Yuri Manga: Yurikan Feuille (百合缶 Feuille)

January 25th, 2012

Every few years or so, someone comes up with the idea of creating a Yuri stand-alone anthology. [ES]~ Eternal Sisters, Shoujo Yuri, Yuri Monogatari, Yuri Tengoku and many others have graced my shelves.

Some of them have borne great fruit. The characters of Ame-iro Kouchakan Kandan, for instance, were first seen in [ES]. Some artists are more comfortable in these doujinshi anthologies than they are in the pages of a magazine. Morinaga Milk-sensei, for instance, spent many years drawing for exactly these kinds of anthologies, before she found a home at Comic High.

And now, a new Yuri Anthology series has arrived. The first of these, Yurikan Feuille (百合缶 Feuille) reads pretty much like any of these, with few stories that stand out and a lot of the same kind of Story A. Tears, a few kisses, a few gropes, more tears, protestations of like, sometimes love, the story ends with a sense of relief that both girls are on the same page, romantically speaking.

The first of this series features Morinaga-sensei with her Hitomi and Nana clones, who like each other, and just have never had a chance to actually say it. An accidental encounter gives them that opportunity. This pretty much sets the tone of the rest of the volume. This is fully embedded in Story A tropes – schoolgirls, confessions, confirmation. None of them really stand out as unique. They aren’t awful, just a set of the same story told by different artists. Not a single one breaks the mold, except one story which adds “funny” sexual harassment to the mix.

Ratings:

Variable, obviously, being an anthology.

Overall – 6

As a collection of the same one trope, Yurikan Feuille is not terrible, not great.



Hayate x Blade Manga, Volume 15 (はやてxブレード)

January 23rd, 2012

So, Volume 14 came and with it, the greatest fight ever seen at Tenchi Academy. Sae and Shizuku, out of the fight and only Hitsugi and Akira left to battle it out. Students and guests were on the edge of their seats and so were readers, I can assure you.Well, at least this reader was.

The battle ended as it had to. Bloodied, on one knee, but unbowed and unwilling to give up, Hitsugi defeated Akira. Phew, because if Akira won, Tenchi would have been disbanded. And here, in Hayate x Blade, Volume 15, (はやてxブレード) we finally learn why.

We know that Akira’s father is a bastard – we’ve known that for a long time. We know he favors that prig Ryouichi and treats Akira like dirt, merely because she is a girl. And we learn why, exactly he let her come to Tenchi Gakuen – to destroy the Amachi family and the school. Having won the battle, Hitsugi cheerfully pronounces Akira’s punishment – to take over the school as chair. Akira now holds in her hands exactly what she was sent to get, and she runs off to give it to her father, and maybe, finally, get approval from the old man. But…Akira has undergone a transformation, and so has Sae, and together they walk away from what they were told would be their fates, in the quirkiest way possible. I won’t spoil it, but I will tell you that it involves a plastic bag from a convenience store (this time, the late, much lamented AM/PM) cut into a mask.

And so Akira and Sae return to school to find that nothing has changed – except everything has changed. The new trimester has begun and Tenchi Academy is moving! But before that, there’s new uniforms. And more epic battles between “randomly” chosen opponents who are so unrandom that everyone in the audience questions Hitsugi’s honesty. Ayana is once again paired with Yukari; Yuho returns, and Hayate meets (as in “meets in battle”) Nagi’s shinyuu-to-be, Kanai and lots of stupid shit happens.

I was recently discussing Hayate x Blade with Bruce and I said that generally I really dislike physical comedy. Hayate x Blade has a ton of physical comedy  – that makes me laugh out loud. The story that wraps the comedy is so smart-dumb that it’s impossible not to laugh. In my imagination, Hayashiya-sensei is Hitsugi, pulling strings and manipulating characters, just to get the best damn story she can out of them. Which, she does.

Ratings:

Art – 9
Story – 10
Characters – 10
Yuri – 1
Series – 1

Overall – 10

Once again, Hayate x Blade is the manga I wait with greatest anticipation for monthly issue and tankoubon alike. I pray daily that this manga becomes the longest-running story ever, because I cannot imagine my life without it and I expect to live a long time.



Yuri Network News – January 21, 2012

January 21st, 2012

Yuri Anime

From multiple sources in the Phillipines comes the news that Sailor Moon is returning to TV there. Johann C from the Yuricon Mailing List says that it’s getting “a New Tagalog dub with Jenny Bituin (Misaki Suzuhara in Angelic Layer, Sakura Kinomoto in Card Captor Sakura) as Usagi.”

The first episode of Gokujyouu anime will be streamed for free online on January 30th and if that doesn’t turn you off then we have nothing left to discuss, you and I.

***

Yuri Manga

So, yesterday we announced the partnership of JManga and ALC Publishing to bring Goto Hayako’s POOR POOR LIPS to digital format. Let me address some of the obvious issues that came up, to the best of my ability.

Distribution – I am pushing to try and get JManga to establish access for Yuri publications outside North America, but this is primarily an issue between JManga and the Japanese rights holder. You all know how I feel about this nonsense. If it were up to me, everyone, everywhere would have access to this book. Unfortunately, I am only in a position to suggest.

Digital Format – Yes, this is a digital format only. And only on JManga. JManga is the rights holder, not ALC. We have no say about the format.

Yesterday, this question became an issue, as some people claimed that they preferred to buy books. That may be true, but 1) As I’ve said many times, the book-buying Yuri audience is not yet sustainable and 2) Digital makes a lot more sense going forward than books. We are at one of those moments in time, between two formats and everyone over the age of 18 is digging in their heels saying “But I prefer books.” What we really mean is, “I am used to books.” Digital is not going away and, in days to come you should probably expect more digital, not less. 3) People who rely mostly on scans really, I know most of you do (not all, Okazu readers are very likely to buy when they can and I know that!) really have no voice in the distribution/format wars. I understand fully why you rely on scanlations. You don’t have to justify that. But, when a legit version is available, and a person is still downloading illicit scanlations, and says, “I prefer to buy books,” it’s disingenuous, at best. What that person is really saying is, “I prefer free.”

4chan has already stated that they want rips of the JManga edition. This is what publishers hear when “fans” say “We want a thing.” They could have it, all three current volumes of Poor Poor Lips, but oh wait, not for free. So they’ll just rip it and move on. THIS is why I am not trying to license the print version. There’s no other reason, just this. Until this changes, I have no incentive to invest my money in the market. I don’t have an angel company pouring money over my head, so I have to be very cautious.

So, while I’m very proud to be bringing the Yuri audience Poor Poor Lips, and will do what I can to make it available to as many of you as possible, I’m still frustrated by the instant “I won’t buy it because…” reactions. If you have any reason at all that you won’t support it, you’ve given up your voice in the conversation. As for all of the non-North American fans out there – I want you to know that I really understand your frustration and will keep pushing for your right to read this!

And, in keeping with the concept of anyone, anywhere reading a comic, Tsubomi magazine has put several of their comics online and they do not appear to be region-locked! Of course, they are in Japanese.

Here’s the moral of the story – the market is still changing and changing quickly. Publishers are scrambling to make things available and also scrambling to pay their bills. (Like…if you do work, you should be paid for it. Well, so should the people who work for the publishers.) Japanese publishers are still a bit behind the times, but they are also doing their best. Not too long ago, someone on Twitter asked about using Kickstarter to fund an obscure series and I had to tell them the facts about publishing. The bits you see – translation, lettering and distribution are only a teeny portion of what goes into the licensing and publication of a book. Because most of the steps are invisible to readers, they may think that that’s all there is. But, just because you can’t see it, doesn’t mean it doesn’t exist. ^_^ So, please, be patient with the industry. We’re trying.

David makes a good point in the comments – the business model for JManga is off-putting for some folks. I don’t disagree. Honestly, I’d prefer to have ad hoc sales as an option, too. I’ve mentioned that to them as well. So yes, the whole thing is imperfect. You know what? Life is imperfect. ^_^ All we get is to choose how we react to life’s imperfections.

***

That wraps it up for this week.

Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.



ALC Publishing and JManga Announce POOR POOR LIPS Partnership!

January 20th, 2012

Okashi Nako is a young woman living in poverty. When she applies to work at a Gem store, she learns that store owner, Otsuka Ren, is a lesbian. Ren promises that Nako’s not her type, but she may be lying…. Nako takes the job and so begins a comedic tale of rich and poor, sickness and health, for better and for worse!

ALC Publishing and JManga are proud to announce a partnership to bring you Goto Hayako’s Yuri love comedy, POOR POOR LIPS!

From JManga, the world’s first official Japanese manga portal website, directly from the 39 prominent publishers that make up the Digital Comic Association, and from ALC Publishing, a pioneer in Yuri Manga comes a partnership that brings you some of the best in Yuri digital manga straight from Japan! With the honest representation of lesbian life you’ve come to expect from ALC and the convenience of digital manga, Poor Poor Lips is sure to please Yuri fans.

(Cover Image: Poor Poor Lips Volume 1 (c)HAYAKO GOTO/Takeshobo Co., Ltd.)



Wandering Son Manga, Volume 2 (English) Guest Review by Kayden L

January 19th, 2012

Welcome back, I hope you enjoyed yesterday’s blackout. As you may have guessed from my many years of writing about it here, freedom of expression is pretty much the one issue I consider to be the single *most* important issue there is. Obviously, as I discuss copyrighted materials here, and post covers and the like, it’s critical to me that no one decides that my blog or any of its content must be blocked. Framing SOPA and PIPA as saving American jobs is especially nasty, as it is those very same corporations that supported these bills who have systematically undervalued, underpaid and outsourced the creative efforts of the people who make the material they lay claim to. Of course I support creators’ rights and their copyright, but SOPA and PIPA have no stronger provisions for creators.

As with LGBTQ content and purges to supposedly “save the children,” I feel as if we must be extra vigilant with any designs to block Internet access. Thus, the blackout. Thank you for bearing with me.

In any case, today we come back with a bang! A brand new Guest Reviewer, Kayden L, is joining our ranks. When I reviewed Wandering Son, Volume 1, Kayden made some great points in the comments about the spectrum of transgender and genderqueer life, and so I requested Kayden review Volume 2. And here we are. ^_^ Please welcome Kayden and enjoy this guest review!

Ahoy, everyone. My name is Kayden and I identify as a trans/genderqueer individual, and here’s my review of Wandering Son…

Time seems to be moving quickly in Volume 2 of Wandering Son. Already, Shuichi is heading into the 6th grade, but as the characters soon learn, age comes with increased social and gender pressures.

When Yamazaki-sensei tells the class to write an essay on what their dreams are, we find that Shuichi experiences “censor’s block” (rather than writer’s block). After struggling with the assignment for several nights, Shuichi submits a paper that says, “I don’t know yet. I’m sorry”. As readers, we know that Shuichi has a dream – “to be a beautiful woman” – but the portrayal of Shu’s self-policing is one of many examples of Shimura-sensei’s excellent storytelling skill. Through Shuichi, readers are able to get a glimpse of the closet in which many LGBTQI people hide. Seemingly irrelevant day-to-day decisions, such as the simple task of writing about one’s hopes and dreams for the future, become difficult for many closeted individuals who feel like they may be ostracized, ridiculed, or harassed for having personal wants, needs, preferences, and/or goals that deviate from social norms.

Luckily, Shuichi is able to find full acceptance with Takatsuki-kun (Yoshino) and Chiba-san (Saori), and it is within this the tiny community of friends that Shuichi develops a positive outlook on identity. That community is slightly expanded when Shuichi and Yoshino, dressed as a girl and a boy respectively, go out on one of their excursions and befriend Yuki (the woman who flirted with Yoshino in Volume 1). Initially, Yuki believes that Shuichi is a girl and that Yoshino is a boy, but she eventually learns the truth and becomes a sort of mentor, along with her boyfriend, Shii, to both kids by offering emotional support; adult approval of who they are; and a safe physical space in her apartment,  where they can be themselves. Perhaps most importantly, Yuki tells the kids to have pride in their own selves: “You must never become discouraged or afraid… you two are just too good for that”. When a classmate harasses and calls Shuichi a faggot during a school trip, it is Yuki’s words that inspire Shuichi to find the strength to stand up against the bully.

Shimura Takako’s Wandering Son is a beautifully drawn and skillfully executed story about being different and how people struggle with being alone. It is an excellent springboard for LGBTQI discussion, and I believe that its universal themes (eg. finding your identity, being bullied, growing apart from friends) can appeal to everyone, rather than just LGBTQI audience.

Naturally, the story does not reflect all trans/queer experiences, but when I read this series, I get nostalgic because I see my younger self in Yoshino and Shuichi; I remember doing, feeling, and thinking the exact same things. I take my hat off to Shimura-sensei for capturing a trans/queer experience that feels genuine and honest.

For any of you who are interesting in reading Volume 2, I tried not to reveal too many things… so if you want to know Yuki’s secret, or find out how a family member reacts when Shuichi’s secret is discovered, you should give Wandering Son a try. Also, there’s an essay, written by manga scholar Matt Thorn, at the end of the book that’s titled “Transgendered in Japan” that may be of interest to some of you.

Ratings:

Art: 8
Story: 8
Character: 9
LGBTQI: 9
Service: 1 for Yuki’s “cradle robbing”… and for what her boyfriend did in the elevator

Overall – 8

Thank you Kayden for another perspective on what I agree is a stellar series!