Yuri Manga: Yuri Kuma Arashi, Volume 2 (ユリ熊嵐)

September 27th, 2015

YKAMA2In my review of Volume 1, I finished up with this line: By the time Volume 2 comes out, if indeed it does, the anime will likely be over and I’m sure we’ll have concocted meanings for all the things that don’t mean anything at all. ^_^.

And here I am at Yuri Kuma Arashi, Volume 2 (ユリ熊嵐) and I have a completely different perspective. An Ikuhara series is more like a set of writing prompts than a 3-d perspective. He hands you a set of cards; “Yuri”, “Bears”, “A Promise Kiss”, “Bears eat Humans”, “A Love Story,” and pushes you out of the room with a “Go, write something. Make it look pretty and feel profound.”

And y’know, I’m 100% okay with this. ^_^

Kureha and Ginko like each other. Kureha has kissed Ginko, and said she feels that she wants to be more than friends, which makes Ginko pull away. Kureha is befriended by Sumika who is rumoured to be a “kumajyo,” a witch, and this makes Ginko miserable. Something is coming between her and Kureha, but no one can tell what it is.

Lulu visits Sumika and learns that her house is indeed imbued with magic. Lulu sees a vision of her dead younger brother. In the anime, this story felt like it went on forever, but here it is more banal and therefore more touching. Lulu loved her brother Mirun, but when watching him one day, she left to go to the convenience store to get them food, and he, not wanting to be left behind, ran after her, out into the street and was killed by a car. This was much improved on the long, confusing and inexplicable story Lulu told in the anime.

It’s Lulu who uncovers the truth about Ginko’s mood, when she and Ginko share a memory of Yurika and her boyish girlfriend from high school. They go to visit Yurika and Lulu discovers her in bed with that woman, now beautiful and feminine, and is shocked to learn that the boyish girl she remembers from her youth is none other than Ginko’s mother, Kale (pronounced Kah-re, as in “kareshi”, i.e., boyfriend, but also linked to Kali, we’re told. While Yurika’s name is, more properly, Eureka.)

In the anime, Ginko’s mother was not a character. Here, we learn that Kale wrote the picture book that Kureha’s mother read to her all the time, about the lost bear princess.

The upshot of all this is that Yurika, Kale and Leila (Kureha’s mother) were all close. And in the manga, it is Ginko’s mother, Kale, who ate Leila.

Phew.  I spent all night trying to figure out how to explain that. ^_^

As the book comes to an end, Kureha runs after Ginko to tell she knows the truth now and she doesn’t care. “Ginko is not alone! I’m here!” Kureha yells, embracing Ginko. Will the bear princess forgive herself? How will Sumika die (oh, let’s be honest, she has to go.) Tune in to Volume 3 to find out!

The final few pages are the three boy bears complaining that they didn’t get much time in the manga for which I can only say…good. They were so utterly meaningless in the anime, repeated footage that was never connected to any of the rest of the story. Morishima-sensei makes a good point, though, about how they could easily be a BL spinoff.

I’ve spent the last few days trying to piece this review together and in the end, I have to say that I’m much preferring the manga to the anime. Once you took away the repeated footage and meaningless visual statements, there was exceptionally little world-building or storytelling going on in the anime. Without long, lingering flashbacks and explanations and “Wall of Severance” scenes, this story is starting to make some sense.

Ratings:

Art – 8
Story – 7
Characters – 8
Yuri – 9
Service – 5

Overall – 8

Let me editorialize – Once upon a time, there were 2 bears and a human girl and they were all friends. But the bears wanted to eat the girl, because that’s what bears do. When one bear fell in love with the girl, the other bear decided to eat the girl, because she was jealous. Now, that bear’s daughter, and the girl’s daughter are falling in love. That’s what I’ve got so far. We’ll see if I’m right or not. ^_^



Yuri Network News – (百合ネットワークニュース) – September 26, 2015

September 26th, 2015

YNN_Lissa

Yuri Manga

Some months ago, I mentioned a webcomic called Ahiru no Ballet, (アヒルのバレエ) that followed the “adventures” of a lesbian couple in ballet class. The manga, which can be read online, has now been collected into a single volume. The manga is a reflective comedy, that next-day-ache-from-too-much-exercise-after-too-little-for-years, but sweet, with a heartwarming ending.

YNN Correspondent Chris D points us to Dengeki Daioh magazine, where a new series “Yagate! Kimi ni Naru” (やがて君になる) has begun, about a girl who asks her friend for advice on what love is, only to have her friend confess to her.

A new magazine has premiered in Japan. Comic Cune‘s  (コミックキューン) focus is on moe girls being extremely cute and cuddly. The premiere issue stars some of our favorite artists, notably Kuzushiro-sensei and Fujieda Miyabi-sensei and has just a slight lily scent. I’ve got the premiere here and will report back if there is anything of note.

Shinsokan’s Twitter account reports that Takashima Hiromi’s Shortcake to Kase-san hits shelves in Japan this week! Read a sample on the Shinsokan website.

 

Yuri Animation

You know I’m besotted with Steven Universe, Cartoon Network’s queer little love letter to Utena, but there’s so much more to love about it than just it’s queerness. The characters of Beach City are racially diverse and so is the cast. It’s like a vision of what the world might be if white people tried even a little to not be clueless. ^_^ (The article is written in an aggressive tone, for what I think are extremely understandable reasons. If it makes you feel defensive, think about why that might be.)

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Yuri Research

We have two new articles up on Yuricon’s Essays page this week and I’m terribly excited about them:

Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre – PhD thesis by Verena Maser, examining the relationship between media content, its production, and its reception in Japanese popular culture in regards to Yuri. (Full text article available at linked page).

Finding the Power of the Erotic in Japanese Yuri Manga – by Sarah Wellington A look at the Yuri Hime Wildrose series of volumes and their place in establishing a canon of Yuri erotica. Abstract available at the link, full-text is available with a clickthrough.)

And while you’re doing you research, check out Kathryn Hemmann’s Queering the media mix: The female gaze in Japanese fan comics in Transformative Work and Culture, a look at explicitly female gaze in shoujo and BL.

James Welker’s article for Eureka magazine, regarding Yuri Danshi and it’s meta-look at Yuri fandom, is now available in Chinese.

 

Kickstarter Watch

Dates! An Anthology of Queer Historical Fiction sound so cool I can barely stand it! Thanks to YNN Correspondent Elizabeth F for the heads up on this one.

 

Yuri Game

Takaaki-san’s Yuri news blog reports another Yuri game, Yoru no nai Kuni.  This looks like a straight up fantasy ARPG.

 

Other News

Sequart.org has this wonderful interview with Deborah Whaley on Black Women in Sequence: Re-inking Comics, Graphic Novels, and Anime.

On Hooded Utilitarian, Chris Gavaler looks at Patricia Highsmith, best known for her contributions to lesbian fiction, as a comics pioneer.

A lost classic of 70s animation from MushiPro (credited with being one of the factors in Tezuka’s studio’s downfall,), Belladonna of Sadness has been restored and is making the rounds of film festivals. This looks absolutely stunning.

Know some cool Yuri News you want people to know about? Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.
Thanks to all of you – you make this a great Yuri Network!



Sailor Moon, Season 1, Part 2, Disk 3 (English)

September 25th, 2015

SMS1P2We’re approaching the climactic ending of the first season with Sailor Moon, Season 1, Part 2, Disk 3. So, of course, you’d expect the story to get right into saving Mamoru/Endymion from Beryl’s clutches. I know I expected that, at least.

Instead, we take a quick side trip to give both Ami a boyfriend (a good choice, at the very least and one that will be completely forgotten after this season concludes) and Minako a sort-of boyfriend, but really an onee-sama, story. This is followed by an mostly pretty good onsen episode and a very silly tabloid episode that indicates to the viewers that Mamoru is not quite as brainwashed as the Dark Kingdom might want.

Which brings us to the final three episodes. Join me as I rewatch them for the first time in almost ten years.

The animation is better in many ways. The watercolor-wash backgrounds have more depth, and the figure art is more heavily outlined and finished than we’ve seen yet in the series.

Plot wise, we finally have all the holes filled in. The Senshi now remember their past lives. Kunzite does his level best to be a genuinely bad guy, but the more I think about it, the less it makes sense to me.

And as the Senshi hand their power over to Sailor Moon and you’re ready from her to be amazing, she’s still given dialogue that made the viewers in this room cringe.

Kunzite gets a decent death, with Zoisite’s name on his lips, rather than mooning (no pun intended) over Endymion. At least in the manga, Mamoru gets a vision of the boys after death. There is no connection in the anime between the generals and the Earth Prince. Lost opportunity, particularly when you think how many crappy filler episodes there were, we could have had one about the boys.

The pentultimate episode is subtitled “Death of the Senshi”, so no suspense here. You know what you’re in for. Lots of screaming and crying and death at the end of it. But no stress, no one stays dead.

In the meantime, we’re assured that the Senshi are all deeply committed to their path. Which is good, because we have another monster of the day before we deal with any of the actual bad guys!  And, one at a time, we lose the Senshi. We know why, of course. It’s because Usagi can’t be strong until she’s lost everything, but dammit, I really hate these bits. It’s annoying to watch Usagi whining and complaining when people are dying for her. Argh.

Of note, Sailor Moon can tell that Ami is dead. I’ve always felt that they ought to be able to feel each other’s transformations. Also interesting that they don’t die in the order they appeared, which seems to be standard for series like this. Rei cheerfully heading off to her death is horrible. Far worse than the manga. But it takes her death to give Usagi any strength. For the first time, but not the last.

Oh yes, now I remember why I loathe Mamoru. He’s a tool. Beryl, dump him and renaimate Jadeite. Seriously, he is twice the man Mamoru is. This whole series is a war of obsession with a complete tool. Ugh.

Usagi’s switch from “Mamo-chan” to “Mamoru-san” is jarring and distressing. It’s one of those rare flashes her parents (ironically, to us) comment on, where she seems suddenly much more mature and competent. And, again, it’s loss that strikes a spark in Usagi, and allows her to release her true power.

I’m a sucker for the use of the OP in a final battle scene.

I like Beryl, despite the fact that she’s a terrible evil queen. I found myself wondering this morning what she did while her generals were spawning their awful ideas for gathering energy.  Evil CEOs in the real world go on TV and do cringe-making interviews with TV “journalists,” but Beryl wasn’t even collecting energy for herself. My wife suggests that she spent her time plotting.

A miracle occurs, as Usagi loves everyone right back into life. And the season comes to a somewhat banal end.

The thing that occurs to me is that those brief flashes of maturity and strength are what I watch for. I know they’ll come and they have inordinate power to soothe me. But then, I think of people I know and it works pretty much the same way – it’s those moments, when everything aligns and all the energy is focused that makes it all worthwhile. In the end, maybe we’re all Senshi, trying to carve out lives while surrounded by forces beyond our control. Or maybe not, but I might just have occasion tonight to pick up one of my henshin stick pens and mention casually to the universe, “Planet Power, make up.” Maybe.

Ratings:

Art – 8 -Noticeably better this disk
Story – 8 Death of the Senshi
Characters – 8 Death of the Senshi
Yuri – 2 Because Minako
Service – 3 Some actual service, mild by today’s standards but enough to make this a massive popular series with the college crowd in pre-Internet days, when you had to sneak Dad’s Playboy.

Overall – 8

The preview for ‘R’ starts right off with much better art, which is interesting to me. It clearly had a bigger investment.  I’m not looking forward to Chibi-Usa, but I am looking forward to the dinosaur episode and Emeraude for reasons that make sense in my own mind.

And that, in the end is how we love Sailor Moon, for reasons that make sense in our own mind. We’ve built this structure of things we love and decorated it with Senshi goods, and call it Sailor Moon. A fascinating idea for study – loving the characters in a series that is massively influential, but not actually a masterpiece. I guess that’s most of anime, huh? ^_^

Many thanks to Viz Media for the review copy and thanks to everyone who made a decent release of the series possible!



Kadokawa Launching English Version of Bookwalker

September 24th, 2015

KGBW

Official Press Release:

Debuting at NY Comic-Con 2015: BOOK☆WALKER KADOKAWA’s Online Store for Manga & Light Novels direct from Japan SEPTEMBER 24, 2015 – Kadokawa, one of Japan’s largest media, entertainment, and publishing companies is launching an English language version of BookWalker, their eBook online store in Fall 2015. Promotions will kick off at New York Comic-Con 2015, along with the addition of over 700 comic and prose titles in English – many exclusive to BookWalker. Starting on October 8, 2015, readers around the world can check out the redesigned BookWalker website at http://global.bookwalker.jp/ and download updated versions of the BookWalker apps for iOS and Android mobile devices on the Apple App store and Google Play.

BOOK☆WALKER AT NEW YORK COMIC-CON: New York Comic-Con attendees will be able to take BookWalker for a test drive at the BookWalker booth at NYCC (#854), or try it out on their smartphones, tablets or personal computers. Visitors to the BookWalker booth at NYCC who show the signed in BookWalker account on their phones or tablets will get a chance to win prizes.  Everyone will receive an $8 BookWalker gift card, which can be used to buy almost any manga or light novel on BookWalker.

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So, will this be a big deal? I don’t know…yet.  Here’s the part that is of most interest to me:

BookWalker [is] gearing up to be the premier destination for manga, novels, books and magazines in both English and Japanese from Japanese and American publishers, including VIZ Media, Dark Horse Comics, Digital Manga, Creek & River, Cork, Futabasha, and Harlequin, with more to be added soon

Reading into press releases is a sucker’s game, but there are couple of things of note here:

The platform will be in English. I have used ComicWalker, but only in Japanese. And I’ve only read samples, not purchased anything. It works. I’m not blown away, but it works and the built-in reader is does not require a download and is pretty easy to figure out. Obviously, as soon as I can I will try it out and report back.

Offerings are from multiple publishers. This is good, and it is problematic. There is a war on for your digital manga dollars right now – Amazon recently sucked up Comixology to make sure they win it. Crunchyroll is still hanging on to a small corner, but will a Japanese publisher have an edge by offering a selection you can’t get anywhere else? This remains to be seen. It appears that they will have the same publishers already accessible on Comixology. So, you get to give your money to an American conglomerate or a Japanese one, for access to the same content. Neither site charges for access, just for purchase, so it’s a coin toss on the money side.

One the Japanese content side, Kadokawa is the winner hands-down of marketing the living daylights out of their IP, and they own many or are part of a joint venture with many of the most popular anime franchises. They do a lot of anime based on Light Novels, (like the Suzumiya Haruhi and Sword Art Online franchises) so there will definitely be a lot of popular content on the site. Their inital JP additional publisher, Futabasha has a metric ton of stuff licensed here by a bunch of distributors, they seem to be the only other publisher not afraid to spread their IP around. And they have some of the artists you like.

This could be a very good thing for Yuri fans, if the Global site is tied in with existing Japanese content. Ichijinsha is already offering a number of their Comic Yuri manga in digital format, even older, out-of-print titles. And Shinsokan has at least some of their their Hirari books. The problem is that Global Walker was historically not tied in to their Japanese site and only had Japanese content that had been licensed out. I don’t know if this is going to work for us, but I’m keeping my fingers crossed and have asked Kadokawa for some of their time at NYCC. We’ll see how it goes. Keep an eye on this space for follow-ups!



Yuri Manga: Iono The Fanatics, Special Edition Volume 2 (新装版 いおの様ファナティクス 特装版 2)

September 21st, 2015

specialiono2-e1435708747225In Volume 1, we met Iono Mito Arceline, the charming Queen of a small western country, and her close attendants as she spends time in Japan looking for women with black hair to recruit as ladies-in-waiting. Iono-sama meets and woos a nice young woman by the name of Hachibe Eto to join her clan. Adventures, romance and comedy ensue.

In Iono The Fanatics, Special Edition Volume 2 (新装版 いおの様ファナティクス 特装版 2), the take begins with a quick visit to an old gag. Oue Ruiko (affectionately known as OL-chan) is once again made late by Iono-sama, but learns just who this weirdo is and, in a moment of honesty, explains why she cannot join Iono-sama – she wants a quiet, peaceful, average life. The Queen gives her her blessing and they part.

We return to the gathered staff and find that Argent is suffering a crisis after having lost to Klausoraus, forcing Iono-sama to fight the assassin herself. Iono-sama takes Arge out on a date and buys her some new clothes, allowing us a quick visit with characters from Fujieda-sensei’s independent Alice Quartet series.

Eto gets some insight on the workings of the Queendom, when she meets Aida’s lover Shinon and, in an extremely awkward moment, Shinon’s mother, the chief of all the sobame, Weisen Bellecoeur. It seems that the sobame back home, missing their Queen, have taken to forming factions and fighting. Iono-sama decides to go home. But, will Eto come with her? She asks this while seducing Eto, whose response is to give in, rather than to join in.

Then crisis erupts with the re-appearance of Klausoraus the assassin! Eto is kidnapped, forcing Iono-sama and the gang to rescue her, and the appearance of yet another besotted youngster, a Princess of the country next door to Iono-sama’s. Eto makes her decision as Iono-sama sweeps her off her feet, literally.

The epilogue of the book picks up 5 years later, when the gang returns to Japan. Old gags reappear and are just as silly, Flèche and Arata have a baby now, Argent and Princess Yama seem to be an item, and, as the book comes to an end, Iono-sama heads off to find more women. ^_^

It was both delightful and maddening to read this book. I find myself obsessed with the concept of the harem Queen. Is Iono-sama having 1000 ladies-in-waiting who are in love with her cute or irksome? Is her love worth fighting over? If this were a King would I be rolling my eyes?

I’m also (and I repeatedly state) obsessed with the names of the characters. Names are sort of Frenchish-ish, with some hint of German. So is Aida “Aida Bloomer,” or “Aida Bleumare”? I’m sort of leaning to the latter now, given the breakthrough I had with Weisen’s name.

And last, but in no way least, I’m surprisingly uncomfortable with Eto as uke. I mean, not as such, because it’s obvious the Queen is the aggressor, but because she’s so passive. Creepy, maguro-passive. A dead fish in bed. With a book so filled with competent, powerful woman, it seems weird that Iono-sama would be so charmed by a nothing like Eto. But, then maybe it’s because everyone else close to her is so strong, the Queen was looking for someone less forceful. But I can’t help but think that it’s not cool to see the “Japanese women are passive in bed” trope in a romance, not even (maybe not especially?) from a Japanese man. Overthinking things again, I know, but that’s what you pay me for. ^_^

Ultimately, this series aged a little better than Strawberry Shake, and was just as much fun to revisit. And I’m looking forward to new adventures and another new Drama CD (which at a glance appears to be at least a bit about Argent and Princess Yama. A good match, as Arge has no patience for Yama’s passive-aggressive ways. I will, of course, report back.)

Ratings:

Art – 8
Story – 8
Characters – 9
Yuri – 10

Overall – 9

As I said in my original review of the series in 2005I recommend “Iono-sama Fanatics” highly for Yuri that makes you smile. For Yuri that is sexy without explicit sex, and funny and cute – this is an excellent example of the breed.

And so it is. ^_^