Yuri Anime: Strawberry Panic, Volume 3 (English)

August 25th, 2008

If the Strawberry Panic anime had begin with what is now Volume 3, I think that I just might, maybe, have liked it a lot more than I originally did.

It’s true that if the series began at the beginning of Volume 3, we wouldn’t have been treated to 11 episodes of *absolutely nothing* in which Nagisa is ever so cute as she remains confused and out-of-place, and we probably wouldn’t have seen Hikari cry a couple of times. Certainly we wouldn’t have been treated to Amane riding up on her horse, saying practically nothing, then riding away. And of course, we would have missed all those almost-kisses that so delighted us through the first half of the series, as Shizuma teased Nagisa.

Episode 12 picks up with as significant an episode as we’re likely to find in this series, as Tamao symbolically ties a ribbon onto Nagisa’s arm “for protection.” Like Chekov’s gun on the wall, you just know that this has to play a part and so it does when, after Shizuma and Nagisa have admitted feeling lonely when the other isn’t around, they “fall” into the pool and kiss while the ribbon symbolically unties and floats free. Afterward, in Shizuma’s room, Shizuma begins to have her way with Nagisa, but a memory of Kaori brings her up short, allowing Nagisa to escape back to her own room.

Meanwhile, Kaname and Momomi step up their “seduce Hikari to break her up with Amane, and make Amane depressed so she won’t run for Etoile” campaign. This is the source of the infamous and utterly hilarious “Global Warming” scene, which is no less fabulously stupid than the first time I watched it. The entire series peaks at that moment, I think. Everything afterward is simply denouement. LOL (If you can stop laughing long enough to listen to the rest of Kaname’s monologue, it carries on, no less amusing than the beginning.)

From this point on, the entire series takes a turn. Amane and Hikari go on a romantic date, only to have Hikari return home to find Yaya crazed with desire, the result of which is that she is the object of a sexual attack for the second time in one day. Rough day for Hikari. This is followed by an episode in which Hikari and Yaya make up. Good thing for Yaya that Hikari is another Himeko.

And then suddenly, it’s time for the school festival and the play, a time-honored subject of pretty much every anime ever. And yet, these final episodes of the volume are probably the best in the entire series. They have a good plot – actual grasp of and use of character and a pretty good climax, if you ignore the utter absurdity of our resident EPL duo’s “plot” to take Amane down. Since absurdity is practically the raison d’etre of this series, by now we’d better be sucking this series down with handfuls of salt – preferably adorning the rim of colorful glasses holding margaritas. :)

And just in case we don’t yet really get that this is a Yuri series, with Yuri, we are treated to several bath scenes involving nekkid Kaname and Momomi doing Yuri things.

Last note – I was warned by the folks at Media Blasters (who I once again have to thank for this review copy) that this volume was full of typos but, if there were any, I missed them. In fact, the quality of the DVD was so consistent and decent, that I just barely remembered to even mention it – which for this kind of thing is the highest praise. In a nutshell, the technical aspects of this DVD were so good that I never noticed them. ^_^

Ratings:

Art – 7
Story – 8
Characters – 7 (towards the end, 8)
Yuri – 9
Service – 7

Overall – 9

I’m going to pretend that I used the above French terms in honor of the “Nagisa studies French” episode, but in reality, it was just coincidence. ;-)



Not Yuri Manga: Yen Plus (English)

August 24th, 2008

It’s obvious that I primarily focus on Yuri here at Okazu, not because I don’t read and/or watch anything else, but because there’s still very few people who blog on Yuri at all and pretty much no one who brings my particular perspective to the table. In fact, I do watch and read any number of series without Yuri (no, really, I do!) but I don’t tend to talk about them here. However…

Yen Press was kind enough to send me a copy of Yen Plus, their new manga anthology magazine (thanks Yen!). As a business model, I find it both encouraging and interesting. If I understand correctly, the intention is to run five chapters of a story in the magazine – one collected volume’s worth – then when it goes to tankoubon, move it out of the magazine and replace it with a new story. The idea being that by then, you’ll know if you want to follow the series or not. It’s not quite the same impetus as a new chapter every month eternally in a magazine followed by collected volumes, but it’s a step in that direction. Also interesting is that Yen Press chose to put the Japanese manga stories in the book reading right to left, and Korean and English stories left to right – something that I considered doing for Yuri Monogatari 5 as well, but chose not to. (The decision for not doing so was based primarily on my outreach to non-manga fans, especially lesbian comics fans. They are not used to right-to-left reading and with so many other learning curves for them to deal with when reading ALC anthologies, like honorifics, I felt that it would simply be asking too much of a non-manga-reading audience. In case you wondered why we flip the Japanese stories…)

Now, normally, I wouldn’t bother reviewing this volume because there is no Yuri (except in one advertisement for what sounds to be a brutally unfunny series with a great title, Alice on Deadlines) and because every other reviewer in the manga-verse has already reviewed it. But, I couldn’t help but notice that as I read it, I pretty much *disagreed* with every other reviewer in the manga-verse about the stories. In fact, the stories I liked, no one else seems to, and the stories everyone else raves about, (notably “Pig Bride,”) I didn’t like at all. So I decided to review this, just to put out a completely different point of view on things.

Starting with the left-to-right side:

“Maximum Drive” does not seem to have garnered much enthusiasm from reviewers. I’m not a big James Patterson fan, and yay the heroine seems to be a “cute lil’ urchin” so you can guess that I really don’t care what happens next. But. In and of itself, it didn’t seem that bad. The art’s aesthetically pleasing and easy to follow. Whether the story ends up being interesting, we’ll have to wait and see.

Unlike most reviewers, I quite liked “Nightschool” and didn’t really see the problems that most people felt it had. Too much setup, too many characters at once…neither of these bothered me. It’s true that Japanese manga tend to parse out the character introductions a few at a time, rather than dumping them all on us at once, but I found it refreshing to see a pile of players, rather than thinking we had teams established, but oh, wait, there’s a new bad guy/good guy/MOTD. This was one of the few stories I might care to follow.

Okay, I just do not know what everyone sees in “Pig Bride.” I found it cloying, predictable and utterly tedious. (Not to mention insulting to women who are not model-types.) The fact that the hero is a grade-A asshole neither surprised me nor pleased me. I’m just not seeing the charm.

The same goes for “Sarasah” – it read like a typical josei-style romance in which the horrible girl likes a horrible guy and horrible things happen. It instilled in me the same feelings of murderous frustration I felt upon reading Peach Girl. Dear straight women – what the hell is entertaining about reading/watching women being complete idiots and being abused by men?????? I just do not get you or your desire to watch women being treated like crap. UGH.

“One Fine Day” is an adorable little cartoon about the adorable little animals that live with some guy and the adorable little things they do in their adorable little girl avatar forms. I hate it, but it wasn’t the comic’s fault. I just hate kids and cats. And cute things. If you like kids, cats and cute things, it will be a very enjoyable story.

Everyone has already talked about “Jack Frost” and mentioned how violent it is, etc, etc. I didn’t mind the violence, but the disembodied head reagrding her own upraised rear end was a tad gratuitous, I felt. Violence does not put me off usually, but the story wasn’t compelling. I prefer my homicidal maniacs to be women.

Over to the Japanese side:

“Soul Eater” was dreadful. I want that time back.

I was all ready to dislike “Nabari no Ou” but amazingly, didn’t. Sean said that he felt that the lead was okay, but the premise was meh. I liked the premise, but thought the lead was meh. lol I like Aizawa and the Nindo club advisor – and I kind of liked the thought that, as stupid as they seem, they are actually right on top of things. Ninja stories are okay by me, too, as long as we stick to basics. No Naruto-esque techniques need apply. Above all, I really liked the end of the chapter and would very much like to know what happened.

“Sumomo Momomo” was also dreadful. I want that time back and the piece of my soul it took away as I flipped the pages.

I ran into a bit of a bind with “Bamboo Blade.” I *know* it becomes a totally awesome story later on, but for the first few chapters, we’re forced to watch the idiot teacher being an idiot. If I did not already know that BamBlade turned awesome, I’d probably never read another chapter after these two. (And it seemed obvious to me that chapter two was included so we could bask in the wonderfulness that is Tama-chan. I bet that they realized that if they only ran chapter one, everyone would not give a damn about the series.) But I do know it becomes awesome, so I’ll probably stick it out and start reading the collected volumes from Volume 2 on.

“Higurashi: When They Cry” was not a series I enjoyed in Japanese. I was not at all surprised that I did not enjoy it in English. I know I’m in the minority with this opinion, but there’s something very unpleasant about this series from the very first page/panel/seconds of anime, that makes me cringe. It wasn’t the violence – it was the lack of caring about the violence. There’s no meaning in it. It’s just a means to a very heavy-handed set of messages. So, I’ll pass.

Technically, I think Yen did a very excellent job. Everyone else thinks so too, so no surprise there. And everyone else has commented on the kind of “random audience” issue that one runs into with stories of such variety, so I won’t belabor that.

The outcome is that there are two stories of the eleven total that I genuinely enjoyed and one that if it was going to run long enough in the magazine, that I know I would enjoy. There were three that I’d be willing to give a little more time to and the rest I found utterly without merit. In general, that’s enough of a “okay” percentage for me to get a magazine. So, I’ll try another issue or two and see how it goes. However – and this is key – I, like most other reviewers am not sure if this magazine something that I would bother subscribing to. And there, more than anything, is the big hurdle Yen will have to confront in 5 months. Is the variety of the stories going to bring more people in, or put more people off. Tune in at the beginning of 2009 to see! In the meantime, I recommend to Yen the technique Japanese manga magazines have of finding out which series people like and do not – insert postcards with marketing questions (age, location, etc,) and which series you like best and least. These get sent in for the possibility of prizes, so the company gets a running commentary on which series are the most and least popular. This might be moot if they are planning on moving stories out of the magazine after five issue, but also might serve to help them decide what *kinds* of stories are doing the best.

Thanks again to Yen Press for the copy of Yen Plus – and by all means, do NOT make your decisions based on my opinions. Get your own copy and tell me in the comments field what you think!



Yuri News This Week – August 23, 2008

August 23rd, 2008

I will be going on vacation next weekend. I will be bringing a computer, but I have no idea how much time, connection and/or dedication I will have at any point in time, since I’ll literally be on the road for most of the trip. I have already scheduled reviews to post all week long while I am gone, but I can safely say that there is a high likelihood that I will not post a Yuri News report for a few weeks. While I *might* be motivated to login to approve comments, I can pretty much swear that I won’t be motivated to surf the Intertubes to find Yuri News. Just so you can’t say I didn’t warn you. :-)

Yuri Manga

Okay, how ironic is it that I *just* reviewed Battle Club and the very same day, it became the center of yet another battle in the war against the freedom of libraries to make information free. An Oregon man objected to his 12-year old son bringing Battle Vixens and Battle Club home from the “adult section” of the the library. A spokeswoman from the library told him to watch his own damn kid, but said it nicer than that. Yay Multnomah County Library! The father’s wrath completely ignores the fact that his kid is the *perfect* audience for that trash, since he hasn’t ever seen a woman’s crotch and this would all be very exciting and new to him.

The long-awaited Yuri Works File, originally titled the Yuri Michelin Guide, has been published by Ichijinsha. This book purports to list the best Girls Love evar, but my faith in it is somewhat limited on the basis that the cover is the cover art from one of the Girls Love novels that was *just* released by Ichijinsha, Period. My faith in this book is further eroded by the fact that the preview of Period was pretty boring. So…”best”? You’ll have to decide for yourself.

Hayate x Blade made its debut this month in Ultra Jump magazine. The first two volumes of the manga have been re-released, with special deluxe editions that include Shigeru cat family mascot straps and much cooler covers than previously. You can order the new Volume 1 and Volume 2 from Amazon JP. I’ve commented before that practically every single manga that ran in Dengeki Daioh had been made into an anime except HxB. I wonder if that was part of the reason for the publisher/magazine jump…. Ultra Jump put together this nifty Hayate x Blade website. The opening flash is fun. Check it out. The site includes previews of the first two volumes, as well.

Can’t remember if I mentioned this previously and am too lazy to look. The Yuri Hime version of the Aoi Shiro manga is available.

Have I mentioned that the manga Last Friends, based on the live-action drama is being serialized in Malika magazine? Well it is. :-) I’ll be reviewing it shortly. Also a new Yamaji Ebine story is slated to start in the next issue of the same magazine, but I’m betting on there not being Yuri or lesbian content in that.

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Snatches of Yuri

Something that floated up from Amazon JP, Kick!, is a manga that has two girls on the cover and everyone who bought it has bought and/or reviewed other notoriously Yuri titles. so I’m bettin’ this one has some Yuri, too. ;-)

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Other Yuri News

Manga scholar Matt Thorn has a very amusingly titled, interesting and informative article on his blog, concerning early Yuri roots, and some lovely early 20th century prints of “Yuri” couples. I recommend it highly – and suggest you bookmark his blog. He’s an interesting guy, with a unique perspective.

I had to tell you about the awesome (and surprisingly appealing) Cutey Honey whiskey bottles that are now on sale in Japan. I know that most fans are men, and see Honey as just another bimbo with big boobs, but to Yuri fans she’s much more. She’s the oldest and best of the magical transforming heroines. In her long history she has always had a close companion Na-chan, and has never, ever needed the help of a man. Honey for the win.

Not Yuri, but voice actress Kawakami Tomoko, who played Tenjou Utena in Revolutionary Girl Utena, has been hospitalized. Oddly, the news seems to have been picked up by readers of Ikuhara Kunihiko’s website.

And also not Yuri, but very interesting…I recieved a ballot from the “comic book industry’s premier award show,” the Harvey Awards. First time ever. I felt suitably chuffed. Of course I voted. :-)

And to end on an actual Yuri note, among the many other things that happened at Otakon, I spoke with comic artist and game designer Mike Hayes and we have decided to work on a short Yuri game together. Before you get all bouncy and happy, let me tell you that we’re calling it Story A. Consider yourself warned. lol And no, I don’t know when it will be ready or where or anything, so please don’t ask. It’s just in planning right now.

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That wraps it up for this week and probably the next two weeks going forward. By all means send me news items and clips and thoughts, and when I get back, we’ll see about bundling them all together. Until then!



Angel/Dust Manga (English) Guest Review by Eric P.

August 22nd, 2008

Today, we have another guest review – this time by Friend of Yuri Eric P, who has become a right-hand pinky to me, if not a whole right hand. lol Eric sends us news items, suggestions of things to keep an eye out for and reviews, as well as always being a big supporter of Yuricon and ALC. So, thanks Eric – take it away!

Angel/Dust is a one-shot manga about Yuina, your typical plain-jane high school girl who never stood out much and preferred it that way.

One day an angelic woman literally falls from the sky in front of her. She reveals her code-name to be ‘Seraph’ and that she’s an Emulate, a bioroid from an alternate dimension of Earth. In the world she came from, Emulates were made to integrate with human beings on an atomic level, drawing out their latent capabilities.

While stranded on Yuina’s Earth, she forms a contract with Yuina(sealed with a kiss much to Yuina’s surprise,) exchanging memories and knowledge, and thus the typical plain-jane high school girl becomes a winged super-girl and, through this, discovers many aspects of herself. Another female Emulate named Lucifer arrives on the scene, forms a contract with Yuina’s classmate Akiho, who in turn regards Yuina as a (pathetic)rival. What follows is a customary battle between Good and Evil.

At this deceptively simple manga’s heart it’s about a young girl growing up, but there are still a range of plot complexities squeezed into just nine chapters. While trying not to go into real spoiler details, it sheds light on what kind of world Earth becomes in the future. Unless Yuina just bears a striking resemblance to the woman Seraph said was important to her, it even hints Seraph and Yuina may have known each other in that world, and regardless of the manga’s bittersweet ending they would find each other again. How that happens, it doesn’t say; it just leaves you wondering.

To try to describe this manga would make it sound like a condensed mess; while it might be condensed it’s certainly not a mess, at least in my opinion. What’s important are the concepts and themes it revolves around, such as living life and not running away from facing problems, and there it says everything it needs to say.

While not groundbreaking, Aoi Nanase’s artwork is really beautiful. Maybe readers have seen better, more finely-detailed angelic imagery in manga like Angel Sanctuary, or even anime like Haibane Renmei, but the designs in Angel/Dust are still lovely eye candy. When I first followed this manga in Newtype USA (before it went defunct), it was like seeing it all on a big-screen theater, especially with the Emulate battles. In its smaller-sized manga format, it’s like appreciating it on the home TV. The pictures are still pretty to look at, but it’s really something else when you get to read it in the original Newtype size.

Whatever Yuri there is, it’s all subtext. I know what you’re all thinking; if it’s subtext, it could easily be seen as not Yuri (Ms. Friedman made it clear to me in an e-mail she doesn’t believe there’s any trace of it in this title, and this review’s not likely to change her mind). We’ve heard this argument many times over, in such titles as Haibane Renmei and Noir, and Tetragrammaton Labyrinth, all of which have plausible deniability built right into them.

After when Seraph ‘forms the contract’ with Yuina, the latter wakes up in bed the next morning and finds Seraph in bed with her and screams. Later in the story, Seraph tries making Yuina breakfast, with imperfect results. These are classic/standard scenes out of almost all awkward romances that involve one of the two characters not being human. On the other hand, they can just be seen as usual comedy/fanservice scenes and nothing more. Yuina and Seraph have many moments together that could be interpreted either way.

So what example could make readers at least open up to the idea of the subtext? For a good example, I’ll have to reference the sequel manga, Angel/Dust Neo. In this story, average-joe Akito forms a contract with not one, not two, but three Emulates. The contract-sealing ‘kiss’ itself may mostly be to exchange knowledge/memories and to bring out the person’s latent potential, but their bond still develops into something more, and they all vie for his attention and affection. So if making a contract is a metaphor fors ealing a romantic relationship of some kind, why would it be any different between Yuina and Seraph? Maybe in their case, it could be seen as an example of that ‘intense emotional connection’ that Erica has touched on before, where it’s not consciously recognized as ‘love’ or ‘desire’ but the attraction’s still there on a subtle level. \\

Quickly regarding Angel/Dust Neo; it may have a more upbeat narrative than Angel/Dust, but I wouldn’t recommend it so much. Angel/Dust’s storyline may feel rushed, but at least it had a beginning, middle, and an end. Angel/Dust Neo has a beginning—then stops. Its ets everything up for what might have been a long-running series, but then just ends before the real story gets rolling; literally nothing happens. It’s a good thing it stops before we’d have to read through another generic, formulaic harem title (even here you’d find the amnesiac girl, punkish girl, and lolicon girl), but then what’s the point? The only two things that make Angel/Dust Neo worth reading would be to see more of Aoi Nanase’s artwork, and for Yuina’s(all-too-)brief cameo in the first couple pages, which provides a miniscule, cryptic clue to how her world bridges with that of Seraph’s world.

All in all, Angel/Dust is one of those stories where you can find deeper meaning to it if you want, and even if you just take it at surface level you might still find it enjoyable light reading. Just looking at the cover should give enough sense of what you’re in for.

Ratings:

Art – 9 (you can’t go wrong with angel-images, and AoiNanase does it well)
Story – 7
Characters – 7
Yuri – 1 (I’d actually say 2, but I’ll just play it safe here)
Service – 0 (unless you count Seraph’s getup in thesecond chapter, then maybe 1)

Overall – 7

Erica here again. Thanks Eric, it’s always great to get a point of view that is not my own. It’s true that I don’t think of this series as Yuri, but plenty of people do, so I’m really glad that you wrote this review for us. ^_^



Battle Club Manga, Volume 4 and 5 (English)

August 20th, 2008

Battle Club is one of those manga that I read, then immediately think “Why am I reading this?” I’m not desperate for the sight of breasts or crotch shots, and I’m not enamored of bathroom humor. So after asking myself “why?” pretty much every single time I finish a volume of this, I can only come up with two possible answers: 1) I’ll read just about anything and, 2) I’m taking one for *you,* my loyal readers, so you don’t have to. ^_^; You’re welcome.

To be blunt, there’s nothing good about Battle Club. It scrapes the bottom of the gutter with every issue. In a bizarro way, it’s still sort of entertaining, if only to watch the author flail as he has to come up with new set-ups for the same three gags (“accidental” breast nudi

Volume 4 is pretty much Yuri-free, but has lots of the usual service as the members of the Swan HS wrestling club take on the nefarious – and rather irritating – members of the absurdly named N.O.B. organization. Tamako loses, which crushes her ego for a whole *chapter,* before eating a lot of curry and beating a bunch of guys up, which cheers her up right away. I can sort of sympathize with this. Beating people up makes me happy too. :-)ty, crotch shots, hard-on/pee jokes.) I love the pointless attempt to include something like a plot in the middle of these three things over and over. Very amusing.

Volume 5 continues the N.O.B. arc, and implies that there’s a real plot behind this all, but in reality the important scene is when the “lesbian” Vice Manager of the club, Higuchi, fake-kisses bathing-suit wearing loli Koumoku for mouth-to-mouth, then precedes to strip her and assumably do something naughty, or something. We are archly reminded that the VP is a lesbian, because we might have forgotten – or more likely thought that she was really a bottom-feeding guy. She is also seen later with a gaggle of female attendants giving her a tongue bath. Lesbians always do that, too. Mukoda almost fake-kisses Tamako, but doesn’t. The rest of the volume is cluttered up with wrestling and revenge and other uninteresting plot stuff.

Hey – did you know that girls wear underpants? But not bras, apparently.

Ratings:

Art – 7
Story – 1
Characters – 3
Yuri – 2
Service – a million

Overall – 4

Thanks to today’s heroes, Dan P. and Everett L. for sponsoring yet another Okazu review. Your kindness is greatly appreciated. Now can you get me something *not* scuzzy to read? ^_^