I’m in Love With the Villainess, Volume 3

June 8th, 2021

As I said of the Japanese edition of  I’m in Love With the Villainess, Volume 3, “We’ve already established that all norms are off the table in this series, so the plot here is a little bit of everything – school drama, romance, socio-political drama, and some other things and then the demons arrive. From this point on the book is spinning plates and juggling balls and then an axe or two on a high-wire.”

And indeed, we are handwaved into an idyll that will be shattered, trod upon, and sliced and diced and none of it – not one word – hit me as hard as the final scene in a throwaway side story. (T_T)

Former daughter of the nobility and school villainess, Claire Francois and her wife, the supernaturally powerful and gifted protagonist of the game Revolution, Rae Taylor, are living a reasonably comfortable life. Given that this life was built in the ruins of a revolution to take down a monarchy, it’s a very sweet life. Their adopted daughters are energetic and precocious. They have jobs. Why would anyone give up all that they have carved out for themselves?

The answer is of course that Claire believes in her upbringing – that, as a (former) noble, she has standards  and serving her country is the core of her beliefs. That her country is, maybe less worthy than she hoped, is a given. Instead of rethinking society into a more equal structure, all the government wants to do is create a new kind of second-class citizen of women and queer folks. That’s only just about 100% likely.

But instead of wrestling with rich men’s refusal to share power, we head off to the Nur Kingdom. At which point, I would like to digress and discuss my personal interpretation of the country names. As I see it, they are as follows: Bauer is kind of Germany; Alpes is Austria; Sousse is Switzerland. That’s kind of straightforward.

Okay let’s do Nur. In Japanese its written as ナー, so more like “Naa”

What country might that be? Hm, I wonder what aggressive militaristic country is threatening to Japan right now. It’s not hard to see that Nur is China, and Rusha (Russia) is “north” of that.

I want to note that Frieda, who affects a fake French accent here is from Melica, or, as I think of it, ‘Merika. Because ‘Xico and Nacada (or something like that) will get a mention next book and there will be reasons. So, while this is my interpretation and not at ALL a criticism of the translation, I think of Frieda as a really annoying American. For reasons.

As I thought of all this, I realized that, in the smallest and most tedious way possible, I’m kind of in Rae’s position. I know what’s coming, but I don’t know how it might turn out, only how it has turned out, when it’s over.  So gosh, how irritating for Rae. ^_^;

In any case, as with Volume 1, Volume 3 is mostly introduction and set up and I will also say that not every question posed here will be answered in V4. Which is why I stare with longing at GL Bunko’s listings waiting for a V5 to be listed.  inori-sensei has also posted all the final chapters of this arc and her story from Claire’s perspective on pixiv fanbox and I hope that will bring up the page count enough for the next volume soon.

Now I will return to reading the manga for my fix. And waiting for V5 in Japanese or V4 in English, neither of which have a date as of yet. In the meantime, we may enjoy the sweet scenes of domestic bliss, holidays and celebrations and what will pass (for now, eff you new government) as their wedding. And that’s still not the queerest part of the book.

I mentioned that the emotional impact here for me was, rather than the childrens’ trials, the final chapter where Claire experiences a Rae who does not love her and how bereft her life becomes. That one got me in the gut.

Ratings:

Art – 8
Story – 9
Characters – 10
Service – Kind of, but I’m alright with any and all of it.
Yuri – 10
Queer – 10

Overall – 10

There are STILL questions I have even after Volume 4. In the meantime, I have one question for you – what did you think of Dorothea? I adored her, as you might imagine and need a lot of fanart of her. ^_^ Sadly she’s too cool and competent (and adult /eyeroll/) for most fan artists, who seem to prefer Lily or Philene. Sigh. Poor me.



Sailor Moon Eternal on Netflix

June 6th, 2021

2021 has been an “interesting” year in every meaning of the word, In the middle of so much wonderful and awful news, Netflix announced a Global (excluding Japan) release for Sailor Moon Eternal, Parts 1 & 2. The movie had been delayed in Japan, due to the pandemic, then pushed out in between two lockdown state of emergencies this past spring. Given that this, of all the arcs, is least likely to appeal to any adults not already fans of the series and being the one most likely to need a very young audience, it’s kind of obvious that it was being set up for failure as a theatrical release. Making it two movies didn’t help, as it forced people in Japan to make time *twice* to sit with other people in a small room for an hour in a pandemic. Frankly, the whole thing was so poorly handled, its a wonder we actually got the thing at all.

But we did, in the end, get the thing. And you know what? I think it was pretty darn good! Certainly better than I expected.

Sailor Moon Eternal, Part 1 is a re-introduction of the Inner Senshi without rehashing much of the history from the first three seasons of Sailor Moon Crystal. In rapid succession we meet Usagi, her daughter from the future, Chibi-Usa, and her boyfriend and eventual eternal consort, Mamoru. If you don’t understand their super weird dynamic when you begin the story, it is going to be super weird. This sentence was written for my mother who says she’s going to try to watch it. I’m just saying, that if you walked into this part cold, it would be befuddling.

Both bad and good, we spend almost no time with the Amazon Trio. On the positive side, we don’t get endless rapey chest mirror scenes, but on the bad side, the gender queerness of Hawkseye and Fisheye ends up reinforcing negative tropes. Of all the characters in the entire series, Fisheye is my  #1 vote for why this series desperately needs a full rewrite to bring it up to date with  modern understanding of gender and sexuality. I want a Sailor Moon in which she gets a chance to tell Hawkseye and Tigerseye that she was Assigned Male at Human Transformation.

Thankfully, we also got a brief moment with each of the Senshi in a relatively pure form. Character tells us her dream, powers up, defeats baddie. I love when the spirits of their planet castle come to help them power up, so swoon on that for me. It’s basically the only part of this manga arc I really like.

Voice acting (I watched the sub, as I am wont to) was great, I want to shout out to Watanabe Naomi for absolutely doing a Zirconia that was actually creepy.

Sailor Moon Eternal, Part 2 is begins with the Outer Senshi and again, this was the strongest portion of the movie. It was outstanding to see Haruka, Michiru and Setsuna recognize their vows to be a family and raise Hotaru, their happy home life together, and this scene in particular:


If the whole thing had stopped here, that would have been fine. ^_^ Along with I’m in Love With the Villainess, Volume 3, this has definitely been the year of the Yuri family. ^_^ When I log into Patreon, the thing that is written in this space is something like, “Why are you creating today?” or “What have you worked on today?” or something like that… Well…this image right here is why I am still writing Okazu. THIS is why I am creating today, So that someone looks at this and says, “That there is my ideal world I want to create.”

I consider the Amazoness Quartet a whole wasted opportunity every time. They deserve better than just being sent back to sleep. Can someone give them a decent comic arc, please? Saturn stepping up as Chibi-Usa’s companion was nice, but the Asteroid Senshi still deserve their own story.

I very much liked seeing the Senshi in their Princess (i.e. dressed-up) forms and the final powerup scene was beautifully done.

Most importantly, I want to give props to the animators for killing the transformation sequences. I could watch just them and the attacks and be happy. And, finally Saturn has an official henshin, yay! For once, the extra time Toei got from the delays went to taking better care with the animation. Kon Chiaki’s direction was on point and the whole package is that, as a theatrical experience, Sailor Moon Eternal was not going to let us down, as earlier seasons of Crystal had.

I’ve been thinking about this specific issue a lot. There’s something to be said for making sure people assigned to the creation of a beloved series give a shit about that series. Viz was doing really well on that score, until this release, when they and Netflix allowed a man who has been credibly accused of sexual assault of an industry colleague to be involved with the production. Lynzee Loveridge has written poignant and heartfelt coverage of this and I have to say I really feel her.  Almost 30 years of upskirts and down shirts (Part 2 was especially obnoxious in this regard) and sex pests infesting every aspect of this series – for little girls – sends a clear message that we will never ever be free of the creeps as long as all those “nice” guys let them have power and influence.

Just as impactful for those of us who rely on translations and adaptations – localization companies who put any old translator or actor on a series that is, in the original language, a breakthrough of representation for a marginalized audience,  is going to come off looking like they intentionally insulted that audience. It’s not 1995 and it’s not okay to put a vocally anti-trans person in a role that is trans or trans-adjacent, for instance. It’s not acceptable to put someone who doesn’t *care* about language used by a queer writer to tell a queer story to translate that story. When you pick some guy to direct the world’s most famous series for little girls, he’d better LOVE that series to death, or get him the fuck off the project. Sailor Moon Crystal Season 1 looked like crap. There has yet to be an edition of the manga into English that I think is better than okay. It’s been more than a quarter of a century. This stuff is important.  It’s time for a power up.

Ratings:

Art – 8
Story – 6
Characters – YMMV on every last one of them, but we voted 9
Service – Yes, sadly – 4
Yuri – 8

Overall – 8

So, overall, the movies themselves are very well done, men who are sex pests suck and this series needs an overhaul. If I had the time, I would definitely be inclined to rewrite the whole thing. ^_^

No we sit back and wait for for news of the last season. Again.

 



Yuri Network News – (百合ネットワークニュース) – June 5, 2021

June 5th, 2021

Thank you everyone who came to the Mechademia panel at too-effin’-early today! And my very sincere thanks to James and Verena for being fabulous panelists. As a result of our conversation (because we had so little time and we could talk about this for hours!) we’re going to try and arrange a panel for Yuri Studio sometime so you all can watch us natter on about Yuri…and we’ll record it this time.

So, stay tuned for that. I’m super excited about the idea, but timing will be the issue.

 

Yuri Manga

Even Though We’re Adults, Volume 2 drops this month. What will become of Yukari and Ayano, now that Ayano told her husband how she feels about the other woman?

Via Yuri Navi, Atsui Hifuu (あつい皮膚) is about a girl with atopy (a disease in which a body’s immune system triggers extreme allergic responses to common stimuli) and a girl who she meets in a library. It’s a kind of sweet story, with fairly grotesque (both figuratively and the other figuratively) art that you can read for free in Japanese on Kurage Bunch.

 

Patron support for Okazu helps us give our Guest Writers raises
and support more Yuri creators!

 

Yuri Light Novels

I’m in Love With the Villainess, Volume 3 is here! If you’re in Japan and get a chance, next week will see a WataOshi pop-op shop and yes, they are doing online sales. Woot woot.

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Volume 4 is on it’s way at the end of the month.  I’m so backlogged, I still haven’t cracked open Volume 3.

Adachi and Shimamura, Volume 5 hit shelves this week, as well.

 

Yuri Anime

Racing to the front in the “perfomative Pride” category is HIDIVE, who reminds you that they now have a LGBT genre category on their platform.

Coming in a close second is Funimation, with Essential Anime That Expands LGBTQ+ Representation by Aedan Juvet.

It’s rough for anime companies, honestly, since most anime is trash entertainment and I don’t want to harsh anyone’s joy, but once more for the folks in the back – if you want to show support, drop the rainbow logos, don’t make us beg for appropriate tags…just support your queer staff with inclusive policies, promote your queer content, defend it against assholes. Thank you.

Speaking of Funimation, Magic Knight Rayearth is aliiiiive~~~!!! After you finish up Sailor Moon Eternal and want to find something next to eat those Planter Cheez Balls while watching, Magic Knight Rayearth is the CLAMP you need.

 

Yuri Games

Yuri Empire has done a damned comprehensive roundup of all the Yuri games and news for June.

 

Queer Comics

Hazel Newlevant has a terrific comic on The Nib, Before Stonewall… about acts of queer (most often trans) protest before the famous NYC Stonewall Uprising.

Via YNN Correspondent Laurent, Volume 1-6 of Stjepan Šejić’s very queer, beautifully drawn BDSM comic, Sunstone is available by the author for free right now, while he works on Volume 7.

Ren at Bring The Tea has written a perspective piece on anime and manga, titled The shifting landscape of queer narratives -with a focus in the 2010s.

Superstar lesbian comic artist Jennifer Camper has interviewed superstar lesbian comic artist Alison Bechdel in When Alison Bechdel says comics are her ‘other girlfriend,’ you’d better believe it for Xtra* magazine.

Superstar Queer Comics Artists, The Movie, No Straight Lines, is making its way around film festivals, with a premier at the acclaimed Tribeca Film Festival. You can get it at home to watch on June 13th. (I will definitely be doing that. For $15, it’s a steal.)

 

Other News

Oh. My. God. Someone has made the perfect movie for me. Jigoku no Hanazono (地獄の花園) about Office “Ladies” and if that pun doesn’t make sense to you then the whole thing will be befuddling, but trust me, it’s hilarious.

 

Become a YNN Correspondent:  Contact Us with any Yuri-related news you want to share and be part of the Yuri Network. ^_^

Thanks to our Okazu Patrons who make the YNN weekly report possible! Support us on Patreon to help us give Guest Reviewers a raise and to help us support the Yuri ecosystem!



Mechademia in the Morning

June 4th, 2021

Again, I intended to talk about something else today, specifically, Sailor Moon Eternal, but I have a fever and I have Mechademia at barely awake o’clock tomorrow, so I’m taking another day off.

Meet James Welker, Verena Maser and myself online at Mechademia for Transporting Yuri Across Borders  June 5 21:00 JST (8 AM US EST, 1PM BST). I’d love to see familiar faces in the virtual audience!



Taking the Day off to Yuri

June 3rd, 2021

I said in yesterday’s review that today’s would be intense, but I lied. Today, I am reading I’m in Love With the Villainess, Volume 3, which is out in digital for at last! Yay! Feel free to tell me your thoughts in the comments! All praise for Dorothea will be welcomed.

And, of course I will be watching Sailor Moon Eternal on Netflix tonight. My least favorite arc of the entire story, but if I get a couple of good Haruka x Michiru moments, (and I think I might) it will have been worth it. ^_^

See you tomorrow. I got Yuri to do. ^_^