How Do We Relationship?, Volume 3

October 22nd, 2021

How Do We Relationship?, Volume 3 by Tamifull takes a sharp turn away from our expectations. It makes for a harder read, but an infinitely more satisfying one.

Miwa and Saeko are not “out” to the general public but, in this volume, Miwa admits to someone else that she is only interested in women. Miwa’s taken a couple of huge steps forward into understanding and accepting herself…and we spend some time understanding where she came from in that regard and what that journey has been to her.

Saeko, though. She’s got a lot of stuff yet to deal with. Stuff she’s not telling Miwa…and stuff she’s not telling herself.

In my review of Volume 3 in Japanese, I commented “This is much less a Yuri romance at this point than a referendum on relationship communication issues, featuring a same-sex couple.” What I did not tell you at the time was I fought myself about four times about just giving up. Also I said, “Oh fuck you, Saeko,” more than once.

At this point, you may wonder if this manga is worth your time. I assure you, this manga is totally worth your time. But it is going to make you work a bit. And for that, I completely credit creator Tamifull, whose work is excellent. We, like the characters, are going on a long journey. It will take us through their and our pasts and present and future. We and they will not be the people we know right now, but I am convinced we’ll all be better for it, in the end.

Ratings:

Art – 8
Story – 8 Getting harder, not easier to read, but also becoming queerer and more real
Characters – 7 I’m rooting for everyone, but not liking everyone at this point
Yuri – 8 / LGBTQ – 6 still room for more
Service – 4

Overall – 8

This is not a “girl meets girl, they like each other, then end” story. And thank goodness for that.

How Do We Relationship, Volume 3 and Volume 4 are available now from Viz Media in print and digital.

Before I wrap up, I want to shout out translator Abby Lehrke, with whom I have had super fun conversations on Twitter where we basically screamed at each other incoherently about this series, and whose work is excellent. And mad props to Joanna Estep whose work in retouching will likely never be noticed by you, but the fact that she’s done the work of replacing Japanese S/fx with English, rather than setting them side by side or merely lettering the meaning, stands out to me. Well done and much appreciated Joanna! Fine work from Viz Media on this completely, not at all in any way simple series.

Posted in English Manga, LGBTQ, Yuri Manga | 3 Comments »


Blue Reflection Ray, Guest Review by Aurakin

October 20th, 2021

Very excited to welcome you back today to Guest Review Wednesday on Okazu! Today we welcome a new reviewr to our family. Aurakin will be taking us through the recent anime Blue Reflection Ray, based on the game, streaming now on Funimation. As you know, I love having guest reviews. It broadens the amount and kind of content we can have, provides different perspectives, and gives us a chance to support writers. If you enjoy Guest reviews and want to help us keep paying our writers industry standard rates, consider becoming an Okazu Patreon.

Welcome Aurakin – the floor is yours!

*Note: Blue Reflection Ray is based on the game Blue Reflection. Since I haven’t played it, I won’t be making any comparisons.*

Ruka Hanari struggles to make friends. She is scarred by an event in her past, and finds herself unable to reach out to others. Along comes her new roommate, Hiori Hirahara, a girl who seems able to do everything Ruka can’t. Hiori is friendly and easy-going, and Ruka finds herself drawn in. One day, as they are casually walking down the street, they get caught in a distorted reality, and Hiori senses a girl in danger. They encounter two magical girls engaged in a sword fight, with an unconscious girl being held hostage. As the victim is about to fall off a roof-top, Hiori leaps forward to help – and suddenly transforms. 

My first impression of the art style and animation was that it looked terribly cheap. The occasional 3D effects clashed with the overly sparse 2D line art and flat colors used in the rest of the show. While the studio might have suffered from the pandemic in some areas, the art style itself seems to be more of a stylistic choice rather than a lack of resources, considering what the original character designer, Mel Kishida, has worked on previously (22/7, So-Ra-No-Wo-To). 

Being a big fan of both magical girls and yuri, I was really curious about Blue Reflection Ray. It took about six episodes for it to get interesting, but once it did, I found it both charming and entertaining. The anime shone brightly whenever it delved deeper into the characters’ backstories and the bonds they were forming with each other. Watching their everyday interactions was sweet and heartwarming. The surface plot and magical intrigues seemed to pale in comparison – that has all been done so many times before, and Blue Reflection Ray didn’t add anything new or interesting to the mix.

It’s also worth noting that this anime deals with mental illness, self-harm and abuse – sometimes poorly. And with that, I have to briefly mention Masochist Uta, the single worst thing about the show. Uta lives for pain – whether it’s her own or causing it to others – and being the intensely rapey villain she is, often groping her victims or making sexualized threats, Uta alone was enough for me to strongly consider dropping this show on several occasions. Her character does get explored more in depth later in the series, but never enough to redeem her presence.

So, how about the yuri content? Surprisingly, it did not come from our two main characters. Beyond some teasing comments and visual baiting (Such as when the camera slowly pans upwards as if they’re going to kiss), the relationship between Ruka and Hiori is never defined as anything other than friendship. That said, the show does focus a lot on emotional bonds, platonic or otherwise, and I could possibly see a reading of them as an aro-ace couple.

The second cour was a pleasant surprise. We get introduced to a new pair of characters, who are undeniably queer. Their relationship, and their complicated feelings towards each other, end up being given a lot more space than I had expected from this series, with some of the gayest word exchanges I’ve ever heard in anime. Besides these two, we have several other characters who can easily be read as queer, and who played a huge part in me liking this anime. Also worth a mention, is that this is one of those shows where men do not seem to exist – they are neither mentioned nor shown.

All in all? I don’t regret watching Blue Reflection Ray, and found it enjoyable despite its flaws. Would I recommend it to anyone else? Perhaps not. It is very tropey – it just happens to have tropes that I’m personally fond of.

Ratings:

Art – 4 Not a fan of the art style. The animation looks cheap, and the 3D parts do not blend in well.
Story – 5 Average, nothing new or special about it. 
Characters – 7 Tropey but likable. Sweet interactions.
Yuri – 6 Thanks to a certain pair in the later half. (I’d say 3 at most for the first cour)
Service – 3 Less than your standard anime. Uta is responsible for most of it.

Overall – 6 Average but enjoyable.

Erica here again: Thanks so much for taking a look at this series for us! I started to watch it, but found the style (which I suspect is in line with the game, but felt very basic to me, like a really good high school animation project,) and the predictability of the storyline a little too thin on the ground for me. I am glad to hear that it gets better in the second cour, and maybe will just skip a bit. ^_^

Posted in English Anime, Guest Review, Yuri Anime | 5 Comments »


Kaketa Tsuki to Donuts, Volume 3 (欠けた月とドーナッツ)

October 19th, 2021

What is love? How do we fall in love? What does that even mean? How do we make space in lives that are full already, for other people?

In Kaketa Tsuki to Donuts, Volume 3 (欠けた月とドーナッツ), Hinako and Asahi are wrestling with these questions and others. They aren’t the only ones, either.

The story begins with a crisis from an unusual quarter: Subaru is not planning on taking the college exams. Asahi, who has been working on the assumption that her younger sister would go to university, is confronted by an immovable will. Subaru has watched her older sister sacrifice everything for her and, frankly, doesn’t want that any more. They have a fight, Subaru says she’s leaving. Asashi insists it’s too late, so she’ll leave. And so she does, ending up with Hinako.

This precipitates a crisis with Fuuka, who is tired of waiting to be noticed. It’s too little, too late, but it does clear the growing miasma. Asahi and Hinako both have come to a realization about what they want…but they both, in their own different ways have no how idea to understand their own needs and desires. More importantly, they haven’t found a way to talk to each other about it all.

I love this series. I love how complicated every character is, how neither Asahi nor Hinako have any context for what I’ll call romantic affection in their lives, for completely different reasons. Asahi, who has prioritized her sister, is discovering her sister has other plans than the track Asahi expects. When that sister is off on her own, will Asahi even be able to prioritize herself? Hinako had been trying to fit herself into a path that does not fit and ever day is finding that path more confusingly unsuitable… . Now she’s starting to see the direction she needs to head in.

And for both these women, Fuuka and Subaru can see more clearly than they and know that they cannot squeeze too hard, or these fragile emotions will break.

I am interested in a frank conversation Fuuka and Hinako have here, about Hinako’s desire for Asahi. Hinako realizes that, while yes she does want to be with Asahi, she does not seem to have desire for her. As I am reading ahead a bit in Comic Yuri Hime magazine, I hope that this expression of asexuality is not tossed aside causally as it was in Bloom Into You. I’d like to see Hinako continue to be asexual, as opposed to her having never felt desire for her boyfriends because they were guys. For no particular reason I can verbalize, I trust Usui Shio-sensei more on this matter. I may be wrong, of course. It’s clear that Asahi and Hinako are on a course to, at the very least, be by each other’s side. What that relationship will look like is still in the future…but not that much more in the future, as this series is ending with Volume 4. (This link goes to Yuri Anime News, a great bunch of folks who translate JP Yuri news into English. Follow them on Twitter!)

Could I read about these characters forever? Yes. Should I? No. This story is going to end, and that’s okay. Usui-sensei has more to come and I will be here for it.

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 6
Service – 0

Overall – 9

Volume 2 of Doughnuts Under a Crescent Moon is out now in English, from Seven Seas and Volume 3 will arrive next March. You can pre-order it through this appropriately labeled affiliate link to Amazon, or, as soon as it’s listed on all of our multiple vendors, on the Yuricon Store. ^_^

Posted in Usui Shio, Yuri Manga | 2 Comments »


Whisper Me a Love Song, Volume 2

October 18th, 2021

Eku Takeshima’s Whisper Me a Love Song, Volume 2 is genuinely adorable, about relatable, charming characters, an idealized school setting and conflict so small and so satisfyingly reconciled that “cute and fluffy” don’t come close to doing it justice.  Amid the noise and haste of the world, this series is an oasis of innocence and joy.

Here in Volume 2, the major conflict on Himari’s side is her idea of what love is does not seem to be matching up with Yori-sempai’s but…and this is a huge but…both she and Yori are thinking about it and talking about with friends and each other. They agree on a course of action to try to see how their feelings will resolve by going out and spending time together. Well…that’s pretty much the point of dating, so rock on girls!

In trying to think of a way to describe this series to a group of folks in order to talk about why publisher ratings are madness, I mentioned that in 5 volumes of this series there’s been nothing more physically intimate than a kiss (and that of those 5 volumes 2 have been mostly taken up with a battle of the bands) and yet, it is rated 16+. I’ve been a manga publisher, I know why publishers are required to be cowards and how that very rating  that protects the publishers can  be a hassle for librarians. I hope that we’ll talk about that in an upcoming panel, in fact.  This is especially crazy when you realize that Even Though We’re Adults and I’m in Love With the Villianess are both give 13+ ratings and both are way more openly queer and adult. All three have different publishers and comparing across publisher is awkward, but, c’mon Kodansha. I’d happily recommend this series to 11 and up, it’s that carefree and well, harmless. I don’t think these ratings are an evil conspiracy, but it’s worth discussing why these choices are made.

Takeshima-sensei’s art really conveys Himari’s joy beautifully. Kevin Steinbach’s translation is fantastic – Yori’s voice in this volume is more perfect than the voice I read her in. At one point she said something and I though, “YES! This is exactly right!” Her cool factor is upped by several degrees, without sounding too adult. Well done. Jennifer Skarupa’s letter matched this perfectly. I’m not sure the last time I absolutely could hear every character so clearly. Tiff Ferentini did a bang-up job on editing because we never notice the editing ^_^  Well done to the entire Kodansha team.

Ratings:

Art – 7
Story – 8
Characters – 9
Service – 0
Yuri – 8

Overall – 8

 

Whisper Me a Love Song is a sweet treat of a Yuri manga. A genuine delight. Volume 3 and Volume 4 are available in English
and Volume 5 is available in Japanese

Posted in English Manga, Yuri Manga | 3 Comments »


Jigoku Hanazono (地獄の花園)

October 17th, 2021

Jigoku Hanazono (地獄の花園) is absolute trash, hilarious and unforgivable, and probably puzzling to anyone who isn’t deeply interested in girl-gang lore. It’s a movie tailored almost perfectly to my tastes. It will be released on DVD and Blu-ray in Japan in a few weeks, available through this transparent affiliate link.

Tanaka Naoko is a totally typical Office Lady in a large corporation that employs a large female workforce. The workforce has split into factions very like the “Ladies” gangs. Naoko, and her typical, non-faction colleagues, end up dodging the inter-departmental battles that break out between the various factions. Until one fateful day all three factions at her corporation encounter Hirose Ran, who transfers in and takes them all over. For a time, peace reigns.  But when other corporations hear of Ran’s power, they begin to encroach upon their territory, and Naoko is kidnapped to lure Ran into a battle.

And then the movie gets weird.

If you take a look at the official cast page, you’ll note the thing I like best about this movie…and the thing I liked least.

The thing that immediately become obvious, is the heavily embroidered gang outerwear, reminiscent of tokkou-fuku of Japanese motorcycle and scooter gangs, only in bright colors worn over office uniforms. The factions mimic gangs in patois and behavior as well, which is always sort of ridiculous in media, but especially so as it’s played for laughs here.

You’ll also note that one of the corporations has a gang in black and that all the women in that gang are played by men. This is something I have encountered in a few other gang or gang-esque movies, like the live-action Cutey Honey movie…the most powerful women are played by men and are thus meant to be grotesquely ugly and horrible.  I do not approve. First of all, women are completely capable of being grotesque and ridiculous on our own, thanks  In this case, it is again a woman who is the most powerful, so that’s cool. And the men are seasoned actors with years of yakuza dude roles under their belts, so that worked as well. Overall, it was no more than another eye-roll in a movie basically built out of eyerolls. All of the actors chewed up their roles with gusto, which helped the movie hustle along to it’s utterly ridiculous end.

A palpable friendship builds up between Naoko and Ran and it becomes the lynchpin of the climax, so I really cannot tell you what happens. You’ll *have* to experience it for yourselves. I will tell you that any and all Yuri is punted off the roof in the final, bewildering scene that is so gobsmackingly ridiculous that it is almost funny, but still really annoying. Naoko agrees, is all I’m saying.

There is an English-subtitled trailer from FujiTV, which I hope means this will make the rounds of western Asian film festivals next year. I’d love to do a watch party with you all.

 

Ratings:

Cinematography – 9 Perfect and awful
Story – 9
Characters – 9
Service – 0 Not really, but tropey gang fights is a kind of service
Yuri – So close, but no

Overall – 8

Really hoping for an EN release, but the JP Blu-ray is in my cart, baby.

Posted in Live Action | 2 Comments »