MURCIÉLAGO, Volume 16 (ムルシエラゴ)

June 18th, 2020

Well. I didn’t expect that. When I told the Square Enix folks that I enjoy MURCIÉLAGO because it has some of the ugliest lesbian sex I’ve ever seen, I did not expect them to take that as a compliment – which it was totally meant as, mind you. MURCIÉLAGO, Volume 16 (ムルシエラゴ) begins with an extended, explicit ugly lesbian sex scene between the former high school bomber and her sex slave. Well, okay then.

Then we drop back into the storyline of the “Comedy Writer” and the Elder God-inspired Bugg Shash Circus. BUT, far more importantly we finally see something we knew had to be there, but we’d never seen it before. For the first time ever, we see Hinako completely unhinged and murderous. It’s been implied a number of times that she is capable of extreme violence, the police have talked around it. We’d seen Hinako be reckless and unhinged from reality, but we’d never seen the combination of all three. And it’s as ugly as you might imagine.

I would, therefore, expect a Hinako storyline in this series’ future. But in our present, Hinako is once again returned to the loopy and only slightly (within normal parameters for this series) violent person we know. We have a little breathing room until late July when Volume 17 is on the market in Japan.

Ratings:

Art – 8
Story – 7
Characters – 8
Service – 10,000
Yuri – 10, but its ugly

Overall – 8

This series has it all…if by “all” you don’t mean literary value.

It does have, as I said, an explicit lesbian sex scene, some generic bathing scenes, and extraordinary violence and a creepy murderer. Oddly, not one of these things involve Kuroko. She spends the volume having a polite conversation before killing someone neatly and quietly.

Huh.



Mizuchi 白蛇心傳 Visual Novel from Aikasa Collective, Guest Review by Louise P

June 17th, 2020

It’s my favorite day of the week today, Guest Review Wednesday! And today we have our Senior VN reviewer Louise P to tell you about a lovely new VN by the folks at Aikasa Collective. So, welcome back and  take it away Louise!

If you watched anime in the early 00s you probably were sick of sitcom shows set in some remote home, often Japanese style, filled with a bunch of young people who will not communicate properly, that we were supposed to find cute. Something that was very hard to do when characters were constantly in conflict due to either ignorance or malice. 

It’s wonderful then that we have Mizuchi, which follows Linh after she is rescued from being executed by Ai, a mysterious snake woman that Linh sees as a goddess. Linh ends up living with Ai and the two are later joined by Jinhai, a traveling former monk who has a lot of history with Ai.

Mizuchi‘s setup might sound familiar to you but that is where the similarities end. For starters while Linh may be the main character Ai and Jinhai are not jealously competing to seduce her. Instead we are given time for everyone to get to know each other in the usual manner for a visual novel, by talking about the food they are going to eat and the little quirks in the languages they speak.

But this is a yuri visual novel, we’re here for romance. Mizuchi does well by clearing the low bar of ensuring that the characters fall in love as they learn about and help each other. We fall in love with Ai along with Linh as she walks us through ‘baby’s beginners book of feminism’. Jinhai has plenty of opportunities to be dashing and kind so that by the time the game contrived a reason for Linh to fall out of a tree into Jinhai’s arms I was ecstatic rather than bored. 

It was really nice that so much of Linh’s time with Ai and Jinhai is learning skills and knowledge from them that were denied to her by her family or by wider society. Linh doesn’t just fall in love with Ai and Jinhai but also improves herself by learning from them and being mentored. Linh’s grows from someone who just goes along with what people set for her into a person committed to deciding their own fate. 

The story doesn’t ignore Ai and Jinhai’s relationship either. They are charmingly written like they are a pair of on again off again ex-girlfriends. It is delightfully clear in the way that the two both snipe at each other but also have nothing but good things to say about each other when they are alone. Ai will openly admit to how noble and kind Jinhai is but then at the same time she will wave a freshly butchered pig’s head in front of the very vegetarian ex-monk.

Mizuchi capitalizes on this charm with some of the best sprite animation since Heart of the Woods. I’m not a fan of sprites taking center stage, however the sprites in Mizuchi are endlessly endearing. Characters settle behind tables, slide smoothly in and out of frame and all three main characters have expressions that match them well. Particularly with Ai and Jinhai who have exppresions that play to their strengths to get the reader to fall for them in the same moments Linh does.

Sadly this wonderful found family situation is often hijacked by the wider framing. Whenever we are reminded of the village Linh has escaped from, the story develops a mean streak that does not gel with the scenes of day to day life.

At the beginning of the story, Linh is saved from execution in her hometown by Ai. This was brought about by a wrongful and sexist accusation of adultery. However Linh regularly desires to return to her family who we had last seen giving her over to a bloodthirsty mob. How she expects this to work out on her return is not something the reader ever learns it just becomes irrelevant way too late in the story. So at several points in the story we have Linh, our main character, pining to return to a town that we the reader have only come to hate. It is a real mood whiplash.

This is further compounded when Ai, the person who overtly points out the cruelty in patriarchy, constantly has her power demonised both in the story and by Jinhai. Whenever Ai gains or exercises power within the story she is criticized so much more than any of the men who willfully harm others for their own gain.

Jinhai openly says that if Ai were to rise to her true potential Jinhai would seal her. When this inevitably happens in the climax of a few routes Jinah jumps to seal Ai away even though the only reason Ai is transforming is to deal with a far more malevolent threat. A threat that is overtly male coded compared to whatever threat Ai poses. 

For a story about three women living together, where the main character is saved from being executed by a society that has deemed her worthless, having the final conflict being: “Oh no our powerful friend is now too powerful.” seems like entirely the wrong tone to take. 

Which is a shame because as I said earlier for most of the game these are charming characters who play off each other well and respect each other. Perhaps the best part of the game as a whole was that all three never stopped being friends in any of the routes. No matter who Linh ends up with the other never becomes jealous just to throw some additional conflict into the situation. Mizuchi does know that it is possible to be happy for others.

The story of Mizuchi is, at its core, one of three women supporting and nurturing each other, that eventually blossoms into a love that helps all of them become better people. A good relaxing summer romance read.

Ratings:

Art – 9
Story – 7
Characters – 8
Yuri – 6
Service – Well there are sex scenes and bathing scenes 10?

Overall – 7

Erica here: Thank you so much for the review. This sounds like it really hits all the marks on narrative, and style. Thanks for walking us through it. ^_^ Thanks very much to Aikasa Collective for the review copy!



Pride For My Queer Otaku Family

June 16th, 2020

I like this one for the feels this series made so many of us feel.

 

When Pride Month 2020 began, I was absolutely, positively sure that we would not be celebrating. I believed, from the very depths of my heart, that this Pride Month, would be about enduring, about protesting, about reminding the world that we were still here, still queer and still shouting about the same exact kind of police violence against black and trans bodies that sparked the Stonewall Uprising. I began this month on Twitter by promoting black otaku voices. I ended up following a whole bunch of amazing writers and made a couple of new otaku friends. It was only one thread, but it has become an entire skein of relationships.

This week, I was reminded that last year I posted a queer manga a day for Pride month. It was a lot of work, but it was such an amazing feeling knowing that there was so much great queer manga out there and so much of it already in English. I had thought about doing that again, but it felt totally wrong in light of the protests across this country. To some extent, these are the same protests, the same protest we have been having since the Women’s Suffrage March, since the Selma to Montgomery, Stonewall, the Women’s March and Occupy Wall Street, even. This is the march of progress, a march of defiance of hatred and violence from the authorities, of toxic masculinity and predatory capitalism. BUT – and this is a big BUT – recent protests are also very specific protests against a specific war being waged specifically on black Americans right now. This is the legacy of the slavery and violence upon which this country was founded. This is the legacy of Jim Crow and the KKK and the Lost Cause Doctrine. And I didn’t feel entirely right about obscuring the protests against police violence and with some frippery.

And then, incredibly, the Supreme Court of the United States, this week, has affirmed employee rights for LGBTQ Americans. And while the gay community has fought hard for this, frippery is also kind of our thing (as it is the otaku thing.) As a queer otaku I thought, fuck it, I’m going to celebrate Pride month somehow.

I thought hard about how I wanted to celebrate my immense pride in my queer otaku family, without stepping on anyone’s neck to do it. And I think I came up with the right way, but first I want to just tell you how proud I am of all of you. Those of you who have come out, and everything it cost you to do that. Those of you who have not and everything that it is costing you to do that. I am very proud of my queer, LGBTQ+, Gender and Sexual Minority otaku family. You are a delightful and fun and funny, you make my fandom full of glitter and joy.

On Twitter I have started a new thread:

So if you are a queer otaku and have a thing you want shared (except for fansubs or scanlations, because please don’t,) jump on that Twitter thread and I will RT and share! If you just want to say ‘hi’ in the comments, that’s fine, but I will ask straight allies to please be mindful that this is a party and today is not the time to talk about you, your allyship or the dismal state of LGBTQ rights elsewhere. We know. We’re working on it and right this second, in the middle of all the stupidest dystopian plots colliding in a maelstrom of hellish news, we’re taking a day off.

So…almost unbelievably, happy Pride month, my beloved queer otakus. I’m so very proud of everything you’ve accomplished. ^_^



Kunoichi Bettegumi Igarashi Satsuki, Volume 2 (くノ一別手組ー五十嵐五月)

June 14th, 2020

While we are all waiting for the Seven Seas release of I Fell In Love With the Villainess, (of which I had read the first few chapters in Japanese before it was licensed and have forgotten to go back and read more…) I wanted to take a moment to review a different GL Bunko series that I – with at least partial sincerity – hope you will be able to read as well, one day. It has not yet been licensed as of yet.

But before I do, I want to take a moment to revisit the first GL Bunko novel I read, back in 2018. GL Bunko had decided to do their own translations and began with GIRLS KINGDOM 1 & 2, the first two novels in a much larger series. Despite some technical and stylistic problems, I found it to be quite enjoyable. In my review I said, “The unpolished translation actually served the comedy aspect of the book well. What might be less beneficial if the book were to have been a drama worked here…presuming that this was meant to be a comedy.”  I mention this because today’s review will, I think, allow me to respond to this with some expertise. ^_^

Earlier this year I took a look at a third GL Bunko series, Kunoichi Bettegumi Igarashi Satsuki, Volume 1  and found it to be highly entertaining; ridiculous in a hundred different ways, but grin-makingly so. So here we are today, at Kunoichi Bettegumi Igarashi Satsuki, Volume 2 (くノ一別手組ー五十嵐五月).

Igarashi Satsuki is a swordswoman who was hired to be the protector of Vlad Dracula, a silver-haired, white-skinned, red-eyed businesswoman from England (by way of Eastern Europe, we are eventually told.) Satsuki’s life as a trained swordswoman has been completely upended by Vlad. Not only is she now living in the wealthy foreign ghetto in Yokohama, because of her girlfriend maid Clare, she is now reasonably fluent in English, as well.

In Volume 2, the cast is joined by Kinu, Satsuki’s family retainer and highly trained njnja (finally, an actual kunoichi!)

Christmas is coming to Yokohama, and Ambassador Neal is planning a big Christmas party for the English community of Yokohama. Only Mishima-san, the head of what we’d consider the police force, is very anti-foreigner and appalled at the idea of a birthday party for a foreign God on his soil. While Satsuki functions as interpreter, Mishima makes it really clear that if…when…something should happen to the English embassy, it’s not on his hands, except of course, it will be at his instigation.

Worse, Satusuki is asked directly by the Yokohama magistrate -an old friend and mentor- to definitely, positively not be at the party or wear foreign clothes. Just in case, you know.

Clare, on the other hand has a real crisis coming up – she’s been promoted! Admiral Cooper’s daughter Scarlet has gotten Clare a position at the Embassy as a parlor maid. She’s been working on her language and etiquette and this is a huge step up for her…but the Embassy will be moving to Edo in the new year and she won’t see Satsuki anymore! She asks Satsuki to make sure she comes to the Christmas Party.

Vlad hires a Japanese painter who studies European art, Kane, to do some portraits. Kane sees Satsuki and Clare interact and explains Yuri to them, only 150 years before it actually exists as a term,. ^_^

The art is not what I’d hope, but then again, neither is the writing. It has that distinctly fanfic-ish tendency of adding /fact I learned today about a thing/ in the text that is both excruciating and charming. My favorite example is the definition/description of a “waistcoat” as a “kind of a vest” both waistcoat and vest in katakana. As an equivalent, I might describe/define a “wakazashi” as a “kind of katana.” ^_^

Anyway, Satsuki is predictably fitted with dress and, ultimately a suit, thank you very much, and yes goes to the party, fights off the surprise attack with Kinu and gets a kiss under the mistletoe from…Vlad.

The end.

Of course it’s not the end. There is a third book (there’s an assassin after Satsuki!) and yes, I am going to read it. ^_^

Ratings:

Art – Erm…sort of okay?
Story – 8 Vlad might as well be an albino for all the blood she sucks here
Characters – Kooky, kind of lovable and wholly unrealistic
Yuri – 6 See above
Service – Have you read anything I wrote? Satsuki is fitted for clothes… Yes, service.

Overall – 8

The world’s worst vampire is Vlad
Which is to say that she’s not all that bad
That glass isn’t blood, it’s just wine
Her suit’s mighty fine
She just drives Satsuki a little bit mad

But now, after having read 4 and half GL Bunko books, I can finally address that point, from my first review with yes – I believe the comedy to be wholly intentional. These are goofy books and very fun to read. I hope Villainess is similar.

The cover art is Scarlet and Clare.

 

 

Artist Kane on the left.
Satsuki’s not-at-all Christmasy dress in the center.
Vlad on the right.

 

 

 

 

 

 

Satsuki is her suit fighting off the surprise attack by anti-foreigner ronin. She likes the boots and pants…it make it easy to kick.

Kinu with her sulfur smoke bombs on the bottom.



Yuri Network News – (百合ネットワークニュース) – June 13, 2020

June 13th, 2020

We have officially reached the tipping point, I can no longer keep up with all the Yuri coming out in either Japanese or English. Yay! (I mean, “Boo!”, but you know what I mean. ^_^) Today I’m playing catch up from a couple of week’s worth of being busy with the Yuri Panel.

Yuri Manga

YNN Senior Correspondent Eric P. wants you to know that Revolutionary Girl Utena: After the Revolution is now available for pre-order. This print volume is slated for an October release and follows the Student Council members 20 years after the events at Ohtori. I reviewed the Japanese edition here in 2018.

Speaking of Utena, Comic Natalie reports that director and co-creator Ikuhara Kunihiko has some commentary on the obi of the upcoming Mayu, Matou, Volume 3 (繭、纏う) Hara Yuriko. That seems right up his alley! ^_^

Lilyka has announced their first print book and…it’s not one of their doujinshi at all, but a print volume of Love To LIE Angle, the “comedy” manga from Comic Yuri Hime.  I’m sincerely disappointed in this choice.  I was actually hoping we’d be getting a collection of Ruri Hazuki‘s stuff, or SWHD.

Via Yurimother, we have news of a Yuri collaboration on Webtoon Canvas between 15 artists, called A Girl’s Love Collaboration.

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On the Yuricon Store we have a lot of new items!

Tamifull’s How Do We Relationship? Volume 1 is out now from Viz Media. I just started Volume 4 in Japanese last night. I have complicated feelings about this series. Check out my 2019 review of Volume 1 in Japanese.

Éclair Rouge: A Girls’ Love Anthology That Resonates in Your Heart (Book 4 of the Éclair anthology series) is hitting bookshelves in September. I reviewed Éclair Bleue this week, if you missed it. ^_^

tMnR’s If I Could Reach You, Volume 5 is available for pre-order, looking forward to a September print release.

Chiri Yuino’s bloody fantasy Scarlet, Volume 2 concludes this October in English from Seven Seas.

Sailor Moon, Eternal Edition, Volume 9 begins the Galaxia arc.

Shimura Takako’s new adult Yuri series about a woman falling for a married woman, Otona ni Nattemo, Volume 2 (おとなになっても) is out now in Japan.

And Ohsawa Yayoi’s Hello Melancholic!, Volume 2 (ハロー、メランコリック!) is hitting shelves this week.

Akashi’s Still Sick, Volume 3 is on shelves in Japan (at last!)

 

Yuri Light Novels

I’m in Love With the Villianess, Volume 1 is hitting us in print in November (digitally in September,)  with Volume 2 heading our way in February 2021. If you don’t want to wait, or would like to practice your Japanese, you can find Watashi no Oshi ha Akuyaku Reijou. (私の推しは悪役令嬢。) Volume 1 and Volume 2 in Japanese on US Kindle! (Oddly, the GL Bunko series I’m reading hasn’t been licensed yet!)

Villainess is also getting a manga adaptation which begins in the August issue of Comic Yuri Hime. ^_^

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!,Volume 1 will be out in print in October and available in August digitally.

Ameco Kaeruda’s overtly feminist Yuri isekai light novel, Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress! Volume 1 is now available in print! Volume 2 will be available in print in September. I loved both Volume 1 and Volume 2 when I read them in digital format.

 

Yuri Interactive Novels

Studio Élan’s Yuri Visual Novel Highway Blossoms was very pleasant and now it’s officially getting an sequel/DLC, Highway Blossoms Next Exit on Steam this year! It really looks like they are pulling out the sops with multiple perspectives and several stories.

Creator Natalie Cannon has written in to let us know that she’s created an interactive Text Yuri Novel, Moonrise. Available for the low price of $1.99, Moonrise has multiple player routes and romance options. You can play the first two chapters for free, so give it a try!

 

Other News

Kodansha in Japan is launching a new COVID-19 themed manga project with over 50 artists contributing to Manga Day to Day.

Become a YNN Correspondent by reporting any Yuri-related news with your name and an email I can reply to – thanks to all of you – you make this a great Yuri Network! Special thanks to Okazu Patrons for being an essential part of the team!