Yuri Anime: Simoun

May 8th, 2007

Only about 6 months after the anime actually ended, I am *finally* getting around to doing an end-of-season review for the series that won my “Best Yuri of 2006” award, Simoun. Don’t want to rush these things, y’know.

I liked nearly everything about Simoun: the characters, the plot, the art, the music (oh god, so good…,) the ending, the epilogue. There was in fact, only one thing I did not like. The character designs…in particular, Neviriru’s design. It really distressed me. Other than that, there was just about nothing I did not like.

In particular I thought episodes 23-end were breathtaking, stunning, and wow. Yun’s choice was really powerful, and the way the story is tied up – loose ends and all – was to me completely satisfactory. In fact, IMHO, the loose ends are what made the anime work.

Let’s talk Yuri for a moment. There *is* a legitimate case for saying that there is no Yuri, as the Sibylla are meant to be understood to *not* be women, but to be maidens, as a kind of pre-pubescent state, despite their age and figure. Nonetheless, for the two girl x girl couples at the end (or three depending on how you see the one pair) I’m calling it Yuri. Because the choices were not made regardless of gender. These choices were made to some degree because of their gender. Being Sibylla made their love possible. And damn, it’s hard to explain what I mean unless you’ve seen the series. lol And I really don’t want to spoil too much. ^_^ Here’s just a small spoiler – Three Yuri, one Yaoi and one Straight couple at final count. lol (And almost everyone likes the boys best.) I liked them all.

But I wonder if it’s not just a series about love in general. Prayer in this series is inextricably linked to love, and love to the intent behind all their actions. In the end, that’s what I think Parietta’s final message is about.

“We were here – and we loved one another…and you.”

Ratings:

Art – other than the chara designs – 9
Story – 9
Characters – 8
Yuri – 7
Service – 6

Overall – 9

I know that I cannot be the only one to have noticed that Neviruru and Aeru did not work as a pair until they switched seme/uke roles, can I? ^_^



Event: Yuri Panel at Anime Central

May 8th, 2007

If you are planning on attending Anime Central in Rosemont, IL on May 11-13 at the Hyatt Regency O’Hare and Convention Center, please join myself, and Yuricon Staffers Katie, Bruce and Serge for the Yuri panel!

The Yuri Panel will be at 4PM on Saturday, May 12. At the moment, it is scheduled for the LAX room. But check the schedule that day for any changes in time or location. This panel is for ALL ages. Not just 18+, as I prefer to do with all the Yuri panels I run. (We talk about anime and manga…not sex or politics.)

Yuricon and ALC Publishing will have a table in the Exhibitor’s Hall, as well, where you can get our newest all-yuri anthology “Yuri Monogatari 4” and other 100% Yuri from ALC!

We hope you’ll all drop by the table, pick up some great Yuri, and we’ll see you at the panel!



Murder Princess Manga and Anime

May 7th, 2007

After the end of a long day trekking around Tokyo, and a visit to the Meiji shrine on what was perhaps the busiest day of the year, I, my wife and our intrepid friend Bruce decided to brave the crowds in Harajuku, for a spot of used manga shopping at Book-Off. It nearly killed us, but the wife did manage to snag me a copy of the Murder Princess manga. It’s the story of a bounty hunter that switches bodies with a Princess, and takes over the role. Very fun, very me.

Now it’s out as a monthly anime OVA release and there’s an English edition of the manga. (Many thanks to Ted for a copy of the translated version!) Although it really isn’t in any way Yuri, fandumb has already begun the contortions needed to justify the “relationship” they see between the two female leads. And since I have a rant that will fit nicely into that space, I thought I’d take a moment to review the series. ^_^

Okay, so to start, bounty hunter Farith is an “outside dog” as we call them around my house. She lives on her own terms, accompanied by Shinigami Dominikov and Troll Pete as her teammates. It’s instantly apparent that she’s got the chops to live this life successfully – she’s a strong, competent woman.

Princess Alita Forland is escaping a coup d’etat when she quite literally runs headlong into Farith. They plummet over a cliff only to wake to find that they have switched bodies. Luckily for everyone, mad sword skillz transfer with your personality. Alita, now in Faris’ body asks Faris to return to her kingdom to save it. Manga and anime differ slightly on how this is accomplished, but in both cases Farith, now in Alita’s body, defeats the usurper and restores peace to the kingdom with points for style and extra credit for enjoying the killing part a lot. (Something I also liked about Xena. I enjoy watching a woman who enjoys her work. ^_^) Princess Alita takes on the name and role of her deceased lady-in-waiting, Milano, to allow Farith to rule in her place. Thus the “Murder Princess’ is born.

Anime and manga differ strongly in the followup, as Alita is crowned and a festival parade is held. I was marginally irritated by the anime’s take on it, wherein the newly crowned Queen goes beserker and almost kills a little girl. I far preferred the manga version, where Alita Mark 2 is cool and competent from beginning to end. Nevertheless, in both versions Alita 2.0 is a force to be reckoned with.

The story itself is constructed with a very old-school feeling, which is oddly refreshing. It has many Slayers-esque elements, although it is not primarily a comedy. Murder Princess is an action series with comedy elements. I liked it immediately upon reading the first volume, and I like the anime even more with the addition of Paku Romi as Alita 2.0’s voice. Perfect fit in every way. And not just ’cause she makes me swoon. (Although, the wife comments, that *does* help.)

The translation of the manga is fine. It’s not stunning, it’s not terrible. There’s a tendency to be hip and timely which I think is a *bad* choice, because is a few months or years those “jokes” will only seem dorky and painful. But nothing that makes me see red or anything. Reproduction-wise, the manga is also okay. The paper is oddly heavy…and sharp, which means that as well as being a fun manga, there’s several ways you can use it as a weapon. An added bonus for this series, I think. ^_^

And now we reach the crux of the matter – the Yuri. In the anime, particularly, screencaps are floating around showing a picture from the end credits of “Milano” (Alita 1.0) and “Princess Alita” (formerly Faris) smiling, embracing and looking like they were caught in a moment of sharing a joke; screencaps of Milano weeping as she embraces the dress of her deceased lady in waiting whose name and identity she has now taken, and; a screencap of Milano embracing the Princess to stop her from beserking. These and some other moments, such as Milano admiring her own body being wielded so skillfully against her enemies, are used as “proof” of the Yuri.

Here’s my objection 1: Milano is admiring the way her body moves. Not admiring it for its sexiness, but for the way it now can function. She tells us all of this, I’m not making it up.

Objection 2: It’s their own bodies. Speaking for myself, if the wife and I switched bodies, it would take some massive time for me to start to find my own body attractive. It would flip me out the door, frankly. Now, hell, maybe Farith and/or Alita thought they were the sexiest things on the planet and sure, they’d love to sleep with themselves I’m sure there’s plenty of narcissists out there who think that. I don’t see it. Not in these two…certainly not yet.

Objection 3, plus bonus rant: What, I ask you, is wrong with you people who see two women embracing and think “Yuri!” Have you people never heard of friendship, caring, sisterly and motherly affection???? Women hug all the time without it meaning they are in love. You know – friends, family, etc. I have no qualms at all about saying that Alita, now Milano, loved the original Milano. That’s absolutely apparent. In love with her? No. She loved Milano as she would a sister, a dear friend, a boon companion. Surely that should be sufficient a depth of feeling. How sad that that isn’t enough for some people. Milano embracing Alita? Not a sign of Yuri. It is a sign of a woman who is in love – with her people and her country. That was the whole point of the episode, folks. That Milano loves her country so much, she would do *anything* for it – even give up the throne to a bounty hunter, because she could keep her country safe.

In conclusion – Milano x Alita – fandumb might see it. I don’t. I *would* like to see the two of them be really good friends and come to care about each other…you know, like people do.

Ratings:

Art: Anime/Manga – 7
Story: Manga – 8 Anime – 7
Characters: Anime/Manga – 8 (I particularly like Dominikov)
Yuri: Anime/Manga – 1
Service: Anime/Manga – 4 (some nudity, crotch shots)

Overall – 8

Action, adventure, comedy, nice old-school feel. I think my biggest complaint is going to be that the series will end too soon.



Yuri Anime News: Simoun Licensed

May 7th, 2007

My secret, insider, Deep Throat informant tells me that Yuri anime Simoun has been licensed by our good friends at Media Blasters. No street date yet, but I’m doing my damndest to get a Yuricon 07 exclusive. :-)

Tune in for more news as it becomes available!



Lesbian Comix: Definition and Potential

May 5th, 2007

Today’s review is a first for Okazu. Our Guest Reviewer, Jen, has made many dozens of comments here, but this is the first review she’s written for us. I’m thrilled beyond belief to introduce you all to such an original thinker, and funny, funny gal. Take it away Jen!

Forgive the stream-of-consciousness writing style of this review, as it wasn’t done in one sitting… despite the act of sitting itself being enjoyed thoroughly both times.Just finished Ariel Schrag’s DEFINITION, and the sequel POTENTIAL.

These are auto-biographical comics of Ariel’s experiences in school as an “omigod I lust after girls YAY ME!” lesbian. On the plus side; she wrote, drew and published at such a very young age. Attended comic cons to sell her wares, too. I am quite impressed.

Over the course of both volumes (earlier and latter works available) we marvel as Arial’s illustrative skill grows in parallel to her own character as she slowly (awkwardly, painfully, insert negative yet faintly nostalgic buzzword for teen experience HERE) wades her way through adolescence the way almost all of us did: Teens; you don’t live them, you merely survive them.

POTENTIAL is the perfect title for volume #2, as we are now quite familiar with Arial’s emotional highs and lows from the childish misadventures of DEFINITION, and now we hope for nothing but the best for her as she bravely does all she can to turn crushes into genuine sexual relationships with all the “you are my soul mate” type of sincerity that comes with such leaps of faith. And with that, the positives of these books begins to drain (“drain” now redefined in my vocabulary. That shows you the emotional attachment I now have to Arial by proxy.)

On the negative… well there’s a few, but it’s probably just me. Stepping back, volume #1 was mostly recurring tales of problematic family life, disturbing sweet-sixteen experiences and “let’s get drunk and see what really horrible things can happen to me and my girlfriends” type stories. These were her “Gee I must be bi” years, so she’s still actively seeking a boyfriend, all quite unnerving as Arial draws herself and those around her far smaller and vulnerable than a true sixteen year old would be depicted.

This mostly continues into POTENTIAL, where despite the “Yes I am in fact gay and it’s time to DO something about it” proclamation in the opening chapter, her strategy remains drinking heavily/doing drugs and then hoping something real good happens (guess the odds). It’s hard to empathize with someone who keeps doing that to herself (even though all her friends think this plan is a winner… and hey, “that’s what you do in school, right?”).

That brings me to my problem with most “comix”, that being they’re not fiction. Fictional Yuri stories *can* be created with in-depth characters and a story structure with a satisfying ending. With real life you get recurring awkward experiences with real people possessing frustrating/unexplainable behaviours that just leave you unsatisfied.

Add to the fact that the story is told quite openly with all sexual and emotional car wrecks recounted in detail, there’s a sharp sense of voyeurism I got from this. I didn’t get that with Alison Bechdel’s FUN HOME, but then that’s in NO way a fair comparison. Arial is chronicling her romantic/sexual encounters (not what you’d call happy nor enjoyable), coupled with her family life (ditto) in real-time with no real retrospective narrative. It’s not a comfortable read in any way.

My opinions on comix as a publishing sub-genre notwithstanding, I still wanna meet her and have her sign the books. That’d be awesome.

A quick visit to her website tells us that these and other works are currently being adapted into a movie, and that when not story writing for THE L WORD, she’s working on more self-publishing and is one year younger than me.

…excuse me while I wallow in a quick Marimite/chocolate combo before sleeping it off and enjoying another day of admin at a job I hate. -__-

Ratings:
Art – 8. Varies wildly in quality and style, but expressively loveable all the same.
Story – 7. Better to have loved and lost and had your heart shredded over and over and over and it keeps getting worse oh God than never to have loved at all.
Characters – 6. Filtered through Arial’s eyes, but all sufficiently messed up to be believably human.
Yuri – 9. She tried. She honestly did. Poor thing.
Service – 4. Girls having lotsa sex, all thoroughly devoid of any enjoyment whatsoever…could that possibly matter?

Overall – 7

Erica here: One of the reasons I wanted to publish this review, particularly, was Jen’s comments about the autobiographical nature of “comix.” It put me in mind of Takeuchi Sachiko’s Honey & Honey, and also Alison Bechdel’s Fun Home right away. I’m all for using Takeuchi’s phrase “comic essays” to categorize these works which are *clearly* meant to be read as non-fiction autobiography, rather than as a “graphic novel.” I encourage you all to help disseminate this genre label of “comic essay”. ^_^

Let’s all thank Jen for the fabulous review!