Yuri Network News – (百合ネットワークニュース) – June 13, 2020

June 13th, 2020

We have officially reached the tipping point, I can no longer keep up with all the Yuri coming out in either Japanese or English. Yay! (I mean, “Boo!”, but you know what I mean. ^_^) Today I’m playing catch up from a couple of week’s worth of being busy with the Yuri Panel.

Yuri Manga

YNN Senior Correspondent Eric P. wants you to know that Revolutionary Girl Utena: After the Revolution is now available for pre-order. This print volume is slated for an October release and follows the Student Council members 20 years after the events at Ohtori. I reviewed the Japanese edition here in 2018.

Speaking of Utena, Comic Natalie reports that director and co-creator Ikuhara Kunihiko has some commentary on the obi of the upcoming Mayu, Matou, Volume 3 (繭、纏う) Hara Yuriko. That seems right up his alley! ^_^

Lilyka has announced their first print book and…it’s not one of their doujinshi at all, but a print volume of Love To LIE Angle, the “comedy” manga from Comic Yuri Hime.  I’m sincerely disappointed in this choice.  I was actually hoping we’d be getting a collection of Ruri Hazuki‘s stuff, or SWHD.

Via Yurimother, we have news of a Yuri collaboration on Webtoon Canvas between 15 artists, called A Girl’s Love Collaboration.

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On the Yuricon Store we have a lot of new items!

Tamifull’s How Do We Relationship? Volume 1 is out now from Viz Media. I just started Volume 4 in Japanese last night. I have complicated feelings about this series. Check out my 2019 review of Volume 1 in Japanese.

Éclair Rouge: A Girls’ Love Anthology That Resonates in Your Heart (Book 4 of the Éclair anthology series) is hitting bookshelves in September. I reviewed Éclair Bleue this week, if you missed it. ^_^

tMnR’s If I Could Reach You, Volume 5 is available for pre-order, looking forward to a September print release.

Chiri Yuino’s bloody fantasy Scarlet, Volume 2 concludes this October in English from Seven Seas.

Sailor Moon, Eternal Edition, Volume 9 begins the Galaxia arc.

Shimura Takako’s new adult Yuri series about a woman falling for a married woman, Otona ni Nattemo, Volume 2 (おとなになっても) is out now in Japan.

And Ohsawa Yayoi’s Hello Melancholic!, Volume 2 (ハロー、メランコリック!) is hitting shelves this week.

Akashi’s Still Sick, Volume 3 is on shelves in Japan (at last!)

 

Yuri Light Novels

I’m in Love With the Villianess, Volume 1 is hitting us in print in November (digitally in September,)  with Volume 2 heading our way in February 2021. If you don’t want to wait, or would like to practice your Japanese, you can find Watashi no Oshi ha Akuyaku Reijou. (私の推しは悪役令嬢。) Volume 1 and Volume 2 in Japanese on US Kindle! (Oddly, the GL Bunko series I’m reading hasn’t been licensed yet!)

Villainess is also getting a manga adaptation which begins in the August issue of Comic Yuri Hime. ^_^

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!,Volume 1 will be out in print in October and available in August digitally.

Ameco Kaeruda’s overtly feminist Yuri isekai light novel, Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress! Volume 1 is now available in print! Volume 2 will be available in print in September. I loved both Volume 1 and Volume 2 when I read them in digital format.

 

Yuri Interactive Novels

Studio Élan’s Yuri Visual Novel Highway Blossoms was very pleasant and now it’s officially getting an sequel/DLC, Highway Blossoms Next Exit on Steam this year! It really looks like they are pulling out the sops with multiple perspectives and several stories.

Creator Natalie Cannon has written in to let us know that she’s created an interactive Text Yuri Novel, Moonrise. Available for the low price of $1.99, Moonrise has multiple player routes and romance options. You can play the first two chapters for free, so give it a try!

 

Other News

Kodansha in Japan is launching a new COVID-19 themed manga project with over 50 artists contributing to Manga Day to Day.

Become a YNN Correspondent by reporting any Yuri-related news with your name and an email I can reply to – thanks to all of you – you make this a great Yuri Network! Special thanks to Okazu Patrons for being an essential part of the team!



Éclair Bleue: A Girls’ Love Anthology That Resonates in Your Heart

June 12th, 2020

Éclair Bleue A Girl's Love Anthology That Resonates in Your Heart, from Yen PressIt feels like a lot longer ago, but it was only 2018, when I reviewed Éclair Bleue: Anata ni Hibiku Yuri Anthology (エクレア bleue あなたに響く百合アンソロジー) and today, thanks to Yen Press, just a hair over two years later, I am able to tell you that the third Éclair Yuri anthology from Kadokawa, Éclair Bleue: A Girls’ Love Anthology That Resonates in Your Heart is imminent!

Just like the previous Éclair volumes, Éclair and Éclair Blanche, this collection features a variety of pro and semi-pro (i.e., doujinshi) Yuri artists. Among them are names that are well known to you, such as Canno (Kiss and White Lily for My Dearest Girl), Miman (Yuri is My Job)  and Nakatani Nio (Bloom Into You) and hopefully you are becoming familiar now with some of the other names, like Kitao Taki and Fly, both of whom have had works reviewed here.

Éclair Bleue is a hefty volume in English with 250+ pages of Yuri content by over a dozen creators. The opening illustration is a welcome return to published Yuri by Reine Hibiki, the illustrator of the Maria-sama ga Miteru novels and early Yuri manga magazine Yuri Shimai covers, among other things. Also notable was U35, whose name I hadn’t seen for many years!)

Aya Fumio’s “Unfinished Prologue” and Kitao Taki’s “Sato, Tears, a Woman and a Woman” both appealed to me as best of volume this time. In a sense they are both similar, as the triggering event is someone seeing a person being melancholy or sad. But they are otherwise different, in both style and content. And yet, both left me feeling positive. (Note to Christian: You will be pleased that Canno’s series about Hazumi and Mao continues. ^_^)

The translation by Eleanor Summers is very good. A special shout-out has got to go to letterer Alexis Eckerman, who had to find new and exciting ways to communicate a dozen different forms of shouting, pouting, confessions and lovey-doveyness. ^_^

Ratings:

Overall – 7 All ratings are variable, as it is anthology

Éclair Bleue is a a decent Yuri anthology with a nice variety of stories and styles. I’m always super excited that we’re getting an anthology series in English! This volume comes out at the end of this month and the Éclair Rouge pre-order is up for Kindle & Comixology or in print with a release date in late September.

My sincere thanks to Yen Press for the review copy!



Shinyaku Ribon no Kishi, Volume 1 (新約・リボンの騎士)

June 11th, 2020

Today’s review is in part thanks to the constant evangelizing of Raybon No Kishi on Twitter, who alerted me to some interesting plot complications in this recent reworking of the story of Sapphire, the Girl Prince. Shinyaku Ribon no Kishi, Volume 1 (新約・リボンの騎士) is…well…it’s kind of interesting.  Written and drawn by Bureido (the pen-name for a three-person team of Miyamoto Loba,  Hamamura Toshiki, and Muramasa Mikado (many thanks to Hamamura-sensei for the correction_ whose work otherwise seems to be pedestrian and pornish – it’s a not-terrible homage to the iconic character created by Tezuka Osamu.

The story follows the outline of Princess Knight‘s origin, with some interesting changes. In Silverland, the rule of the Kingdom is entailed and can only be passed on to male heirs, so Sapphire reluctantly pretends to be the dashing Prince. It does not make Sapphire happy at all to do so. Upon saving a young woman, Sapphire takes the girl’s beribboned hat as a reward and wears it, gaining the moniker “The Ribbon Knight.” Really, Sapphire just liked the pretty hat.

Duke Lester wishes to dethrone Sapphire and doesn’t really care how he does it. He hires Willema, an assassin, to either prove Sapphire is a girl or to kill the Prince if he is a boy. Instead…Willema and Sapphire find themselves attracted to one another.  After she and Willema sleep together, Sapphire rides to confront Lester, while Willema rides off to talk to her mother, with tragic consequences.

Lester immediately begins working on a new plan…a weapon to destroy Silverland! And there will be pirates, as once might expect, if one has read the original.

As you can see, while basic plot idea is the same, pretty much everything else is different. Sapphire definitely does not like pretending to be a boy…and in this story she is pretending, there is no dual heart or a fairy who gave it to her. It is still Sapphire’s nature to be princely and she certainly is dashing, but she’d really rather not have to lie about her sex or gender.

This iteration has a fair amount of nipple-less nudity and the principal women are busty, which seems to be the style Bureido prefers. But even with that, it doesn’t feel too skanky. Honestly, this volume held up pretty well for a more modern retelling. What it loses in Disneyfied innocence, it gains in Yuri. ^_^ I’m not gonna lie, I wouldn’t mind watch this Sapphire wreck Lester’s stupid face.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 6
Yuri – 8

I mean, I get it, Willema’s doomed, and no Sapphire isn’t going to be living happily ever after as a boyish girl, but I’m actually still interested to see what happens in Volume 2, so that’s good. ^_^



Teiji ni Ageretara, Volume 3 (定時にあがれたら)

June 10th, 2020

Romance is hard, especially when  you aren’t really sure if she feels as intensely about you as you do about her. Or so Kayoko believes. To make things worse, when she’s thinking she’s lost her love, an old friend whom Kayoko really cares about offers to be her girlfriend. She has to refuse.

Relationships are difficult enough, but having to deal with all your old classmates talking about getting married when you don’t feel wholly comfortable sharing your life with them, is almost intolerable. Or so Kaori thinks.

In Inui Ayu’s Teiji ni Ageretara, Volume 3 (定時にあがれたら), Kayoko struggles with unwarranted jealousy, while Kaori trying to figure out what she really wants from her life. In the end, they find one another and are able to find comfort and joy in one another’s arms.

Generally speaking, I find jealousy arcs in media to be superficial and sadly, this particular arc was even thinner than usual. Kaori was being her usual nice self to coworkers, which throws Kayoko into a tizzy. I know that this exists in the real world, but come on, they have to talk to other people sometimes. Nonetheless, I liked that Kayoko is offered an alternative choice and has to think about it. In order to say no to her friend, Kayoko must come to grips with what – and whom – she wants.

Contrarily, I usually find “being annoyed at friends getting married” arcs wholly sympathetic, but Kayori’s reticence to tell them truth (which is entirely my issue, not hers) and her lack of awareness about Kayoko’s state of mind (which was entirely her issue, not mine, ^_^) was grating on me. I was very glad that they are given time to talk things through before a gentle reconciliation, if you can even call it that.

Ratings:

Art – 7 Still a little soppy
Story – 7 Nice, quite, mostly relatable
Characters – 7 Same
Service – 0
Yuri – 7 Take a step back, then forward

Overall – 7

People’s lives together are not always high drama and this series really highlights the internal conflicts, the smalls highs and lows of a couple in love.



She-Ra and the Princesses of Power, Final Season

June 8th, 2020

It seems a million years ago, when She-Ra and the Princesses of the Power began, but no. ^_^

Through 5 seasons on Netflix, we’ve watch Adora and her friends form an alliance with the other Princesses of Etheria to combat the evil Horde, which sounds exactly like what one might have expected of a series called She-Ra and the Princesses of Power…but there was so much more than that baked into the story.

Teamwork and Leadership. Obviously, we expect that from a kid’s cartoon, even now…maybe especially now, after decades of anime that focuses on the power of many over one. This cartoon delves into how hard it is to keep a team working, how a good team leader really needs to understand the skills their team members bring to the plate and find a way to utilize them. Hordak isn’t actually a bad leader…especially Hordak Prime, who fully understood that the way to build a team is to make people feel included.

Trauma. That Hordak’s rule was not so much a team as a cult made it pretty clear that there is a fine line for cults of personality/celebrity, and it takes some strength to break free. For my money, Wrong Hordak (along with Peridot and Lapis) is some of the best writing in the last few years – not everyone joins the resistance for the right reasons and even if they do, they sometimes need to work through a lot for a long time. Trauma is real and healing is ongoing. You just know Wrong Hordak will wake up screaming some nights and Catra will have a hard time every once in a while. Mara’s story is a story of trauma. Bereavement is a repeated theme which makes a lot of sense for a series centered around a war.

Betrayal. Scorpia’s whole story is one of betrayal. Her grandfather capitulated to the Horde, and betrayed their family. Catra treated Scorpia with contempt and left her behind. Entrapta was betrayed – she thought – by the Princesses, and she betrayed Wrong Hordak. Adora was betrayed by Lighthope, Glimmer felt jealousy and betrayed by Bow…. and Bow was unable to address his fear of betraying his fathers. And so on.

Representation. I commented on Twitter that, in the post She-Ra and Steven Universe world (for which I still owe you a wrap up review,) all children’s cartoons are going to have to just be amazing. Never again can a network argue with a straight face that representation “doesn’t sell.”Along with racial diversity in characters, there was age, and sexuality and gender diversity, varying body types and sizes. Which is not to say it was perfect. Upon reflection, we can’t think of a disabled character in She-Ra. (Yes, I know that other cartoons have some…I’m reviewing this cartoon right now. If I’ve forgotten someone in this cartoon, please do jump in. I’ll be glad to be wrong. ^_^)

In terms of queer representation, the creative team pulled out the stops. Netossa and Spinerella are already an established couple when we meet them and they are really cute about it. Bow’s dads are a dignified middl-aged couple, as well. Double Trouble is notably non-binary, voiced by non-binary voice actor Jacob Tobia. And of course, there’s Catra and Adora’s 5-season long gavotte around their feelings.

And in all this, characters deal with many other emotional states, both positive and negative. When I wrote my initial review, I found some of the Princesses annoying…as we were lead to. As their stories unfolded, their characters filled out and developed into some great characters.  Some of these story lines work well, others are occasionally  facile, but generally it had some remarkable scenes. Excellent characters who were complex and nuanced, rather than bad OR good. Overall a very good series.

My only – really only – complaint about the series is the shadows that were drawn across their faces. It often looked as if they were wearing a mask. It reminded me very much of the band of light in the characters’ hair in Vision of Escaflowne, which I also found horribly distracting. I shouldn’t be seeing one artistic quirk constantly in every scene to the point of not being able to not notice it.

Ratings:

Art – 7 That face thing is a point off
Story – 8 Twisty and good, avoiding childish morality
Characters – 9 Full developed, often funny
Service – 1 I mean, everyone looks good dressed up, but that dress on Scorpia and the untied tie on Catra were on point. ^_^
LGBTQ – “perfect world” 10, in which people just are and that’s not the issue ever

Overall – 9

I do wish, though, that there had been a post-series Princess Prom episode. ^_^