Dragon Sister! Manga, Volume 2 (English)

February 19th, 2010

In Volume 1 of Dragon Sister!, we meet the reworked heroes of The Romance of the Three Kingdoms, once again turned into women for our entertainment.

At the end of the first volume, Guan Yu and Zhang Fei have sold themselves to predatory lesbian Dong Zhou in order to secure their “brother” Liu Bei a command in the Royal Army. Dong Zhou ain’t no dummy, she’s going to have Liu Bei killed in order to keep Guan Yu and Zhang Fei for her own.

However, in Volume 2 she is foiled in this by the timely arrival of Lu Bu, a young girl with breathtaking strength. Seeing something even more potentially useful to her, Dong Zhou is willing to trade Guan Yu and Zhang Fei for Lu Bu. We learn a little bit about Dong Zhou’s past – enough to understand that her obsessive drive for power is to combat a painful and difficult rise to the top, and a reflection of her constant battle against the men who did not show her respect because she is a woman.

Dong Zhou is called away to support General He Jin in the Imperial court against the Eunuchs. She tells Liu Bei that if his volunteer army does something spectacular, she’ll give them rank, expecting both them and him to die. Only he does do something spectacular(ly stupid) and she’s impressed despite herself.

Which is exactly how I felt about this manga.

Despite the stupid premise – and the bits about the switching all the women back to being the men they should have been – this manga has actually been a not terribly bad version of the Romance. In fact, if you never were able to make heads or tails out of the original text, this would not be a horrible way to get some of the major plot points. I still don’t get Cao Cao, but that is my failing, not the story’s. ^_^

The art seems to have settled down a bit. There’s still an emphasis on portraiture, rather than action, but there’s more confidence in the lines. Service is mostly confined to shots of Guan Yu’s cleavage, a sentence which makes my head hurt. lol And Yuri is mostly set aside for power, as Dong Zhou cleverly realizes that screwing with a kid’s mind is easier than with adult minds, and tosses Guan Yu and Zhang Fei aside for Lu Bu.

If you can accept the biggest handwave, that the heros are women, and the secondary one that all the heros are women except the ones that aren’t, like Liu Bei, Cao Cao, He Jin and a few others, then the rest of the story really has no extraordinary hurdles for you to leap. It does have a few ordinary hurdles, because the Romance is not the easiest book in the world to read, as it details pretty heavy politics and military strategies.

Overall, a little despite myself, I actually liked this manga. It doesn’t look like a Volume 3 will be forthcoming at any point, which is a shame, because the world really needed another version of the Romance in which Guan Yu has cleavage.

Ratings:

Art – 7
Story – 8
Characters – 7, even if they are still caricatures of themselves
Yuri – 1 Predatory lesbian wasn’t predatory at all.
Service – 4 There’s cleavage shots and some light bathing, and females sleeping next to each other, oh my!

Overall – 7

My genuine thanks to Okazu Superhero Dan P. for his sponsorship of today’s review, his patience, his generosity and his excellent taste in reviewers. ;-)



Gakkou no Sensei Manga, Volume 1

February 18th, 2010

We all have had some good teachers, and some bad, some teachers that made all the difference and teachers that probably should have chosen a different career. In Gakkou no Sensei, we meet three teachers who are all of the above at once.

Sakura, Akane and Yuriko are three freshly minted teachers, who are all terribly excited to be able to help the students under their care and guidance and they absolutely cannot wait to shape young lives and minds. Assuming that they can all get to school on time.

Sakura, our protagonist, has nothing but good intentions. unfortunately she does not have the best of roommates. Akane is addicted to playing games, and Yuriko suffers from extreme sloth and is impossible to wake up. The adventures of these three are meant to be a kind of screwball comedy, but are basically similar to 4-koma or TV sitcoms, in depth and humor. Which is to say, there’s only so many times half a chapter can be given over to Yuriko’s quasi-sexual harassment of Sakura, or Akane’s obsession with gaming, before any of the marginal humor value fades into shadow. The further plot complication of a tsundere child who insinuates herself into their lives was really not all that amusing.

This sort of story works much better as a serial than as a collection. Once a month, logging into GanGan’s Online comics and reading a chapter might be entertaining. All together, it kind of fails to be more than a cute idea.

Ratings:

Art – moeblob
Story – thin, but palatable
Characters – 2-dimensional in every way
Yuri – Fake
Service – lots of “humorous” undressing-type harassment

Overall – 6

I found this manga a little disappointing. It almost immediately dissipated into stock caricatures and situations, with vague humor. Gakkou no Sensei is an excellent lesson on why having a story idea isn’t enough, you have to actually have a story to tell – all the way through – or you’re going to lose your audience.



Book Review: Set Apart

February 17th, 2010

Set ApartWelcome to another Guest Review Wednesday here on Okazu!

One of the very best anime that I have ever seen – Yuri or not – is Haibane Renmei, based on the doujinshi by Yositoshi ABe. Some time ago, Daniel Cronquist wrote a book called Set Apart, that references Haibane Renmei in the context of a discussion on religion. Okazu Superhero and Guest Reviewer Eric P. offered to take a stab at reviewing the book, in the context of reading it as an anime fan. I thought it might be a nice idea, and a change of pace for us here at Okazu – something a little different. So, thank you Eric, and take it away!

While the Haibane are not angels, they are still angelic in appearance with their wings and halos. Along with its themes of hope, salvation and redemption, when you watch Haibane Renmei, it’s impossible to ignore the similarities to Christian imagery and themes. I wholly agree that it’s a spiritual story, and had always thought the dreamlike world of Glie to be a kind of Purgatory, and the Haibane as souls of young people that died in another world and must live out a day-to-day life in this one as a way of being tried and developed before they’re ready to ‘move on’.

Yoshitoshi ABe said in an interview that while it may be a religious story it’s not attributed to any specific religion, and it was all something he made up as he went. Daniel Cronquist, the author of Set Apart, acknowledges this. He is a religious man who loves Japan and its culture, as non-Christian as it is, and even admits how Christian imagery is used very liberally in Japanese animation (Chrono Crusade, anyone?). However, he took a Christian standpoint in watching Haibane Renmei, insisting that there really is deeper meaning than ABe-san intended or realized, thus making the story make more sense with all its symbolisms and open-to-interpretation moments.

He shares in the Purgatory theory; even though it’s not the same kind of ‘Purgatory’ they teach people in Sunday School, it’s still a world that serves the same purpose. While the characters aren’t actively religious, they still ask themselves questions similar to what people might ask in prayers. Their flightless shade-of-gray wings represent their transition between purification and damnation, and the Day of Flight is much like that of death where those that remain should rejoice and not sink in despair.

He compares the Haibane to Christians, in which they are both set apart from the rest of the main world in their own world. Haibane must live and be content with hand-me-down materials, while Christians are supposed to live only on God’s love and try having simple lives dedicated to their faith. Haibane are born in cocoons with no memories of their pasts, which to him parallels a kind of spiritual rebirth through Christ. Haibane express unconditional, familial love towards each other as people of the Church should, and he sees life at Old Home to be similar to life at a monastery.

Cronquist writes a careful, chronological analysis of the series, but still somehow doesn’t really cover everything. This includes some aspects we casual viewers had always noticed, such as how Reki’s constant smoking represents her self-destructive behavior. He also makes no mention of the possibility of the Toga being Haibane that never took their Day of Flight, thus providing no Christian analogy of fallen/lost souls or whatever.

The one interpretation I couldn’t wait to read was about the Haibane’s dreams. I for one, had long suspected they held a clue to how the Haibane died (for instance, since Kana’s name means ‘River Fish’, she may have drowned). When Reki found out that she got run over by a train, that would indicate she committed suicide and explains her sinbound fate. So I was wondering what Mr. Cronquist would say that would make Reki still come across like a positive character, when all g Christian dogma states that suicide is an irredeemable, eternally damnable sin no matter what the mental/emotional circumstances are. What he proposes is the theory of the dreams not necessarily being about how they died, but their state of mind from when they died. Reki’s dream doesn’t signify that she committed suicide by literally throwing herself in front of a train, but that she just didn’t save herself when she had the chance and the train is a kind of metaphor. It’s a legitimate interpretation I certainly never considered before.

You may not be a Christian, and I know I’m not and never will be. As biased as this book may be, it should be noted that it was written by a true Haibane Renmei fan, someone who genuinely loves the series. For that alone, it still offers a very interesting read. You may or may not agree with certain points, you may not even feel like it gives you all the answers. But it’s still fun to read another fan’s unique standpoint on everything and it’s small and short enough to breeze through in one day. The one major downside is that there are no pictures or still images. While the reasons may be understandable, it’s still kind of a disadvantage for a series that got discontinued, and in which fresh copies are getting scarcer, seemingly beyond Mr. Cronquist’s knowledge when he tells readers to find this series at their local video stores. I for one can only hope, since this book came out rather recently, that maybe it could be the tiniest stepping stone (Reki’s ultimate namesake!) to creating awareness for Haibane Renmei, and maybe lead on the path to a future license rescue. I’d love it if that happened, whether it be because of this book or not, considering I still think to this day of Haibane Renmei as the best, most beautiful anime series ever made and deserves the opposite of being lost to oblivion.

Thank you for this review, Eric. Personally, I feel strongly that any discussion that starts from the premise that the creator “wrought deeper than he knew,” is a flawed and self-serving premise. But it sounds like an interesting, if highly questionable, book.



Sunshine Sketch Manga, Volume 4 (English)

February 15th, 2010

Sunshine Sketch, Vol. 4Sunshine Sketch, Volume 4 is meant to be read as a slice-of-life manga.

The problem with this is, to be compelling to me as a slice-of-life, a story needs to be a slice of life that is new to me and it needs to be a slice of life big enough to include character growth and maturity.

Sunshine Sketch is less a slice-of-life than a slice-of-fiction, and an incredibly narrow, unchanging fictitious world in which little ever changes.

We are meant to believe that a year has passed at the Hidamari Apartments, that Yuno and Miyako have moved up as 2nd-years and new students have entered the apartments as 1st-years. But Yuno and Miyako have not changed at all, and the new students take the place of the bicycle and the cat from the previous volume, as props with which the ensemble can run the same gags as always.

Sae and Hiro still have the same ambiguously gay relationship, and while new student Nazuna sort of implies a minor crush on Sae, we spend far more time pondering her popularity with the guys. Nazuna is also so low-self-esteem as to be painful to watch. Nori might be fun, in a series that wasn’t going to cover the same territory over again.

Entrance Ceremony, School Festival, Finals, Christmas, New Semester, Valentine’s Day…etc, etc. This is not slice-of-life, this is slice-of-slice-of-life, one endless rehash of the same dozen moments of high school, with new characters that change nothing. In some sense, this is high school from the point of view of the teachers, a cycle of events that repeat over and over, with only the names shifting to show that time has passed.

George R. once quoted me as saying that the value of sequels is that we are able to spend more time in the company of characters we love. I’ve now spent four volumes with the characters of Sunshine Sketch and know nothing more about them than I did four volumes ago.

Kate Dacey wrote vehemently about why 4-koma comics do not translate well and this manga makes a great example for her argument. There is nothing here to grab a reader; nothing unique, compelling or relevant. I’m more than happy to watch a few moments of peaceful time slip by, but this series is the manga equivalent of watching paint dry. Read any panel and it will read like any other panel. Character reactions will be overblown in proportion to the minor pun or misinterpretation in lieu of a funny punchline. “WHAT!?!” they will say, instead of “hah,” at one of Miyako’s jokes. Yuno will continue to be slightly awkward and not know what she wants. Hiro will be passive-aggressive about food, Sae will be an artist who writes or a writer who draws.

What makes slice-of-life compelling is watching the character over time, watching the slow, small changes that signal maturity. Aria does this. Yokohama Kaidashi Kikou does this with genius. Sadly, Sunshine Sketch has us watching the slow passage of time, with no changes visible. Time spent, but not particularly well.

Ratings:

Art – 7
Story – 6
Characters – 6
Yuri – 2
Service – 1

Overall – 6

Law of Marginal Manga Return – If the characters in the fourth volume are pretty much the same as they are in the first volume, and you don’t have a plot to catch the reader’s attention, you’ve failed to create a good manga. Plot or character – you’ve gotta have at least one.

My thanks today to Okazu Superhero Amanda M. for allowing me to articulate this new Law, by sponsoring today’s review!



Commit an Act of Love this Valentine’s Day

February 14th, 2010

Today is many things is the Chinese New Year. It is also Valentine’s Day. And today I’m going to ask you to do something that has nothing to do with Yuri, but everything to do with love for your fellow human.

Spencer Brodsky is a teenager in the US who cares about people. He created StovesforRwanda, an organization that provides low-fuel, low-cost stoves to people in Rwanda, helping children to have time to go to school, mothers to feed families and a way to save the environment.

Today, for Valentine’s Day, Spencer is hoping you will donate to TentsinHaiti to provide shelter for people whose lives have been devastated in the Haiti Earthquake.

If you have a social media profile on some system, please share Spencer’s sites, and if you can spare a few bucks, please consider committing an act of love this Valentine’s Day and buy a tent for Haiti. If you’re on Twitter, please use the hashtag #TentsinHaiti.

I understand that some of you might not want to do this, and this is not a command, but for those of you who typically spend money on candy or flowers for today, please consider committing an act of love for your fellow humans by supporting Spencer and his cause.

Thank you for taking the time to read Okazu and here’s wishing you all a great New Year and a Happy Valentine’s Day!