Finding the Good in Bad Media or, a treatise on Interspecies Reviewers by Mash Whitehouse

January 31st, 2024

Mash Whitehouse is a transwoman who never updates her blog at mashforxp.com and has written several tabletop RPG books. She can also be found refusing to say anything succinctly about Video Games, Anime, and everything else @mashforxp.bsky.social

After a rousing discussion on bluesky, and a failed attempt to bring Erica in as an expert witness, I found myself deep in thought about fantasy sex work. The only sex work that isn’t real work. When I’m not picking polite fights on social media, I write about RPGs or pretend to be an expert on them. Common consensus is that sex and D&D don’t mix, but you’re lucky that we’re not here to talk about that. I’m here to talk about a manga I like and the anime of it that I hate.

I’m talking about Interspecies Reviewers. Wait, please don’t leave!

IR burst into the western consciousness in a spectacular fashion, when the anime’s release was canceled by Funimation. In the age of streaming, before every company became one congealed Tetsuo-esque amalgam, the many services were scrambling to grab every launching anime they could. Any one of which could be the next One Piece, the next Goblin Slayer, or something actually good. For the 2020 season, Funimation picked up the anime for Interspecies Reviewers, a gag manga about the worst adventurers trawling through the red-light district in a fantasy world, looking to experience the many sensual experiences such a world has to offer, and then publishing their opinions for fellow adventurers.

The premise rides a line to be sure, but perhaps in the days before streaming, with a chance to review the product before purchase, Funi wouldn’t have jumped in blindly. Instead, they found themselves with a very raunchy anime and pulled it, 3 episodes in. I found the situation farcical, but it also piqued my morbid curiosity. My proactive wife bought me the first volume of the manga before I could find a source for the anime.

The opening chapter plays out like this: The Elf adventurer, Zel, has a penchant for spending his rewards from adventuring on a middle-aged human “Succu-girl” (this fantasy world’s term for a sex worker), Stunk the Human questions why he would pick her. The very well named human brings up how wonderful he thinks Elven girls are, and Zel counters with the fact that most Elves are pushing 800 years old, as opposed to the youthful 50 year old woman that Zel frequents.

As the argument heightens in their local tavern, other regulars join in to review the two species. A myriad of different fantasy people, from Halflings to Kobolds all participate in the ridiculous activity, resulting in the middle-aged woman winning, with each barfly giving reasonable reasons for why the idealized and unachievable beautiful elf is not their preference. The gag that won me over was the presentation of the reviews. Four of the barflys write up Famitsu-style critiques: brief paragraphs and 0-10 scores. Excellent. This is an ongoing bit for every chapter. It helps keep the conceit of the title going. To me though, it helps create a theme of sexual positivity, overcoming sexual repression, and acceptance of varied body types and their beauty…while also rating women’s bodies.

Enter Crimvael; the reason this manga would merit a Lambda Award. Crim is a wonderful intersex angel (he/him), and I mean angel literally, his halo is damaged, keeping him from returning to heaven, so he ends up slumming it with these losers. With their “help”, he begins to discover his sexuality, what the mortal world is like, and maybe finds love along the way. On his journey, Crim meets Elza the Gnoll. For those not in the know about fantasy creatures, Gnolls are hyena people, and just how the real world Spotted Hyena have pseudo-penises, (go look it up, nature is amazing!) so too does Elza.

While this is a fun and subtle joke connecting Gnolls and Hyenas, Elza herself is never made out to be a joke, she is cool and arguably sexy, unlike the portrayal of many gender non-conforming characters in media. Crim’s experience with Elza is given a 9, and he leaves no further expounding details. It is a wonderfully affirming queer moment, and Elza shows up from time to time, clearly having left an impact on Crim. The rest of that chapter is focused on the other reviewers getting to experience “lesbian sex” at the Gender Swap Inn. This is treated in much the same way as men’s yuri or lesbian content. Unfortunately.

The manga definitely falls on the seinen side of the seinen/josei divide, and the only regular female character is the harpy bar owner. Who acts like a harpy, in the sense of the derogatory term for women. Of course, the men are no better, constantly drinking, focused on sex and generally being of a low brow demeanor. They are not portrayed in a positive light, but they are at least portrayed. Crimvael, the only queer character of the main cast, is at least likable.

Now we come to the anime. It has a stigma about it. One that is earned. The anime is just softcore porn. The Japanese channel AT-X aired it with no censorship, followed by other channels re-airing with blurred censorship.The manga used diegetic censorship of hair, Crim’s halo, another character, swords, etc., to create consistent background jokes. Which are lost for a chance to show bare nipples and tout a lack of censorship on TV. The conversion to animation damages the message and shifts the focus. A prime example: The Will o’ Wisp Succu-girls, Light Elementals in humanoid form, glow so brightly that you cannot see anything “fun”. A good joke. In the anime, they are just glowing nude women, everything bare for the viewer to gawk at. A joke lost. Without the joke, you are left only with the smut.

So, Because of the widely known fiasco that is the anime, I hesitate to even recommend the manga, despite the amount of charming and queer moments. I would have to give a giant preamble if I ever wished to attempt such a futile endeavor, and if you have to begin any conversation with “I’m not a pervert, but-” you’re not starting from a strong footing. So, I’m not a pervert, but-

Ratings:

Art – 8Story – 4Characters – 3Service – 9 (Anime 11)Yuri/Queer – 4

Overall  – 7

All 9 volumes have a space on my manga shelf. Along with vol 1 of the spin off anthology Darkness.

If you have a secret place to read, or access to blank dust covers, the manga is available from Yen Press. If you’re interested in watching the anime, I recommend getting on a dating app, being honest on your profile, don’t include a picture of your dog, and you’ll find someone that likes you. 

Note: Links lead to Global Bookwalker, as not all volumes of the manga appear to be available elsewhere.



“Ouji-sama Joshi” Yuri Anthology STAYGOLD (「王子様女子」百合アンソロジー STAYGOLD)

January 30th, 2024

A girl with short, boyish haircut, wearing an ermine-trimmed red cape and crown along with her school uniform of red plaid skirt and tie, black sweater and white shirt, bows and holds her hand out to us.Who doesn’t love good “Girl Prince” story? Even when confined to school grounds, the archetype of the coolest girl gives everyone a chance to fall in love from a distance. In the doujinhsi collection “Ouji-sama Joshi” Yuri Anthology STAYGOLD (「王子様女子」百合アンソロジー STAYGOLD) a number of popular Yuri artists take that opportunity and put together a fun, occasionally thoughtful, look at what it means to be a Girl Prince, or to be in love with one.

Spearheaded by Canno, creator of Kiss & White Lily For My Dearest Girl, this anthology includes two stories by her, as bookends for the collection, in school…and out. The collection includes contributions from Ohsawa Yayoi, Jackie, Ajiichi, Pikachi, Mimoto, Yukiko and others, so you get a lot of cute shorts for your money. 
Both Jackie and Pikachi look at schools with 2 princes and how they get along…or not. I think Pikachi wins that battle with typical wholesome cuteness.

My favorite short was by Yuino Chiri, in which the school princess has had quite enough of being protected and has worked out until she’s jacked, so she can save the prince for once. Bonus points that for the threat being a random runaway lion. ^_^

It’s exactly what one wants from a doujinshi anthology – a strong theme, great contributors, fun stories and some light Yuri romance. ^_^

Ratings:

Overall – 8

I got this anthology from Melonbooks, which appears to be the only online source for it. Check out the STAYGOLD Twitter account for some sample pages!



Otherside Picnic Manga, Volume 8

January 26th, 2024

Two women hold their hands over an ornate box, out of which fly red bird shadows. Sorawo and Toriko take steps to explore the Otherside on a more permanent basis in Otherside Picnic, Volume 8. At the same time, they learn about the consequences of contact with the Otherside….will this deter them?

No, obviously not.

The gate opening in Kozakura’s front yard is a boon for Sorawo and Toriko, even if it is a burden for Kozakura. She’s living in fear most of the time now, and is starting to get used to it, something that does not thrill her.  She’s worried about the other two, too. Their reckless behavior (from her perspective) is going to get them in trouble and she’s half annoyed she’ll have to pick up the pieces and half upset that they will get themselves hurt. This would all feel more adult, if she wasn’t portrayed like a child, honestly. It’s nice to have an adult in the room, but it is hard to take Kozakura seriously as an adult.

Now that Sorawo and Toriko have determined to investigate deeper into the Otherside, they are taken to the halls of DS Research, the obscure organization that is buying the artifacts they bring back. While this book has always had a horror element to is, relying on netlore and urban legend for the weirdnesses of the Otherside, for the first time, our intrepid adventurers come face to face with the results of digging too deeply into the “Ultrablue Light,” or UBL.

As if on cue, Uruma Satsuki appears and leaves behind an item that is a very direct attack on Sorawao and Toriko. The Toribako, a curse box full of bird-like shadows that fly through one’s body, shredding it from the inside, was illustrated in the manga as horrifyingly as it was described in the novel. Up until now, the Otherside has been vaguely menacing, but now…now it it actively trying to kill our protagonists.

This is one of the two scariest moments of the novels and once again Mizuno Eita does an absolutely outstanding job of illustrating it. I cannot get over how much the art enhances the already subtlely terrifying aspect of the UBL. Much as with Aonoshimo’s art for I’m In Love With The Villainess manga, the compelling narrative of the novel really is enhanced here by the art.

Now we must wait to see if Toriko and Sorawo will survive Uruma Satuski’s attack.

Ratings:
Story – 9
Art – 9
Character – 8,
Service – 0
Yuri – 7

In the meantime, Toriko has pointed out to Sorawao how she is changing  and becoming more caring about other people … and that terrifies her. Intimacy is the great hurdle here and will be for some time.



The Vexations Of A Shut-In Vampire Princess, Guest Review by Cryssoberyl

January 24th, 2024

Girl with long blonde hair, wearing red military-ish uniform holds her hand palm out at us,while blue-haired maid clings to her. They are surrounded by generic moe anime girls' heads bedecked by a variety of hair colors and stylesThere is a long-running video game series that I have been a fan of for going on two decades now. It’s called Disgaea, and the general theme is a zany, tongue-in-cheek netherworld of fractious demons who love to war with each other, but ultimately it’s all in good fun and although they are often selfish and pretend to be “bad”, most of them really have hearts of gold…if buried at varying depths.

No anime has ever felt more like “Disgaea: The Anime” than Hikikomari Kyuuketsuki no Monmon, streaming on HIDIVE as The Vexations Of A Shut-In Vampire Princess.

This was actually an intimidating review for me to approach. I personally really enjoyed the show, but there is no doubt that, especially early on, the show relies on a lot of very “dead horse” off-color jokes and tropes. This is unfortunate, as I feel the early episodes are not good indicators of the show as a whole (something which is a truism for anime in general, but along with WataOshi and 16bit Sensation, was particularly the case for shows of this season). Yes, Villhaze oversteps boundaries, yes there is a persistent gag of everybody wanting Komari. Part of this stems from the fact that this is ultimately an example of the “battle harem” formula, and characters having an absurd preoccupation with the MC is how this song is danced.

For me, the elements that I know other people might find problematic were not dealbreakers. I don’t have a problem with service unless it’s egregiously coercive or humiliating – and I’ll admit, I will give a lot of things a pass if it happens between two women than I would not if a man were involved; rightly or wrongly the feeling of predation, power imbalance, and othering is just not the same for me. Nothing in Hikikomari crossed the line for me, although I certainly rolled my eyes sometimes. Despite these things, I found a lot to love in this show. Even my best friend, life partner, and love of my life Zefiris (LURB <3 n_n) who is much more sensitive to these issues was able to enjoy the show quite a lot on the whole.

Although the characters can be easily defined as “types”, they all had distinguishing qualities. Komari is not simply the hapless harem MC, she has a natural instinct for BSing her way through the messes she find herself in; I for one love characters who display unexpected competence when thrust into unfamiliar situations. Villhaze is no mere kuudere maid, she is also Komari’s spin doctor, tactician, and bodyguard. Sakana the “yandere little sister” type is a skilled assassin and 4D chessmistress when it comes to planning her gambits far in advance. Nelia the deposed princess fights for the future of her country with admirable bravery and conviction. And finally there is Millicent, who after chewing the scenery as a gloriously villainous antagonist, goes on to be that greatest of all characters, the former villainess who becomes an awesomely badass antiheroine.

As mentioned, this is undeniably a yuri “battle harem” franchise, and over the course of the show no less than three young ladies form varying degrees of attachment to Komari. (Four if you count Millicent.) On the one hand this is great, I for one love yurification of existing genre formulas. On the other hand, one cannot but feel sorry for Villhaze, the obviously designated main love interest, who feels like a neglected character after her early arc concludes and the show goes on to focus on other characters. Presumably the source material circles back around to her later, but speaking just for this adaptation, it was slightly unfortunate.

Finally, I must shout out the small cameo by legendary yuri seiyuu Yuuki Aoi. I won’t say who the character is; when the hotblooded screaming starts, you’ll know.

Ratings:

Art – 8/10, pleasantly competent and consistent considering the designs, although visible cracks in some action sequences.
Story – 7/10, sometimes wacky, sometimes unexpectedly serious, frequently bombastic.
Characters – 7/10, for me at least the characters defy their usual typing.
Service – early in the show 8/10, later on 5/10. It definitely drops off, though there are still occasional moments.
Yuri – 7/10, a yuri harem is definitely forming but Villhaze feels left behind after her arc.

Overall – 8/10, it was not art, but it was definitely entertainment.

Hikikomari Kyuuketsuki no Monmon is currently available for streaming, under the title The Vexations of a Shut-in Vampire Princess, on HIDIVE.



Shigoto no Nochi Dakishimete (仕事の後は抱きしめて)

January 22nd, 2024

On a cover of scattered flowers, woman with collar-length blue hair and a blonde with long hair lay head to head, not looking at one another.Aota Yui is a young woman with a dream – she wants to be a chef. To get there, she needs to be accepted by the restaurant’s Taisho. She’s working really hard to make food that people love. One day Yui runs into the beautiful businesswoman Houjo Eriko. Eriko wishes someone might cook for her….so Yui volunteers. She’s already half in love when she comes to the door, but after a night spent with the other woman, she’s a goner. Eriko, though, has no dreams left. She thinks life is pretty boring. Men desire her, women want to be her. She thinks Yui is cute and distracting, like a puppy, but is sure that there’s nothing left of life for her. Yui will, of course, change that.

In Shigoto no Nochi Dakishimete (仕事の後は抱きしめて), subtitled in English “Hold Me Tight After Work,” on the cover,  Yui’s earnestness and Eriko’s quiet despair will battle and love will win.

This was one of the books I picked up in Japan because I had never heard of it and there it was, with these words on the obi – “Spun with delicate brushtrokes – Shakaijin Yuri love story.” It was predictable and fun and kind of sweet, bolstered mostly by Yui’s energy and sincerity.

Apparently it wasn’t enough to have Eriko be jaded and full of ennui, though, because midway a plot complication is inserted that, honestly, did not work for the narrative. Yui assists a young woman in kimono from being harassed (a scene that was smile-inducing as every guy in the town shows up to back Yui up, since everyone lieks her) and in her desire to thank Yui, the young woman decides to destroy her life. ?!?!?

Koyoi Mikazuki has a run-down restaurant left to her by her parents. When they died all the employees just left, leaving her without anyone to help her run the place. She decides Yui should be her chef. Yui, who *just* got the approval from the restaurant’s Taisho is not willing to leave. Mikazuki embraces Yui, just in time for Eriko to show up. And Eriko, of course, gets the wrong idea. UGH, come on.

And then it gets weird – Mikazuki tracks Eriko down to taunt her, manipulates Yui into helping her rebuild the restaurant and generally is unpleasant and creepy. Yui and Eriko do not speak about this and they begin to pull further apart. Finally Yui puts her foot down. She helps Mikazuki get new staff…which are the old staff who left her, because when her parents died they all just could not cope. Once Mikazuki is doing okay again, Yui finds Eriko, then refuses to let her just walk away.

They make up in the time honored fashion and, we are led to believe, live happily ever after.

I’m left thinking that the plot complication with Mikazuki could have been handled with more nuance than “tragic backstory,” and Eriko’s issue are deeper than just “life is boring,” and would have liked to see some self-refection from these two, but manga tropes it is. Other than this slight imperfection, this is a fun little adult Yuri from Iwashita Kei and published by our old friends East Press. It’s nice to see them still putting out the occasional Yuri.

Ratings:

Art – 7
Story – 7
Characters – 7 This story is carried by Yui, no question
Service – Some adult sex scenes, but drawn for subtlety, not stimulation
Yuri – 9

Overall – 7

You might give it a higher score if “not talking about it” bothers you less than it does me. It bothers me a whole point’s worth here.