There is a long-running video game series that I have been a fan of for going on two decades now. It’s called Disgaea, and the general theme is a zany, tongue-in-cheek netherworld of fractious demons who love to war with each other, but ultimately it’s all in good fun and although they are often selfish and pretend to be “bad”, most of them really have hearts of gold…if buried at varying depths.

No anime has ever felt more like “Disgaea: The Anime” than Hikikomari Kyuuketsuki no Monmon, streaming on HIDIVE as The Vexations Of A Shut-In Vampire Princess.

This was actually an intimidating review for me to approach. I personally really enjoyed the show, but there is no doubt that, especially early on, the show relies on a lot of very “dead horse” off-color jokes and tropes. This is unfortunate, as I feel the early episodes are not good indicators of the show as a whole (something which is a truism for anime in general, but along with WataOshi and 16bit Sensation, was particularly the case for shows of this season). Yes, Villhaze oversteps boundaries, yes there is a persistent gag of everybody wanting Komari. Part of this stems from the fact that this is ultimately an example of the “battle harem” formula, and characters having an absurd preoccupation with the MC is how this song is danced.

For me, the elements that I know other people might find problematic were not dealbreakers. I don’t have a problem with service unless it’s egregiously coercive or humiliating – and I’ll admit, I will give a lot of things a pass if it happens between two women than I would not if a man were involved; rightly or wrongly the feeling of predation, power imbalance, and othering is just not the same for me. Nothing in Hikikomari crossed the line for me, although I certainly rolled my eyes sometimes. Despite these things, I found a lot to love in this show. Even my best friend, life partner, and love of my life Zefiris (LURB <3 n_n) who is much more sensitive to these issues was able to enjoy the show quite a lot on the whole.

Although the characters can be easily defined as “types”, they all had distinguishing qualities. Komari is not simply the hapless harem MC, she has a natural instinct for BSing her way through the messes she find herself in; I for one love characters who display unexpected competence when thrust into unfamiliar situations. Villhaze is no mere kuudere maid, she is also Komari’s spin doctor, tactician, and bodyguard. Sakana the “yandere little sister” type is a skilled assassin and 4D chessmistress when it comes to planning her gambits far in advance. Nelia the deposed princess fights for the future of her country with admirable bravery and conviction. And finally there is Millicent, who after chewing the scenery as a gloriously villainous antagonist, goes on to be that greatest of all characters, the former villainess who becomes an awesomely badass antiheroine.

As mentioned, this is undeniably a yuri “battle harem” franchise, and over the course of the show no less than three young ladies form varying degrees of attachment to Komari. (Four if you count Millicent.) On the one hand this is great, I for one love yurification of existing genre formulas. On the other hand, one cannot but feel sorry for Villhaze, the obviously designated main love interest, who feels like a neglected character after her early arc concludes and the show goes on to focus on other characters. Presumably the source material circles back around to her later, but speaking just for this adaptation, it was slightly unfortunate.

Finally, I must shout out the small cameo by legendary yuri seiyuu Yuuki Aoi. I won’t say who the character is; when the hotblooded screaming starts, you’ll know.

Ratings:

Art – 8/10, pleasantly competent and consistent considering the designs, although visible cracks in some action sequences.
Story – 7/10, sometimes wacky, sometimes unexpectedly serious, frequently bombastic.
Characters – 7/10, for me at least the characters defy their usual typing.
Service – early in the show 8/10, later on 5/10. It definitely drops off, though there are still occasional moments.
Yuri – 7/10, a yuri harem is definitely forming but Villhaze feels left behind after her arc.

Overall – 8/10, it was not art, but it was definitely entertainment.

Hikikomari Kyuuketsuki no Monmon is currently available for streaming, under the title The Vexations of a Shut-in Vampire Princess, on HIDIVE.