An Error Occurred ( 오류가 발생했습니다), by Lee Sanhwa

July 7th, 2024

A girl in a white blouse, with a prosthetic left arm and right eye, long messily flowing brown hair, stares over a parfait made of fruit, ice cream and an eyeball. She is surrounded by a landscape of desserts.A few months ago, I was contacted by Lee Sanhwa, a Korean author, to do a review of a Yuri board game, Yuri Ranbou (百合乱慕), which was followed by another fun review of the Yuri-themed board game Sisters of Dangerous Yuri Council (ヤバ百合会の妹たち). As we corresponded, Lee-nim described his most recent book as being about cyborgs, Yuri and dessert, which…okay, I’ in. ^_^

An Error Occurred ( 오류가 발생했습니다) is available only in Korean at this time, I purchased it through Booksonkorea.com, which was a pretty painless process and the book was shipped very quickly. Right from the first pages, I was gripped by a smart, fun, ever-so-slightly-gross, and engaging science fiction story.

We are introduced to a world that has been split into two cities, the upper city, thought to be a paradise, Red Velvet and the undercity where we are, Black Forest. We meet our protagonist Donauwelle and her mysterious roommate Haluholo. The society presented has two notable features – it is the kind of  late capitalism we are used to in much of our science fiction and, slowly but surely, our reality, in which advertising is attached to literally everything. (Would you like to read this  message ad-free? Pay 10 drops) And everything – people, places, companies, currency, are named after sweets. I wondered right away if the drops mentioned were named after Japanese Sakuma fruit drops candy and, yup, sure enough, the glossary assured me they were.

In Black Forest most people upgrade their bodies with prosthetics, and Haluholo is a full-body prosthetic person with no “meat.” One of Donauwelle’s colleagues at investigation company, Petit-4, Sachertorte is obsessed with getting the latest and greatest parts, much as people in our world rush to grab the new iPhone.

Initially we are thrown into a mystery in which someone seems to be committing gruesome murders and taking the human flesh from people. Petit-4’s job is to live-stream as they investigate. They are pretty good at their job and with some help from Donauwelle’s mysterious roommate Haluholo, they conclude the investigation quickly. Following that are several short, snappy adventures in corrupt systems, the gangs of the Black Forest , a scam being run on prosthetics and a systemic issue that seems to be affecting all the companies that run Black Forest.

With each subsequent mystery, we learn more about Donauwelle’s coworkers, Sata Andagi, Petit-4 group leader Ladyfingers (who has an on-again off-again thing going on with Sachertorte) and the world, which is, apparently run by Divinity…only something, somewhere, is broken. Companies are not functioning, projections are off…what is going on? And who the heck is Haluholo, who always seems to have too much drops and information?

All of these questions are answered in a very satisfying second half of the book, in which we have three reveals, one I expected, one I did not and one that was just fantastic writing. I’d love to talk about the book ending with you, but it will be a huge spoiler, so you are just gonna have to read it, and drop by the Okazu Discord to chat. ^_^

I read the book using Google Lens as a translation tool and I assumed I missed some of the subtleties of language and intent, but overall, I felt that I got the gist of everything. The use of sweets for names was never tiring. For instance one of the gangs was cleverly named Pan de Muerto, Divinity was as the ruling body. The names are drawn from all over the world, making the glossary worth reading  – especially for some of the snarky comments about British sweets. ^_^

This reprint edition from 2023 includes an extra new epilogue post the 2018 first printing and an additional author’s note. The first author’s note is one of the very best I have ever read honestly, as it discusses how authors’ notes are ubiquitous in books, but no one has ever won an award for one, no guides are written on how to write one and no one ever reads them. ^_^ Well, I do read them and this one was outstanding.

At this point, you may be wondering if the story is Yuri. And to answer that, you must understand that machine translation tools all default to “he” and “him” unless forced to use a different word. So almost regardless of what was written on the page, I was getting a story about mostly men, when Lee-nim mentions that he wrote the book with the assumption that everyone was a woman and that gender wasn’t an issue. That complicated the story, but also set up the thing I was expecting in a more obvious way. Oh, and, yes, it is Yuri.

Ratings:

Story – 9
Characters – 9 (I’d kind of like s spin-off about Ladyfingers and/or Momochaha)
Service – Yes, surprisingly
Yuri – 8

Overall – 10

This gets a 10 because of one final thing that I did not even know I liked. The structure of the novel – short stories that build up to one major arc – apparently is my favorite structure! Who knew?

I don’t know how comfortable people are reading with translation tools. I’m pretty comfortable with it, as I have been doing it for years in any number of languages, Thai, Tagalog, Korean, Chinese,Vietnamese (and still Japanese) in my pursuit of Yuri. So, if the idea of reading a book while staring at a page through your phone does not intimidate you – or if you are learning, or can read, Korean –  I highly recommend An Error Occurred by Lee Sanhwa, from Safe House Publishing.

I have already begun to write English-language publishers to suggest this book be licensed. I think folk would really like it.

Speaking of English, cover artist Kim Sanho’s work can also be see on a Korean novel that has been translated into English, that might be of interest here, A Magical Girl Retires, which is on my to-read list. ^_^



Yuri Network News – (百合ネットワークニュース) – July 6, 2024

July 6th, 2024

In blue silhouette, two women face each other. One wears a fedora and male-styled attire, one is in a dress and heels. Their body language is obscure - they may be dancing, or laughing or fighting. Art by Mari Kurisato for OkazuYuri Manga

We have some new titles on the Yuricon Store!

Yokohama Kaidashi Kikou Deluxe Edition, Volume 5 hits shelves next month and I cannot wait for an end of the world which is far gentler than that which we are headed into.

If you have not read it, please do give The Moon On A Rainy Night, Volume 5  a read. Things are changing here in ways that are remarkable. I love this story so much.

We’ve also added Kiss the Scars of the Girls, Volume 1, which was reviewed here by Christian LeBlanc.

Lastly, Yukidoke to Agapanthus, Volume 2 (雪解けとアガパンサス) continues a story of which I reviewed the first volume of here on Okazu. Will Summer be thawed by Spring? Yes, obviously. ^_^

There is a delay with The Rose of Versailles Episodes, Manga, Volume 1, which contains the 40th anniversary comics for the series. I am amazed at the complications this series has faced, falling through every single possible crack in all the awards it could possibly ever have been eligible for. This absolute fucking classic of manga has been utterly ignored by the Eisners. It’s a crime, honestly. But I beg you to please get this volume. It is SO worth it.

 

Great news for Yuri fans in France, via YNN Correspondent Manga’Albine. Meian has licensed This Monster Wants To Eat Me, Volumes 1 & 2 are on their site so far. Meian also put together a list of their French-language Yuri licenses on Twitter that is very impressive!

 

More evidence that Kininatteru Hito Ga Otoko Janakatta is definitely being set up for success. My local Kino had both volumes of the series front and center on their Pride month display and had acrylic art plates (which I absolutely might have bought but they were $80 each and I just couldn’t,_ so I bought a couple of blind box pins and got them in a promotional bag! YNN Correspondent An Over Acheiving Potato noticed the “retro music” soundtrack CD for the series on store shelves. I am delighted at this and wonder if this could lead to a live-action drama, given the complexity of licensing any of the music.

And, for those folks in Tokyo, there is a Kininatteru Hito Ga Otoko Janakatta cafe in Tower Records in Omotesando. Do let us know how it is!

 

Comic Natalie tells ups about Bodokan (ボドカン) that takes place in a prison where the female prisoners” play boardgames and form Yuri couples.” Points for the cops being literal pigs. Check out a sample chapter on Comic Walker in Japanese.

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Anime News

Anime Expo hasn’t brought us much in way of manga, but the anime news is good.

A Rose of Versailles anime movie has been announced for 2025. It looks awfully like the Rose of Versailles anime movie I saw a trailer for at the Tokyo Animation Fair a decade ago. Hrm… Anyway, check out the trailer on the official Twitter account and sit up a bit straighter when you hear that they picked Sawashiro Miyuki as Oscar and Hirano Aya as Marie Antoinette. Nice choices.

Viz Media announced an anime (and probably more manga) license for RWBY, which…good! It’s a series I have stuck with since the beginning and deserves to get a decent end. Plus, Blake and Yang are kind cute together. ^_^

Momentary Lily premiered and ANN’s MrAJCosplay said of it, “I felt like I was having keys dangled in my face while multicolored bleach was poured into my eyes.” So, exactly what we expected, then ^_^

On the 40th Anniversary of  Magical Angel Creamy Mami, Studio Pierrot announced that they are planning a new Magical Girl series. Crystalynn Hodgkins has the details on ANN.

Rafael Antonio Pineda says that Crunchyroll will be adding Go! Princess Precure and Witchy Precure (presumably ahead of streaming the new Mahoutsukai Precure Mirai sequel anime). I will continue to pine for a Heartcatch sequel.

 

Yuri Live-Action

Based on Sal Jiang’s Shakaijin Yuri rom-com of the same name, Ayaka-chan ha Hiroko-sempai ni Koishiteru (彩香ちゃんは弘子先輩に恋してる) Live-Action series has premiered on GagaOOLala and TVer.jp.

 

Yuri Visual Novels

Studio Élan’s Yuri visual novel Please Be Happy is currently 25% on Steam!

 

Support Yuri journalism on Ko-fi!

Yuri Apparel is Back in the Yuricon Store!

After a number of delays, we have returned our most popular shirts to the Yuricon Store on Printify!

To make it easier for me to sell them, I am also added them back to the Yuricon Store under Yuri Apparel. Right now, we have the incredibly popular 50 Years of Yuri Couples T-Shirt and the 100 Years of Yuri T-shirt, which comes in 7https://www.yuricon.com/product-category/yuri-apparel/ colors. All shirts are available in sizes Small to 3X.

Once everything is back up, I’ll think about some new designs…maybe featuring some of the art for By Your Side.

 

Other News

Not Yuri in the slightest, I want to just give my recommendation to The Apothecary Diaries light novels. They are super fun, great summer reading. Volume 1 is out now and Volume 2 is headed our way in August. This is one of those rare series that my wife and I agree upon.

Also notable, this weekend at Anime Expo, an anime for award-winning manga Witch Hat Atelier was announced. This series is something I have long be meaning to read, so maybe I’ll finally get around to it now. ^_^Alex Mateo has the news on ANN.

ANN’s Bamboo Dong reports on an AX panel of interest in The Beauty of Takarazuka Transcends Borders.

 

If you’d like to support Yuri journalism and research, Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2024, is to raise our guest writers’ wages to above industry standard, which are too low!

Your support goes straight to paying for Guest Reviews, folks helping with videos, site maintenance, managing the Yuricon Store and directly supporting other Yuri creators. Just $5/month makes a huge impact! Become part of the Okazu family!

Become a part of the Yuri Network, by being a YNN Correspondent: Contact Us with any Yuri-related news you want to share with us.

 



Ayaka-chan ha Hiroko-sempai ni Koishiteru Live-Action (彩香ちゃんは弘子先輩に恋してる)

July 5th, 2024

A cute woman with dyed hair and a pink crop top leans on a shocked looking woman with dark hair in  dark colored blouse, both surrounded by colorful draped cloths.Ayaka works in a fairly typical Japanese office where the star of the company is Hiroko, a very competent, caring career woman. After a gaffe early in her career,  Ayaka is helped by Hiroko, and as a result, Ayaka has fallen in love with her sempai.  To try and gain Hiroko’s attention, the mousy Ayaka had undergone a remake and is now fashionable and cute. And she is all over Hiroko.

Only, Hiroko is actually a lesbian. On the one hand, this is a part of her life she has not shared at the office, and as the cool sempai, she is beloved by both male and female colleagues, so she keeps her professional relationships professional. On the other hand, she is absolutely sure that Ayaka is straight and clueless, so she’s not touching that with a ten-meter stick. On the third hand, Ayaka is so hot, it’s killing Hiroko.

Ayaka-chan ha Hiroko-sempai ni Koishiteru Live-Action (彩香ちゃんは弘子先輩に恋してる) is based on the manga written by Sal Jiang of the same name, of which I have reviewed Volume 1 and Volume 2 here on Okazu, but have not yet had a chance to read Volume 3.

Japanese comedy is often quite broad with zany facial expressions and wacky sound effects, even slapstick action. This series is meant to be understood as a comedy. As a result, I went it into the first episode unsure if it would work for me, although the trailer gave me hope. Because Hiroko’s reactions are 98% of the comedy, it is very much on Mori Kanna’s shoulders to carry the series. I am pleased to report that the comedy does work. In part because of the way Mori plays Hiroko, and also in former Nogizaka46 member Satou Shiho’s Ayaka, who does not overplay her role. So Ayaka comes off as sincere and maybe a little much, while Hiroko is played sympathetically as a lesbian who would totally be in to this girl who keeps throwing herself at her, except she’s probably super straight, argh!

My favorite scenes in the first episode (titled Nonke ni Otosrenai, ノンケに落とされない, don’t fall for a straight girl) takes place in Hiroko’s local lesbian bar, where her endless ranting about Ayaka is both hilarious and annoying to the other patrons. I laughed out loud at Hiroko spinning in her barstool complaining about how this straight girl is going to kill her. ^_^

Which brings me to a pretty major point here. This series is another live-action Josei series by and about queer women in Japan, thus once again allowing me to be smug about Josei making good live-action drama (^_^) and rejoicing that we have another live-action series by and about queer women in Japanese media! I am very pleased by that.

Ratings:

Acting – 9
Characters – 9
Story – A very silly 8
Service – It’s not above showing a little skin
LGBTQ+ – 10

Overall – 9

As noted in last week’s YNN Report, this series is available with subtitles in English and other languages on Asian LGBTQ+ media streaming service GagaOOLala. Episode 1 also aired in Japanese, with no subtitles on TVer.jp. I watched it on the latter because I wasn’t in the mood to sign up for another streaming service and I have a VPN, but do whatever works best for you. That said, do watch Ayaka-chan ha Hiroko-sempai ni Koishiteru live-action, because it is openly queer and actually amusing.  And I’d love for this to get the kind of reception Tsukuritai Onna to Tabetai Onna live-action got, sending a clear message to Japanese media companies that queer rep by queer creators will do well.



The Many Sides of Voice Actor Radio, Season Finale

July 4th, 2024

A poster for The Many Sides of Voice Actor Radio. One side is Yellow, featuring a dark-haired girl in blue school uniform blazer and skirt, with the silhouette of a girl with buns behind her, as she looks over her right shoulder at us. On the left, a pink background, with a blonde in the same blue checked school skirt, and a brown cardigan, in a jumping posse, her hands over headphones she wears as she winks. Behind her in silhouette is another girl, with long straight hair. Adding to the extensive and mostly excellent list of series Yuri fans were watching this year was  a pretty amazing look at the obstacle course of demands young, up-coming voice actors are asked to navigate. Management, rivals, the demands (often incoherent and or dangerous) of fans, and their own lives all pile up here in a tumultuous tale of what it takes to be a star as a Japanese voice actor.

The Many Sides of Voice Actor Radio, streaming on Crunchyroll, follows two young women who are rivals in the job market, classmates in their real lives, completely opposite types as humans and destined to be great together. It’s a classic case of people who cannot stand each other being amazing as partners. Satou Yumiko (professional name Utatane Yasumi) and Watanabe Chika (professional name Yugure Yuhi) are working together on a online “radio” show in which they play cute high school students, chatting about daily things. Their ratings are not great, but they are trying their best.

The series is honest (in some cases brutally so) about the life of an actor, always running after new roles, and rarely afforded stability. As the series progresses scandals, both real and manufactured, cause the pair to reassess how they are doing things…and why…and for whom. The series does not shy away from fan-driven hysteria and over-posessiveness or, like Jellyfish Can’t Swim In The Night, a rival sabotaging a career. I find it interesting that two different series used that same plot complication in the same season. I don’t pay attention to idol news, but this seems like it must have been related to something in real life.

These scenes come with an emotional cost for the characters, but they are both dedicated to their jobs and try to find ways to succeed. Maybe a little too much of everything that might happen happens, but that’s to be expected in a fiction.

That said, I once again find myself beating a drum that is well-worn this season.  Because in the second half of the series, it is not the actors, their rivals, fans or their own limitations that need to be overcome…it is once again the adults around them who fail them. Let me tell you, I yelled at the screen quite a bit.

Watanabe’s mother’s “bet” that she forces on her daughter was just stupid and pointless, but watching Satou excoriating herself for not performing up to a standard which is never stated absolutely enraged me. I literally shouted “You’re the DIRECTOR, direct!” out loud. More than once. 

Of course I understood that I was supposed to be watching Satou grow and mature, but from my point of view all I saw was a teenager desperately in need of a single adult to *teach* them what they needed to know. And it really pissed me off that until the verryyyyyyyyyyy end, no one did and none of the adults stepped up to be that person. No. Fuck that. If your teen doesn’t know how to change a tire – teach them. They won’t learn it by osmosis when you don’t do it, either. And don’t work with directors who say things like “We gave you the role because we felt you would give us 120%” without ever telling you what that means.

The opening and ending themes were very good, surprisingly. The animation occasionally reminded me of early-career drawing in which three-quarter faces are oddly flattened. I’m not sure if that was meant to echo the manga or animation was being done on the cheap as it seems to always be now.

Overall, I genuinely enjoyed The Many Sides of Voice Actor Radio, and the relationships – and, yes, intimacy, both personal and professional that we see between not only the young women who are voice actors, but also different kinds of affection from their managers and mothers. I liked the not-friendships, professional relationships and mentor/protege relationships that are presented to us between peers. I liked that both Watanabe and Satou managed to find their own solutions to other people’s problems. I loved that their true fans protected them from the shitty people who call themselves “fans,” and I liked that they worked out their own relationship between them.

Ratings:

Art – 6
Story – 8
Characters – 9
Service – Meh, but the late use of “Yuribait” was quite good. ^+^
Yuri – 2, in Mekuru’s obsessive admiration of Otome

Overall – 8

As an insight to the life of a voice actor…I think it’s pretty good, too. Of course not every actor has to deal with all of these situations, but anyone following English voice actor news in the last few years will see that this can be a really fraught career.



Blank: The Series, Season 2

July 3rd, 2024

Official poster for season 2 of Blank: The Series, showing Neung (Faye Peraya Malisorn, left) and Aneung (Yoko Apasra Lertprasert) gazing into one another’s eyes.In my review of season 1 of Blank: The Series I noted three negatives of the series: the 16-year age gap between the older Neung and the younger Aneung struck many fans as problematic, the behavior of Aneung was childish and annoying (and her portrayal by Yoko Apasra Lertprasert somewhat one-note), and the subpar English subtitles made understanding the dialogue difficult at times.

Still, I liked season 1 and I’m happy to report that season 2 of Blank: The Series is even better. The subtitles, while not perfect, feature understandable and idiomatic English. Now that Aneung is in university her maturity level has increased, and Yoko’s portrayal of her has correspondingly improved to the point where she’s often upstaging Faye Peraya Malisorn’s Neung. As the plot unfolds Aneung is alternately happy, angry, loving, despondent, or delightfully mischievous, as she goads an oft-reluctant Neung into various displays of affection.

As for the age gap, the story wouldn’t work without it. Its central theme is how Neung is caught between two different generations and must determine how to negotiate their differing demands and perspectives in her own life. Aneung is young but now fully an adult, has made new friends in university, and is confident and secure in who she is (an out lesbian) and what she wants (a relationship with Neung). On the other side of the divide are Aneung’s absentee mother Phiangfa (formerly Neung’s best friend), Neung’s ex-fiancé Chet (who we learned in season 1 has a previously-hidden connection to both Phiangfa and Aneung), and Aneung’s grandmother. All of them have their own reasons for continuing to treat Aneung as a child and (like many Asian parents and grandparents) seeking to control her life as an adult.

Meanwhile Neung, although the same age as Phiagfa and Chet, in many ways reads as closer in age to Aneung: she’s skated through life thus far, rejecting both her privileges and responsibilities as a member of the Thai aristocracy, her slacker lifestyle subsidized by ongoing “loans” from her younger sister Sam. Following the events of season 1 she moves back to her family’s “palace” and begins to assume the position to which she was born. However, at the same time she finds herself being drawn more and more to Aneung. Between Aneung’s entreaties and the older generations’ demands, Neung gradually finds herself entangled in a Gordian knot of irreconcilable expectations, a knot that’s cut by a final melodramatic plot twist and Neung’s and others’ reactions to it.

New production company NineStar Studios has done a stellar job of sanding off the rough edges of Chao Planoy’s source novel and turning out a great adaptation of it on a relatively limited budget (further strained by doing reshoots for parts of season 2). Faye continues to shine as Neung, and as noted above Yoko more than holds her own opposite Faye. The writing and cinematography are generally sharp, with occasional dips in quality (including an odd and confusing flashforward in the final episode) that are more than compensated for by some excellent scenes, most notably those involving a radio call-in show.

NineStar CEO Wanwand (“P’Wan” to Blank fans) is a self-described social media influencer and (judging by her X timeline) a major Becky Armstrong fan. A year and a half ago she was making GAP reaction videos, a year ago she first read Blank, by August she had formed NineStar Studios (with Ice Papichaya Pattaralikitsakul, who portrays Sam in the series, as COO) and was starting casting for the series, and five months later (assisted by veteran production house Moongdoo Production) NineStar debuted episode 1. After a slow start Blank: The Series is now a solid success, with individual episode segments racking up millions of views and sold-out fan meets in Thailand, the Philippines, and elsewhere. I’m looking forward to what P’Wan and NineStar come up with next, whether it features Faye and Yoko or not.

Rating:

Story — 7
Characters — 8
Production — 7
Service — 3
Yuri — 10
LGBTQ — 5 (Aneung to Chet re her friend Yui: “She’s not a tom[boy], she’s queer!”)
Overall — 8

This may be blasphemy to write, but in some ways season 2 of Blank: The Series is a more interesting and emotionally satisfying watch than was GAP: The Series (the previous gold standard for Thai live-action yuri), ditching superfluous side plots and “comic” relief in favor of a sustained focus on the central couple. If you’re interested in Blank but have limited time, you may wish to start with episode 6 of season 1—just go on the internet first to acquaint yourself with the basic facts about the characters.