Train To The End of The World, Season Finale

June 30th, 2024

Four girls in blue Japanese sailor-suit style school uniforms and a dog perch on top of a yellow Japanese train car. One girl with a side ponytail stands, shading her eyes, arm akimbo, looking out into the distance.Of the several, Yuri, Yuri-adjacent and Yuri-adjacent-adjacent series (which I differentiate internally from “Cute Girls Doing Cute Things Cutely’ series, which is why I keep using phrases as ridiculous as “Yuri-adjacent-adjacent”) we have enjoyed this season, one stands above the rest in doing that rarest of anime achievements – sticking the landing.

Train To The End of The World, streaming on Crunchyroll, absolutely stuck the landing. 100 out of 100 points to the writers who knew where they were going through the entire season and never let us down.

In a story that was ostensibly about the many ways humans can lose their humanity, this story unerringly gave us a clear path to remembering what makes us human. Kindness, intimacy, teamwork, shared purpose, and above all friendship, were the keys to making this series end exactly where it had to.

But oh my goodness, how we got there was such an incredibly journey. Everything about this series was fantastic. From the Ikebukuro owl kidnapping Yoka, that initiated the entire story, to a crack force of deranged manga artists in Tezuka-style berets, using genre tropes as weapons, this story plumbed the weird and wild of otaku fetishes and genre cliches, strung them into a Theater of the Absurd horror/scifi story so deftly, that I was constantly amazed that this was an original anime and not adapted from some award-winning sci-fi novelist’s work.

Ratings:

Art – 9
Story – 10
Characters – 10
Yuri – 0/ Intimacy – 10
Service – Yes, and no in equal measure mostly at the same time.

Overall – 10.

An absolute must-watch for experienced anime watchers. Not sure I would suggest it for someone new to the medium. Like Chainsaw Man, it requires some contextualizing within the medium for full enjoyment and understanding.

In a season of anime in which emotionally intimate relationships between young women are shown through multiple ways, some more realistic that others, Train To The End of The World stands out as a series that both remained utterly true to telling a deeply satisfying story about those kinds of relationships and simultaneously, gleefully embracing the most surreal way of doing so.



Yuri Network News – (百合ネットワークニュース) – June 29, 2024

June 29th, 2024

In black block letters, YNN Yuri Network News. On the left, in black silhouette, a woman with a broad brim hat and dress stands, a woman in a tight outfit sits against the Y. Art by Mari Kurisato for Okazu

Yuri Live Action

Ayaka Is In Love With Hiroko, based on Sal Jiang’s manga of the same name (of which I have reviewed Volume 1 and Volume 2 here on Okazu) is getting a live-action series and is pounding the internets with updates. ANN’s Crystalyn Hodgkins has news of the premiere of the opening theme and  ending theme for the series.

This series is meant as a comedy, so I think the character of Hiroko is going to be key to the success of the thing, as she is the overtly gay character. Happily, the trailer seems like she’s going to be handled well enough by Mori Kana.

Okazu Staffer Frank Hecker notes that this series will be getting an international release with subtitles on the GagaOOLala pan-asian LGBTQ+ media streaming service, on July 5th.

Some Thai GL news from Frank, as well. The Secret Of Us, Episode 1 is up on Youtube! This appears to be  story of a professional women rekindling a love with a former lover who had broken her heart.

 

Yuri Manga

ANN’s Rafael Antonio Pineda wants you to know that Usui Shio has a new series beginning in Comic Yuri Hime, which looks like a stark departure from her recent gentle romances. Bokura no Ai wa Kimochi Warui, is yet another fetish relationship in a magazine that has become increasingly laden with them among the fantasy stories.

Rafael also has the sad news that Yuri Is My Job manga is on indefinite hiatus as the author is in ill health. We all wish Miman-sensei a speedy recovery.

 

 

Your support makes Yuri news, reviews and videos possible.
Help us give our writers the pay they deserve!
Become an Okazu Patron today

Yuri Anime

Mobile Suit Gundam: The Witch From Mercury has been released in a smexy Steelbook Blu-ray set. Season 1 and Season 2 are up on the Yuricon store!

Dollip Daze has hosted a Q&A with the English voice cast for I’m In Love With The Villianess. Check it out on Youtube.

Whisper Me A Love Song continues to have production issues through Episode 10. I’m only mentioning this here, because I do feel that I’m In Love With The Villainess had a visibly very low production budget and I really hope Ichijinsha stops trying to make anime on a shoestring. It makes it harder to tell people that it’s worth it to watch. Alex Mateo has details on ANN.

On the premise that all PreCure are of interest to Okazu fans (which may be a stretch, I know, but oh well) Anita Tai wants you to know that the Wonderful PreCure! Movie theme song has been released. This movie will have appearances from characters from Hirogaru and Mahou Tsukai PreCure series. I am shocked, honestly that I am still watching and enjoying Wonderful Precure! Given the premise I didn’t think I’d last a week, but here we are and I’m still watching.

Continuing the stretch, let’s talk Sound Euphonium, for a bit. Episode 12 aired and it was an *amazing* episode, except for one fatal flaw that I cannot forgive. I promise to discuss in  future review. But today, let’s look at what Ken Iikura-Gross has to say on ANN, about the novel author’s reaction to the episode. It is a bit interesting and may make me seek out the manga.

Stilllll stretching, Alex Mateo on ANN notes that Bad Girl manga is getting an anime. Let’s cut to the chase here – good girl pretending to be delinquent in a Mangatime Kirara Carat manga series, so…good chance on Yuri-adjacency.

 

Buy us a Sailor Senshi sparkling water
Support Yuri journalism on Ko-fi!

Yuri Games and VNs

YNN Correspondent m and the lue bird wants you to know that Revue Starlight El Dorado will be premiering in August on Steam!

Studio Élan is running a sales on their Yuri VNs! Check the sale out on Steam and Itch.io.

 

Other News

Yuricon/Okazu trivia time. Back in the late 1990s when we had a Yuricon Mailing List on Yahoo groups, I ran a poll about people’s favorite Yuri character. The very first winner of that poll was….Priss from Bubblegum Crisis. For more than a decade after that, I would periodically receive angry ranting emails, “explaining” to me that Priss was not a lesbian, goddammit, how DARE I think so. The fact that this was not my personal choice aside, it was always so sad/funny how angry people got at that. Anyway. I watched Crisis and Crash and 2040 and Priss is bi, get over it. ^_^

Udon Entertainment is hosting Bubblegum Crisis and Crash (and Gunsmith Cats /loud throat-clearing, Misty/) creator Sonoda Kenichi at San Diego Comic Con to mark the publication of Bubblegum Crisis: Complete Archive Artbook. Rafael Antonio Pineda has details on ANN.
 

If you’d like to support Yuri journalism and research, Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2024, is to raise our guest writers’ wages to above industry standard, which are too low!

Your support goes straight to paying for Guest Reviews, folks helping with videos, site maintenance, managing the Yuricon Store and directly supporting other Yuri creators. Just $5/month makes a huge impact! Become part of the Okazu family!

Become a part of the Yuri Network, by being a YNN Correspondent: Contact Us with any Yuri-related news you want to share with us.

 

 



Jellyfish Can’t Swim In the Night, Season Finale

June 27th, 2024

A girl with long, blonde hair, wearing a blue and yellow jacket stands against a backdrop of a city at night with her hand against her forehead in a 'V' for victory position.We are coming to the end of another surprising season of anime with a number of Yuri, Yuri-adjacent and Yuri-adjacent-adjacent series. Most of these anime were interesting to watch,  One was outstanding – we’ll talk about that one shortly, some were overall excellent with fatal flaws – weirdly, two of them shared much the same flaw, IMHO. Today we’re going to look at one of the latter.

As I watched Jellyfish Can’t Swim In the Night, streaming on HIDIVE,, I was once again reminded of Bee Train being asked about the Yuri in Noir at Anime Expo 2002, a panel that for reasons, I moderated.  When asked about the Yuri in Noir, Bee Train members replied “If you want to see it, it’s there.” That was 22 years ago. In 2024, that same cavalier attitude toward Yuri has very much colored fans feelings about the ending of Jellyfish, an otherwise good story about finding people who help you accept yourself and whom you can accept in return. It’s a pretty standard cute-teen doing cute stuff, on a larger scale than just a high school club, so I hesitate to call it “slice-of-life.” It’s a rare life that is writ that large. And good for those folks who do get to that scale. They work hard to get there, as our group utilizes the skills they each uniquely bring to the whole.

On the one hand, this is a glossy story of outcasts making a place for themselves…which becomea a little complicated if you read it “You should find friends that accept you,” instead of “When you accept yourself, it might be easier for you to find a place for yourself in the world.” But these outcasts do learn to love themselves, and each other and they take their moment in the limelight to do their very best. It doesn’t matter whether it was good or not, honestly. They embraced their chance.

For many fans the major problem of the series is the staff’s comments about potential Yuri in the series.  Like that Bee Train comment, this is another example of a bunch of people with no emotional skin in the game, using Yuri as a tactic to create engagement within fandom. As a person who has been watching companies do that to fandom for literal decades, I’m more surprised at the series that do stand up for their characters, like the folks involved with Mobile Suit Gundam: The Witch From Mercury, than I am at those which do not and don’t much care about the consequences.

Fans have been pretty vocal about their disappointment in the use of a kiss between two characters as a throw-away, “This is something that might happen, but no matter, it has no meaning” moment. Especially in a series which did have a solid plot line about gender identity. I hate to paint myself as jaded, but given the overt Yuri of Whisper Me A Love Song, I felt that loss less keenly than the one real problem I had with the anime. That last song disappointed me. Music is subjective of course, but I was hoping for something more epic. On the positive side, the story did avoid an obvious pitfall in which our leads are pitted against one another, but I am convinced we have limited budget and time to thank for that, rather than pure-hearted storytelling. Had the series been 24 episodes long, I have no doubt it would have gone there

The phrase “Yuri scam” seems to have been coined by some portion of fandom online for this series, when Yuri bait doesn’t quite strike the same chord. The sentiment expressed by those people are “we were set up, and let drop. Just to see what happened.”

Do I think this was a Yuri anime? No and I don’t think it was trying to be one.

I do think this was an anime about intimacy and friendship – something I apparently can’t get enough of. But as for what we wished to see, we’re going to have to get directors and producers in anime who have some need to give us representation, in the way the staff of She Loves To Cook, She Loves To Eat, does, before we’ll see anything change.

Ratings

Art – 8
Story – 8
Characters – 8
Yuri – 4
Service – 5 There were some seriously unneeded ass and crotch shots that make me worry about the future of humanity, but then so does the massive money being poured into “AI” that tells people to eat a rock a day.

Overall – 8

Will Jellyfish be something we come back to year after year? Probably not. Nonetheless as an ultimately “feel good about yourself” anime, Jellyfish did what it set out to do, did not do things it had no intention of doing, and told the story that it had to tell. 

Watch Jellyfish Can’t Swim In The Night on HIDIVE and let me know what you think!



Cocoon, Entwined, Volume 6

June 26th, 2024

Two girls with long, flowing hair in white, flowing dresses run offscreen, clasping hands and looking at one another.Guest Review by Patricia Baxter.

As the curtain closed on Yuriko Hara’s Cocoon, Entwined series, I knew that a truly remarkable story had ended.  There have been times when I’ve experienced narratives, manga or otherwise, with strong writing in their characters and world-building, only for the ending to stumble, negatively altering my perception of the entire work.  Thankfully, Cocoon Entwined did not falter but instead ended in a tremendously fulfilling way, both in terms of its numerous visual book ends and how each principal character emerged from their metaphorical cocoons.

As the Christmas dance reaches its climax, the cycle of Hoshimiya Girls’ Academy is finally disrupted in a dramatic and unsalvageable way.  Even more shocking is that this disorder isn’t caused by Youko, the main protagonist, with her verbal plea for change, but by Hoshimiya-san whose actions speak the loudest without saying a single word.  Some readers may be put out by Youko not having the big dramatic “win” during the dance, but I felt Hoshimiya-san being the one to unravel this unchanging cycle made the most sense.  Between her familial connection to the school, her dramatic exit setting the stage for the whole narrative, and the way she has been constantly idolized and objectified by other characters, it is only fitting that Hoshimiya-san finally reasserts her agency by ending the system.

Thankfully, Youko has her moment of personal triumph when she meets up with Hana in the dressmaking room for the last time.  Youko shows just how much she has grown since the beginning of the series, and Hana is finally taking the initiative to step away from her role as the “prince”.  Their dance might be one of my favourite sequences in this series, showcasing just how much these two girls have changed themselves, and each other, for the better, genuinely making me misty-eyed as I read it.

The rest of the cast is also given their chance to change and move forward, though Ayane and Haruka’s story felt a bit rushed in comparison to the rest of the cast.  I honestly wish we would have had more time to explore their relationship, especially considering how much Haruka has been impacted by Ayane’s actions, but the resolution we do see is still satisfying.

As always, Yuriko Hara’s art is some of the most gorgeous art you can ever read in comic form, with extremely striking visuals that stay with you even after you have closed the book.  It is clear to me that she is an astounding talent in the medium of comics, who continues to develop and hone her skills, and I look forward to seeing what projects she tackles next.  I also sincerely hope that we can get her two manga collections, Out of the Cocoon (アウト・オブ・ザ・コクーン) and Atami no Uchujin (熱海の宇宙人), in English someday soon, since her talents in writing and art also excel in one-shots, as showcased in the Éclair and Bloom Into You anthologies.

Cocoon, Entwined was a delight for me to read, both as a yuri manga for its depiction of sapphic relationships and as a manga for showcasing the power of storytelling that only comics can achieve.  Even if I can’t see more of Youko and Hana’s story, I know that they are walking together, moving forward and always remaining open to changing themselves for the better.

 

Art: 10

Story: 10

Characters: 10

Service: 2 (for Youko and Hana wearing slips on the cover and during the dance sequence)

Yuri: 10

Overall: 10



The Executioner And Her Way Of Life, Volume 7: Lost

June 24th, 2024

A blonde girl with long hair tied up in a black ribbon bow, tugs on the collar of yellow over her blue dress, black crop top and white pants.In Volume 6 of Mato Sato’s isekai fantasy light novel series, the promised battle occurs and it ends and there are no apparent consequences at all. Which was only a little surprising, given this series penchant for adding new plot devices, world-building elements and characters freely as a form of adornment, rather than support.

It was, therefore very surprising to begin The Executioner And Her Way Of Life, Volume 7: Lost to learn that in the last 6 months story-wise, a great deal has happened. Instead of showing us, the author decides to tell us, leaving us not so much reading a novel as reading the very comprehensive guide to a novel. Every character is a paragraph of description, followed by their abilities and eventually, some small nugget of their history that might be relevant to the scene, to be added to as the next scene happens, and the next as if we are having this book told to us by a DM rather than a novelist.

I ain’t mad though, because given how many new characters are added and how much has occurred since the last novel, actually having to read the multitudes of scenes would get in the way of the few interesting things that actually happen in this book.

Sahara has not been a particularly fascinating character…until this novel. She’s clearly meant as mediocre foil to Menou’s status in the story. When we catch up with her here, this failed priestess with a magical prosthetic arm is wallowing in her mediocrity, and ennui. As the story develops, she finds that she has little choice but to grow and become a better person – and it annoys the daylights out of her.

What makes this evolution especially noteworthy is that the person she is protecting is someone we (I, definitely) had kept forgetting to care about.

In a series with a lot of throwaway characters, Maya, the little finger of a Human Error, was particularly forgettable, except as a reminder that this writer really likes to torture young girls – something I am not okay being reminded of. Maya’s redemption arc is extraordinary. That it pulls Sahara, and in some ways even Menou herself, along with it, is even more notable.

What worked best in this volume here was the almost complete removal of characters we have focused on in previous volumes. Menou herself is a side character in this novel, but what she chooses to do hints that 1) maybe the author finally has a plan and 2) she might be developing a personality. Both are welcome additions to this narrative.  We find ourselves with something that looks like in the future it might become a resolution, after we fight the next big bad on the way to the biggest baddest. With accompanying grossnesses for grotesquery’s sake. Thankfully, Mato Sato is about as interested in writing the grotesque as I am in reading it, so those scenes tend to be in that guidebook format, rather than lingering.

You may be asking why I continue to read this series. Trust me, I have asked myself that, as well, but, in this series – which is literally a tale of many ways in which humans lose their humanity – the addition of simple kindnesses and connection between people was something that genuinely made this volume worth reading.

Ratings:

Art – 6 Irrelevant as usual. One cannot keep telling us these characters are gorgeous then give us this art.
Story – Begins at 5, but ends at a strong 7
Characters – 8
Service – Light guro
Yuri – Less than usual, and somehow more poignant as a result of it all being so offscreen.

Overall – 7.5

It comes down to the fact that I quite like the construction of the magic and the world-building and kind of want to see where it leads?  I mean, will Menou (or /the person she was originally/) ever reunite with Akari? I dunno. I don’t even know if Mato Sato knows. But I guess we’ll have to find out one day, right? ^_^