Yuri Network News – (百合ネットワークニュース) – March 30, 2024

March 30th, 2024

A blue silhouette of a girl with a white flower in her hair, embracing the earth. Blue block letters read YNN Yuri Network News. Art by Lissa P. For Okazu. Anime News

We have a lot of Yuri-adjacent, Yuri-wishful-thinking and a bit of Yuri anime coming our way this spring.

Alex also has more new cast announcements for Laid-Back Camp,season 3.

This Week In Anime over at ANN asks Did Birdie Wing Start A Golf Anime Renaissance? Yes, and it’s really weird that they thought we cared about the golf. ^_^ Probably the suits at the studios are all just excited about the golf part.

In cute girls doing things, including angst, cutely, Girls Band Cry has a new trailer for the upcoming anime. This is a CGI production and I’m going to be very interested to see what we all think of it, because the trailer is….eh.


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Yuri Manga

Yen has licensed When the Villainess Seduces the Main Heroine (Akuyaku Reijou ga Sei Heroine wo Kudoki Otosu Hanashi.), which I reviewed about a year ago. There are two volumes, I have read one. ^_^ ANN’s Alex Mateo has details.

Ahead of the anime, Whisper Me A Love Song, Volume 8 heads into the Battle of the Bands…and the story behind Aki and Shiho’s uncomfortable relationship.

Via Joana Cayanan on ANN, Ms. Koizumi Loves Ramen Noodles Manga Moves to Monthly Shonen Champion Magazine in October. Staff Writer Christian LeBlanc wrote about the anime here on Okazu in 2018. Let me remind you that nothing good comes of a manga in a Champion magazine, so if you like this manga, maybe proceed with caution.

Heimin No Watashi Desu Ga Koushaku Reijou-sama o Taburakashite Ikite Imasu (平民の私ですが公爵令嬢様をたぶらかして生きていま)  is a digital-only manga about a commoner who makes a living seducing the villainess, by our old friend here, Kitao Taki-sensei.

I’m going back and adding in the remaining volumes (and updating older volume listings) of Kuzushiro’s Kimi no Tamaenara Shineru (姫のためなら死ねる). Volume 8 and Volume 9 are now once again live on the Yuricon Store. This is a comedy about  famous Heian authors Sei Shonagon, and Murasaki Shikibu at Heian court, but with a modern perspective. I’ll work forward and back until the series is complete. ^_^ This manga was originally translated by my publishing company, ALC Publishing for JManga back in the day. Just a historical fact about historical manga.

 

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Yuri Games and VN News

Studio Élan has some updates:  Love in Bottle  will be delayed, Locke & Key still being worked on, and they are doing a Without a Voice Kickstarter. Details are available on their Patreon for anyone to read.

Via Yuri Navi,  Iwakura Aria is a suspense VN following a young woman in 1933 who comes to work as a maid for a wealthy family – secrets are revealed. There are 9 possible story endings and along with animation, the story is told through hand drawn art, as well. It certainly looks interesting! Check out the trailer on YouTube.

 

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A Sheep Princess in Wolf’s Clothing, Volume 2

March 29th, 2024

A wolf girl in a dress decorated with black trim, and a sheep girl in a flowery frock embrace in an ethereal bedroom setting.by Luce, Staff Writer

In Volume 1, we met Aki, a Wolfa butler, and Momo, a Sheepa princess who announced her intent to enter a relationship with Aki. They went on a date with Momo in disguise. Here, in Volume 2 of A Sheep Princess in Wolf’s Clothing, we see the end of that date, where the queen’s friend, a dressmaker, gets Momo to try on a load of outfits that reveal a fair amount of skin, leaving Aki pretty flustered. They also prepare for an event to celebrate Momo’s coming of age, wherein Aki is reminded that Momo will likely have to marry someone soon… and that won’t be her. Just how does she feel about Momo anyway?

The idea of either marrying into royalty or being long lost royalty had been a trope in fiction for centuries. The escapist ideal of being a lost princess, or being the (usually) woman to get to marry a handsome prince, is the older fantasy version of today’s ‘if I win the lottery’. It’s understandable – for the vast majority of people both then and now, royalty and wealth was something far out of reach and only attainable through fiction. You could argue that wish fulfillment is one of the oldest reasons to make stories.

This is sort of one of those. Aki is a commoner, albeit a servant in the royal castle, which must be a relatively high up position, while Momo is the princess that fell in love with her. In real life, this would be a horrendous power imbalance. In fiction, Momo barely acts like a princess, her maid ships them, and it’s clear they’ll get together by the end of the manga, so the politics is just a complication between their happiness, rather than anything to get too bogged down in.

The thing that amuses me is that the fact that Aki is Wolfa and Momo is Sheepa is made very little of. The royal family is Sheepa, and they are in the land of Sheepa, but many of the commoners are Sheepa, too, and while the influence of the moon on Wolfa is noted and commented on several times, this isn’t seen as a problem, just a consideration. If you like girls with animal ears, you have plenty of them here – the mangaka states here that the story started from a one shot, so we get the author ‘wish fulfillment’ here; it’s not stated, but I suspect they just wanted to draw cute girls with animal ears and made the story around that.

This volume actually introduced other ‘races’, although most are in the background, except a hyena character (Hyenaa? It’s not mentioned) Kunya, a princess from another country, who looks similar to Momo’s first love, the reason she shut herself away in the first place. We also get a glimpse of a troubled part love of Aki’s, although no details. Perhaps in a future volume.

I’m not in love with the fact that the first love of Momo’s is darker skinned and clearly not a great character, nor that the Hyena princess, Kunya, feels like she’s set up to be a third member in a love triangle – but at least she seems to be nicer than the other character of colour we see. I’m hoping that Kunya isn’t just a plot device.

Art – 9
Story – 6
Yuri – 8 (I mean, there really aren’t even many men given page time, there are two budding lesbian relationships and previous ones)
Service – 8 (Momo tries on some slightly scandalous clothes, and has a bath. It doesn’t feel super salacious, but it’s there.)
Overall – 7

If you liked the first one, there’s plenty more here to keep your attention. I’ll be continuing to read – hopefully Kunya will get a bit more development, I enjoyed her character.

Luce is collector of books, part time reader, identifies as a book dragon. I can be found on Discord as farfetched1235. I also have a Goodreads as Luce where I do mini reviews on the manga and graphic novels I read, and a Storygraph as farfetched where I do the same with novels and light novels. I hope you enjoy this review today!



Comic Yuri Hime, April 2024 (コミック百合姫2024年4月号)

March 28th, 2024

Framed by an elaborate gold border on a brown background, two girls lay on grass surrounded by little while flowers, wearing dark red school uniforms. A girl with short, pale hair, leans over another girl, playing with her long, red hair.Comic Yuri Hime, April 2024 (コミック百合姫2024年4月号) is an incredibly strong issue of what is turning out to be a very good Yuri manga year.

There are a nice mix of kinds of stories here, from fictional slice-of life, centering adult women, and school girls, as well as some autobiographical works/comics essays, which gives the a- story-about-two-people-in-a situation some depth across the magazine.

Fantasy is fairing well here, with at least five original stories. I always have hope that they will break out of the romance mode into a plot that’s more deeply developed, but none of them have collapsed in on themselves yet and the new entry, “Gakeppuchi Reijou ha Kuro Kishi-sama o Horesasetai!” (崖っぷち令嬢は黒騎士様を惚れさせたい!) starts with a pretty good punch. “Shikabane to Ai ga Omoi Seikishi no Toubatsu Gakuen Life,” “Konoyo de Ichiban Sutekina Owarikata,” “Shikabane to Ai ga Omoi Seikishi no Toubatsu Gakuen Life,” “Salvia no Bouquet,” and “Kiraware Majyo Reijō to Dansou Ouji no Kon’yaku,” are taking up a fair amount of real estate in this magazine right now. None are the same as each other, which is pretty  impressive. This is the most fantasy I’ve seem in this magazine at the same time.

“Watashi no Oshi ha Akuyaku Reijou.” brings Yu’s arc to a rousing triumphal success. It works so well in manga form, too, with Yu being the woman she has literally always been. I don’t know if Rei in jail is a nod to the worst anime frame ever, or a use of the same conceit, but…

 

“Watashi no Yuri ha Oshigoto Desu!” comes to some kind of conclusion. I don’t think we will know what the consequences will be until the end of this volume, but it was good to see Kanako regain some kind of control over her situation. I just really hope she’s come to a healthy conclusion.

“Odoriba ni Skirt ga Naru” by is closest I have to a sports manga and it’s doing pretty well at it, even if it’s focusing on things other than the competition, which suits the theme just fine.

We’re still not getting the kind of science fiction I as a SF reader am looking for, with complex worldbuilding and plot, and in part I think that’s because of the serialized nature of the magazine. Every chapter has to end on, if not a cliffhanger, than some moment of tension, forcing storytelling to sacrifice development for impact. That said, we’re getting a number of fantasy stories that are trying to or are exceeding my expectations.

And of course, there’s plenty of slice-of-life stuff for those of you looking for small crises and resolutions. From relaxing food while camping to the “totally relatable” crisis of a married woman staying with a lesbian and neither of them being capable of having a conversation that lasts more than a panel or two, to the actually relatable story of two women living together, being in love and having fun with it, this was a really excellent issue of a magazine that has truly hit it’s stride this year.

Ratings:

Overall – 9

The May issue has hit JP shelves and waiting for me at the book store! Amazingly, I’m holding steady as she goes with reviews. I have no idea how that is happening. ^_^



Monthly in the Garden With My Landlord, Volume 2, Guest Review by Frank Hecker

March 27th, 2024

A woman with dark collar-length hair standing in the kitchen and a woman with long blonde hair sitting on the veranda, both wearing casual clothing smile as they speak to one another.In the first volume of Monthly in the Garden with My Landlord, manga editor Asako Suga, dumped by the latest in a series of girlfriends, finds both a new place to live and an unforeseen housemate, her landlord Miyako Kitano — who turns out to be a former idol. It’s a premise not unknown in adult yuri manga, in which manga artists and their editors frequently appear, along with the more-than-occasional idol, and it’s common for two women to go from sharing a house or apartment to building a life together. It is thus, not particularly ground-breaking within the yuri genre. Rather it’s a very well-executed example of its general type, deftly blending slice of life, comedy, idol intrigue, and at least one potential romance.

Monthly in the Garden with My Landlord, Volume 2 combines two plot threads. In the main story Asako and Miyako (“Landlord-san”) settle in to life together, each displaying their characteristic personality: Miyako is somewhat lazy and more than a bit of a slob, and takes child-like enthusiasm in even the most mundane aspects of her life with Asako. For her part, Asako finds herself picking up after Miyako, cooking for her, caring for her when she’s sick, and in general behaving more like a mother than a potential lover.

But love is indeed in the air, as shown in a hilarious sequence in which Miyako finds herself growing jealous of a houseplant, the pachypodium that Asako brings home, nicknames “Packey,” and treats like a new pet. Before long it’s obvious how Miyako feels about Asako. However, Asako herself isn’t sure exactly what their relationship is and should be, even when later circumstances force her to express a judgment on it.

In her review of volume 1 Erica Friedman speculated whether readers of just that volume would see this as a yuri story or not. I’ve seen others argue that Miyako’s relatively young age (she’s still 19 in this volume) and the mother-daughter dynamic she has with Asako make a romance between them both implausible and problematic. I disagree.

Miyako was likely working as an idol since her middle teen years (another Elm member is only 16), and as such would have lived a very sheltered and constricted life. By Miyako’s own account her parents placed lots of restrictions on her even before that time. Her grandmother gave her more freedom, but “Matsuba-chan” was often absent and away. It’s therefore not surprising at all that Miyako might develop feelings for someone who is with her every day and lavishes her with care and attention.

For her part, Asako is a very giving person (“too nice for her own good”) who finds enjoyment in helping others. However, at least one of her past girlfriends, and perhaps more than one, found that behavior quite off-putting. I can well believe that the ideal girlfriend for Asako would be one whom she can mother more than a bit, and that Miyako might someday fill that role after she comes of age. Since this is marketed as a yuri story, it’s more likely than not.

The other plot thread in this volume concerns Miyako and the other idols in Elm, now reconstituted under the leadership of Ruri Samukawa. Miyako opens up to Asako about her past as an idol and why she retired, and contemplates reconnecting with the group members she left behind. That process is helped along by Ruri and Elm uber-fan Hato Hatomori, who in volume 1 was flabbergasted to find her fave living with Asako. In this volume Hato is almost literally pulled into the middle of the group’s affairs, a development that both delights and disconcerts her. It’s a fun subplot, one I’m definitely invested in and would like to see more of.

The main characters of Monthly in the Garden with My Landlord are all fundamentally decent people with their own distinct personalities — people you might enjoy having lunch with, to use a traditional Okazu criterion. The art is a style I particularly like, clear and clean, not overly cartoony, with dynamic and varied panel layouts. It’s well-suited to showing both Miyako’s beauty and the comedic situations she and Asako find themselves in. The translation reads very well as English, the lettering is quite readable, the text appears to be entirely free of typos and related infelicities, and the overall look of the volume is attractive. Kudos go to translator Stephen Paul, letterer Elena Pizarro Lanzas, and the Yen Press editorial and design team — Fortune Soleil, JuYoun Lee, and Wendy Chan — for their work.

Ratings:

Art — 9
Story — 8
Characters — 9
Service — 2 (for idols)
Yuri — 4 (“Okay, it’s happening!” but where it will go is as yet unclear)
Overall — 9

Volume 2 of Monthly in the Garden with My Landlord is an entertaining continuation of a solid volume 1. If you’re a fan of adult yuri who missed the first volume, this is the perfect opportunity to catch up on what promises to be an excellent series. Volume 3 is slated for release in English on August 20 of this year.

 



Hana Monogatari, Volume 3 (はなものがたり)

March 25th, 2024

In Volume 1 we met Hanayo, an older woman, newly widowed and Yoshiko, a woman of similar age who opens Hanayo’s eyes to many things, including the pleasure of wearing makeup and reading Yoshiya Nobuko’s literary canon. In Volume 2, Hanayo takes steps to create a new life for herself, going out with friends, meeting people she would never have met before in her tightly controlled world, redefining her relationship with her son, and taking literature courses at the local university.

In Hana Monogatari, Volume 3, Hanayo stands upon the threshold of a door – a door open to a completely new life. She wants very much to step through that door, but a lifetime of being told that wanting literally anything is too much has left it’s mark. Hanayo struggles with how she sees herself, and how she relates to Yoshiko, as every time she wants desperately to say something important, she censors herself, causing confusion between her and this woman she has come to like. She and Yoshiko part after an argument mainly created around this distance between Hanayo and her own feelings. Yoshiko feels rejected, and does not understand that Hanayo is not rejecting her gayness, but the lack of her own will.

We talk a lot in manga about young love and first loves, but in schwinn’s Hana Monogatari, the story stops, stands us in front of a mirror and asks us to see how love between women has been – and for some people, still remains – something diminished, dismissed, even ridiculed. Of course Hanayo does not know how to think about this new thing she is feeling, because she has never truly been allowed to feel anything that wasn’t “appropriate.” A major turning point comes when Hanayao befriends to young men at the university in her course. They accept her as a fellow lover of literature, she finds she can tell one of them about Yoshiko’s store and he responds with enthusiasm. No one has included Hanayo so immediately at face value before.

When Yoshiko learns that Hanayao has collapsed and gone to the hospital, she is suddenly very afraid to lose what she has found.Yoshiko and Hanayo have a tearful reunion and decide clearly to tray to build something together for as long as they may be able to enjoy it.

As the manga ends, it asks us, “why are there so few happy endings?” in Yoshiya’s work…in stories of women… that are not merely centered upon a man marrying them. The story is clear about the answer, as well – because girls and women were and are not given the space or the right to write those stories. For Hanayo, her story begins when she puts the ghost of her past to bed.

When Yoshiko and Hanayo tell the two young men what they mean to one another, they are once again, accepted and included immediately.

Would I have loved 3 more volumes of this series? Hell, yes. I would have been happy to watch Yoshiko heal some of her own emotional wounds and just enjoyed them visiting restaurants and talking about make-up. But knowing that the two of them are writing a happy ending for themselves is also and important place to have ended this series.

Ratings:

Art – 9
Story – 10
Characters – 10
Service – 0 salaciousness, 10 empowerment
LGBTQ+- 9
Yuri – 8

Overall – 10

I still hope that it will be licensed by an English company, if only because we have so little senior Yuri – and this is an exceptional example of it’s kind. With ties to past, present and future, and a path to change the way Hanayo (and other women’s) stories were minimized. This is a smart,  touching manga that deserves to be shared for all the women out there who want to write their own stories.