This Week in Yuri – February 28, 2009

February 28th, 2009

Yuri Anime

Because Koihime Musou left so many questions unanswered, a second season of anime has been announced. Shin Koihime Musou is bound to have more jiggling boobs, lolis, and Fake Yuri! So, erm…yay.

Also of questionable yay-ness to me, but YAY! to some is the breathlessly awaited announcement that is coming *any* second, no seriously, for the sequel to Strike Witches. Kadkoawa is not making any friends recently, with their bait-and-switch approach to news for this and other (coughHaruhicough) series.

Right Stuf has announced the relaunch of the Aria website, with loads of online goodies, wallpapers, postcards, etc. And if you pre-order Aria The Natural, Part 2, it will come with a papercraft set of the Prima and their proteges. This papercraft set was available in Japan, and now they are bringing it here as an entirely appropriate omake for fans of this series. Right Stuf continues to win my Microniche Marketing Award for “getting” my approach to marketing to fans.

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Yuri Manga

This is really more of a “Snatches of Yuri” item, but since like a million people have asked about it, I thought I’d better tell the rest of you that Kurogane Pukapuka Tai is gaining much traction in Yuri fandom from being another alt-WWII meets Fake Yuri tale, with women in uniform on a ship during the Pacific campaign which the Japanese are winning/have won, or something. Fans of military detail will enjoy this series, as long as you overlook the two obvious handwaves. The Yuri is possible because the captain is so utterly cool that her crew – especially her XO – is in love with her. but of course she is clueless, so don’t expect anything to come of it.

It’s actually kind of cute, as long as I skip over the careful listing of dimensions/weight/armaments/etc of the ships, because it could really be anywhere on anything, since the rest of it is so silly. :)

Once more I am going to implore you to please *pre-order* Yuri Monogatari 6 from your local bookstore, comic store, through Amazon. I say this because right now we are also on track to not be carried by Diamond anymore, because we won’t be making their minimum levels. That means, simply, there will never be a chance for you or anyone to walk into a bookstore and see it on the shelf.

Of course, our books will continue to be available online, so if you really can’t stand the thought of committing, you can always drop by the Yuricon Shop anytime and pick up 100% Yuri from ALC!

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Have a great weekend – see you next week for another Yuri News report!



Maria-sama ga Miteru DJCD Winter Special 2008

February 27th, 2009

Please allow me a moment of self-indulgent Fangirlyness.

zOMG, this was the most awesome MarimiteDJCD evar!!!!11111

Thank you.

In truth, the Maria-sama ga Miteru Winter Special DJCD was, in fact, the best of the bunch I’ve listened to so far. For any number of reasons. Here are some of them:

Ueda Kana, the voice of Fukuzawa Yumi, and the host of the radio specials that are collected and turned into these DJCDs has, over her years of doing this become much more comfortable in the role. Where the pauses were long and slightly awkward in the early days, Ueda and the other seiyuu are now quite comfortable with each other and the conversation is more and more like a conversation between old friends.

Ueda Kana has also read all the Marimite books and is a total fangirl for them. ^_^

In discussing the role of Shouko with Inoue Marina, Ueda confidently and excitedly talked about the “Chocolate Portrait” Radio Drama, but concluded with – “Oh, wait until the amusement park scenes…” (from Kira Kira Mawaru) which she goes on to discuss in some detail, mentioning that it’s the 30th book in the series. Inoue admits to only having read up to the 20th novel. Ueda’s practically jumping up and down in fangirlish delight as she speaks of the wonderfulness that is Shouko and Tsutako in that novel. For good reason.

When Nabatome Hitomi arrives for a chat, Ueda says, with obvious delight, “Nana’s here!” Not – Eriko-sama….Nana. ^_^ There’s a moment when they are talking about the “sendai Rosas” (the previous generation of Rosas i.e., Youko, Sei and Eriko’s oneesama. They mention the VAs for Rosa Gigantea, Takayama-san, and for Rosa Chinensis, Katsuki-san, then there’s a pause…. Ueda, Nabatome and I all say in hushed tones of reverence, “to…Mitsuishi-san…”. :-D

The first and fourth guest talks are with the voice actresses for Kanako and Noriko, and all I can say is that they are equally as wonderful.

This is followed by a radio drama which had me in stitches. Mami wants a big scoop for the Lillian Kawaraban, but the Yamayurikai isn’t cooperating by doing anything interesting. Tsutako suggests that she write a fiction – much like her oneesama did. Mami writes a parody of one of my favorite old-school J-dramas ever: Zenigata Heiji.

The constable role is played by Yoshino, who is joined by Yumi as the plucky, goofy and somewhat limited sidekick. Rei plays Yoshino’s wife Orei. (Edo period female names all begin with “O” as an honorific.)

They go up against the evil gang boss Satou Sei and her partner in crime, the madam of the local brothel, Torii Eriko, as they try to ruin the Toudou family’s senbei business so they have to sell their precious daughter to pay off the debt. The whole thing was absolutely hysterical – made even more enjoyable because I just loved Zenigata Heiji, so I knew what was coming in any given scene. (Yoshino had been likened to Zenigata Heiji in the seventh novel, btw. That’s why she got the role.) At the end of the story, as Oshimako arrives to thank Yoshino (and as Orei bickers about something good-naturedly,) Yumi comes running up with some stupidity. Orei says something like, “Oh well, it can’t be helped” and there’s a pause…after which Shimako, Yoshino, Rei, Yumi and I all laugh utterly fakely, because that *exactly* how every episode of ZH ended. ^_^

The story ends with Sachiko and Rei having hissy fits over the story, but eventually being placated.

The final track is a New Year’s meeting between Ueda and the three voice actresses for the first-years, Noriko, Touko and Kanako. It was interesting to hear how the three actresses for the first-year students treat Ueda with the same respect that their characters treat Yumi. Most of the track is listening to them eat sweets and giggling. ^_^

In all seriousness, I had more fun listening to this one DJCD than all of the others so far – and all of the others were pretty terrific. This one is just the best one *evar.*

Ratings:

Overall – 9



Hakodate Youjin Buraijou Himegami Manga, Volume 4

February 26th, 2009

Yesterday I mentioned two types of kitsch. So bad it’s good and so good it’s bad. But there is actually a third category of good crap. It’s “We really don’t care what you think or if you like it or not.” In many ways, this is the most excellent form of good crap, because it creates an instant us/them cult effect. Either you like The Cramps, or you don’t. You like Murakami, or you don’t. But frankly, they don’t really care which side of that fence you fall on. And in the case of manga, Tamaki Nozomu *clearly* doesn’t much care what you think of his story.

As it happens, I love Hakodate Youjin Buraijou Himegami (箱館妖人無頼帖ヒメガミ) Volume 4 with all my love. (Not that Tamaki cares.)

In Volume 4, the arc which involved a large-busted cross-dressing (ftm) French politician/whorehouse madam, the cases of missing men who turn out to be turning into youjin, the cross-dressing police captain (ftm), the colobockle, 4 magical animal-powered, fishnet-stocking-wearing ninja women and our heroine, the cursed, yet powerful young girl Hyou all comes to a climax of awesome proportions.

As Hyou is forced to endure the pain of the unending growth of marks on her body that represent the creation of youjin, Himeka realizes that the source of the youjin is the madame of the Black Widow saloon. She puts the mark of the spider on the women who work for her and any men they sleep with turn into youjin by her spell.

Himeka and the police captain – now revealed as a woman – take on the youjin and try to save as many of the women as possible. They are joined by the samurai who turned out to be allies in the last volume – friends of Hyou’s father.

More importantly – the pain and madness that Hyou is undergoing turns her into a ravening monster who kills indiscriminately. Himeka, joined by her sisters, manages to make Hyou remember her past, and recognize that the fairy spirit who protected her after her father’s death was, in fact, Himeka after all. Hyou returns to herself, and joins the Himegami on a full-out assault against the now kaijuu-sized sorceress.

Of course, they win. And no one we cared about was hurt. The police captain, her henchcops, the ronin, the guy with the cat mask who showed up suddenly but everyone knows him, the prostitutes – and especially not Melanie, Hyou’s friend from the cabaret.

The book – and, I thought, the series – draws to a close with Himeka carrying Hyou off in her arms, promising to keep protecting and loving her, while Hyou commands Himeka to not touch her anywhere weird.

Yuri is basically Himeka and Hyou’s tender, but one-sided relationship. Hyou wanted to be like Himegami, while all Himegami every wanted was to protect Hyou and love her as Himeka. It’s probably a cycle that won’t change, but it’s good enough for me.

The four-koma comics at the end have a great little schtick about the cops not being able to look their captain in the eye anymore. She thinks it’s because she’s a woman, but it’s actually ’cause they all think she’s so cute. ^_^

And I turned the last page, thinkkng, “well, that was pretty fun” only to find that there’s a Volume 5 planned! Really? Why?!

So, despite the fact that Tamaki doesn’t care about what I think, I am absolutely looking forward to more huge breasts, and mostly naked women with hefty haunches and more women crossdressing and more random magic and slaying random monsters. Woot!

Ratings:

Art – 7
Story – 8
Characters – 8
Yuri – 3
Service – 8

Overall – 8

Volume 1
Volume 2
Volume 3

Seriously, if you were drawing this manga, you wouldn’t care what other people thought, either. ^_^



Tantric Stripfighter Trina Manga (English)

February 24th, 2009

Every fan of kitsch knows that there are essentially two categories of good crap. The first is the most common – so awful that it’s funny. The second is much rarer – purposefully dumb parody by smart people.

The problem with the former is that it is completely subjective. What you find hilariously tacky may be someone else’s treasured item. The fact that it is someone else’s treasured item is, of course, what makes it hilarious to you. A hilariously awful movie/show/book usually means someone, somewhere, on the production side, was taking themselves way too seriously.

The problem with the latter is that it is open to misterpretation by people on the audience side who miss the joke completely and take the show/art way too seriously.

Tantric Stripfighter Trina is in the third category – neither bad enough to be funny, nor smart enough to be dumb. It’s a painful reminder that someone else has had their manga published and you haven’t. ^_^

(Before I pull out the review scythe I want to be be very clear with short words, so you all – most importantly, neither writer nor author – don’t jump on my bacon and accuse me of taking this book too seriously. I did not take this book seriously at *all.*. Nor, I hope, did anyone involved with it, because the title is *Tantric Stripfighter Trina* and if you are taking that seriously, you don’t have issues – you have whole subscriptions.)

Okay, so, let’s begin at the beginning. In the first few pages, we are introduced to a culture that is so advanced that they’re clueless idiots and, despite their mad skillz in every cool-esoteric-Asian-sounding thing evar, were completely taken unawares when the loud, brutish bad guys flattened their planet. I feel obliged to warn any suggestible 14-year olds that read this book that not only should Tantric Yoga and Shaolin martial arts not be combined in your practice – they are almost impossible to combine, as they are completely opposite in nearly every form of external, internal and energetic discipline. I’m just saying. It’s a good thing the bad guys killed everyone, or their mixed energy arts would have made them all go insane.

The naming sense showed throughout this manga rivals Marimite’s Yumi’s. Tantric Yoga devotees from the planet Rama, bad guys named “Curse” and “The Legion,” and to top it all off, the cleverly titled government – “Crown” and it’s religious arm, “Cog.” But the names aren’t really what make this book – it’s the writing, which appears to be cobbled together from a lot of other stories without discrimination. I’m going to give the writer credit and assume he was going for trite and amusing. But the poor grasp of timing and sense show in lines like, “If you lose…well, let’s just say that you’ll be in no condition to experience the bitter taste of defeat.” Really? Well…that’s a good thing, right?

The art is similarly challenged. The characters are, as they are described in the back of the book, “boobalicious.” That should be an indicator that this book was written for and will appeal primarily to barely post-pubescent males who have not yet had the chance to enjoy actual boobs, which look – and act – nothing like the ones portrayed here. I do have to wonder where they found a 12-year old editor, though.

So, aside from the not-quite-laughably-bad story and the not-quite-giggle-making art, how was the book? After the initial setup, you find yourself sort of settling into a pattern – reading a few pages, then forgetting that you were reading and doing something else, then picking the book back up and being surprised that you’re reading it all over again, then reading a few more pages. By midway, you feel you have established a rhythm which is sustainable until the end of the book, where the tedium of the fighting vies for with the silly dialogue for fail. And then you are done, and you think – not really good. Not bad enough to be funny.

So, why am I reviewing this? Because happily – and predictably – there is fake Yuri in it. Trina’s reluctant, then annoyingly devoted “cybernetic sidekick” (I have no idea what that means, or how it relates to anything in the book,) Abbey, first encounters Trina in battle. When the Tantrika master (three languages cry every time that word is used) Trina “stimulates all of her pleasure centers” to take her out of the fight, Abbey decides to follow her. Totally original, I know. Abbey does manage to save Trina and later has a dream in which Trina thanks her for saving her ass by climbing on Abbey’s lap and kissing her. Abbey gets touchy with Trina, who is an advanced master of many advanced sexual energy techniques, but can’t recognize a crush when she sees one.

As a webcomic, assuming that both artist and writer knew that it was meant to be funny, this story has some potential. As a manga published by Tokyopop, for which real money was spent, I just have to wonder what they were thinking.

Ratings:

Art – 6 Good for webcomic art
Story – 3
Characters – 4
Yuri – 3
Service – 6 Pasties!

Overall – 3

My very real gratitude to Brigid Alverson of Mangablog, who nobly sacrificed her copy on this review pyre.



Yuri Manga: Hayate x Blade, Volume 9

February 23rd, 2009

Is there any way this series could be more awesome? (Other than by becoming an anime, I mean.)

What *I* want from a manga series is women who are growing, becoming stronger, becoming more who they are every day. Women who are not holding back to fulfill someone else’s expectations.

I want action, hard fought fights, and blood and *guts* and sweat. I love to watch people training until they puke.

I want comedy. I want to laugh until my stomach hurts, until I’m incoherent from the tears streaming down my face.

I want depth. I want rage. I want laughter. I want comradery and joy. I want touching moments of sublime beauty, and ridiculous moments where honestly, it just couldn’t get any stupider if it tried.

I want Ayana and Hayate to beat the living shit out of Ensuu and gain revenge on her for what she did to Ayana and Yukari. Like Jun, I want to know who the real Ayana is. Like Hitsugi I want to see the students in the Hoshitori reaching past their limits, ever striving for greatness. Like Sae, I want to see Akira’s sensitive side. Like Maki, I want to see Yukari smile.

I want it all.

In Hayate x Blade, Volume 9 (はやて×ブレード), I get ALL of it. Every last bloody thing I could want from this series is in my hand as I type.

Ratings:

Art – 8
Story – 9
Characters – 9
Yuri – 3
Service – 1

Overall – 9

This series is fucking brilliant.