Yuri Artbook: Toccata II by Shilin Huang

August 16th, 2017

Thanks to everyone who offered birthday thanks this week! I’ve been thinking hard about what I wanted as my first post-birthday review, and decided that today, I’m talking about something that fully embraces the idea that if you don’t see what you want to read in the world you should just go ahead and make it.

Shilin Huang is an artist I have been following for some years. Her webcomic, Carciphona is excellent in every way; art, story and characters. In 2014 I was fortunate enough to be at TCAF and be able to purchase her first artbook, Toccata from the artist directly. 

This year at Otakuthon, I was ecstatic to see her in the artist alley and to pick up her newest artbook,  Toccata II. Shilin’s art has…well, matured isn’t the right word, exactly. It’s approaching mastery. I’m not being entirely hyperbolic, either. A few of the pictures in this book were positively Raphael-esque in depth of color, pose and texture. 

Of the pictures I like best, many of them are riffing on the main characters from Carciphona; sorcerer Veloce Visrin and her archenemy(?) Blackbird who, particularly set out of context in realish-world situations, make for a really sexy couple. The comic itself is a high fantasy, so it’s always kind of fun to see Veloce and Blackbird in modern clothes in a modern apartment, as well as in their native elaborate fantasy setting. You can take a look at many of the images as posters in Shilin’s shop  – and she sometimes does drawing online in live sessions, which is always entertaining.

I have yet to actually review Carciphona, (although it is on the list, along with any number of other webcomics I read) but let me take a moment to recommend it highly if you like emotionally intense stories of high fantasy and magic and spirits and lots of fighting and swirly art. And if you like it, the first 6 collected volumes are all available in print as a set or as single issues.

In the meantime, I’ll sit here enjoying this picture, Autumn, with Veloce and Blackbird in uncharacteristic (for them) pose on an anachronistic (for them) motorcycle. ^_^

Ratings: 

Overall – 10

This book has some damn fine work in it. 



Happy 15th Birthday, Okazu!

August 14th, 2017

On August 14, 2002, I created the domain okazu.blogspot.com and wrote,

Welcome to Okazu!

“Okazu” (おかず) is Japanese for appetizers – and is slang for lesbian sex because, you know it’s not *real* sex. ^_^

It’s also a good name for dribbles of writing that aren’t stories – just thoughts and comments and updates on things I’m doing. Most of those “things” will be Yuri-related, some will be about women in comics and others will be me screwing around as I travel the world. Whatever it is that brings you here, welcome and enjoy the tasty Okazu. ^_^

The day after, I wrote,

“Day Two Blog –

Water is running low, I’m feeling weak. There is no end in sight.” ^_^;

I didn’t have a point, or a mission, particularly. I was planning an event at Meow Mix in New York City and I thought having a central place to communicate from seemed like a good idea. I think. Because, honestly, I don’t remember what I was thinking, exactly. 15 years is a really long time. At first, Okazu was mostly a list of the events I participated in, promoting Yuricon and the Revolutionary Girl Utena Movie with CPM’s blessing. (Which, like a genius, I never actually wrote about. The first Film Festival post here was the BFI Gay and Lesbian Film Fest in London, in March 2004.)

I know that I was planning on running the first Yuricon in 2003 and as running an event was kind of complicated, but people seemed to think it was as easy as ordering a pizza, I wanted a place to write about some of the issues we’d face.

By October I said,

In effect, 2002 is over for me. Now the Yuricon staff and I will be focusing on entirely dull and uninteresting administrative things – signing up vendors, advertisers, sponsors, etc.

 

In November, I buckled down and really started talking about building a convention. I wrote The Anatomy of an Anime Convention 101, Part 1 | Part 2 | Part 3 | Part 4 | Part 5.

And, as the year came to an end, I went, willy-nilly, to Japan to see Comiket. Because why not? That was the beginning of the Tokyo Journal category here.

***

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Can you see what’s missing? Up to this point, I really never once thought about writing reviews. It just never occurred to me, honestly. You can really see that I assumed no one but me was reading this blog because the first news/review I posted was on the New Hana no Asuka-gumi manga in March 2003. I’ve never been delusional about this series – it’s complicated and obscure and was not of interest to too many people in the United States in 2003. In fact, including me and Rica Takashima…the total number was probably 2. 

By May, I was fully focused on the upcoming Yuricon event. but I took a moment to write up what was the first of what would become the Yuri Network News. Tokyopop had licensed Between the Sheets by Erica Sakaruzawa – that was certainly newsworthy! And I had, for reasons, decided to go into manga publishing and was pushing our first book, Rica ‘tte Kanji!? by Rica Takashima. It bears repeating that the reason I met Rica was that she had come to that Meow Mix event in 2002. When she told me she was a Yuri manga artist, we both knew our meeting was kismet. 

June 2003 came and with it, an obsessive chronicling of Yuricon 2003.  It rocked and I’m really glad we did it. ^_^

That summer was filled with any number of events and it wasn’t until November 2003 that I reviewed my first anime. All these years I’ve remembered it as being Air Master, but it turns out I’m wrong and the first anime I ever reviewed here was Stellvia of the Universe! Remember that one? I was just thinking about it the other day. Maybe it’s time for a rewatch, huh? ^_^

Another surprise for me is that my first Maria-sama ga Miteru post came before the end of 2003. You’re able to watch my obsession with that series grow in realtime in my posts, from “Hey, this is an interesting thing you should know about,” right to “Must consume all of this immediately.”

I’m not at all surprised at the continuing appeal of many of the foundational series for us, series that set Yuri fans on the path to understanding and enjoy this genre, like Sailor Moon and Revolutionary Girl Utena. I’m thrilled to pieces that old classics like Rose of Versailles and Dear Brother have found renewed interest in a modern age.  I’m still waiting for everyone to rediscover the wonderfulness of Devilman Lady. ^_^ And we’ve encountered so many new series that have established their place in the Yuri canon, from action-adventure like R.O.D and Bodacious Space Pirates, to “new classics” like Sweet Blue Flowers and Puella Magi Madoka Magica. Not to mention amazing, moving series over the years like Simoun, Kaleido Star, and the Girls with guns on the Run trilogy of Noir, Madlax and El Cazador de la Bruja, which gave us so many hours of conversation! And let’s not forget the “classic” Yuri parody series Strawberry Panic!  and Kannazuki no Miko, a series that launched a whole new kind of Yuri fan in the mid-2000s.

We were able to run Yuricon 2005 in Tokyo and the Yurisai and  Onna! in 2007, both of which I like to think helped set Yuri on a whole new track toward genrehood. As we hit the 10 year mark, the country was heading towards a depression, publishing and distribution was radically altered and the end result was that we shuttered doing both manga publishing and events, but Okazu and Yuricon pivoted to an exciting new focus – public speaking and writing articles on Yuri that would help establish Yuri’s genre bona fides.

And so it has gone, for 15 years, juggling events (both mine and other people’s), talking and writing about Yuri anime and manga. This blog has been through a few renewals over the last decade and a half (and we’re looking at another one in the near future,) but it’s basically stayed the same. I’ve basically stayed the same, I think. Maybe. Or maybe not, but I don’t feel different, although I have less patience with spending time on stuff I’m not going to like, especially as there’s so much great stuff being released these days.  ^_^

What absolute has stayed with me for 15 years as the primary focus on Okazu is this:

Yuri is a way to build a bridge from American lesbian culture to Japanese lesbian culture. It’s true that Yuri is not “ours” as such, having so many owners, but it centers around our stories. That’s really the core concept to me. It’s true that readers, publishers and creators may not be LGBTQ or even interested in telling LGBTQ stories with any sense of  realism or honesty, but in the end, it’s our stories, and our opinions about those stories, that turn Okazu and Yuricon into a community for people all over the world. In 2017, I’d say we’ve been successful. I see more genuinely LGBTQ content in manga and comics and cartoons this year than I ever have before. (Anime is still lagging behind, but that’s not all that surprising.)

And above all other things, it’s that community that I want to celebrate today. I thank you YNN Correspondents, Guest Reviewers, my staff who travel with me and help keep this place running, folks who comment, folks who correct my mistakes and folks who simply enjoy the posts here – you, the Yuri Network, are the pride and joy of Okazu.  

My sincere and heartfelt thanks to Okazu Patrons.You are a major part of why I can keep doing this day after day. You’ve gotten me closer than ever to being able to pay Guest Reviewers, and allow me to give them tokens in thanks now. You’re helping me travel to events I report to you and with the media I consume and review. You’re all an important part of the team here at Okazu, thank you. This post was made just for you at your request. ^_^

I want to end with especial thanks to my wife who is my editor, my #1 fan and greatest supporter (as well as the best clever idea generator a person could ever ask for!) I can never thank you enough. Love you.

Thank you all and a very Happy Birthday to all of us!



Revolutionary Girl Utena 20th Anniversary Manga: After the Revolution (少女革命ウテナ20年記念日新作)

August 13th, 2017

“I…I have to go.”
“Go where?”
“To look for Lady Utena. When she and I meet once again…that is when this will begin.
The world…awaits the Power of Dios…
And that power begins with us…!”

20 years have passed since the Revolutionary Girl Utena series began.

In “After the Revolution,” a new original chapter of Revolutionary Girl Utena 20th Anniversary Manga, (少女革命ウテナ20年記念日新作) from Saitou Chiho in Flowers magazine, 20 years have, indeed, passed.

If you recall, in both anime and manga, Tenjou Utena disappeared from Ohtori and with her, people’s memory of everything that had happened. Only Himemiya Anthy could remember her. And, in both versions, the end of the series came when Anthy – and the remainder of the magic at Ohtori – left to look for Utena, with complete confidence that she would find her.

20 years have passed.

We begin with Touga and Saionji. They are bidding against each other on a Picasso painting. They are rich, powerful men in this world, just as they were in Ohtori. But you and I remember how easily they were manipulated there. They do not. They haven’t changed. 20 years has not lessened Touga’s confidence or Saionji’s displeasure at coming in second.

Touga receives a letter – “Those concerned with the Revolution of the World should return to Ohtori.” And, of course Saionji has also received that letter. They enter the school with flashlights as thieves in the night. Two rich, sophisticated leaders of men, creeping around a closed school. What did we just say about “easily manipulated?”

20 years have passed. They remember nothing. Until the tower is struck by lightning and they share a dream of a girl in a coffin. They dream of a castle in the sky and dueling. They wake to find that they both had that dream, but have no idea what it means.

When Touga finds a picture of Anthy and Akio, he asks aloud who is this? And a voice says, “Me and my sister.” Akio, in his final battle uniform appears. “But,” Touga says, “you’re dead!” Akio confirms that he is indeed dead. And nonetheless wants to gain the power of Dios.

They break into the chairman’s room and find a picture of a naked Anthy. Akio provokes a fight, Saionji finds it in himself to remember his friendship with his rival and protects Touga. Touga and Akio duel….Remember again the phrase “easily manipulated.” Keep remembering it, because neither Touga nor Saiojni have. Touga slays the ghost and they see another picture, of two young women, laying together clothed, but intimately entwined.

And they start to remember. The power to revolutionize the world, the young woman who wanted to be a Prince and their friendship.

This chapter was perfect. This story cannot possibly begin with Utena and Anthy. It will, I hope, end with them. But it could not possibly have begun with them. (I submit almostallmyownfanfic. as a corroborating witness. )

We’ll be getting a second chapter in the winter, and, if my guess is good, it will follow Juri and Miki as they remember. I hope so, at any rate.  But it still won’t follow Anthy and Utena. Not yet…maybe not ever. Their absence is the story.

Ratings:

Art – 9 I *have* mentioned that Saitou-sensei’s art is amazing.
Story – 9 Exactly what it needed to be
Characters 8 – No one will blame me that I still don’t give a shit about Touga and Saionji, right?
Yuri – 8 Did you not look at that picture and see what I saw?
Service – 3 Naked Anthy still a thing.

Overall – 9

The second thing I hope for from this story is a glimpse of Anthy and Utena 20 years later. I’m willing to wait as long as it takes. Thank you Saitou-sensei for this fantastic chapter and that gorgeous cover.



Yuri Network News – (百合ネットワークニュース) – August 12, 2017

August 12th, 2017

Yuri Manga

From Birz Comics, Planet Closet (惑星クローゼット) by Tsubana is a “Yuri-ish” sci-fi story involving two girls from alternate dimensions, giant monsters and a threat to humanity. Huh. Sounds pretty good. 

Takemiya Jim-sensei noted that a preview chapter from Fujyourina Atashi-tachi (不条理なあたし達) is available on on Hakusensha’s  Rakuen La Paradis Volume 24 (楽園 Le Paradis)  web site.

Takemiya-sensei has joined a number of other popular Yuri manga artists in Yuricon: Jimoto Hougenhen (地元方言編) which is available for your Kindle in Japan or in the US! Great name, too. ^_^

Via Mey on Autostraddle, the Hi-Fi Fight Club by Carly Usdin looks super fun!

 

Yuri Anime

ANN reports that Viz is streaming a clip of the dub of Sailor Moon Crystal‘s 3rd season.

Crunchyroll has added Haibane Remei,and Michiko & Hatchin (which is not Yuri, but was a damn good female lead anime) to their catalog!

ANN reports that the second of two films for the franchise, Magical Girl Lyrical Nanoha Detonation has been announced.

 

Yuri Essay 

I was asked to write a short piece on why we call the genre “Yuri” as opposed to the publisher-generated “Girls Love.” (Long story short, “Yuri” keeps the connection between the genre and lesbian culture.) Read Why We Call It Yuri on Anime Feminist.

 

Other News

Are you looking for women in comics to hire, follow, or support? Are you a woman in comics looking to promote your work? Take a look at the #visiblewomen hashtag begin by Kelly Sue DeConnick on Twitter. Priscilla Frank wrote a great piece on Huffington Post about the hashtag – and why it’s stupid that the comics industry is still using tired excuses for not “being able to find” women to hire in The Comic Book Industry Officially Has No Excuse Not To Hire Women.

The folks at Asia Rising have a very interesting article about the five out Japanese LGBTQ assembly members, who are working together to raise LGBTQ awareness and push forward equality under the law in Japan.

Disney Junior channel has added an interracial lesbian couple to the show Doc MacStuffins. The episode is about family emergency preparedness.

Looking for good summer reading? OZY has 5 Lesbian Literary Novels you shouldn’t miss! Ignore the Beavis & Butthead intro and just nab and borrow the titles from your library. ^_^;

 

Know some cool Yuri News you want people to know about? Become a Yuri Network Correspondent by sending me any Yuri-related news you find.Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.

Thanks to all of you – you make this a great Yuri Network!



LGBTQ Comic: Legend of Korra: Turf Wars, Part One

August 11th, 2017

 Legend of Korra: Turf Wars is a continuation of the Legend of Korra animated series, co-created by Michael Dante DiMartino and Bryan Konietzko, illustrated by Irene Koh, published by Dark Horse Comics. Picking up immediately after the end of the cartoon, the story begins with Korra and Asami in the spirit world. Their vacation comes to an abrupt end when they encounter a hostile spirit, but, it turns out that their presence is needed in the human world. 

In their absence, there have been several major issues that have developed in and around Republic City. Refugees from the wars at the end of the cartoon remain unhoused and the mayor is uninterested in helping them beyond the minimum amount of support. he can provide while he focuses on reelection. Unsurprisingly, morale is low and tensions are high. A real estate developer with ties to organized crime is attempting to exploit the land around the new spirit portal, with plans to turn the spirit realm into a destination vacation. The spirits are not at all pleased with the idea. Every single sentence in this paragraph should make you roll your eyes and sigh with frustration at the timeliness of the narrative, (excepting, perhaps, the bit about the spirits and I’m not sure that isn’t true either.) As I pointed out today on Twitter, have we learned nothing from decades of Scooby-Doo reruns? Real estate developers are always the bad guys. Meanwhile Bolin and Mako have become police officers and work with Bei Fong to maintain the always-tenuous peace in Republic City as organized crime is once again growing in power.

The set-up here is multilayered and complicated, as it always was in the cartoon. Neither Avatar: The Last Airbender nor Legend Of Korra were simple tales of good and evil. Every plot and subplot had nuance. People had complicated reasons for their actions, their motivations were human and obtuse at times and the only truly “evil” characters are ideologues who benefited from the discord sowed by their rhetoric and the people that were controlled by it. (Another sigh seems appropriate at this point.)

And above and beyond all this completely realistic human conflict of resources, energy, ideology, needs and desires, Korra and Asami are working on fitting the unit that is “them,” as a couple, into everything. 

Their first task is coming out to Korra’s family, which goes well, but when her father suggests they be cautious about letting people know about their relationship, Korra predictably takes that very personally. Tension rises between Korra and her parents and Korra and Asami. Resolution cannot come in this first volume, but I expect it will be forthcoming.

It is Kya who provides context for us all, explaining that the Water Tribe tends to keep personal business very private, while the Fire Tribe had been open to same-sex couples until Sozin had outlawed it. The Earth Tribe, we learn, moves slowly and has not yet come around to accepting same-sex relationships. The Air Tribe alone has no issues at all with human sexuality is its many forms. Kya also speaks of a girlfriend, something that is nice to have surfaced. It provides Korra and Asami a person to speak candidly with…something that will no doubt be critical in the narrative. I hope so, at any rate.

The conversation with Kya is also key because it sets the table for what will have to be any number of outings in the course of the story, both private and public  – as it is in real life. Those of us who come out don’t just do it once.  The presumption of heterosexuality is pervasive and so we’re often required to out ourselves to complete strangers just to make a simple point. It’s not hard to see how Asami will be targeted to get to the Avatar, how the Avatar’s relationship will be used against her and how all the characters we know and some we do not yet know, will be reacting to this in some way.

Korra and Aasmi’s relationship is front and center by the end of the volume, when Korra, worried that Asami is hurt, kisses her in front of a crowd of people, including Bolin and Mako. Mako’s reaction is realistically complex for completely understandable reasons.

Characters are written consistently with the way they were presented with the cartoon- – not surprising as one of the co-creators is doing the writing. If anything, because of the limited page count, they are very much the essence of themselves. Pacing is quick. This volume feels like a very brisk 2 episodes of the cartoon, with slower moments implied, rather than lingered upon. Upon a second read, I’m impressed with how much ground they covered in 80 pages. There were a lot of conversations that had to be distilled down and still be handled with layers of meaning intact.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 0
Yuri – 10

Overall – A very solid 9

My wife asked me if this book was everything I’ve ever wanted. After some thought I said, no, it isn’t, but it is everything that this book needs to be which, in a lot of ways is much better. There’s no age or grade rating on the book cover, but it displays the Nickelodeon logo prominently and is listed as Age Range 9-12, Grade Level 4-7 on Amazon. Which makes Turf Wars the tween LGBTQ book we all needed when we were kids. A nice older gay couple and a trans character or 3, maybe a non-binary character and it’ll start approaching perfect. ^_^ 

The creative team is very aware of their role in offering up solid queer representation for young people, as they say in this Entertainment Weekly interview with Koh and DiMartino. Koh describes herself as a “bisexual Asian martial artist” and she’s bringing both ethnic and sexual/gender diversity to the characters, as she told Comic Book Resources in May. Based on my first readthroughs, I trust them to do a good job. 

I think this comic will be good for comics in general, as it is #1 in all its Amazon categories at the moment. Like Lesbian Experience With Loneliness, (still #1 in gay manga!) sales are going to walk the walk and talk the talk that diversity is not something to be scared of in the comics world, no matter how loud the naysayers are. (And really, they aren’t loud, they are just used to having the mic.)

My very very sincere thanks to Okazu Superhero Eric P for sponsoring today’s review! This was awesome for me to come home to after Yurithon, and has already become part of my “don’t miss” Yuri presentation for 2017!

I’ve already given this book a second read and probably will pick it up for a third when Book 2 is released in the beginning of 2018!