako’s, until she announcas to the world that she is, in actual fact, a witch. Hana goes from super fan to anti in seconds. Sadako tracks her down to see what the deal is.

And then they are both kidnapped by the “Sabbat,” a council of witches and dumped in the one place on this planet witches aren’t uncommon. They have no idea where they are, but, my friends, I was married only a little bit away from that very statue. In fact, our dinner afterwards, was in the same plaza.  So when they awake in Salem, Massachusetts, right in front of the Bewitched statue featuring Elizabeth Montgomery as Samantha Stephens, I smiled. It also makes me smile that this is not the first time the series Bewitched has appeared here on Okazu as a reference!

Ratings:

Art – 8 sometimes beautiful, other times messy
Characters – 8 Yes, this kind of off the wall, please
Story – 9 Awesome so far
Service – Cute clothes are about it
Yuri – Could go any way right now, but I trust

Overall – 8

What will become of Sadako and Hanako? I don’t know and can’t guess and I’m excited about that! Go! Go! Sal Jiang! Write a story that completely does stuff I can’t predict. I love it.



Sailor Moon The Super Live, in London, Guest Post by Rue Ball

March 19th, 2025

As I have been shouting from the rooftops, the live-action extravaganza Sailor Moon The Super Live is on tour. I have seen any number of live stage performances of Sailor Moon, including my very first trip to Japan! I saw Sailor Moon The Super Live in NYC in 2022 and enjoyed it immensely and have plans for seeing it next month when it comes NJPAC – why not join me and say hi! ^_^ The tour is adding a few dates now – they just added a *4th* date in Seattle, wow, so definitely see if you can be part of this. It’s really quite wonderful.

And, now, Okazu friends in London have experienced the show for the very first time! Rue Bell was kind enough to write up this report for us. Thank you Rue, I’ll turn it over to you….

I attended Pretty Guardian Sailor Moon The Super Live (henceforth Super Live) in London with some friends and members of the Okazu Discord Server. Like may geeky events in London, the experience started on the London Underground before we even got to the theatre, with more and more passengers wearing Sailor Moon themed clothes, bags and hair buns as we drew closer to the Camden venue. Seated tickets were available for a premium, but most of us opted for the basic standing ticket. There was a merchandise stall that included photos of the cast and Sailor Moon branded light sticks.

Super Live is a musical adaptation of the first season of the anime, which is the part of Sailor Moon that I have the most familiarity with and nostalgia for, having watched selected episodes on VHS as a child. The plot introduces Sailor Moon and the four Inner Senshi, then they battle against Queen Beryl and her six monster for possession of the Silver Crystal. Tuxedo Mask is in every fight as a love interest and ambiguous friend-or-foe figure.

Sailor Moon Super Live, London 2025, photo by Ashley Payne. Five girls in Japanese sailor-suit school uniform inspired hero costumes, on a stage. Huge colorful ribbons of light fill the background.

Super Live is performed entirely in Japanese, with translations projected onto a large screen. The musical numbers were translated with animated typography, and standard subtitles were used for the spoken dialogue in-between. I thought this worked well, however in this
particular venue overhanging balcony seats meant the dialogue subtitles were not visible from about half of the standing area, which is likely to have created a poor experience for audience members in those areas.

I enjoyed the shimmer, sparkle and spectacle of Sailor Moon when I was a child, and I think Super Live’s impressive production lived up to it. The dancing was, to my eyes, impeccably synchronised and choreographed, and it was backed up by a huge screen at the back of the
stage, and an LED-covered set and props that all pulsated and changed colour in time with the music and dancers.

Sailor Moon Super Live, London 2025, photo by Rue Ball. Five girls in Japanese sailor-suit school uniform inspired hero costumes, on a stage, each posing in the traditional "appearance" pose of their character. Behind and above them is a person in a tuxedo and cape, while a large moon is projected behind them, superimposed with the words, Time and Again we find each other.

 

As an adult, the interactions between the Sailor Senshi are my favourite part of the Sailor Moon anime. These unsurprisingly weren’t the focus in this musical with a highly compressed plot. However, one person I went with did notice that the Senshi actors still conveyed these dynamics using small interactions, so the observant fans will enjoy those. There were also two musical numbers focussed on the diverse personalities and skills of the Senshi. The message that there are all sorts of ways to be a girl or a woman is quite important to me, so I appreciated these performances being there, and got quite emotional about them in the finale.

I think the Tuxedo Mask performance deserves a particular shout-out. He was played by the female actor Sufa, and she nailed his cool, confident presence in every scene. The performance reminded me of an otokoyaku – a woman playing a man’s role – in the Takarazuka Revue. I don’t think that this is intended to be seen as queer, but I expect that yuri fans will nonetheless enjoy watching an actor playing with gender roles.

Sailor Moon Super Live, London 2025, photo by Rue Ball. Five girls in Japanese sailor-suit school uniform inspired hero costumes, on a stage, each posing in the traditional "appearance" pose of their character. Behind and above them are a woman in purple with scarlet hair and half a dozen people in purple posing around her.

 

I would definitely recommend Super Live to any Sailor Moon fan, it adapts many of the things that drew me to the original series. The run in London ended on March 19th 2025, but at the time of publication a North American tour is planned for March and April 2025.