Yuri Network News – (百合ネットワークニュース) – August 6, 2022

August 6th, 2022

Yuri Manga

Yen Press announces the license for Fuzoroi Renri by Mikanuji-sensei (the first 5 volumes of which I have reviewed here on Okazu) as Assorted Entanglements.

We’ve got some new titles up on the Yuricon Store!

Battan’s story Run Away With Me Girl, Volume 1 will be hitting shelves in English from Kodansha Comics at the end of the year! Some folks had asked me why I hadn’t reviewed this in Japanese and the answer is that it just flew under my radar as being not-for-me. I’ll probably be looking for a guest reviewer for this as a result, so if you love it and plan on reading it, consider applying to Guest Review!

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Volume 1 manga actually hit shelves in May. I reviewed it here in Japanese and again in English

Hana Monogatari, Volume 1 (はなものがたり) is the delightful story of two older women who find each other. Hanayo, a widow, meets Yoshiko and is turned on to the world of makeup and perfumes. This story is just so lovely and sweet. 

Kitta Izumi and Momono Moto’s melodramatic story about a emotionally fragile singer and her manager has now been given a second collected volume, in Liberty, Volume 2 ( リバティ). This is one of my faves from Galette Magazine.

 

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Imagine me flailing my arms here, a la Kermit the Frog. Yaaaahh! ULTIMATE-MAMA, Volume 1 by Hayashiya Shizuru hits shelves on August 31 in Japan! This utterly trashy action manga was clearly written for me. Hard-bodied women and comedic, yet extreme, violence and stupid lesbian sex. Hayashiya-sensei gets me at a level no one else ever has. ^_^

Iberis no Hanayome (イベリスの花嫁) by Akiyama Haru is about a wedding planner who falls for one of her bridezillas. Looks…intense. ^_^

 
Yuri Light Novel

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Volume 2 light novel is hitting shelves in English this month. I’m looking forward to seeing what Euphie and Annis will be up to. ^_^

 

Yuri Event

I hope you will join me at Flamecon, August 20, 12:45 – 1:45 PM in New York City for the First 100 Years of Lesbian-themed Japanese Animation and Comics!

 

Yuri Studio

This week on Yuri Studio we have a new short video – My Life As A Manga Character! It’s about some times I’ve appeared in manga….as me. ^_^

 

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Yuri VNs and Games

Studio Élan has another upcoming release, Who is the Red Queen hitting Steam this month. In this horror Yuri fantasy, Alice must find the pieces of the dismembered Red Queen. From the press release, “The game features over 30,000 words and has 3 major endings… with plenty of dead ends, of course. If you’ve already played the game jam version from itch.io, don’t worry- this is an updated version with new art, music, an updated script, and a Spanish translation!”

Via YNN Correspondent Cryssoberyl we have news of the announcement and trailer for Samurai Maiden on PS4 & PS5. “D3PUBLISHER’s brand-new Girls Sword-fighting Action game “SAMURAI MAIDEN” is scheduled for release in this winter on PS5™/PS4®! Experience the unique “Sword and Ninjutsu Action” where a young woman from the 21st century splits the enemies in half while the beautiful Ninja girls use their Ninjutsu to wipe out the enemies. Kissing other girls will supercharge her, according to Cryssoberyl. ^_^ This will also get a simultaneous Steam release.

 

Yuri Doujinshi

Adriana Hazra over at ANN has the news thay Irodori Sakura has licensed two new Yuri doujinshi! Haijima’s My Crush is My Roommate (Doukyonin ni Kataomoishiteru Yuri) manga and Pikachi Ohi’s Romance for Teachers (which is a story of a side character from Our Teachers Are Dating!). These will be released in August and September, respectively. Check out the link for more details.

 

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New on Yuri Studio – My Life As A Manga Character

August 5th, 2022

Okazu Patrons asked for more video content for the 20th anniversary of Okazu, and I am absolutely planning on something for that. In the meantime, here’s a fun, little short video that I’ve wanted to share for a while…about the times I appeared in manga!

As always, a like and kind comment on Youtube is appreciated! And please subscribe to Yuri Studio. I’m hoping to reach 2000 subscribers this year. ^_^



I’m in Love With the Villainess, Volume 5

August 4th, 2022

“What if you had the chance to remake the entire world in order to save the person you love…and learned that the world was never what it seemed?” is what I said when I reviewed Watashi no Oshi ha Akuyaku Reijou. Volume 5 (私の推しは悪役令嬢。) in Japanese. And, now, you have had the chance to read I’m in Love With the Villainess, Volume 5 and can, I hope, understand what I meant. ^_^ I’m still trying to avoid spoilers, as best I can. ^_^

The Nur arc comes to a crashing, sword-waving, magic-using, epic ending, that has shockingly little to do with Nur and Bauer at all. Because Volume 5 is about the Demon Queen and the truth of the world. Basically, if you primarily read isekai, you are probably mostly unprepared for just about anything here, until it all settles down.

As I re-read this volume I am fascinated by the scope of this story, which has implications far beyond this narrative. Will future volumes of the upcoming She’s So Cheeky For A Commoner (which I have reviewed in Japanese, as Heimin no Kuse ni Namaika, Volume 1)  – and any series will come after –  let these petals fall and be dispersed, or will they float around reminded us over and over of what, exactly, is going on? I look forward to finding out. There was a great deal of territory covered in this volume and repeated visits in future volumes might help to reify it.

Even more broadly, this series does all sorts of interesting things with the concept of “another world.” Like the Locked Tomb series, it is simultaneously both fantasy and science fiction and some new hybrid child of those genres and isekai. AND it contains that single important question that fills so much classic science fiction anime – what does it mean to be human?

Despite all this, this novel never pretends to be be meaningful in that pretentious literary way of very serious men writing about humanity. It is a human look at the power of community. Once again, I must quote myself here, when I wrote, “If you are familiar with Doctor Who, you will entirely understand how everything in this book works…and how it must work. ^_^ This leads to the only criticism, if you can even call it that, I have. Because of that specific narrative structure, there was no way to give it a punchy ending, which was perfectly okay. It ended as it had to…and then didn’t end for a few more post-epilogue shorts. When you like your characters, it’s hard to let go, I understand completely. ^_^ ”

What I mean to say here is that this ending was the right ending for this book. ^_^ This series ends where it must, with home and family. I have said this about a dozen times recently, but I’ll repeat it – this is what I am looking for these days in the books I read. Future-building with hope…hopepunk, as Ada Palmer calls, it. Stories in which communities come together to build a better tomorrow. The fact that the leaders of this particular community are queer women is delicious icing on this sweet and satisfying narrative cake.

Ratings:

Art – 9
Story – 9
Characters – 10
Service – Very little, for perfectly good reasons.
Yuri – 10
Queer – 10

Overall – 10

This…was a very good book. I hope you’ll all read it. If you have read it, do let me know what you think in the comments!

 



How Do We Relationship, Volume 6, Guest Review by Matt Marcus

August 3rd, 2022

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the yuri anime Flip Flappers.

Well, here we are: How Do We Relationship, Volume 6. Miwa had her heart crushed, Saeko is trying to move on past their previous relationship, but the two are entangled yet again in a physical relationship but in an even more messy guise.

In the role reversal of the century, Saeko immediately apologizes to Miwa for treating her like a piece of meat–but much to her chagrin, Miwa is happy to be used because it means that she is still wanted. This time, it is Miwa who is using sex to escape how terrible she feels about herself, and the two end up in an ambiguous relationship. Over time though, Saeko helps bring Miwa back out of her depressive slump and back to school life. Eventually, Saeko shuts down their arrangement because for her, the love is gone.

Meanwhile, Saeko continues to slowly show more of her vulnerability to Yuria. In fact, she’s come to the realization that she is way more transparent about her feelings than she realized. When the inevitable happens and the two start dating, Saeko treats her with true kindness and consideration. It’s an incredible turnaround from the end of the previous volume, yet it feels completely earned. It seems bizarre to say, but, perhaps for the first time in the series, there are moments that are truly heartwarming.

Miwa is now forced to move on, and this is where things get a little…odd. With Shiho’s words still lingering in her head, she wonders if it would be easier to just date men instead. Weirdly, Saeko encourages this, which leads to a plot thread involving a handsome manager of a cafe where Miwa works. Now, sexuality is a fluid thing, but to my mind it would be very strange for the story, and for Miwa as a character in particular, if she fully explored this direction, even if only to reject it later. (Remember her turning down Tsurata in Volume 3?) Miwa admits to herself that she has some kind of abstract attraction to the “kind of guy” the manager is, but she isn’t convinced that she is really attracted to him.

This thought experiment doesn’t leave the hypothesis phase when she meets a new first year named Tamaki who bears a striking resemblance to Shiho. I would say this is another strange twist. In a way, it feels like falling back on old habits, especially when Miwa–before detecting any interest from the painfully blunt first year–states to Saeko that she might end up getting a girlfriend again after all. The volume ends hinting that the two may become closer very shortly.

Really, Saeko steals the show here. She shows an amazing amount of growth as a character. That said, I would have liked to see her at least take some responsibility for shutting out Miwa when her past came up. In fact, even after Miwa finally gave her the whole story on her Okinawa trip, Saeko did not fully reciprocate with Miwa by telling her about her middle school. I am hoping that her relationship with Yuria will give her the comfort she needs to address those issues head-on because they still feel unresolved. Nevertheless, this is the best version of her we see so far and it feels fantastic to see it on the page.

Miwa, on the other hand, acts really terribly in the early chapters by pushing on Saeko’s boundaries in a way that is quite uncomfortable to read in a couple of instances. Even after her recovery, she feels a bit unmoored in the second half of the volume. I trust that Tamifull will pull off her arc, but the path towards it is not entirely clear. Oh, and Shiho doesn’t make an appearance in this volume at all, which was disappointing to me.

I mentioned back in my review of Volume 4 that this manga captures the tumultuousness of college. Part of what contributes to that feeling is how the story tends to slip forward in large chunks of time. That becomes the most jarring in this volume, because Miwa’s rapport with Saeko changes seemingly on a dime. One chapter, she’s crying her eyes out realizing that any chance of dating Saeko again is truly gone, and the very next scene opens with her beaming to hear about Saeko’s first date with Yuria. It is nice to see that they are still friends and can openly discuss such things without hurt feelings simmering underneath like in the past, but it just feels too soon for the reader.

All in all, this volume felt a little more uneven than past volumes but improved greatly on later rereads. Its biggest flaw is lacking some narrative connective tissue that would have made certain plot turns feel more natural. Perhaps Tamifull felt that we had wallowed enough in the Bad Feels Zone and that it was time to kickstart the next phase. At any rate, with a new school term starting, there are still plenty of credits to earn.

Art – 8 Continues to carry the story well
Story – 7 More of a mixed bag than previous volumes, but with really high highs
Characters – 8 Finally, some serious growth for Saeko and some forward momentum for Miwa
Service – 2 The sex is the least “appealing” that it’s been so far
Yuri – 8 / LGBTQ – 7 docking it one yuri point for Mr. Cafe Man

Overall – 8

Tamifull loves a good callback, and this time he “swung” for the fences. See if you can spot it.

Erica here: Thank you so much Matt! I’ve got Volume 8 on my plate in Japanese and I have to say, I’m actually really interested in where this is going. ^_^



Okazu’s 20th anniversary Celebration Begins with a Big Thank You to Okazu Patrons!

August 1st, 2022

Okazu’s 20th anniversary Celebration Begins with a Big Thank You to Okazu Patrons! Okazu Patrons are getting early access to new Yuri Studio Content, a special gift and early entry into the 20th Anniversary celebration!

To get all this and support Yuri creators, writers and more, become an Okazu Patron today!