Yuri Network News – March 13, 2010

March 13th, 2010

Sailor Moon, Yes/No?

ICV2 talks about how fans of Sailor Moon would reallyreallyreally love a renaissance of the series. I include myself among the hordes of the hopeful. 20th anniversary? 25th anniversary? We never did get the Outers in a live-action version, hint hint.

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Yuri Manga

Shimura Takako’s story of a transgender girl and transgender boy who meet and become friends, Houro Musuko is listed on Amazon as Wandering Son: Volume One – it’s slated for a December release from Fantagraphics. (And as YNN Correspondent NguyenSon points out in the comments, this series is also scheduled to be turned into an anime.)

If you’re paying any attention to the mangasphere, you’ll know that this week, Fantagraphics announced a line of Moto Hagio classic shoujo manga works, “translated and curated” by Matt Thorn. This is pretty much excellent news for manga fans. Deb Aoki has an interview with Gary Groth of Fantagraphics, who was unaware how risky publishing a classic shoujo manga is. It will be interesting to know if his opinion changes after he’s put the books out. :-)

Chris Mautner gives a nod to Rica ‘tte Kanji!? in his Six Gay Comics that are better than anything on Ranker’s list. Thank you, Chris!

YNN Correspondent Darkchibi07 notes that yet another new Yuri Anthology is poised to hit the shelves in April, Hirari.

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Yuri Anime

RightStuf/Nozomi announces the Ninja Nonsense DVD Collection for June 1, 2010. They are offering the complete series, plus video extras and booklet, in a Thinpak-style art box.

ANN is streaming the first 4 episodes of Burst Angel on their website.

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Yuri Light Novel

YNN Correspondent Katherine H. wants you to know that the second CANAAN light novel is out.

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Yuri Drama CD

Katherine is also glad to let you know that there is a Sasamekikoto Radio Cast CD available.

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That’s a wrap for this week.

Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.

Thanks to all of you – you make this a great Yuri Network!



Ikki Tousen: Dragon Destiny Anime, Volume 1 (English)

March 12th, 2010

Today’s review is an ode to the “obvious.”

In Ikki Tousen: Dragon Destiny, Volume 1, it is “obvious” to us that Kan’u has an unrequited passion for Ryuubi and it is “obvious” to me that Ryomou has focused all her passion on two important women in her life – Hafuku and the (still-so far) departed Ryofu.

Still waters run deep and it’s so “obvious” that these women keep their deep well-spring of passionate feelings buried beneath their outward hardness.

It is “obvious” to those of “us” who are “looking” for it, that is.

And by “looking” I mean we are carefully scrutinizing animated facial expressions as if they are real and making judgements based on them, analyzing ridiculously small details of body posture, tone of voice and yes, going frame by frame to see the exact moment when we see that so-subtle shift between delusion and “obvious.” ^_^

In the fine tradition of turning great war heroes into buxom women whose skirts we look up, Ikki Tousen focuses on the awakening of the malignant spirit of the original Sousou and the subsequent chaos unleashed upon the Fighters of Seito, Nanyou and Kyoushou high schools. (I actually laughed out loud when I saw that the tagline for this series is “Romance of the Three High Schools.”)

Sousou is voiced, btw, by Dan Green of Yu-Gi-Oh TV cartoon fame on the English soundtrack.

In Volume 1, we establish the relative peace of Seito Academy, and how, although Chouhi and Kan’u are ever vigilant, Ryuubi is a total slacker. Albeit with a Dragon living inside her.

Ryomou visits to see the Dragon unleashed and we learn that she also has that same power in her. And Hakufu, too. Sousou, too, presumably, although that’s the least of his problems. Through small, poignant flashbacks, we see that Sousou really does have strong leadership qualities and the ability to inspire loyalty. Unfortunately for him, the evil former warlord isn’t having any of that, choosing to rule by fear instead.

Speaking of ruling by fear, Goei rocks. ^_^

So, yes, this series continues to be a travesty, a veritable feast of the most tedious perversions, but despite that, I like it. I would have liked it much better if the camera angles weren’t so obsessively upskirt and the men’s clothes exploded at least half as often as the women’s but…everyone fights. They fight with everything they have and then some. They fight for loyalty and love and because they *can*. That is pretty much what I fuel *my* delusions about Ikki Tousen with. ^_^

Ratings:

Art – No, seriously, no.
Characters – I kinda like them
Story – Heeheehee
Yuri – .5 unless you watch frame by frame as Kan’u deals with her “obvious” passion for Ryuubi, then 10
Service – 10

Overall – 5, unless you crave the “obvious,” then 8. ^_^

You may have heard that Media Blasters recently laid off a number of their employees, with the hope that these folks could be hired back soon. I have a number of friends working there, and I feel a great deal of fondness for them as a company. If they have ever put out anything that you liked, please support them by buying some of their anime or manga and make it possible for them to weather this storm. Your support can actually make the difference. Thank you in advance and here’s hoping that Media Blasters has a strong, building year.

In the meantime, let me thank Okazu Superhero Amanda M for contributing to MB’s bottom line and to Okazu reader enjoyment. Thank you once more for your support, Amanda.!



Sengoku Otome Manga

March 11th, 2010

Let it never be said that manga doesn’t play fair. It’s not just Chinese epic history that gets all the heroes turned into large-breasted women. Oh, no. It’s also the great heroes of Japanese history that find themselves turned into large-breasted women with a penchant for silly/exploding/very little clothing. In this case, it’s the Sengoku, or Warring States period of Japanese history that is made silly.

My knowledge of Japanese history during the Sengoku period is weak. But even I am familiar with the name Nobunaga Oda. The period would end with the unification of Japan and the consolidation of power in the Tokugawa Shogunate in what we all know as the Edo period. My own studies have given me a semi-reasonable grasp of Heian and Edo periods, and I find my understanding of Sengoku is rather poor. Something to do next time I have an afternoon off.

But, seriously, history is not the main point of Sengoku Otome. The main point is to watch Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu be rendered inappropriately into buxom (or in the case of Tokugawa, loli-fied) women as they approach the eve of the Battle of Okehazama. And take baths. Lots of baths. There’s some fighting too. In between the baths.

I have to admit, this manga’s Nobunaga is pretty cool. Any woman who smiles while she fights just melts my heart. And I like Akechi Mitsuhide lots, despite knowing what she’s going to eventually do.

There was, as far as I can see, no real Yuri in this manga. There’s some sense that Tokugawa Ieyasu admires/crushes on Nobunaga, because she was saved by her, but…c’mon.

Ratings:

Art – 8 Backgrounds are surprisingly detailed and the battle scenes aren’t bad
Story – 8 Yeah, yeah, history, whatever, blah blah. ^_^No, I’m totally stoked to read up on this period of Japanese history now and make the story work better in my head.
Characters – 8 Seriously, despite everything, they are pretty cool.
Yuri – .5
Series – 6 Lots of baths

Overall – 7

I think I would have really enjoyed this manga more if I was even vaguely familiar with the history, but as soon as I read up on the history, I’m sure this manga’s gonna be a joke. ;-)



Lucky Star Manga, Volume 3 (English)

March 9th, 2010

I get it, I do.

Lucky Star is a big in-joke for the otaku audience. Look Konata games, she gets moe, she talks about dating sims and anime and ero-games. She’s one of us!

To explain why this does not hit me in the same way it hits you, let me tell you a story. I was sitting at a Druid ritual, when a woman I know came over to me with an expression of love and acceptance and joy and asked me, “Isn’t this wonderful? Don’t you remember the moment when you first felt part of a group that truly accepted you?” I looked at her very seriously and said, “No, because I’ve never looked for acceptance from a group.” This conversation actually went on for some time, her trying to ask me the same question many different ways, and me giving her the same answer – I don’t look for acceptance from other people, so I’ve never needed to feel “part of a group.” As long as I’m happy doing what I’m doing, that’s fine. She walked away after a while, totally puzzled. *Everyone* wants to be part of a group, right?

I have never once in my life referred to non-fandom people (of any kind) as “mundane.” Sports fans don’t refer to non-sports fans as “thinkies,” or anything. Why would I refer to people not in my in-crowd as something silly that they are not? And what should I call you, my non-classical music listening readers? Or my non-archeology loving readers? No, I’m not really much into “us” and “them.”

I am proud to be an otaku, and perfectly happy in my otaku life, with my fujoshi wife. My non-otaku friends are in no way “mundane.” (Understatement of the decade. My non-otaku friends are far stranger than my otaku friends could ever hope to be.)

So I don’t need that thing that Lucky Star provides, that “look there’s a media character that represents us otaku!” If you read Okazu, you’ll know that my blog is largely given over to finding those moments for lesbian readers. The idea that there is a self-referential anime and manga for otaku is great – I just don’t need that particular affirmation of self.

I’m pretty certain that those of you who are deeply engaged with Lucky Star will see this as some kind of slam, but really, I think it’s fine, really! I have no objection to the series. I get what you’re seeing.

In fact, I liked Volume 3, because it explains why 4-koma aren’t all that funny AND why so many fans think Kagami is tsundere – because the creator said so, so even though she really isn’t, and now that it has  been said, you shape your perceptions to see that. Exactly as Konata says. ^_^ What I especially like is that she said that straight to our faces. It’s so rare to see irony in manga.

So, while many of you are resonating to the “she’s one of us!” and all the in-jokes in the anime, the bit that resonates most strongly with me is the ironic (and slightly mean-spirited) meta-commentary by the creator about our otaku habits. I like when he talks about what a waste all our devotion is, and what a pointless thing us spending all that money is. I loved when he had Konata comment that getting the first volume of a manga shows loyalty – even if it’s riddled with errors. That actually made me laugh out loud. (It reminded me of something Dorothy L. Sayers has Lord Peter Wimsey say in Murder Must Advertise – that if you smile as you say incredibly mean things, people will think that you are joking.)

I would also like to blame William Flanagan for being a competent translator, as now he’s sucked the most fun I was having with the series away by replacing the challenging grammar of the previous translator with perfectly sensible English. Thanks, Bill. (-_-);

Yuri? Yes…um there’s two minor characters whose names completely escape me right now and who are always together. Perhaps they are a couple. And the girl who draws doujinshi…I’ve randomly decided that I think she’s gay. Other than that? I still think that Konata x Kagami is entirely in your head, so why shouldn’t I create other Yuri that isn’t there, too?

Ratings:

Art – 5 I can’t really respect the art. At some point you’d think it’d get better.
Story – 7 There isn’t one, really. But it is a 4-koma, so one has low expectations
Characters – 7
Yuri – 1
Service – 10 Not in the salacious way this usually represents. This series was created precisely to appeal to the Fanboy in all of us and is in that way completely an expression of the meaning of otaku.

Overall – 7

I’m still not charmed, but I did laugh out loud several times at in-jokes. I also find the notes really interesting because despite the fact that the series is for the hardcore otaku, the notes were for “mundanes.”

Thanks ever so much to Okazu superhero Dan P. for allowing me this foray into this representative medium of an important part of my life. ^_^



ChinMan Manga

March 7th, 2010

Before a manga artist gets a serial, they usually start with a few one-shot stories for a magazine. In this case, before she began drawing GUNJO, Nakamura Ching drew a number of one-shot manga stories that have been collected into a single volume, ChinMan (short for Ching Manga.) This collection is eclectic, odd and intruiging. Just the way I like it. :-)

The first story follows Sae, a young woman with a mysterious disease that causes extreme nosebleeds and some kind of internal convulsions when she’s over stimulated. ….Ahem. When’s she’s kissed deeply by a worried female friend, she realizes that her illness might not be so bad, after all.

Nanako listens to her grandmother’s story of how she and her grandfather lived through hard times and were parted during the war, but doesn’t really understand her grandmother’s feelings until she herself finds love.

“Sonny” is a boxer, whose son does not respect him, until he sees him give his all in the ring.

Noboru is a 19-year old slacker who decides that he wants to become a tattoo artist. He apprentices himself to a woman who really runs him through the traditional method of apprenticing – he cleans constantly, endures physical and emotional abuse until he proves himself worthy of taking ink and needle to the skin of his master. This was far and away my favorite story of the collection.

A local boy and girl have a very contentious relationship that ends with the boy becoming a hero eternally as a Kamikaze pilot.

“Lady Stanch” is a look at life among the bosozoku and the relationships that develop between friends, enemies and lovers in that world.

A young man faces the harsh real life of someone he admired when he was younger in “Cheerio.”

And the final story is a hyper-intensive look at an artist’s tools. I mean that literally. This is a manga about the pens, pencils and brushes and one woman’s over-the-top relationship with her writing utensils.

Each story in this collection is filled with remarkable intensity. The female characters really stand out as having some strength and every character shows resolve in a way that is bound to make a reader feel like s/he too can overcome any obstacle. But these are not comforting stories, even when they are funny. They are edgy in a very real sense.

I’m particularly glad to have had the chance to read the tattoo story, and in general to have gotten a glimpse at the early work of a woman I not only respect as a manga creator, but respect personally.

Ratings:

Art – 8
Story – Variable – 6-8
Characters – 7-9
Yuri – In the one story, 7
Service – 1, just on principle

Overall – 8

Before there was GUNJO, there was ChinMan.

And it was good.