Archive for the Staff Writer Category


Yuri Network News – (百合ネットワークニュース) – August 30, 2025

August 30th, 2025

In blue silhouette, two women face each other. One wears a fedora and male-styled attire, one is in a dress and heels. Their body language is obscure - they may be dancing, or laughing or fighting. Art by Mari Kurisato for Okazu

It’s once again time for a trans-Atlantic YNN, brought to you by Okazu Staff Member Eleanor Walker.

 

Yuri Manga

Anime NYC gave us a few Yuri licenses. First from Yen Press, Bad Girl manga and Lycoris Recoil: Recovery Days.

Via Sr. YNN Correspondent Ashley: Fighting Girls manga from Viz, described “A lifelong rivalry inspires two girls to chase their dreams.” Not Yuri, but in our wheelhouse. ^_^

Via Sr. YNN Correspondent Patricia B, we have news of Issue 4 of Datura magazine, “a josei-inspired comics anthology series featuring a range of speculative and realist stories for an queer adult audience.” Issues 1-3 are still available in digital and some in print.

Yuri Light Novel

Via Rafael Antonio Pineda on ANN we have news that author Hitoma Iruma’s newest series Hitozuma Kyoushi ga Oshiego no Joshi Kousei ni Dohamari Suru Hanashi (A Story of a Married Teacher Becoming Obsessed With Her Female Student) has received a manga adaption in Dengeki Daioh G magazine. Given the title and my opinion of his past work, I’m not expecting anything good from this at all.

LGBT+ Manga

Online manga platform Azuki have released a special 45th anniversary English issue of Young Magazine, including a sequel chapter to queer manga Boys Run The Riot. The platform is also offering readers to vote on their favourite series, with the 5 series which get the most votes being serialised in English as well.

Kodansha has announced trans manga My Journey To Her by Yuna Hirasawa. You can read the first chapter for free on their site.

 

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Yuri(ish) Anime

Some discussion of this series on the Okazu Discord was started by Steve Jones’ review of Episode 8 of Call of the Night which makes it sound quite provocative, especially considering the manga originally ran in Shonen Sunday magazine. On a personal note, Miyuki Sawashiro is one of my favourite voice actresses of all time, so my interest is piqued.

 

Yuri Visual Novels & Games

Studio Elan has announced Fall in Love Festival, a romance visual novel festival on Steam, beginning on the 24th September. More details to come.

 

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Other News 

Via Rubeon Baron on ANN, we have a panel report from Anime NYC on censorship in manga in America

Again, via Rafael Antonio Pineda on ANN, we have a title and launch date for Nakatani Nio’s new series, entitled Kimi Wa Shuumatsu (You are the End)

For my other UK based Miku fans, Anime Limited is bringing the COLORFUL STAGE! The Movie: A Miku Who Can’t Sing movie to cinemas beginning on the 31st August. Tickets are available here.

Via Okazu Thai GL correspondent Frank, we have 2 new series announced, both premiering on the 20th September. Poisonous Love has both a pilot and a teaser available.  Toxic yuri abounds here. More unusually for a Thai GL series, Love Overdose is based on a true story (of a woman dealing with her drug-addicted partner) and in featuring a “tom” (butch) as one of the two leads. As of writing, there are no official English subtitles, only auto generated ones. I hope this does receive a proper translation.

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There’s No Freaking Way I’ll Be Your Lover! Unless… Light Novel, Volume 3

August 29th, 2025

A girl with long, pale hair in a Japanese school uniform of a white blouse with red trim and tie and grey plaid skirt holds a finger up to her lip as if to shush us with a smile.

by Eleanor Walker, Okazu Staff Writer

Volume 3 of  There’s No Freaking Way I’ll Be Your Lover! Unless… changes things up a bit with the cover design. Unlike the Volume 1 and Volume 2 where the covers feature Renako and whoever is the the main character of that volume, volume 3 omits Renako and is purely the next member of the harem, Ajisai Sena.

We know from the previous volumes that Renako already has something of a crush on Ajisai and that Ajisai is often responsible for caring for her two younger brothers, so it seems inevitable that we’ll find out more about both now. This volume is also the “summer vacation” volume, so we can expect traditional hijinks like hot spring trips, beach trips and and festivals, as alluded to on the back cover.

But maybe Ajisai isn’t as angelic as she appears. Perhaps she’s just a normal teenage girl who’s been looking forward to her summer vacation and hanging out with her friends/crushes but instead, she’s stuck staying at home and looking after her brothers. Parentification is a word which has gained traction in recent years and refers to older siblings being thrust into a caregiving role because the actual parents are either absent or negligent. Ajisai’s parents both work long hours, so she is inevitably forced into this position, and in this volume things finally come to a head. Ajisai has had enough and runs away from home, compelling Renako to go with her to, ostensibly, look after her.

This is where Ajisai feels like a normal teenage girl, much more so than either Mai or Satsuki. “Supadari” Mai is obviously meant to be over the top and unreal, whereas Satsuki is her opposite, being quiet, cynical and almost disinterested in romance unless she can use it to get at Mai. Ajisai, by contrast, feels much more grounded in reality. Renako arranges to come over to her house one day during summer vacation so they can play video games together, and this is when she snaps. Her brothers are hogging the game console, and she’s barely had a chance to speak to Renako. She’s had enough of having to put everyone else first and whilst running away is a bit of an extreme reaction, it is believable in this context. One thing I have particularly enjoyed about this volume is the little sections at the end of each chapter retelling the story from Ajisai’s point of view.

The rest of the volume is mostly devoted to the usual summer harem adventures. Renako and Ajisai inevitably end up staying at an onsen with a private hot spring attached, taking the number of members of the group Renako has seen naked and bathed with up to 3. It’s also a good excuse for an illustration of Ajisai in a yukata and a ping pong battle to determine who pays for this whole adventure.

And then enter Mai like the tornado she is, and yet another person to disrupt Ajisai’s time with a friend. She arrives at the inn having used Renako’s sister to find out where they are, so we now have a high school girls’ sleepover party or something like that, and now we’re all off to the local festival together (and bathing together).

We end with everyone back home and the rest of summer vacation passing relatively normally, apart from Ajisai asking Renako out (in front of Mai!)  just in time for school to start again in the next volume, when Renako must also answer Ajisai’s question and figure out where her feelings lie.

This series is ultimately about exploring the difference between friends and lovers, where the line between them lies, how blurry that line is and what it all means to different people. With one more group member to properly introduce in the next volume, my main question is where do we go from there?

If the anime continues at its current pace and it is a 12 episode season, this will be the last volume adapted for now. At the time of writing, there is no news of a season 2.

Art – 7
Story – 6
Characters – 8 Ajisai is definitely the most realistic teenage girl of the group so far.
Service – 6. Some of the illustrations are definitely on the more servicey side in this volume.
Yuri – 7

Overall – 7





Otakon 2025 Field Report – Rock Is A Lady’s Modesty Panel

August 17th, 2025

Photo of Miyuri Shimabukuro, Shinya Watada, and Hidetake Nishigaya posing in front of the crowd from the second RockLady panel at Otakon 2025. Shimabukuro-san and Watada-san are holding chibi dolls of the main cast.by Matt Marcus, Staff Writer

The familiar barrage of guitar notes of “Ready to Rock”, BAND-MAID’s opening song for Rock Is a Lady’s Modesty, hyped up an expectant crowd. On stage, however, was not the band; present instead was RockLady’s Director, Shinya Watada, Otoha Kurogane’s voice actor, Miyuri Shimabukuro, and Producer Hidetake Nishigaya. The topic at hand: the staff’s favorite scenes and a peek behind the curtain on production.

The Saturday morning panel was the group’s second during this year’s Otakon, the first being held the day before in one of the larger conference rooms of the Walter E. Washington Convention Center. Having only the chance to visit the conference on Saturday, I was curious whether interest in the series was strong enough to carry a second session. I was pleasantly surprised; despite the smaller room, the attendees, roughly 120 in total, were as loud and raucous as a Fuji Rock crowd (or at least my imagination of such). I was pretty impressed by the number of fans who showed up to hear more about a niche title that aired on a small streaming platform.

The panel was MC’d by Nishigaya-san, with Watada-san and Shimabukuro-san as the guests of honor. Both shared two clips each that were their personal favorites and discussed why. Watada-san highlighted two post-jam ending scenes; Otoha’s first colorful outburst and immediate switch back to lady-like speech from the end of episode 1, and the battle of the bands scene with our full group panting, sweating, in front of a stunned crowd. Both moments were stressful to direct, and he was relieved that they managed to hit with the intended impact.

Shimabukuro-san’s choices were both spirited character moments. First was lead character/guitarist Lilisa and Otoha’s first exchange of vulgarities in episode 3. The second was Lilisa’s defense of the rock greenhorn Tina in episode 8. She would mention that her biggest challenge was keeping her speech intelligible during the not-infrequent torrents of screamed insults.

After the favorite scenes section, the panel moved on to Q&A. Shimabukuro-san mentioned taking drum lessons to get into the role, but given her novice status she did not end up drenched in sweat like her character. The staff were asked about their favorite Western rock bands (Watada: Bon Jovi; Nishigaya: Green Day).

The most interesting revelations came towards the end. Nishigaya-san touted one last surprise: a prerecorded segment with BAND-MAID, who provided both music and motion-capture for the musical performance scenes. Of their anecdotes, my favorite was from drummer Akane Hirose, who said that Otoha’s freestyle drumming in episode 1 was an unrehearsed jam that was requested at the end of a recording session. 

All in all, it was a fun panel. The only mildly disappointing part was that Akira Sekine, the seiyuu for Lilisa, was not there to trade stories with Shimabukuro-san, which could’ve brought out some more lively banter. Also, there was no season 2 tease or even a shoutout to the upcoming localization of the manga coming next month. Still, I was pleased to see that the show garnered enough love for there to be two panels dedicated to it.

After the panel I left the hall and grabbed myself a chili-smothered half-smoke at the Ben’s Chili Bowl stall located at the north end of the convention center’s skybridge that spans across L Street. Given the central location, I had a great vantage point to watch the throngs of anime fans passing by, many in cosplay. While I didn’t see anyone dressed up as Otoha or Lilisa, there was still plenty of RockLady-like rebellion put on display. Perhaps the next time I make it to a convention I will see more proper ladies saying “Gokigenyou~” with middle fingers up.

Rock Is A Lady’s Modesty is available for streaming on HIDIVE, and volume 1 of the manga will be coming out in English via Yen Press on September 23rd.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





Tied by your Red

August 15th, 2025

Black and white illustration of a young woman and a beast, a red ribbon floats lightly in the air in front of them.by Ashley P, Guest Reviewer

If there is one fabulous uniting factor for all fans of romance it is the fantasy of being swept away by a cold steely noble who eventually warms to your plucky sensible charms. We’re looking at a yuri visual novel Tied by your Red; but you can find this sort of setting everywhere.

Tied by your Red follows Erica (although sometimes it is Erika) who has been betrothed to the stoic Duke Louise. While Louise was thought by Erica to be a scary, cruel Duke who kills her brides without a second thought it turns out that in fact that Louise is just a slightly awkward romantic lead who is a perfect dashing partner to the more skittish Erica.

Other than our two romantic leads in Louise’s mansion there is only one other person staying with them, Maiden, who is the only member of domestic staff. Not only that but there are unusual rules about leaving the residence, and everyone must be in their own room before midnight. At midnight Erica is occasionally awakened by sounds of something outside her chamber door.

Putting all this together makes it very clear what kind of story we are getting and it is refreshing to see this genre in a visual novel. A visual novel with fantastic sprite direction. Characters pace around the screen and move and appear in ways that add to their character. The only downside is Erica’s actual sprites, she is never shown to be anything less than marginally terrified. Which makes sense for a majority of the game but once her and Louise’s relationship gets going and everything is revealed Erica still looks seconds from bolting from the room.

This becomes even more noticeable when you complete Erica’s story and have the ability to re-read the story from first Louise’s and then Maiden’s point of view. It is weird to see Louise’s internal narration talk so kindly about Erica but then her sprite looks close to tears. It makes Louise seem unusually detached from the women we are told she has fallen for.

The only downside is that there are some unusual word choices, line breaks and even untranslated lines in the English version. This is not really a deal-breaker for me but this is something anyone looking to buy this game should know. Examples below.

Tied by your Red is the fun pulpy romance that I can always have more of so I hope those few missing lines can be patched out because otherwise it is a quick fun time.

Ratings: 

Art – 8
Story – 7
Characters – 6
Service – 2
Yuri – 8

Overall – 7

 

 





Ayaka Is in Love with Hiroko, 2nd Stage

August 10th, 2025

The promotional poster for season 2 of Ayaka Is in Love with Hiroko. On the left the actresses embrace, wearing Hawaiian patterns and a lei on the right Hiroko holds a blowdryer over Ayaka's hair. by Frank Hecker, Okazu Staff Writer 

The live-action adaptation of Sal Jiang’s manga Ayaka Is in Love with Hiroko! ended with Hiroko agreeing to accept Ayaka as her girlfriend. Although the live-action series covered all three volumes of the manga, its producers decided to create a sequel going beyond the original story. Thus we have Ayaka Is in Love with Hiroko, 2nd Stage, now streaming on GagaOOLala (along with season 1).

Any sequel faces the problem of matching the appeal of the original while creating a new story that doesn’t retread old ground. Ayaka Is in Love with Hiroko, 2nd Stage attempts this by moving almost completely away from the office setting of season 1 and focusing on Ayaka’s relationship with Hiroko and (to a lesser degree) Hiroko’s relationship with her family.

As 2nd Stage begins, Ayaka has been living with Hiroko for half a year. Hiroko caters to Ayaka’s every need, including making her breakfast and cleaning up after her, but (as Ayaka’s friend Risa implies) Hiroko treats her more like a pet than a lover. Ayaka wants them to be a “real couple” (i.e., to have sex), Hiroko is reluctant to do so, and Ayaka doesn’t understand why. And, quite frankly, neither do we: Hiroko offers excuses to Ayaka (she needs more time to sort out her feelings) and to herself (she’s worried about her “selfish desires”), but this part of the plot requires a major suspension of disbelief, especially now that Hiroko knows that Ayaka’s feelings toward her are genuine.

As in season 1, Hiroko’s ongoing misunderstandings and miscommunications provide the springboard for multiple comedic moments. But comedy isn’t as funny when someone’s getting hurt, and it becomes clear through the course of the series that Ayaka is more and more distressed and confused about Hiroko’s behavior. It’s almost a relief when the show turns to the secondary plot concerning Hiroko and her family (she’s still not out to them) and to the goings-on at Bar Kiyoko (where Risa’s new girlfriend Kyoko informs everyone that Risa has gone from a “clueless puppy” in bed to “a wolf who’ll bare her fangs”). But these digressions can’t compensate for the fact that the show drags on for too long. The plot threads finally resolve in episode 6, thanks to Ayaka’s actions and the innocent intervention of Hiroko’s young niece, a sweet ending that I can’t help thinking could have come one or even two episodes earlier.

As Hiroko, Kanna Mori once again excels at wide-eyed reactions, mixed in with more subtle acting in the final episodes. But the real star of 2nd Stage is Shiho Katō, whose performance as Ayaka is the beating emotional heart of this sequel: We feel her pain, echo her confusion, and cheer her on as she forthrightly declares her love for Hiroko to Hiroko’s sister and mother: “This is how I truly feel. There’s not a single bit of pretense.” Riria Kojima joins the cast as Hiroko’s sister Keiko, who offers some cringey (meta)commentary in response to Ayaka’s outing herself (“I’ve been really into Thai dramas, so I know a bit about this kind of thing”), while former otokoyaku Hiroki Nanami brings sultry sex appeal (along with advice for Ayaka) to Bar Kiyoko as lady-killer Jun.

Ratings:

Story — 5
Characters — 8 (+1 for Ayaka, -1 for Hiroko)
Production — 7 (the subtitles are occasionally clunky)
Service — 4
LGBTQ — 10
Overall — 7

Ayaka Is in Love with Hiroko, 2nd Stage provides a satisfying ending to the story of Ayaka and Hiroko, but it takes its sweet time getting there. Fans of season 1 should expect less comedy, more angst, and increased frustration at Hiroko’s cluelessness and self-delusion.