Archive for the English Manga Category


Wandering Son Manga, Volume 4 (English)

July 30th, 2013

WanderingSon4We’ve covered a few volumes of Shimura Takako’s Wandering Son, published in English by Fantagraphics here on Okazu, but it hasn’t been featured regularly.

We’ve covered Volume 1 and Volume 2 and I hope those reviews were enough to encourage you to buy and read Volume 3. The early volumes introduce us to Shuuichi, a boy who wishes to become a girl and Shuu-chan’s classmates, friends, enemies (among whom I have to count his sister, the aspiring model) and Yoshino, a girl who wishes to become a boy.

In Volume 4, the story remains complex and emotional as always. By this point, Shimura-sensei’s characters are finely wrought, so the tension in each panel is palpable. Manga scholar Matt Thorn has gotten out of the way of his own translations, so the story flows as smoothly as a story as jangly as this can possibly flow.

The children are just beginning to enter puberty, and their bodies are not necessarily their friends. In this story we see the complexity of sex, gender, gender roles and sexuality laid out in the messy mishmash that it is. After reviewing Anything That Loves last week, I found myself paying attention – for the first time – to Anna, another aspiring model and peer of Shuuichi’s sister, Maho.

Anna is not presented to us as a nice person. She’s mean to Shuu-chan…but then her introduction to him was dismissive and unkind and Maho is selfish, not supportive of her brother and uninterested in him as a person. (The last, admittedly, pretty common among siblings.) Anna, taking her cue from this, has teased Shuu-chan in an immature way – but also in a way that clearly indicates to the audience that she is interested in him.

It’s hard enough as an adult to understand the mechanism for “showing interest in” another person. As a tween/teen, there is pretty much no socially acceptable mechanism for this at all.  Any expression of interest of any kind is grounds for teasing. And here is Anna, interested in a boy who would prefer to not be a boy….she’s got to be asking some questions about herself in the middle of the night. Is her interest in Shuu-chan in the boy-girl he is or the person he might become? There are no answers for this at this point, and as we saw in Anything That Loves – there may never really be an answer. Anna is immature enough to take her confusion out on Shuu-chan…which puts us in a bad place as readers. We might be sympathetic to her if she was merely angry at Shuu-chan for not being what she wanted, or at herself for having confusing feelings, but in her (and Maho’s) hurtful words and actions we’re seeing something that is way too close to bullying and bashing for us to be sympathetic at all.

Next volume they start middle school with the addition of the rigid gender-identifier, the school uniform. What, for so many shoujo heroines is a looked-for right of passage, will be for Shuu-chan and Yoshino-kun, a political and social statement. This gender/sex/sexuality/ thing is really complicated. I’ve already got my fingers crossed tightly for them and I don’t even have Volume 5 yet.

Ratings:

Art – 7
Story – 9
Characters – 9
Yuri – ?

Overall – 9

The best, perhaps the only real way to  describe Wandering Son, is that it is compelling story-telling.





“Tokyo Love ~ Rica ‘tte Kanji!?” named a “Best Manga for Grownups” at Comic-Con

July 23rd, 2013

We like to think that it wasn’t just because we’re friends with most of the panelists at San Diego Comic-Con’s 2013 “Best and Worst Manga” Panel, that our own Tokyo Love ~ Rica ‘tte Kanji!? was included on the list of “Best Manga for Grownups.” ^_^

Many thanks to Brigid, Deb, Christopher, David and Shaenon.

Experience Rica Takashima’s look at lesbian life and love in Tokyo in the 1990s for yourself. Read Tokyo Love ~ Rica ‘tte Kanji!? for free, legally online! Enjoy!





Yuri Manga: Kisses, Sighs, and Cherry Blossom Pink (English) Guest Review by Melissa M.

June 12th, 2013

Kisses_ssWoo-hoo!  It’s Wednesday and we got ourselves a Guest Review! As I mentioned in last week’s YNN Report, “I’ve reviewed it 3 times already (when it first came out from Yuri Hime and Volume 1 and Volume 2 of the new edition when Futabasha put them out.” By all means feel free to read those and get the first and middle looks at this series. Now we’ll take one last look at the series.

Sine I’ve reviewed this story a bunch of times, I think it’s time for someone else to get a turn. ^_^ Melissa M. has stepped up to the plate with her very first Guest Review here on Okazu! I just love when that happens.  Please welcome Melissa to the stage. /applause/

Morinaga Milk’s Kisses, Sighs, and Cherry Blossom Pink follows Hitomi and Nana, longtime friends and new lovers, through high school and their developing relationship.

KSCBP was written in 2003, several years before the series GIRL FRIENDS, by the same author. Unlike Akko and Mari, Hitomi and Nana have to deal with their crises largely alone. Nana mentions that she and Hitomi have had sex but also wonders what counts as sex between two girls, and is upset that she has so many questions and nowhere to turn. It makes me wonder just how few resources there were for the LGBTQ community in Japan ten years ago. Hitomi is afraid that her love is preventing Nana from living a normal life and overcompensates by trying to be “manly.” Both are terrified of being found out, and near the end, they run away together, deciding that their relationship is more important than their friends and families. Their circumstances make KSCBP a more angsty series than GIRL FRIENDS, but also perhaps a more realistic look at the problems and misunderstandings a lesbian couple could have in a society that offers them no role models. It’s nice to see Morinaga addressing issues like these, which seems a bit unusual for her stories. But it’s not all sorrow and fear. The girls have plenty of good times together as they and their relationship mature, and they find that some friends are supportive. I think they have a good shot at keeping their promise to get married and to have their story continue forever.

My only real quibble with this story is the ending, in which everything is suddenly resolved. Hitomi and Nana move into their own apartment together with the blessing of their parents, to face college and life together. It seemed a bit too abrupt and magically-happy-ever-after, almost dismissing all of their earlier fears. But who am I kidding, it turned me into a puddle of squee on the floor. ^_^

The anthology also includes five one-shots set in Hitomi’s and Nana’s high schools, interspersed through and mostly unrelated to the main story. They generally include Morinaga’s stock character designs, the taller outgoing long-haired blonde and shorter quieter short-haired brunette, so it can be a bit difficult to tell in flipping through the pages whose story you’re in. The relationship chart in the back is a big help here. I didn’t like any of these quite as much as the main story since the one-shot format leaves little room for character development, but your mileage may vary.

Seven Seas did a great job with this anthology. I particularly appreciate the fact that they left the larger sound effects in place and added a small translation, almost like furigana, above them – it seems less disruptive than replacing them with English or putting a list of translations at the back.

This is a heartwarming story that belongs on every Yuri lover’s shelf, and a comparison with GIRL FRIENDS makes it clear how far Yuri and (hopefully) society have come in the past few years.

Ratings:

Art – 8 (Being older work, it’s not quite as polished as GIRL FRIENDS)
Story – 9 for the main story; 6-8 for the one-shots
Characters – 9
Yuri – 10
Service – 4

Overall – 9

Hitomi is a cat person! That makes me smile. ^_^

 

Erica here again: Yuri Shimai, the original magazine in which Nana and Hitomi’s story began, was the very first magazine of its kind.  The whole wallowing in angst about “does she feel the same way?” of the early chapters was very typical of stories at the time. The later chapters you’re referring to were all written recently – not in 2003, but in 2011, for the Futabasha edition.

That having been said in 2003, there was LGBTQ life in Japan, but that mostly meant bar life. Resources are way more abundant now, even in smaller cities. Which is all to the good. ^_^

Thank you Melissa for weighing in with your point of view!





Heart of Thomas Manga (English)

April 28th, 2013

Back when BL manga was first gaining traction in the US – as a genre and as a distinct fandom – there were two titles that were referred to with a kind of reverence as progenitors of the genre. Takemiya Keiko’s Kaze to Ki no Uta (Song of the Wind and the Trees) and Moto Hagio’s Touma no Shinzou (Heart of Thomas).  Just as Sakura no Namiki is to Yuri, these titles are not BL as we know it now, but the stories that laid the path upon which BL was built.  Now, thanks to Fantagraphics and Matt Thorn, we have an official licensed version of Heart of Thomas in English.

I was interested in Heart of Thomas a classic manga, as a historical relic and as a period on a sentence I started reading backwards with the movie Summer Vacation 1999. (I’ll come back to this in a bit.)

Heart of Thomas takes place in a German boarding school after trains but in an otherwise non-specific time. Pretty young Erich arrives at the school just after the death of Thomas, whom Erich greatly resembles, throwing the whole school into a tizzy, especially Juli – to whom Thomas had confessed before he died…and after, in a final note.

The story explores the layers of emotion and guilt the characters carry with them, peeling the layers away slowly until we can see the formative moments that created the character as we experience them in the beginning. The chronological story moves forward, but the emotional stories are told moving backward.

I’m still not entirely sure what to make of the story itself. It’s intensely, almost absurdly emotional, one of the hallmarks of BL well into the 2000s. Juli is meant to be seen as a tragic figure and Erich sort of the key that releases him, while staving off his own tragedy. By the end of the book I still didn’t much “like” Juli, but I came to admire Erich for the strength he showed. Oskar was the best character throughout and I wish, honestly that we had spent more time with him.

Having now read Heart of Thomas, I am able to better understand and appreciate Summer Vacation 1999, a live-action movie loosely based on the manga.  In fact, I very much like how it was adapted. By placing it in a time during the school year when all the other boys are gone, leaving only the principles, it plays out with more intensity, everything was more tightly wound. Erich, in the movie, arrives bearing secrets and so becomes an active catalyst for what follows, in stark contrast to Erich in the book, who has no agenda at all and merely wishes to be left alone.

I can also see the direct transformation of emotional conflict in this and Kaze to Ki no Uta to stories like Bronze: Zetsuai since 1989, (which was the most popular BL story the year I started getting into manga,) in which the emotional conflict for this dynamic – a staple of both Athenian and Edo elite- gelled into tortured seme and apparently aloof uke. It still doesn’t interest me per se, but I like to see how it evolved. ^_^

Technically, Heart of Thomas looks gorgeous, as Fantagraphics books always do. There are some few glaring quality control issues, which is unusual for Fantagraphics. Matt has addressed one error on his blog. The others I hope will remain unnoticed except by those of us who cannot not edit as we read. ^_^

In the same way I believe we should be familiar with the roots of Yuri, and understand how Yaneura no Nishojo begot Sakura no Namiki, which begot Shiroi Heya no Futari and thus leads us to the apparently-similar-but-not-at-all-the-same paths of Strawberry Panic and Maria-sama ga Miteru, or how Princess Knight leads to Rose of Versailles and thence to Utena and beyond, I recommend reading Heart of Thomas to understand where tropes that are now fixed and understood as given in BL came from.

Ratings:

Art – 9
Story – 8
Characters – 8
Service – 4

Overall – 8
I was moved by it, and impressed by it and annoyed by it.  Did I like Heart of Thomas? I don’t know yet. I’m still thinking about that. ^_^





Welcome to Hereville – Keep your wits about you (English)

April 7th, 2013

mswordIn 2010, I introduced you to the absolutely fabulous Hereville: How Mirka Got Her Sword by Barry Deutsch. This is what I said about it:

When I was growing up, I consumed a lot of Jewish folk stories. Actually, I read a lot of folklore and myths, full stop. But Jewish stories always fascinated me because the heroes were rarely strong, but they were always smart. Didn’t matter if they were men or women, wit almost always won the day. Not being strong, but being endowed with a full measure of sarcasm and wit as a kid, I could totally get behind that. Hereville is set in a fantasy Orthodox Jewish village in Somewhere, Anywhere.

Mirka is one of a number of daughters, who wants more out of life than knitting and cooking. She’s smart, but not stupendously so, and has a terrificly snarky step-mother. Mirka gets involved with a magical pig, a witch and a troll, providing her all the adventure she ever wanted and more.

Hereville captures the feeling that I got as a kid reading stories of the Golem of Prague or of the townspeople of Chelm. That Olde Worlde Europe Jewish life that I was glad to have stories of, but was even gladder that I didn’t have to live.

I can’t think of a better book for a young me. 11-year old Mirka would have been a fine companion in my desire for adventure and magic and a chance to use my wit against the odds. If you know a young girl with an open mind, and interest in folk tales and a desire for a sword, Hereville would make a terrific, totally-not-what-they-expected, gift.

mmeteoriteNow I want to call your attention to the absolutely fabulous sequel,  Hereville: How Mirka Met A Meteorite, which was just as  enjoyable, with a full measure of sarcastic-smart stepmother and a deeply Chelmite punchline. (‘Chelm’ is a fictitious town in Poland peopled by the stupidest humans on the planet, with names like Schlemiel and Mensch. They did things like buy a bag of bagel holes and capture the moon…in a pond.)

As tween sequential art literature goes, this series is top-notch. But not because Mirka is a “strong female protagonist.” If anything, it is so incredibly good because, she isn’t.

Just so we’re talking about the same things, on Quora I defined a “strong woman” as Women in control of their circumstances rather than just bearing up well in bad circumstances. Anyone might find themselves able to fight to the last breath in desperation, but the best make sure they never have to.

Here on Okazu, I have elaborated, Women who are perfectly capable living in a world populated by men and women; women who can take command of both men and women and be respected as leaders – and who are not judged by a set of standards that are skewed so they can only ever fail. Women who can find their own solutions to issues, not to have to excel at men’s thinking or men’s skills to be considered a success.

My Friedman Addendum to the Bechdel Test helps us identify if the female lead is more properly seen as a female-shaped male hero.

But let’s take a step back here. While other tween heroes may have been imbued with amazing magical skills, Mirka is a mere mortal. She is not a born leader (although if given the opportunity to learn to how, she might become one one day), not tall, not strong or especially skilled. And yet, she wins.  It’s nice to see the average kid win sometimes – it gives one hope. No, we are not all talented, strong, magical, but we can all win the day, sometimes. Especially when our siblings are sharp.

Ratings:

Art – 8
Character – 8
Story – 8

Overall – 8

In the middle of the Sachikos, the Hermiones, the Korras and the Bandettes, we need to have Yumis and Mirkas, too. Every girl deserves her day of triumph. ^_^