Yuri Network News – (百合ネットワークニュース) – June 25, 2022

June 25th, 2022

Queer Manga Studies

I want to start by thanking everyone who has bought By Your Side: The First 100 Years of Yuri Anime and Manga so far. To celebrate Pride Month, we’re doing an offer – send me your receipt for a digital version of the ebook and get a digital bookplate! This offer is good until the end of June. If you’ve enjoyed By Your Side, please feel free to review it at Amazon or Goodreads – your reviews can make a difference!

My series for queer book store Giovanni’s Room has finished up. Week 1, I talked about Yaoi manga. Week 2 I gave some time to Yuri manga and on Week 3, I talked about the rise of Queer manga!

I spoke with the Castle Talk Podcast this week about my book. Jason was very lovely to speak with. ^_^

If you have written anything about Yuri, please let me know! I’d love to add your work to the Yuricon Essays page!

Cayla Coats has an interview with Gaku Keito, creator of Boys Run the Riot, over on Crunchyroll News!

One more me thing – we have a new video out on Yuri StudioSports in Yuri Anime & Manga.  Don’t forget to check that out and please, give it a like and follow the channel on YouTube! Kind comments are helpful, as well.

 

Yuri Events

As I write this, Melonbooks is sponsoring a virtual event, called Yurisakiannaiijou. Check out the list of participating circles for new doujinshi groups to follow and books to pick up on Booth.pm

Speaking of BL, Yuri and Queer manga, I’ll be presenting The “Secret” History of Yaoi and Yuri at FujoCon, tomorrow Sunday June 26, 2022 at 1:30 PM Eastern US Time. Check the schedule for loads of other panels in lots of time zones! Registration is free.

Girls Love Fest is returning to the Tokyo area on July 10, 2022.

I’ll be presenting The First 100 Years of Lesbian-themed Japanese Animation and Comics at Flamecon, August 20-21 in New York City!

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Yuri Manga

Bookwalker is running a Yuri sale through the end of today. Grab some Yuri manga for up to 40% coin back!

Bunch of new stuff on the Yuricon Store!

Catch These Hands, Volume 2 will be hitting your shelves this week, out from Yen Press.

Yuri Espoir, Volume 2 is slated for an autumn release from Tokyopop.

Yamada to Kase-san, Volume 3 (山田と加瀬さん。) by Takahashima Hiromi, hit shelves this week in Japan! Enjoy this promotional video on YouTube.

Galette, No.22 (ガレット) is out now, also in Japan.

Usui Shio’s ongoing drama, Onna Tomodachi to Kekkonshitemita, Volume 2 (女ともだちと結婚してみた。) is out and very thought-provoking.

Watashi no Oshi ha Akuyaku Reijou., Volume 4 ( 私の推しは悪役令嬢。) of the manga takes us to the end of the first LN volume.

 

 

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Other News

Congratulations to the United Workers of Seven Seas! The company has heard the public outcry and is voluntarily recognizing the union!

And congratulations to the Yuri Cafe Anchor staff on the Shinjuku store’s 2nd anniversary!

Birdie Wing Virtual Museum by HTC VIVE is live. I took a walk around. It’s a big space filled with the key visuals and episode teasers. You get to choose an avatar for walking around, but there’s no golf games or interactive stuff. It’s fun to see, if you have a few moments.

Art Tribune on Facebook has news and images from a Rose of Versailles collaboration with brand Max & Co. The images of the art is great, but you can’t see the clothes all that well. ^_^

Historian Yoshie Akiko takes a look at the assumptions that women never ruled Japan in Challenging the Myth of the Male Emperor: New Light on the Society of Ancient Japan on Nippon.com.

Avatar News announces three new Avatar: The Last Airbender and The Legend of Korra movies. Coming in 2024. 2025 and 2026, we’re getting movies focused on Kiyoshi, Zuko and Korra, respectively.

 

Thanks to our Okazu Patrons who make the YNN weekly report possible! Support us on Patreon or Ko-Fi to help us give Guest Reviewers a raise and to help us support Yuri creators!

Become a YNN Correspondent: Contact Us with any Yuri-related news you want to share and be part of the Yuri Network. ^_^



Even Though We’re Adults, Volume 4

June 24th, 2022

Probably the most remarkable plot of Shimura Takako’s Even Though We’re Adults, Volume 4 is the poignant story about the three elementary school girls. It’s so stark and awful when set at the end of a bunch of adults flailing. It reminded me why it was by 9 years old that I was deeply cynical about adults having a grip on anything.  I have yet to be proved wrong.

And here, in Volume 4, we see that the adults really don’t have much of a grip. Who, then, is Ayano to give advice to children, when she herself has no idea what she wants?… we may be tempted to say. But I’m not sure that she doesn’t know what she wants. Reading back and forth on this series is opening my eyes a bit. I think Ayano knows perfectly well what she wants. I think she also knows that she can’t just have it without work, because society punishes all women who are not compliant. That includes, Akari and Eri as well.

And you know what? I’m sick of it. As I expect you all are.

So here’s Ayano flailing because she can finally see something she actually wants and knows she’s not “supposed” to have – or even want.  Akari is flailing because she also knows what she wants and can’t have, maybe, kind of. Eri is flailing because she does not fit into the narrow boxes available to her. Wataru is flailing because, having lived life on the easy setting, his reward has some ideas of her own – a little unfair to him, but not really. He just assumed a lot and no one told him different.

And so here we have several very decent, likable people, all flailing. I, at least, want better for them on both individual and societal levels. Jocelyne Allen’s translation is outstanding, in providing the nuance and “adultness” this series needs, lettering and retouch by Rina Mapa lets’ me feel in the story in exactly the same way as I do when I’m reading the Japanese. Thanks to the entire localization team at Seven Seas and congratulations on having their union recognized!

I have to keep reading, for sure. This is Shimura-sensei’s best work so far and I need to know what will happen. ^_^;

Ratings:

Art – 8
Story – 9
Characters – 8
Service – 0
Yuri / Queer – As I said in my review of V4 in Japanese, it’s impossible to tell at this point. Ayano may be bi, Akari is lesbian, Eri might be ace, but we can’t be sure about any one of them but Akari.

Overall – 9

Even as this series makes me more uncomfortable, my hope that everyone ends happily, is renewed. We’ll have to wait to November  for Volume 5. ^_^

 



New Video on Yuri Studio!

June 23rd, 2022

Yuri Studio Season 3 Episode 4 Sports in Yuri Anime & Manga is live on YouTube! This video is in honor of the greatest Yuri sports anime to date. ^_^

I know I ask you this every time, but a “like,” and a comment on Youtube makes a difference – so does watching the whole video all the way through. Every comment and like the video gets means it’s likelier to be shared through the algorithm.

YT actually starts to pare off watching hours if you go too long without a new video, isn’t that nice? (It’s not nice.)

I hope you enjoy this new video and let me know what you think over on YT!



Monologue Woven For You Volume 2, Guest Review by Matt Marcus

June 22nd, 2022

Welcome to Guest Review Wednesday here on Okazu – we’re thrilled to have Matt Marcus back with terrific critique. Please give Matt your attention and offer him some kind words in the comments!

The role of Reviewer will be played tonight by Matt Marcus. He is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the yuri anime Flip Flappers.

Ah, the theater: a sanctuary where we can escape our everyday life in order to live many others, filled with mirthful joys or aching tragedies. In Monologue Woven For You, Volume 1, two star-crossed lovers, Haruka and Nao, connected over their love for the stage. But, while they have had a very smooth Act 1 of their courtship, each carries a secret that they fear would break them apart should they let it out.

Monologue Woven For You, Volume 2 pushes towards rising action, albeit in fits and starts. The story only has a single source of conflict with both Haruka and Nao going through similar arcs in separate chapters: they brood about whether they should admit their secret, the other partner notices their down mood, and instead of talking about it they just brush it under the rug and snuggle for a bit. Sure, there are lower-stakes obstacles, such as Haruka’s insecurity about taking the initiative in physical affection, or Nao’s worry about Haruka’s unawareness of others’ attraction to her. But all of that is fluffy filler akin to cotton candy: sweet, but unsubstantial (however please still visit our concession stands during the intermission).

What is ultimately frustrating is that even at the end of this volume, we still have no further insight into the incident that drove Haruka to quit acting. When Haruka reaffirms her love of the theater in Volume 1 and changes her dream to supporting Nao’s acting career, it seems we are meant to feel the same relief that Haruka does. However, without knowing any more detail on what caused her to quit, we cannot say whether this turn is a wizened healing of an old emotional wound or simply casting aside a denial of self that was given undue import by the intensity of teenage emotions. When Haruka turns down an opportunity to return to acting, I believe we are supposed to trust her judgment, but I don’t feel it. When it comes to rising out of the ashes of a dashed dream, Aquatope on White Sand this is not.

The weakest part of this volume is the introduction of a new character, Rei–a sullen 2nd-year high school student who, in an incredulous twist, is intimately familiar with Haruka’s acting past despite the four year age gap between them (this city must really love their high school theater). She’s also the love interest of Nao’s friend Yuki, which is troubling to say the least.

Now, the first thing that made this series stand out is that it is in full color. It’s refreshing to see, however I would rather that more attention had been paid to the page layouts. There is a visual density to each page in both panel and word balloon count, yet often there is a poor sense of motion from one panel to the next. On the fashion side, the outfit designs are very plain, such as a hoodie and jeans or a dress over a t-shirt. Practical? Yep. Realistic for college students? Sure. Boring to look at? Absolutely. One of the benefits of a college setting over high school is having more opportunities to use fashion as a means of characterization or storytelling, and the designs here pale in comparison to other works in similar settings (see: How Do We Relationship). The real rub with the art is that if this manga were in black and white, there would be very little to visually latch on to.

So, should you line up to buy tickets to this show? As long as you don’t expect Shakespeare, there is some entertainment to be had. Maybe don’t spring for the box seats.

Ratings:

Art – 7 The full color is nice, but the panel compositions and sense of motion leave a bit to be desired
Story – 6 Domestic fluff aside, the only point of conflict in the story is starting to wear thin
Characters – 5 Cute, but one-note
Service – 2 Sex happens off panel, though there is a little canoodling
Yuri – 9 / LGBTQ – 1 The girls are clearly dating but that’s about it

Overall – 7 At best would be cast as an understudy

Erica here: Well said. Thanks so much for offering us your perspective of this series.

 
 


Otona ni Nattemo, (おとなになっても) Volume 6

June 21st, 2022

In Otona ni Nattemo, Volume 6, Shimura Takako has done something I’ve not seen before in a manga and I think I like it. ^_^

The main plot revolves around three people, all of whom seem to be very average. They aren’t perfect, but they are basically decent, flawed human beings. At this point in the story, they are also mostly, but not completely, disentangled from one another. A family discussion about the whole situation at a family restaurant includes Eri, merely because she knows what’s going on. Ayano is living with her parents. Akari is living with her family, having decided to not contact Ayano any more and Wataru has begun to think about life as a bachelor. As with all their decisions in this series, these choices are only partially successful.

The ongoing drama of Ayano’s students continues to make Ayano question her own choices. Akari wakes up in the bed of a woman she met the night before, Yukako. Yukako mischievously encourages Akari to wait for Ayano outside school, forcing them to still think about what they feel about each other. And Wataru considers dating someone new…which throws him back into accepting how his life has changed.

Each scene in this volume comes with a specific visual style. Conversation with another person forces one of our main characters to think about who and what they are and what they want. This internal monologue becomes page after page of sparse white text on black panels as they become lost in their own thoughts. As visual indicator of internal monologue I found it appealing. It does not feel as if Shimura-sensei is wasting that space at all.

Narratively, Ayano and Akari continue to fail to not meet up and finally give up and have a real conversation. Ayano re-introduces herself with her unmarried name. Will they have a new beginning? My bet is on “maybe.”

This series fascinates me, because I actually do want everyone in it to be happy. No one is a terrible person, not even when they make choices that may seem morally, or socially, questionable. It also feels like a real story, with real people who might actually exist in the world in a way that no other manga I’ve read has been. Lastly, I found the visual language of internal monologue so minimalist that it just…worked.

I’m still of the belief that this is Shimura-sensei’s best work to date and I just hope she has a clear ending in mind – whether it’s the ending I want, or not. ^_^

Ratings:

Art – 8
Story – 9
Characters – 8
Service – 0
Yuri / Queer – 8

Overall – 8

Frankly, Yukako seems like a great girlfriend for Akari, but I’m fairly sure we’re not heading there.

Drop back in on Friday when I take a look at the English-language edition of Even Though We’re Adults, Volume 4!