Drama CD: Mai HiME Destiny, Ryuu no Miko, Volume 2

August 28th, 2008

In Volume 1 of the Mai HiME Destiny Drama CD, everyone ran around screaming, with a few thoughts here and there for the mystery of the new girl with the Dragon handcuffs and the incredible power.

In Volume 2, all of that is set aside in favor of an extended investigation into who is taking, copying and selling pictures of the various girls with their underwear down. This issue takes up about half the CD. The short answer: It’s Tomoe.

The second half of the CD is far more interesting, as we actually briefly touch upon the mystery of Mayo and her powers. Because, it turns out, some of the photos appear to have been taken in the past – or perhaps the future. More importantly, there are people in the photos that are not *at* the school right now. Several of the older students and staff recall that Mayo’s powers were held by a previous student, the legendary Mashiro. And the equally legendary Yumemiya Arika is mentioned as being one of the people in the pictures.

Quite suddenly, a bunch of the characters find themselves in an alternate world (past, future, we don’t know) and we meet both Mashiro and Arika, who are exactly the same as in the Otome anime, except now they are the previously mentioned legendary former students of this Garderobe. Like Mai and Mikoto in Otome, this Mashiro and Arika simply live outside the confines of the normal world. Everyone is appalled to find that the legendary students act like a squabbling couple of 17 year olds, but then the dragon arrives!

Mayo’s powers as the Dragon’s priestess take a hold of her – and the Dragon, accompanied by severe winds, attacks. The wind is felt in Garderobe, where Fumi and Reito comment on what will befall them should the Dragon not be stopped.

Just as it looks like it’s too late to turn the tide, Shion leaps in and kisses Mayo, sealing her powers and putting Mayo to sleep. She admits to having had that ability since childhood (and so, admits to having known Mayo since childhood, which she had completely denied up until now.)

And you know…I don’t have the vaguest clue how the Drama CD ends. I think with Mashiro and Arika arguing. ^_^

This DCD is set up just like an anime epsiode – it has an opening scene, an OP, commercials, and EP and a “next time on…” segment. It also has more Yuri in the commercials for Mai Otome than it has in any of the actual story segments. At least once Shizuru makes suggestive comments to Natsuki, and Tomoe says something suggestive about Shizuru.

The best thing about this series is the way in which they’ve integrated the HiME and Otome characters into yet another alternative Garderobe that has some slight sense of three-dimensionality. I’m kind of fond of the constant rehashing of the same characters in mostly the same situation, but everything is slightly different, setups. I’d like to see them continue this ad nauseum, just to see how crazy they’ll become trying to come up with the fifteenth version of this story and these characters. ^_^

Ratings:

Story – 3, then 7
Characters – 6
Yuri – 2
Service – 6

Overall – 6

The bits of this story which are not pandering to bottom-feeders are actually quite good. If you skip the first couple of tracks or so, you’ll get to the bits which don’t suck. ^_^



Yuri Manga: Kaprekar, Volume 1

August 26th, 2008

A few months ago, the manga Kaprekar, popped onto our radar and we reported it in the “Snatches of Yuri” segement of the weekly Yuri News report.

So I picked it up just to see what the deal was. Here’s the deal: Yuna and Uno are two girls with a past. At the end of their physical and emotional ropes, they sold their lives to the organization Arca, and were given new lives – and an amazing power to merge and transform into the magical/bad science being Karepkar when they kiss. Kaprekar fights “Craimu” – Monsters of the Day created by unsatisfied desires in the hearts of the miserable, hapless and hopeless. Kaprekar crushes the heart-shaped, blood-filled gems in the MoTD’s hearts to defeat them. Kaprekar’s (and therefore Uno and Yuna’s) handler is a guy they call Yamada (Provisional). He’s in love with Kaprekar and pretty mean to the girls, and is more an accountant than anything else. Because Yuna and Uno still owe loads of money to Arca for their surgeries, so Yamada makes them do work to pay back the loan.

Now all this sounds like it could be a decent story, but it’s not really. Because instead of developing the characters and their reasons for giving up everything to become Kaprekar, or looking at their lives and motivations now, the story does the typical service-y situations and focuses on bikinis at the beach and wacky school stuff.

Later in the book, Yuna and Uno rescuse a kid who is very close to becoming a Craimu, and decide to keep him around as bait, since his unhappiness will draw Craimu like ants to sugar. He’s a miserable little shota of a kid, who takes up the role of personal assistant to the girls and works his way into their hearts – but mostly only because he makes them food. He also supplies a series of role reversals as we get to see him sexually harrassed by a female classmate, only to have her turn into a Craimu that has to be defeated. I was shocked, I can assure you. ^_^

What about the Yuri? Well, Yuna and Uno care about each other – but the only reason they kiss is to turn into Kaprekar. I think it’s safe to say that yes, they do love each other. Other than that, it’s all in your head. ^_^

Ratings:

Art – 7
Story – 7
Characters – 6
Yuri – 3
Service – 4

Overall – 7

In the end, Yuna and Uno are no closer to paying off their debt than they were in the beginning. And so we look forward (or not, depending on what you like) to Volume 2 where, no doubt, more of the same will happen. ^_^



Yuri Anime: Strawberry Panic, Volume 3 (English)

August 25th, 2008

If the Strawberry Panic anime had begin with what is now Volume 3, I think that I just might, maybe, have liked it a lot more than I originally did.

It’s true that if the series began at the beginning of Volume 3, we wouldn’t have been treated to 11 episodes of *absolutely nothing* in which Nagisa is ever so cute as she remains confused and out-of-place, and we probably wouldn’t have seen Hikari cry a couple of times. Certainly we wouldn’t have been treated to Amane riding up on her horse, saying practically nothing, then riding away. And of course, we would have missed all those almost-kisses that so delighted us through the first half of the series, as Shizuma teased Nagisa.

Episode 12 picks up with as significant an episode as we’re likely to find in this series, as Tamao symbolically ties a ribbon onto Nagisa’s arm “for protection.” Like Chekov’s gun on the wall, you just know that this has to play a part and so it does when, after Shizuma and Nagisa have admitted feeling lonely when the other isn’t around, they “fall” into the pool and kiss while the ribbon symbolically unties and floats free. Afterward, in Shizuma’s room, Shizuma begins to have her way with Nagisa, but a memory of Kaori brings her up short, allowing Nagisa to escape back to her own room.

Meanwhile, Kaname and Momomi step up their “seduce Hikari to break her up with Amane, and make Amane depressed so she won’t run for Etoile” campaign. This is the source of the infamous and utterly hilarious “Global Warming” scene, which is no less fabulously stupid than the first time I watched it. The entire series peaks at that moment, I think. Everything afterward is simply denouement. LOL (If you can stop laughing long enough to listen to the rest of Kaname’s monologue, it carries on, no less amusing than the beginning.)

From this point on, the entire series takes a turn. Amane and Hikari go on a romantic date, only to have Hikari return home to find Yaya crazed with desire, the result of which is that she is the object of a sexual attack for the second time in one day. Rough day for Hikari. This is followed by an episode in which Hikari and Yaya make up. Good thing for Yaya that Hikari is another Himeko.

And then suddenly, it’s time for the school festival and the play, a time-honored subject of pretty much every anime ever. And yet, these final episodes of the volume are probably the best in the entire series. They have a good plot – actual grasp of and use of character and a pretty good climax, if you ignore the utter absurdity of our resident EPL duo’s “plot” to take Amane down. Since absurdity is practically the raison d’etre of this series, by now we’d better be sucking this series down with handfuls of salt – preferably adorning the rim of colorful glasses holding margaritas. :)

And just in case we don’t yet really get that this is a Yuri series, with Yuri, we are treated to several bath scenes involving nekkid Kaname and Momomi doing Yuri things.

Last note – I was warned by the folks at Media Blasters (who I once again have to thank for this review copy) that this volume was full of typos but, if there were any, I missed them. In fact, the quality of the DVD was so consistent and decent, that I just barely remembered to even mention it – which for this kind of thing is the highest praise. In a nutshell, the technical aspects of this DVD were so good that I never noticed them. ^_^

Ratings:

Art – 7
Story – 8
Characters – 7 (towards the end, 8)
Yuri – 9
Service – 7

Overall – 9

I’m going to pretend that I used the above French terms in honor of the “Nagisa studies French” episode, but in reality, it was just coincidence. ;-)



Not Yuri Manga: Yen Plus (English)

August 24th, 2008

It’s obvious that I primarily focus on Yuri here at Okazu, not because I don’t read and/or watch anything else, but because there’s still very few people who blog on Yuri at all and pretty much no one who brings my particular perspective to the table. In fact, I do watch and read any number of series without Yuri (no, really, I do!) but I don’t tend to talk about them here. However…

Yen Press was kind enough to send me a copy of Yen Plus, their new manga anthology magazine (thanks Yen!). As a business model, I find it both encouraging and interesting. If I understand correctly, the intention is to run five chapters of a story in the magazine – one collected volume’s worth – then when it goes to tankoubon, move it out of the magazine and replace it with a new story. The idea being that by then, you’ll know if you want to follow the series or not. It’s not quite the same impetus as a new chapter every month eternally in a magazine followed by collected volumes, but it’s a step in that direction. Also interesting is that Yen Press chose to put the Japanese manga stories in the book reading right to left, and Korean and English stories left to right – something that I considered doing for Yuri Monogatari 5 as well, but chose not to. (The decision for not doing so was based primarily on my outreach to non-manga fans, especially lesbian comics fans. They are not used to right-to-left reading and with so many other learning curves for them to deal with when reading ALC anthologies, like honorifics, I felt that it would simply be asking too much of a non-manga-reading audience. In case you wondered why we flip the Japanese stories…)

Now, normally, I wouldn’t bother reviewing this volume because there is no Yuri (except in one advertisement for what sounds to be a brutally unfunny series with a great title, Alice on Deadlines) and because every other reviewer in the manga-verse has already reviewed it. But, I couldn’t help but notice that as I read it, I pretty much *disagreed* with every other reviewer in the manga-verse about the stories. In fact, the stories I liked, no one else seems to, and the stories everyone else raves about, (notably “Pig Bride,”) I didn’t like at all. So I decided to review this, just to put out a completely different point of view on things.

Starting with the left-to-right side:

“Maximum Drive” does not seem to have garnered much enthusiasm from reviewers. I’m not a big James Patterson fan, and yay the heroine seems to be a “cute lil’ urchin” so you can guess that I really don’t care what happens next. But. In and of itself, it didn’t seem that bad. The art’s aesthetically pleasing and easy to follow. Whether the story ends up being interesting, we’ll have to wait and see.

Unlike most reviewers, I quite liked “Nightschool” and didn’t really see the problems that most people felt it had. Too much setup, too many characters at once…neither of these bothered me. It’s true that Japanese manga tend to parse out the character introductions a few at a time, rather than dumping them all on us at once, but I found it refreshing to see a pile of players, rather than thinking we had teams established, but oh, wait, there’s a new bad guy/good guy/MOTD. This was one of the few stories I might care to follow.

Okay, I just do not know what everyone sees in “Pig Bride.” I found it cloying, predictable and utterly tedious. (Not to mention insulting to women who are not model-types.) The fact that the hero is a grade-A asshole neither surprised me nor pleased me. I’m just not seeing the charm.

The same goes for “Sarasah” – it read like a typical josei-style romance in which the horrible girl likes a horrible guy and horrible things happen. It instilled in me the same feelings of murderous frustration I felt upon reading Peach Girl. Dear straight women – what the hell is entertaining about reading/watching women being complete idiots and being abused by men?????? I just do not get you or your desire to watch women being treated like crap. UGH.

“One Fine Day” is an adorable little cartoon about the adorable little animals that live with some guy and the adorable little things they do in their adorable little girl avatar forms. I hate it, but it wasn’t the comic’s fault. I just hate kids and cats. And cute things. If you like kids, cats and cute things, it will be a very enjoyable story.

Everyone has already talked about “Jack Frost” and mentioned how violent it is, etc, etc. I didn’t mind the violence, but the disembodied head reagrding her own upraised rear end was a tad gratuitous, I felt. Violence does not put me off usually, but the story wasn’t compelling. I prefer my homicidal maniacs to be women.

Over to the Japanese side:

“Soul Eater” was dreadful. I want that time back.

I was all ready to dislike “Nabari no Ou” but amazingly, didn’t. Sean said that he felt that the lead was okay, but the premise was meh. I liked the premise, but thought the lead was meh. lol I like Aizawa and the Nindo club advisor – and I kind of liked the thought that, as stupid as they seem, they are actually right on top of things. Ninja stories are okay by me, too, as long as we stick to basics. No Naruto-esque techniques need apply. Above all, I really liked the end of the chapter and would very much like to know what happened.

“Sumomo Momomo” was also dreadful. I want that time back and the piece of my soul it took away as I flipped the pages.

I ran into a bit of a bind with “Bamboo Blade.” I *know* it becomes a totally awesome story later on, but for the first few chapters, we’re forced to watch the idiot teacher being an idiot. If I did not already know that BamBlade turned awesome, I’d probably never read another chapter after these two. (And it seemed obvious to me that chapter two was included so we could bask in the wonderfulness that is Tama-chan. I bet that they realized that if they only ran chapter one, everyone would not give a damn about the series.) But I do know it becomes awesome, so I’ll probably stick it out and start reading the collected volumes from Volume 2 on.

“Higurashi: When They Cry” was not a series I enjoyed in Japanese. I was not at all surprised that I did not enjoy it in English. I know I’m in the minority with this opinion, but there’s something very unpleasant about this series from the very first page/panel/seconds of anime, that makes me cringe. It wasn’t the violence – it was the lack of caring about the violence. There’s no meaning in it. It’s just a means to a very heavy-handed set of messages. So, I’ll pass.

Technically, I think Yen did a very excellent job. Everyone else thinks so too, so no surprise there. And everyone else has commented on the kind of “random audience” issue that one runs into with stories of such variety, so I won’t belabor that.

The outcome is that there are two stories of the eleven total that I genuinely enjoyed and one that if it was going to run long enough in the magazine, that I know I would enjoy. There were three that I’d be willing to give a little more time to and the rest I found utterly without merit. In general, that’s enough of a “okay” percentage for me to get a magazine. So, I’ll try another issue or two and see how it goes. However – and this is key – I, like most other reviewers am not sure if this magazine something that I would bother subscribing to. And there, more than anything, is the big hurdle Yen will have to confront in 5 months. Is the variety of the stories going to bring more people in, or put more people off. Tune in at the beginning of 2009 to see! In the meantime, I recommend to Yen the technique Japanese manga magazines have of finding out which series people like and do not – insert postcards with marketing questions (age, location, etc,) and which series you like best and least. These get sent in for the possibility of prizes, so the company gets a running commentary on which series are the most and least popular. This might be moot if they are planning on moving stories out of the magazine after five issue, but also might serve to help them decide what *kinds* of stories are doing the best.

Thanks again to Yen Press for the copy of Yen Plus – and by all means, do NOT make your decisions based on my opinions. Get your own copy and tell me in the comments field what you think!



Yuri News This Week – August 23, 2008

August 23rd, 2008

I will be going on vacation next weekend. I will be bringing a computer, but I have no idea how much time, connection and/or dedication I will have at any point in time, since I’ll literally be on the road for most of the trip. I have already scheduled reviews to post all week long while I am gone, but I can safely say that there is a high likelihood that I will not post a Yuri News report for a few weeks. While I *might* be motivated to login to approve comments, I can pretty much swear that I won’t be motivated to surf the Intertubes to find Yuri News. Just so you can’t say I didn’t warn you. :-)

Yuri Manga

Okay, how ironic is it that I *just* reviewed Battle Club and the very same day, it became the center of yet another battle in the war against the freedom of libraries to make information free. An Oregon man objected to his 12-year old son bringing Battle Vixens and Battle Club home from the “adult section” of the the library. A spokeswoman from the library told him to watch his own damn kid, but said it nicer than that. Yay Multnomah County Library! The father’s wrath completely ignores the fact that his kid is the *perfect* audience for that trash, since he hasn’t ever seen a woman’s crotch and this would all be very exciting and new to him.

The long-awaited Yuri Works File, originally titled the Yuri Michelin Guide, has been published by Ichijinsha. This book purports to list the best Girls Love evar, but my faith in it is somewhat limited on the basis that the cover is the cover art from one of the Girls Love novels that was *just* released by Ichijinsha, Period. My faith in this book is further eroded by the fact that the preview of Period was pretty boring. So…”best”? You’ll have to decide for yourself.

Hayate x Blade made its debut this month in Ultra Jump magazine. The first two volumes of the manga have been re-released, with special deluxe editions that include Shigeru cat family mascot straps and much cooler covers than previously. You can order the new Volume 1 and Volume 2 from Amazon JP. I’ve commented before that practically every single manga that ran in Dengeki Daioh had been made into an anime except HxB. I wonder if that was part of the reason for the publisher/magazine jump…. Ultra Jump put together this nifty Hayate x Blade website. The opening flash is fun. Check it out. The site includes previews of the first two volumes, as well.

Can’t remember if I mentioned this previously and am too lazy to look. The Yuri Hime version of the Aoi Shiro manga is available.

Have I mentioned that the manga Last Friends, based on the live-action drama is being serialized in Malika magazine? Well it is. :-) I’ll be reviewing it shortly. Also a new Yamaji Ebine story is slated to start in the next issue of the same magazine, but I’m betting on there not being Yuri or lesbian content in that.

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Snatches of Yuri

Something that floated up from Amazon JP, Kick!, is a manga that has two girls on the cover and everyone who bought it has bought and/or reviewed other notoriously Yuri titles. so I’m bettin’ this one has some Yuri, too. ;-)

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Other Yuri News

Manga scholar Matt Thorn has a very amusingly titled, interesting and informative article on his blog, concerning early Yuri roots, and some lovely early 20th century prints of “Yuri” couples. I recommend it highly – and suggest you bookmark his blog. He’s an interesting guy, with a unique perspective.

I had to tell you about the awesome (and surprisingly appealing) Cutey Honey whiskey bottles that are now on sale in Japan. I know that most fans are men, and see Honey as just another bimbo with big boobs, but to Yuri fans she’s much more. She’s the oldest and best of the magical transforming heroines. In her long history she has always had a close companion Na-chan, and has never, ever needed the help of a man. Honey for the win.

Not Yuri, but voice actress Kawakami Tomoko, who played Tenjou Utena in Revolutionary Girl Utena, has been hospitalized. Oddly, the news seems to have been picked up by readers of Ikuhara Kunihiko’s website.

And also not Yuri, but very interesting…I recieved a ballot from the “comic book industry’s premier award show,” the Harvey Awards. First time ever. I felt suitably chuffed. Of course I voted. :-)

And to end on an actual Yuri note, among the many other things that happened at Otakon, I spoke with comic artist and game designer Mike Hayes and we have decided to work on a short Yuri game together. Before you get all bouncy and happy, let me tell you that we’re calling it Story A. Consider yourself warned. lol And no, I don’t know when it will be ready or where or anything, so please don’t ask. It’s just in planning right now.

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That wraps it up for this week and probably the next two weeks going forward. By all means send me news items and clips and thoughts, and when I get back, we’ll see about bundling them all together. Until then!