Yuri Manga: Yuri Hime S, Volume 5 (Part 2)

August 8th, 2008

Moving right along into the second half of Volume 5 of Yuri Hime S, we find ourselves wondering what on *earth* is going on in “Minus Literacy,” now that Miharu has left her mistress Yasumi and has wandered off to go into the wide world. Yasumi, Iinchou and the kid dressed like a miko track her down, only to learn that she’s become the “private secretary” for some Yakuza dude. Even as Miharu rebuffs her, Yasumi swears to never give up. You know, for a crappy story, it’s at least a little original. lol

Speaking of crap, Anna has decided that she REALLY likes Elza-oneesama in “Casseopeia Dolce,” but other than in her dreams, she manages to kiss just about everyone else but. She can’t even manage an indirect kiss when the situation offers itself, so we know she’s serious.

In “Sempai ha tokubestu desu” Yuki-chan is so happy that Haruka-sempai will go out with her, but starts to have second thoughts about it when Haruka says that she’s been researching her and knows her favorite foods and where she lives. Yuki starts to avoid Haruka, until her friend stomps on her for only wanting the image of Haruka she has in her head and not the real person. After all, Haruka liked her enough to find out all about her, and what does she know about Haruka? Yuki runs after Haruka to find her crying and apologizes. They walk home together, hand in hand.

“Nanami to Isuzu” is next.

“Present” is my favorite story of the issue. Keiko had been made fun of as a child, so she grew up into the class “bad” girl as a way of acting out. One day by accident, she comes across Haruka, who is blind. As they spend time together, Keiko discovers both her love of potpourri – and Haruka. When she finds out that Haruka is undergoing surgery but only has a 30% chance of recovering her sight, for the first time ever, Keiko prays with sincerity and fervor. She’s there when the bandages come off, but as soon as she knows that Haruka can see, she runs off without a word. Shortly thereafter Haruka tranfers in to Keiko’s school – into her class, in fact – and confronts Keiko, then hugs her and confesses her feelings. She frees Keiko to be herself, so Keiko shares both her true feelings, and her love of potpourri with the rest of the class – to everyone’s delight. It’s a truly lovely story.

Yuu’s inability to control her power has instigated a little test that involves her, Maria and Nagi, in “Otome Kikan Gretel,” but the real story is that Yuu is making pudding for everyone in the dorm. Nagi still has big breasts, there’s lots of tongue in the kissing and the first page is amusingly crammed with egregious double entendres – so much so that I feel like I was watching an episode of Three’s Company. Despite myself, I like this manga. lol

In “Kaichou to Fukukaichou” the Vice President inadvertently makes the President cry when she criticizes her horrible looking lunch. While reading out loud in language class, the Vice President begins to cry at a poignant passage, then runs off to the Infirmary, claiming a stomach ache – even though she knows that everyone will know what the real problem is. The President comes to visit her, and uses the opportunity to tell her a little bit about her home life and herself. As the sun sets outside, the two find themselves growing a little closer for real.

And finally, in “Blue Line” a ghost keeps meeting a girl who seems to know all about her. Little by little she remembers that the girl is her sister and lover, and the two of them were in a plane that crashed. In a coma, Yui, the younger sister, is watched over by Yuria in the hospital and then, every day, she goes to the beach to commune with her spirit. As the story draws to a close, Yui opens her eyes and the sisters are reunited once again.

So, okay, I really thought that this volume really was really catering to bottom feeders with that second story, but along with the usual artists that I enjoy reading, “Present” left me with such a good feeling that it carried right through to my overall impression of this volume. :-) Which makes this the best volume of the series so far.

Overall – 7



Yuri Manga: Yuri Hime S, Volume 5 (Part 1)

August 7th, 2008

There’s definitely some good and some bad in Volume 5 of Yuri Hime S. The good gets pretty good, and the bad is – in *my* opinion – quite bad, but for some reason this volume left me feeling like it was the best so far of this Yuri fanboy-focused magazine.

The first story brings us full circle in Kurogane Kenn’s “Konohana Link,” dropping us into the story as transfer student Chieri tries to not be noticed just outside the window as two girls make out inside a classroom. She’s saved by Saori, who is ditching pre-school festival duties to feed a stray dog that comes by the school. In many of the most recent chapters of this story, I kept wondering where the Yuri is. It returns for a brief glimpse here, but I do hope we’re setting up a real story somewhere in all these random vignettes of nothing.

I found the next story, “Love Cubic,” to be tedious at best and replusive at worst and refuse to talk about it.

Yoshitomi Akihito’s distinctive style is a refreshing change from the previous story, and his “Natsu no Ari,” while a little distressing unless you *really* like ants, is not a bad story at all. ^_^;

For the first time, “Flower Flower” didn’t entirely consist of Nina abusing Shu. In fact, they seem to be getting along quite nicely, so Shu’s older sister feels as if she needs to break the accord between them. Nice. Despite that, the biggest challenge Shu faces is how to tell Nina that she is actually female – a concern that comes to a crisis when they suddenly find themselves in the bath room at the same time. Oh Noes!

“Yuru Yuri” is a gag-oriented comic about three friends, two of whom are older than the third, so it’s a moment of great rejoicing when she finally joins them at this school. Yay! The gags are mildly amusing, but there’s no sign of Yuri in any of the first two chapters here, at least. Just three friends.

“Ichiba Chikakute, Toi Futari,” is about a pair of sisters, one of whom is a student, one is a teacher. The teacher is sleeping with other students and her little sister is jealous. But don’t worry, they’ll be together forever.

Hiyori Otsu’s story-telling style suits the next story, “Katakoihime” perfectly. In this story, Ooishi is asked out by a guy, but turns him down by lying and saying there’s someone she likes. She heads out into the rainy season downpour to find Mizuno lying in the rain. Mizuno, who loves the rain because it cheers her up, is in love and Ooishi can tell, because she practically shines. Ooishi finds herself watching Mizuno all the time, so when she puts two and two together she asks Mizuno if the person she loves isn’t their female teacher. Mizuno is embarrassed, but admits that it is. When the news reaches Ooishi that their teacher is getting married, she runs off to find Mizuno. On this bright sunny day, Mizuno starts to cry, so Ooishi runs of to fill a bucket with water, pours it over Mizuno’s head and asks her to cheer up. A great, quirky story about first love.

You may remember that at the end of the last chapter, Arisa had Hinako pinned down to her bed, and had just confessed in “Otome-iro Stay Tuned.” Back at her apartment, Manager Matsurika plays video games and laughs when she receives Tomoe’s email about Arisa and Hinako. But, her attention is turned away when her own lover, VP of Production, Rui comes home. Arisa and Hinako manage to get a little “chuu”ing in, before the alcohol catches up to Arisa and she falls asleep. The next day Hina arrives to fined Tomoe, Arisa and Masturika calmly discussing *her* love life. The story ends as she screams about privacy, dammit.

And “Honey Crush” continues to weave its way through the story of boring ole Madoka and the girl, Kyouko, and the ghost that love her. Kyoko’s ability to see and talk to ghosts is debated in school, with Madoka coming to her rescue, which drives Kyouko to confess her feelings – again. The ghost objects and Kyoko’s battle with unseen forces to an obvious bwah-wah-wahhh~ ends the story.

Pretty chunky volume this time, so I’ll do this in two part, then wrap up a few comments for the overall. So, to be continued in Part 2. ^_^



Otakon, Ho~~!

August 7th, 2008

I’m off this AM to truck my car overstuffed with stuff down to Otakon where it will be my pleasure to not see the sun for three days, while I lurk in the most fun part of the con – the basement Dealer’s Room.

Other people go to the con for the guests, the music, the cosplay (no one goes for the anime, right?) I spend the weekend hanging with the Dealers and Industry. Frankly, I think it’s more fun in the DR than anywhere else in the con. ;-) We play “cosplay bingo.” lol

For those of you looking for good Yuri, Yuricon & ALC Publishing will be at Table 511, right next to Hen Da Ne which sells primarily heinous bodily-fluid spewing hentai Yuri doujinshi, so you can get some of that, too. But you’ll have to beat your way through the Yaoi fans. :-) Don’t forget to visit the Media Blasters table, too, where you can get Yuri anime – sold *as* Yuri, to Yuri fans. Revolutionary, isn’t it? If Right Stuf is there, demand Marimite box sets and freak them out with the overwhelming demand!

And once again, let me remind you that the Yuri Panel is on Friday at 1PM in Panel Room 1. That’s the big room, so let’s fill it up with Yuri fans and show Otakon that we love Yuri!

I look forward to seeing you all there!



Maria Watches Over Us Anime, Volume 1 (English)

August 5th, 2008

If you’ve been reading this blog since anytime after 2004, you’ll notice that I have completely, hopelessly, irrevocably fallen in love with the series Maria-sama ga Miteru. Like many fans, I had never heard of it prior to the anime being released, but almost immediately was captivated by the characters. Propelled by a desire to know more, I followed the manga, the Drama CDs and, eventually, the novels.

Like many hardcore Marimite fans, I never truly believed the anime would be licensed – and feared that it might be and then eviscerated by a company that didn’t understand shoujo, or who only saw it through fanboy eyes.

When RightStuf licensed it, I was ambiguous – hopeful, yet cautious. When they added in the subtitle track with honorifics, I let my guard down just a very little bit because, after all, they could still …well, we’ve all been burned before by changed names, rewritten scripts, etc.

Then RightStuf opened a dialogue up with me, and we had a nice conversation about Marimite fandom and our obsessive need to spend time in the company of these characters – and our love of *stuff* related to them. At that point, I was convinced that, even if their release was not perfect by my definition, they were trying harder than any other company I had ever seen. As a result I was inclined to be generous. ^_^

After some little delay, resolved by the RightStuf representative with humor and grace – thank you very much, Alison – I received my box set of Maria Watches Over Us Season 1, slapped the phone charm on my cel phone and a DVD into the player to sit back and see what Nozomi/RightStuf had wrought.

It is not perfect. Even if *I* thought it was, no doubt other people would have different nits to pick! ^_^ It is however, a very good, very enjoyable English-language edition of what I never expected we would ever see legally licensed.

I am glad that they have the honorifics track. There’s still a few things that jar, but overall, there are fewer moments than I expected where I went “Huh? Oh.” And I do really find it less intrusive to have the honorifics than the always slightly awkward attempts at translating them. When watching the extras, “Maria-sama ni ha Naisho” shorts, the versions are the original subtitle track and even knowing that, I still find it a little odd to read “Mother Maria” and “Lady Sachiko.”

The plot is still hours of the most delightful nothing I have ever enjoyed. The non-adventures of average girl Yumi, as she is drawn into the rarified air of the school student council, is still by turns touching, funny, sad, funny, snarky and funny.

I just finished reading the 24th novel, and taking this huge step back was a chance for me to see just how much both Sachiko and Yumi have matured into the women they have become a year later. It makes me want the fourth season of the anime so much more, so everyone can get to know Touko the way I now know her. (She’s not the same girl as in Rainy Blue, I can tell you that. Neither is Kashiwagi what he seems to be.)

The *only* thing I really want to complain about is this – attached to the box itself was a sheet of paper with a synopsis for Season One that, when I attemtped to remove it, got stuck and pulled a bit of the cover picture off, thus ruinng the look of the box. Now I have to keep the stupid paper on. I really was annoyed by this – there was no reason to glue it to the box cover! I don’t even like boxes, but come on – if you’re going to ship me a paper box, please don’t glue stuff to it.

In every other way, I was delighted beyond measure to step back and once again be introduced to and fall in love with the lovely ladies of Lillian.

Ratings:

Art – 6
Story – 8
Characters – 9
Yuri – 3 (with an extra point for Sei’s “birds of a feather” comment in regards to why she was sure that Kashiwagi wouldn’t make a pass at Sachiko.)
Service – 0

Obsessive Marimite Fan – 100

Overall – 8

I think this box set would make a really good gift idea for a young lady in your life that is just getting into anime. A nice change of pace from the Death Note kind of thing. ^_^



Sunshine Sketch Manga, Volume 1 (English)

August 5th, 2008

I want to start today’s review off by thanking Yen Press for the copy of Hidamari Sketch that they sent me. Before I had a chance to write a review, our guest reviewer for today, Jen, wrote one that is in every way but one in complete alignment with anything I might have said. So, with Jen’s permission, I am posting her review. I’ll drop back in at the end with a few more notes. Take it away Jen!

I picked up this 4-koma book mainly because it was the last one on the shelf, while every other New Arrival title was bountiful in supply. Seemed to have that going for it. Plus I was in a High School Girls kinda impulse mood (the series, not the genre). Didn’t regret the purchase, despite nothing really happening in it. But then, it was Book #1, and nothing really happened at the beginning of Azumanga, either. I’ll give it time. Plus I thoroughly enjoy the character Miyako.

Set in an Arts school dorm, Miyako (Miya-san) is the neighbour of the title’s lead character Yuno, who is thoroughly bland and uninteresting. Not as cute as Chiyo-san but not as thoroughly annoying as Ichigo Mashimaro‘s Matsuri-chan, Yuno is utterly boring. Teeny frail little freshman who’s heart goes pitter-patter at the slightest twinge of nervousness of life, she’s a walking cliche of moe. Dump her in the bin and move on to her best buddy Miyako.

Miyako is the cliche gaijin American character (despite not actually being American). She’s tall with long blonde hair, boisterous and buxom; Miya-san is the larger-than-life character. Always coming into unsolicited physical contact with the always-flustered dainty nihonjin girlies, Miyako is often seen barging into the room asking for/taking any food in sight… which she consumes voraciously. Leaping,bounding, always sporting an open-mouth grin coupled with eyes big n’bright or otherwise closed in that zen bliss state, Miyako is rough n’rowdy. She’s a stunner, and should therefore be gay. Sound logic to me. Her art style is more ‘Picasso/WTF?’, which doesn’t get nearly enough of a mention (ie. more than once), which is an utter shame.

Still, it’s a character-driven manga, but I still yearn for more. Naturally, not a hint of naughty stuff (unlike HSG‘s smoking, carnal craving or copious amounts of bleeding), Sunshine Sketch is all puren’sweet and otherwise predictable (ie. dull). Still, Miyako steals every scene she’s in. Miya (how the character’s gone this long without being abreviated to “Mya” with accompanying visual gags, I don’t know) kept me reading. Paired with Yuno by default, there’s no other yuri leaning other than her offhand “You’re pretty, too” sly remark to a rain-drenched Yuno who was herself commenting on the wet greenery… eliciting the requisite blush/steam cloud. Also has an eye for Yuno’s panties. You know, I still contend that I’ve never heard another woman use theword “panties”… not even as a schoolgirl; only men. Maybe it’s just an Australian thing.

The only other main characters featured is the other cliche: The Ambiguously Gay Duo. Think a younger Chie & Aoi from the MaiUniverse, only here it’s Sae & Hiro. Sae (Mai’s Chie) plays the role of starving artist, that is a tormented novelist who’s only in the Arts academy because she wants to do her own illustrations.

Forever breaking deadline, she’s cared for by Hiro, who cooks and cleans and provides the warm lap for a broken Sae to sleep on. We don’t really see much of Hiro’s own art career, which is again a shame. It seems playing wife is her role thus far. Oh well, only book #1. Throw in a juvenile yet buxom Arts teacher and you’ve got the ingrediants for an all-round girls school anime, which Google tells me does actually exist. I just hope they keep the ‘Get Yuno drunk’ scene. It’s one of the few scenes that give her (any) character. x__x

Erica here again: So the one thing I diagree with is that Miyako is the best character. Yes, I like Miu from IM, but in *every* other 4-koma style comic, I find that character kind of annoying. They are all the same – in Rakka Ryuusui, this book, Tori Koro – always blonde, always misinterpreting the same things to mean dumb things, etc. etc. I prefer Sae, myself, but entirely because she reminds me of another character in a set of doujinshi stories by Sakuraike.

Let me also add that, as with the few Yen Press books I’ve seen, the quality of reproduction is high. Translating 4-koma puns and gags is always difficult, so if there’s one or two moments where things fall flat, it’s probably not the translator’s fault.

Ratings:

Art – 7
Story – 7
Characters – 7
Yuri – 1.5
Service – 1

Overall – 7

I do agree that Yuno getting drunk was the funniest bit. ;-)