Sailor Moon Musical – Un Noveau Voyage (ミュージカル「美少女戦士セーラームーン」-Un Nouveau Voyage-)

May 15th, 2016

Un_Nouveau_Voyage_Senshi_PosterIt is with great pleasure that I thank Tachibana Remi-san for sponsoring today’s review! Remi-san was kind enough to give me the DVD of Sailor Moon Musical – Un Noveau Voyage (ミュージカル「美少女戦士セーラームーン」-Un Nouveau Voyage-) so I can tell you all about it! Thank you Remi-san!

Right off the bat, this is pretty much the best cast I’ve ever seen in a Sailor Moon Musical.  While I really enjoyed the one I saw live in 2002, (before they changed it around that summer and put it on DVD as practically a different story), this one really stands out as one of the best I’ve ever watched. Generally speaking, I’ve enjoyed the three new musicals and the alternative versions of the first three seasons they’ve put together.

In Un Noveau Voyage, we begin with Haruka, a pop idol, and and Michiru as a very obvious couple. I say “obvious” because while Haruka is physically intimate with Michiru in “public”, if they weren’t a couple, there’d be no need for that in private and here, at the beginning, they start in private. I particularly like the opening number, as Haruka on “stage” sings her song, while we watch Michiru responding to her. Really, really nice opening.

The rest of the story slips back into recognizably third season key scenes and therefore I don’t feel obliged to summarize the plot at all. ^_^ Instead, I’ll talk about all the things I liked.^_^

First of all, the wigs were amazing. I know that’s a silly thing to think of as “first”, but really the hair looked so good. Particularly Makoto, Rei and Ami.

The cast now contains a number of former Takarisiennes, notably Yamato Yuga who plays Mamoru, Shiotsuki Shuu, who plays Haruka (and whose autograph adorns the booklet inside the DVD, thank you Remi-san!) Yuki Kaon, who plays Professor Tomoe, Fujioka Sayaka, who plays Michiru and Oogi Kei who plays Kaolinite.

The shift to all-female casting makes a lot of sense, even if it’s really pandery. But, as I said elsewhere recently, “when pandering is for us, it doesn’t suck after all.” ^_^

Kaolinite’s voice….swoon. You never get an alto in these things. She wasn’t a mezzo-soprano or a contralto, either, an actual alto. Oogi-san was a terrific Kaolinite.

Michiru’s voice is eerie. Even my wife noted that Fujioka-san sounded like…Michiru.

I’m sorry to see the cast for the Inners have to leave their roles. “Graduate” is the euphemism the idol world uses for this. The fans believe they were made to leave at this point, which is annoying. They were perfect in their roles. Best I’d ever seen.  But there’s an obvious fetish going on in the “graduation” process. Clearly nostalgic tears and sniffling has become a thing that is now part of the process of being in a musical role or idol group. Blecch.

The other thing of note was in a couple of the stage pieces. There were two scenes in which a triptych-set up allowed for duets and trios to be sung that I really liked. This culminated with a fantastic piece n which Hotaru in the center is sung about by Kaolinite, Chibi-Usa and the Professor, then the Outers and the Inners in a really intense and creepy song about this one girl’s fate, Light of Ruin, Hametsu no Hikari.

And my final thought is that I’ve really come to like the new final number, Ai no Starshine, although I kind of miss Ai no Senshi. ^_^

Ratings:

Overall – 9

I really enjoyed this musical. Thank you so much Remi-san!



Yuri Network News – (百合ネットワークニュース) – May 14, 2016

May 14th, 2016

YNN_MariK Yuri Manga

YNN Senior Correspondent Grisznak writes in to let us know that Polish company Studio JG announced that they’ll be releasing Kuchibiru Tameiki Sakurairo by Milk Morinaga this summer!

A new Card Captor Sakura manga is slated for June 2016, ANN has the report. (Yes, I reported this before I left for Japan, it’s worth a reminder.)

Bookwalker Global has opened up their Manga & Light Novel Request Form, so if there’s a series you want to see translated into English and made available on their platform (which I very much like) let them know! They are making every effort to get a pretty hefty (untranslated) library of Yuri manga from Hirari and Comic Yuri Hime anthologies and are starting to get rolling with translated titles, so do help them out and make suggestions of what you’d be willing to pay to read in English.

 

LGBTQ Comic Events

Save the date! The fabulous Queer & Comics event is back, this time in San Francisco, April 14-15, 2017 at the California College of the Arts. (The first event, in 2015, was amazing. Don’t miss this, if you can!)

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Yuri Anime

Sentai Filmworks has announced the dub cast for Bodacious Space Pirates: Abyss of Hyperspace, so that’s moving forward. Check out details on ANN’s report.

 

Other News

YNN Correspondent zetsuboshi writes in to let us know that the Human Rights Watch has recently issued a report on bullying of LGBTQ+ students in Japan, which contained manga-esque testimonials from students. This is not happy reading, but it is a good reminder that the existence of BL and Yuri manga doesn’t magically translate into acceptance for LGBTQ people, something I’ve seen clearly in the western BL and Yuri communities – when a group is fetishized, the people are still not seen as “people’. This is exactly why I think comic essays by out LGBTQ people are critical. BL and Yuri are not representation, although sometimes individual titles get close.

ANN has a report on German retailer Otto celebrating Rose of Versailles‘ 40th anniversary by imagining the ladies of Versailles in “modern” outfits, and by modern I mean wow, they would have been fashionable in 1968. ^_^;

I can’t be the only one who has wondered how many people have attended the Sailor Moon exhibit in Roppongi. Komatsu-san over at Crunchyroll News, has the answer. In just under a month, more than 100K people have attended. I’m glad to have been among that number.

I’m going to wrap up on what I consider to be pretty amazing news – from Comic Natalie, via YNN Correspondent Simona S, Kishi Torajiro, best known here for MAKA-MAKA and Otome no Teikoku, is working on a BL manga called Ore to.

Know some cool Yuri News you want people to know about? Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.

Thanks to all of you – you make this a great Yuri Network!



Futaribeya Manga, Volumes 1 and 2 (ふたりべや)

May 13th, 2016

FB1Q: When is a Yuri manga not a Yuri manga?

A: When it has no Yuri.

This may seem like a zen koan, but it is in fact, the subject of our attention today. Futaribeya (ふたりべや) frequently appears on Yuri manga lists, and yet, has no actually Yuri beyond a tense moment in a single panel once a volume.

<– This cover is wholly unrelated to the content of the volume. 

This is sort of existentialist Yuri. Can Yuri exist only in the minds of the readership and the manga still be seen as “Yuri”? I’m going to have to say yes, as so many of the series reviewed here over the years existed as Yuri only in the headcanon of dedicated readers – Aria and Lucky Star spring to mind immediately. Neither had the slightest hint of Yuri, but both were obsessively seen as “Yuri” series. And now, we have Futaribeya to add to that voluminous list.

Note to angry Twitterer Whoops who sent me art of the two characters snuggling to prove I am wrong:  That art, while by the creator, does not appear in or have anything to do with the actual printed content of Volume 1 and 2 of the manga. You can write whatever story you’d like in your head, you don’t need my validation.

Futaribeya, by Yukiko, is a 4-panel comic strip about two girls who share an off-campus apartment close to their school. Sakurako lives relatively far away and so her parents wanted her to room with someone else. Her roommate is Kasumi, a beautiful  girl, who always has a part-time job, does some light magazine modeling, is always hot and has narcolepsy. That’s pretty much all the jokes there are. Sakurako is the responsible one, Kasumi is a layabout at home, because she works so hard.

FB2This cover is likewise wholly unrelated to the content. —>

The Yuri is thin. Sakurako’s younger sister has a crush on Kasumi, and every once in a while Kasumi and Sakurako are too close and suddenly looking too deeply into each other’s eyes, before they pull away in embarrassment. Bwah~ bwah~waaaahhh~.

And yet, this series consistently comes up on Yuri manga lists. I’m not entirely sure why. So, we come back to the question I began with –  When is Yuri not really Yuri? When there is no Yuri between the covers, but entirely in between the readers’ ears.  Surely we’ve moved beyond headcanon as primary criterium? I mean, sure, once upon a time, making up stories between the two principals was the bulk of Yuri, but it’s already more than a decade since we needed that kind of filler in our Yuri repertoire.

Ratings:

Art – 6 Not particularly great
Story – 4 Not actually existent
Characters – 4 Not geuinuinely developed
Service – 1 Not seriously annoying
Yuri – 0 Not literally there

Overall – 5 Not really worth it

There is no Yuri here. This is a generic 4-koma school life comedy that is considered Yuri only by the kinds of people who cannot imagine two women sharing a room who are not in love.



Street Fighter Legends: Ibuki (English)

May 12th, 2016

SFLII know you know that I don’t really game all that much, but even living under a gaming rock as I do, I know Street Fighter. I remember seeing the first versions of this in arcades in my youth and I’ve seen, although never played, any number of the iterations since. ^_^

Well, when Okazu Superhero Louis P offered to sponsor today’s review, he made a very charming pitch. Warning me about the art, he suggested that the characters make up for the visual pandering. I find him to be pretty spot on about that kind of thing, so I took him up on his offer and here we are talking a look at Street Fighter Legends: Ibuki,  put out in full glossy color by our friends at Udon Press.

The premise is a bit similar to DC’s Super Hero Girls series, (which follow key DC female characters as teens at school. Never been done before, you know.) in which we see the private life of teenage ninja Ibuki. Ibuki is balancing ninja training and life as a “normal” teenage girl and that balancing act is, for the most part, the bulk of the story. We meet Sarai, her utterly non-powered friend, and transfer students Makoto, a martial artist with a chip on her shoulder, and Elena, a not-at-all African looking African princess. I found Elena’s portrayal endlessly fascinating as a foil to the issues around casting Scarlet Johansson as Major Kusanagi in the Hollywood remodel of Ghost in the Shell. It does not comfort me particularly to note that we are not alone in erasing ethnic identity and un-darking skin. If I had been drawing Elena she’d have looked more like a young Grace Jones, ala Red Sonja, sans bullshitty fur bikini. But no one asks me.

Ibuki is herself an admirable heroine, working hard at both school and fantasy ninja training, even with an entire rival ninja clan after her, tests of courage and will and college exams in front of her. The main point – one that I actually appreciated – wasn’t whether she won, but that she tried. The culture of “trying” is still seen as weak in many parts of the world, and while sincerity isn’t always a valid replacement for competence, we also have to learn how to deal with failure.

Of course our rivals become our allies and the cute guy ninja is at the college she is going to attend, so bonus!

The story reads very tween-aged audience, and even the pandery gallery art isn’t explicitly oversexualized, but it still is pretty pandery. Apparently Capcom thinks 12 year old boys and girls will both be able to enjoy this book. Girls can, but they have flip past some of the pics to be able to do it. As usual. Sigh.

Ratings:

Art – 7
Story – 7, +1 for lessons that make sense
Characters – 8 Definitely the strong point
Yuri – 0
Service – 2 Mild by the game’s standards

Overall – 8 More enjoyable than expected, you were right on the money Louis!

…sometimes I fantasize about a media and entertainment complex that didn’t compulsively sexualize women, an industry that cast black-skinned and Asian people in roles without controversy. It’s not just a fantasy. All we have to do is be a little less lazy and we could change this.



Yuri Manga: Otome no Teikoku, Volume 2 (オトメの帝国) Guest Review by Mariko S

May 11th, 2016

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Hello and welcome to another edition of Guest Review Wednesday here on Okazu. And let me tell you how welcome it is as jet lag and I get to know one another intimately. Today, Guest Reviewer Mariko S returns with another review of Kishi Torajiro’s rom-com (?) series. If you’re just joining us, start here with Volume 1.

Welcome back Mariko and take it away!

In volume 2 of Otome no Teikoku, (オトメの帝国) the tides are already changing in our (and our characters’) favor. It takes three chapters before we get our first gratuitously servicey frame. What’s more, the nudity and service start to noticeably shift to being a more organic part of the story and activities.

We’ll meet most of the rest of the cast in this edition, and the real beginnings of all of their stories start to take shape here. So for this review, I’d like to take some time to introduce you to each of them so you will know the storylines being referenced as we continue. There’s a large variety, so hopefully everyone can find a thread they like!

Ai & Chie – I talked about them last time. This volume continues the development of their relationship and dynamic. Ai is tall, slender, and athletic. She projects a cool aura but in many ways is shy and lacks confidence. She’s very defensive of Chie. Chie is bubbly and extroverted, and masks her discomfort with her curvy body with jokes. She wants to care for and get closer to Ai. They are one of the definitively Yuri couples in the series.

Ayano & Miyosho – In spite of their volume 1 chapters, volume 2 resets the Ayano and Miyoshi dynamic quite a bit. Miyoshi is the resident prankster, an energetic, if sometimes clueless, girl who everyone naturally gravitates around. She’s revealed to be quite superstitious, and often gets things rolling with silly games and weird facts. Ayano is her best friend, the straight man in their comedy duo, but not above getting the last laugh in Miyoshi’s games.

Debate Club – This group of four girls from across all three class years is always found as a unit. Their first appearance introduces their dynamic of amiable, silly conversations and playful teasing. Their second chapter reveals third-year Nononon’s crush on second year Yumimi. She doesn’t know how to be as open as the other girls in the club and wishes she were closer with them. She gets a classic Kishi-sensei “just when things were going good” ending here, when Yumimi falls asleep on her shoulder and she longingly smells her hair
before… well… read it!

Honoka & Alicia – A very unique character, Honoka is a tall, disheveled outsider who lives to read and draw Boy’s Love manga, particularly fantasies about Japanese historical figures. She consciously keeps other people away and, reading that, they avoid her. That is, until the arrival of American exchange student Alicia. Alicia, in true American form, is utterly oblivious to the many attempts Honoka makes to sullenly reject her friendship. Alicia is a
comic artist herself and likes to draw historical figures as superheroes. She admires Honoka’s artistic talent and is determined to break down her barriers and connect with her, which Honoka just doesn’t know how to deal with.

Mahiro & Mahiru – I couldn’t take a whole series about these two, but as one flavor in this mix of character confections, the super-saccharine Mahi-Mahi pair are enjoyable in smaller doses. These two girls certainly love each other with intense devotion, but in exactly what way is not entirely clear. Described as “pseudo twins,” their whole worlds revolve around each other: they dress, act, and talk alike (and finish each other’s sentences). They are irrepressibly
happy (dare I say “genki?”) and their stories are filled with innocent superstitions and almost childish glee.

Michiru & Airi – The second “coupley” pair, Michiru is an amateur photographer whose favorite subject is Airi’s body. Their chapters in
volume 1 were in equal measures service, sexy, and funny, but not very believable. They also get a reset here, and things get brought back to earth. The first chapter in the book is about them getting New Years fortunes, and Airi’s fears that Michiru will leave her for a guy. Then, later, they find a stray cat and take some pictures with him, and Michiru comforts Airi when she gets sad.

Nao – Nao’s chapters are synonymous with service. It’s inherent in her character – she is a “proper” girl who has an exhibitionist pervert streak and is secretly desperately curious about sex. Either you will find her reasonable as an avatar for any teenage girl who is told she shouldn’t be interested in such things but is irresistibly drawn to them, or you will skip her chapters. She does not pair with anyone, her story is one of self-discovery. Each time she finds out about something “dirty,” and is overcome by the desire to find a safe way to explore it herself without being discovered or judged.

Onoda – Onoda is also a solo character. In the first volume, she was given a weird kind of schizophrenia where she secretly lusted after girls she saw, while angrily judging them. This volume recalibrates her, eliminating the perv aspect, and beginning her real arc as an uptight, judgmental girl with social difficulties and no friends who puts too much pressure on herself to succeed academically to compensate. She wants to do things to have fun, but always overthinks it and restrains herself, then lashes out on others who are able to do them easily.

Shizuka & Mio – AKA “Senpai and Kohai,” the literature club duo which
was often seen in Cinemax-worthy setups last round dial it back here. Shizuka is the cool, beautiful, intelligent upperclassman, and first-year Mio has an  admiration deepening into love for her. This time they only get one chapter, a sweet Valentine’s Day story of Mio being jealous of Shizuka’s popularity and feeling like one in a crowd, but coming to find out that she actually has a special place in her senpai’s heart. This chapter has the first of many times this volume where one character says they love another (using “daisuki”).

Yuu & Mari – This is possibly another divisive pairing due to the service factor. Yuu and Mari are called the “S&M couple.” I happen to feel, though, that this is possibly the most believable and positive way to depict that kind of a relationship dynamic in this setting. This is not leather and whips. This is all about a consensual power exchange, in the form of Yuu requiring Mari to do “naughty” but private things that only they will know about. I am not generally a fan of S&M scenarios but the way it’s handled here is very sexy to me, with Yuu effortlessly asserting herself and Mari thoroughly enjoying her submissive role. Even when they’re not playing a scene they are very cute together.

Those are all our major storylines! Already you can see how much things have crystallized from the “leering camera catches sorority softcore version of high school” vignettes of volume 1. What’s more, volume 2 also presents our first longer arc, about the whole group of second years taking a summer trip to the beach, which spans five chapters.

As you can hopefully tell from the character debriefs above, the Yuri is a bit clearer this time around. There are at this point four clearly lesbian pairs, along with assorted one-sided crushes, developing friendships, friendships that might be more, and personal voyages of discovery. I like the spectrum presented here, and it will get better with time.

Ratings:

Art – 8
Story – 5
Characters – 6
Yuri – 7
Service – 7

Overall – 6

Erica here: Thank you so much Mariko, it sounds like they got a lot of reader feedback after Volume 1 and rethought the entire story. And now, I’m sort of vaguely interested in it, which I wasn’t at all after the first volume. So thank you and I’m looking forward to hearing about the rest!