Comic Yuri Hime December 2021 (コミック百合姫2021年12月号)

December 12th, 2021

Comic Yuri Hime, December 2021 (コミック百合姫2021年12月号) was a terrific end to a year of pretty darn good Yuri manga!

To begin with “One Hundred Years Distance,” Hanna Ren’s science-fiction time-travel plague-focused cover novel wraps up with a message for all of us to get vaccinated, wear masks, wash our hands and care for one another. Japan gains a new Youtuber, as Shizuka send her message across time from 1921. Kesshin’s art was wonderful,I really enjoyed this story, but oh my goodness did I dislike the teeny-weeny font size.  Still, it was the best of the shousetsu this time around.

Takeshima Eku’s “Sasayakuyouni Koi o Utua” has moved into a new arc that I will not spoil, but the stakes are completely different than “does Himari love Yori?” now and it’s way more interesting. We’re seeing more of Yori’s real self and watching her learn to ask for help.

“Kimi to Shiranai Natsu ni Naru” by Keyyang had a pretty weak start, in my opinion, but seems to have found itself and is now ready to fly! Having been stranded, our two protagonists head to a relative’s home. In a call to her aunt, Hi-chan and Haru take the leap from lovers to engaged and their lives instantly become brighter. NOW I’m ready to see what happens.

I…loved…”Suszume-chan to Mahou no kiss,” a zombie story by Nimu. Just a fantastic short story.

“Lonely Girl ni Sakarenai” is now, finally, addressing Ayaka’s problem, the source of the entire story – that she is terrible at taking tests.

“Onna Tomodachi to Kekkon Shitemita,” by Usui Shio was kind of frustrating, in part because it was realistic. Kurumi and Ruriko are starting to see the cracks in what is an unbalanced relationship.

Low-key one of my fave stories this year has been “Odoriba ni Skirt ga Naru” by Watane Yuu. Kiki has an honest and loving talk with her former partner – and forever best friend, Shion. Now, Kiki and Michiru can move forward together as dance partners.

As always, there were many more stories in this issue I read and either enjoyed or didn’t. This was a strong and varied volume that topped of a year full of a lot of stuff I loved and a lot I would be happy if you scoured out of my brain. In other words, something for everyone. ^_^

Ratings:

Overall – 9

One of the most solid years I can remember since 2011 or so.The January 2022 issue is already out, I have already read it and cannot *wait* to review it!



Yuri Network News – (百合ネットワークニュース) – December 11, 2021

December 11th, 2021

Yuri Manga

We have (finally!) a bunch of titles on the Yuricon Store!

Chasing After Aoi Koshiba, Volume 3 will be out in January 2022.

Eri Ejima’s popular Young Ladies Don’t Play Fighting Games, Volume 2 is out this month. Check out Luce’s review of Volume 1 last month on Okazu.

You can pre-order the print volume of Our Teachers Are Dating, Volume 4. This book has been delayed from a February release to an April one.

The pre-orders for the print edition of Tamifull’s How Do We Relationship, Volume 5 are up as well. This is still slated for a February release.

I’m in Love With the Villaness, Volume 2 of the manga is available on all three of our affiliates (at last!)

Watashi no Oshi ha Akuyaku Reijou., manga Volume 3 (私の推しは悪役令嬢。) is up on Amazon JP for pre-order to be released net week.

Watashi no Yuri ha Oshigoto Desu! Volume 9 (私の百合はお仕事です!) by Miman is on shelves now in Japan.

Seven Seas has licensed SHWD, by sono.N. Alex Mateo has the details on ANN, I reviewed volume 1 in September (after having also picked it up as doujinshi at Comitia AND bought it as translated doujinshi on Lilyka, so that out to give you a hint of how I feel about it.) I’m really thrilled that Seven Seas has clearly developed a relationship with Comic Ruelle & Comic Jardin, as well. They’ve so far had some great Yuri series.

Via Yuri Mother, Adachi and Shimamura has been named one of the Top 10 Manga of 2021 by School Library Journal.

 

Yuri Events

This week is smoking hot with two amazing events, I’d love to see you at! Shojo Manga: The Power and Influence of Girls’ Comics by The Japan Foundation will be held this week, on Thursday, December 16, 2021 from 8:00 PM – 10:00 PM EST. Registration is free and yes, barring disaster, the video will be posted on Youtube for folks who miss the discussion.

Following immediately after this, on Friday, Dec. 17, from 8:00 PM – 9:00 PM EST, please join myself and James Welker for a discussion of how BL and Yuri have grown over the last few decades, at CasaCon, on Discord! Registration is free. Last year we had a blast, so drop by for our casual conversation about massive changes in culture and media. ^_^

In case you missed it last week, the entire discussion from the Yuricon 20th Anniversary discussion event is up on Youtube.Thanks again to James Welker and Verena Maser for joining us.

 

Light Novels

Via Inori-sensei’s Twitter feed, I’m in Love With the Villainess has been released in French by LaNovel Edition.

Again, I know no one cares, but the 4th volume of Kunoichi Bettegumi Igarashi Satsuki (くノ一別手組ー五十嵐五月) china’s batshit samurai x probably-a-vampire period drama (some people write Madama Butterfly, other people write this) is on the Store, now. ^_^

 

Yuri Anime

Via Lesley Aeschliman, Pluto TV has added The Rose of Versailles TV anime!

Sentai Filmworks has re-released Canaan, the Complete Series for a fraction of the price I bought it for, yowza. That’s on the Yuricon Store now.

Anime-adjacent, Charagumin is going to be releasing a resin kit of Anthy and Utena, hat tip to Gangablu on Twitter.

 

Thanks to our Okazu Patrons who make the YNN weekly report possible! Support us on Patreon to help us give Guest Reviewers a raise and to help us support Yuri creators!

Become a YNN Correspondent: Contact Us with any Yuri-related news you want to share and be part of the Yuri Network. ^_^



Look Back (ルックバック)

December 10th, 2021

Today’s review was inspired by a combination of two very different things. Various folks having mentioned this book in Yuri-friendly spaces online and, by complete coincidence, the fantastic podcast Mangasplaining putting it on their calendar, which caused me to bump this up on my to-read pile.

To begin with, Look Back (ルックバック) by Chainsaw Man creator Fujimoto Tatsuki is not Yuri. BUT…and this is a huge  “but”… it definitely falls under the Yuricon broad-umbrella definition of Yuri in one sense:

Yuri can describe any anime or manga series (or other derivative media, i.e., fan fiction, film, etc.) that shows intense emotional connection, romantic love or physical desire between women. Yuri is not a genre confined by the gender or age of the audience, but by the *perception* of the audience.

This definition has always been intentionally broad and subjective, because it has long been my opinion that media is subjective and we will see what we want to see in it, despite (sometime, even at odds with) creator intent. ^_^ With this definition in mind, let’s please take a look at Look Back which is a one-shot story about a manga creator Fujino. From a young age, Fujino loves drawing and loves the praise it garners her. As she gets older, she continues to draw, even when it stops being so cute or appreciated.

When Fujino is shown the vastly superior art of another person at school, her life changes irrevocably. Rededicating herself to her craft, she draws and draws, endlessly. These scenes are communicated by a view of her back at her desk, shown over and over as time, seasons, years change. We can see how many sketchbooks she’s filled, how many books on drawing she owns. And then…she visits shut-in Kyoumoto’s home and finds that she’s nowhere near the level of dedication, of search for perfection, that her erstwhile rival is. The scene that follow, as Fujino dances her despair out in the rain, had me sobbing. It was so…perfect. Not pretty, but perfect.

Still in middle school, Fujino and Kyoumoto team up to become a successful manga-making team. And still, Fujino draws and draws and draws. We see her back in front of that desk with a sketch pad, then increasingly sophisticated  equipment as time goes on. Kyoumoto and Fujino celebrate their success with simple things – Kyoumoto is still learning how to exist in the world. But, finally, after years together, after they’ve graduated high school, Kyoumoto makes a huge leap and applies to art school. Fujino continues to draw manga and continues to be successful.

And here I will not spoil anything except to say that I basically wept my way through the rest of the book. Because it was just that powerful and well-executed. And that there is violence. It is not gratuitous, it is extremely important to the remainder of the story.

The relationship between Fujino and Kyoumoto isn’t anything like romance, but they are both poles around which the story is built and neither they, nor the story, could exist as such without it. So not Yuri in terms of lesbian romance, but in the shadow of that broad definition above, the emotional connection between them is compelling.

Ratings:

Art – 9 Outstanding
Story – 9
Characters – 9
Service – 0
Yuri – No. The story is about a life-changing relationship between two girls

Overall – 9

Magnificently drawn, with incredible subtle detail (much of which Mangasplaining covers) and emotional in a way I haven’t experienced in YEARS.  Best of all, it’s available in English digitally from Shonen Jump. A Jump subscription is $2.99/month, with every major title being released as a simulpub. It’s a ridiculously good deal. You’ll need to supply your own hankies for this volume.

If this review inspires you to read this manga, definitely wait until you have read it, then jump over and listen to the show about it, Look Back by Tatsuki Fujimoto on Mangasplaining.



Otona ni Nattemo, Volume 5 (おとなになっても)

December 9th, 2021

Previous volumes of Shimura Takako’s adult life drama have centered on three adults whose life has been thrown into turmoil by unexpected emotions. Otona ni Nattemo, Volume 5 (おとなになっても) is about the people around Ayano, Akari and Wataru and how their lives are likewise thrown into chaos because of unexpected emotions.

On Sunday I reviewed Arcane on Netflix here on Okazu. My one real criticism was that there were no adults in the story. In Otona ni Nattemo, all the characters are adulting to some extent, even the children.

Ayano is watching two girls in her class carefully, because she’d like to be there for them, as their nascent relationship bumps up against society and peer pressure. The two girl,s who are, what 10 or 11?, are maturing in real time as they weigh who they can trust with what information. Ayano and they are watching each other watching each other, trying to see a path forward that causes the least pain. But it may be too late, as cracks in their friendship are coming from somewhere else.

Ayano is starting to see pieces of her life with more clarity, while Wataru is trying to patch up the present to make it resemble a past he’s more comfortable with. Akari has returned to her starting place, but for once, she’s looking forward with some vigor.

In this volume we spend a lot of time with Wataru’s sister Eri and I find that I like her a lot. She knows there’s something wrong with her, but she’s not getting the help she needs…and like so many women, tends to blame herself. When she finds herself drawn into a relationship despite herself, she is smart enough to see that she’s over her head, and wise enough to understand what it means. This leads to a wonderfully honest and tense scene between Eri and Akari, where they connect over being in love with someone unobtainable. 

Ratings:

Art – 8
Story – 9
Characters – 8
Service – 0
Yuri / Queer – Getting queerer, as Ayano is starting to think she might always have been bi, or gay. 

Overall – 8

Where these people will find themselves in the next volume I can’t guess, but…this is the kind of writing I long for. Sure there are coincidences and handwaves; mostly there are people trying to make sense of all the things life throws at them, even though they are adults.



semelparous, Volume 1, Guest Review by G-Man

December 8th, 2021

Welcome back to Okazu on Guest Review Wednesday!  I am so excited to welcome another brand new Guest Reviewer today. If you’re a regular reader, you know what my opinion of semelparous is, so I asked around for someone else who finds it entertaining to review semelparous, Volume 1, for us. (This is an Amazon affiliate link, since this has not been added to the Yuricon Store)  ^_^ Please give G-Man with a warm Okazu welcome. ^_^

I’ve been a fan of the “giant monster destruction” genre since childhood, especially those good ol’ Godzilla movies. Now that I’ve also become a fan of the yuri genre, when I heard that two of my favorite things had come together in a big action-packed package known as semelparous, Volume 1,  words failed to describe my excitement. A manga with strong gay ladies kicking giant monster butt? What more could one ask for? Well…

Colossal beings from a parallel world called “kaiju” are attempting to break through the wall that separates our worlds, presumably to wipe us out. Yorino Aratsugu and her best friend Haruka are training to be “bouhekishi” (or “barrier specialist”), superpowered soldiers who fight the kaiju in the pocket space between dimensions. The two are always at the top of their class, but on their first real mission, Haruka is killed in action. Distraught and fueled with anger, Yorino vows to exterminate the kaiju herself, and it seems the only one who can bring her back down to earth before she gets herself killed is her new partner, Captain Youko Kaminoi.

Based on that synopsis alone, I’m sure most of, if not all of you, are already drawing parallels to Attack on Titan; big humanoid monsters trying to break through a wall to destroy humanity, an eager young protagonist who becomes an angsty edgelord after someone close to them is killed by said monsters, soldiers who flip and twirl around a cityscape to fight the monsters with cool weapons, etc. Not to mention there’s a twist in a later chapter, which I won’t spoil for anyone interested in reading, that pretty much seals the comparison. However, the big difference is that semelparous fails to deliver its story and worldbuilding with any of the nuance that Titan did.

semelparous suffers from a severe case of tell-don’t-show. When we’re not in the midst of a high-stakes action scene, we’re listening to bulky exposition dumps, telling us what things are, how things work, or who characters are and what their feats/motives are, rather than letting us figure that out through visuals and the characters’ actions and personalities. While there are a handful of solid moments, such as Yorino making new friends at school or her exchanges and banter with Youko, they are few and far between amidst all the explaining.

And what about those characters? Yorino seems to be on track for what TV Tropes would call a “break the cutie” arc, in that she starts out innocent and naive but slowly starts to get horrific events piled onto her conscience; Haruka’s death, the aforementioned plot twist, and potentially those new school friends who have death flags by the truckload. However, she’s still able to open up occasionally and not let hatred become her entire personality. Youko has that typical “anime best friend” energy, in that she’s very outgoing and somewhat airheaded, but as a higher-ranked bouhekishi she has baggage of her own and some dark secrets. Like many anime BFFs though, she can be a bit too touchy-feely for comfort at times, and some will likely be annoyed by her lack of respect for personal space, particularly in one shower scene. Other than the two leads, there aren’t really many standouts as of this first volume.

Now let’s discuss the elephant in the room: the artstyle. It should be noted first that the author, Ogino Jun, is a hentai artist. One look at their artworks and doujinshi is a clear indication of that. As such, semelparous’ character designs, i.e. the female characters, are all drawn as Barbie dolls with balloons strapped to their chests. Their “combat outfits” are skin-tight, yet still manage to emphasize their assets. Even when the girls are out of combat, it seems like their clothes are a size too small to the point where the fabric visibly strains at the buttons. There’s jiggle physics, panty shots, shredded clothes, girls standing with their hips jutted out for no reason… the works. It’ll undoubtedly be laughable and distracting to most readers, and outright offensive to others. But if you’re numb to this sort of thing like I am, then you may find the art at least halfway decent. Character designs are very same-face, and backgrounds are nothing special, but where it really shines are the action scenes. Jun has a knack for dynamic poses, exciting choreography and angles that make our heroes look badass. The kaiju, while somewhat generic in design, are still quite intimidating and drawn in a way that makes their size and power felt. These parts were the highlight of the manga and admittedly got my blood pumping from time to time. Jun clearly has strengths, but their style won’t be for everyone.

In terms of yuri content, Yorino and Youko are obviously the main romance. While there likely won’t be a committed relationship between them for some time, what with all the trauma and monster attacks on their hands, the chemistry is definitely there. Yorino is stuck in an emotional rut, and Youko is doing her best to bring her out of it so they can both live their best lives should they be killed in action the next day. Yorino is also the resident gay disaster, constantly blushing at affection from both Youko and her friend Haruka before her passing. It’s rather amusing when she tries to be the brooding loner, only to turn into a stuttering mess when faced with Youko’s flirting.

Ratings

Art – 6 (when discounting the ridiculous proportions, 5 when counting them)
Story – 3 (delightfully dumb, but derivative and over-expository)
Characters – 6 (basic but still fun and plenty of potential for development)
Service – 9 (but for all the wrong reasons)
Yuri – 7 (starts taking off at the end, but mostly just teasing and blushing for now)

Overall – 5 (If you’re looking for something thought-provoking and emotionally riveting, this ain’t it. Though you might get some enjoyment and a few laughs if you turn your brain off)

semelparous, Volume 1 is out now from Seven Seas, Volume 2 hits shelves in February,

Erica here: Thank you so much for taking a crack at this and giving it a fair review. 

I haven’t taken a look at it at all, so I can’t comment on the localization team, but since this is from Seven Seas, I imagine they are doing the best job possible, as they usually do.